Heartbreaking Bravery

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Tag: Ivy

Parquet Courts – Human Performance (Stream)

parquetcourts

A large handful of great songs have emerged since the turn of April and it’d be a complete disservice to their innumerable strengths to not allow them a mention. As previously stated, these songs will be evenly distributed across all of today’s fixed stream posts. Before putting the latest single from Parquet Courts under the microscope, take a moment to grant the links that are about to follow some attention because they contain great new material from Kalispell, Gingerlys, Christian Fennesz & Jim O’Rourke, Holy Now, Sales, Plastic Flowers, Blessed, Julianna Barwick,  and Julien Baker. Now, onto Parquet Courts.

Over the past few years, Parquet Courts have built their entire reputation on a very particular — and very divisive — sound. The quartet cranks out detached-sounding post-punk at an impressive clip and, somehow, they find a way to imbue each release with a staggering influx of life. It’s one of the more fascinating dichotomies happening on the DIY-leaning circuit right now and as the band’s grown, the disparity between what sounds like apathy and what (admittedly unexpectedly) translates to invigorating energy has only grown further apart. “Human Performance”, the title track from the band’s latest record, is the current apex of this dynamic.

A few members of Parquet Courts had previously hit a similar apex with their finest work as Teenage Cool Kids, a small portion of which was understandably revived for Parquet Courts’ (or, Parkay Quarts’) ouevre. “Human Performance” doesn’t just recall those Teenage Cool Kids peaks, it surpasses them with a bracing surge of confidence from a band that’s mostly come to be known for sounding categorically disinterested in just about everything. For the first time in a long time, Parquet Courts sound actively invested in a narrative on an emotional level, injecting the song with a melancholic touch that suits them astonishingly well.

Tellingly, the band hasn’t just turned in their most impressive musical composition to date, they’ve included what is — far and away — the best lyric set of their still-growing career.  On a purely narrative level, “Human Performance” is relentlessly bleak and tragically poetic. The opening half of chorus alone, comprised of the lines “Witness and know/fracture and hurt/eyes in the fire/blink unrehearsed”, suggests that the band went all in on this one. In prose, tragedy can grow in scope when it grows more acute — especially when done well — simply because of its immediately relatable nature. “Human Performance” not only succeeds on that level but grows even more resonant by exposing Parquet Courts’ surprisingly fragile humanity.

Easily one of 2016’s most unexpectedly brilliant songs, “Human Performance” is also a gigantic stride forward in Parquet Courts’ continuing evolution. From the bold choices that are inserted into the song when they’re least expected (the flute solo being the most obvious example) to the endearing bravery required to be that vulnerable on a very public level, “Human Performance” could very well prove to be a watershed moment for the band’s artistic direction. If it doesn’t usher in a new era for Parquet Courts, at least they’ll have left us this miniature masterpiece.

Listen to “Human Performance” below and order the LP from Rough Trade here.

2015: A Visual Retrospective, Vol. 3

Idle Bloom

Throughout the course of 2015 I’ve been fortunate enough to attend upwards of 100 shows, festivals big and small, and spend approximately half a year living in a city that hosted a mind-boggling amount of quality shows on a nightly basis. To that end, it’s probably unsurprising that I wound up taking over 10,000 photos this year alone. Over the course of the next few days, this site will be running seven volumes of the shots that stood out as personal favorites, whether that was due to their composition, sentimental attachment, or an intangible emotional or intellectual response. It’s been an honor to be able to take even the smallest part in the ongoing sagas of the artists in the photographs below and an additional thanks is due to the venues that allowed me to shoot (as well as the people who encouraged me to keep shooting).

Enjoy the gallery.

 

2015: A Visual Retrospective, Vol. 2

Girlpool I

Throughout the course of 2015 I’ve been fortunate enough to attend upwards of 100 shows, festivals big and small, and spend approximately half a year living in a city that hosted a mind-boggling amount of quality shows on a nightly basis. To that end, it’s probably unsurprising that I wound up taking over 10,000 photos this year alone. Over the course of the next few days, this site will be running seven volumes of the shots that stood out as personal favorites, whether that was due to their composition, sentimental attachment, or an intangible emotional or intellectual response. It’s been an honor to be able to take even the smallest part in the ongoing sagas of the artists in the photographs below and an additional thanks is due to the venues that allowed me to shoot (as well as the people who encouraged me to keep shooting).

Enjoy the gallery.

Tenement – Live at The Acheron – 6/25/15 (Pictorial Review, Live Video)

Tenement III

Toys That Kill played an invigorating set at The Acheron on June 23. Two days later, Tenement did the same on a bill where they weren’t even technically the headliner (that distinction went to Warthog, whose set I didn’t manage to catch). Nancy kicked the show off with a costumed, attitude-heavy set. Really, the night seemed to belong to the middle three bands: two of the best acts in hardcore and, of course, Tenement– a band that’s been written about on here with alarming- but entirely justified- regularity.

A night defined by aggression, tension, cathartic release, and genuine surprise (perhaps best summarized by a brief, impromptu cover of Limp Bizkit’s “Break Stuff”) was highlighted by Ivy, Big Zit, and Tenement. Ivy played as ferociously as possible and Big Zit took that manic energy and injected their own brand of frenetic weirdness. Tenement (with Tyler Ditter filling  in on bass for Jesse Ponkamo) delivered a bruising set- that can be seen in full below- that served as a powerful reminder of why Tenement’s one of the best bands currently operating.

A gallery of photos of Ivy, Big Zit, and Tenement can be seen below. A pair of performances from Ivy can be seen beneath the gallery as well as the full Tenement set. Enjoy.