Heartbreaking Bravery

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Tag: In the Garden

Watch This: Vol. 159

Two weeks ago, there was a seven-day stretch of live videos that were released and they included gems from the following: PJ Harvey, Joe Kopel, Bash & Pop, Lisa Mitchell, Active Bird Community, Violent Change, Real Estate, Cameron Avery, The Wooden SkyAla.ni at Château de Fontainebleau, Calexico, Max Richter & the 12 Ensemble, Moon Duo, The Proper Ornaments, Atriarch, Tycho, Aimee Man, Jennifer Niceley, Living Body, Corsicana, Dinosaur Jr., Microwave, Joel Plaskett & Bill Plaskett, Sierra Hull, CAT CLYDE, KOLARS, Tinariwen, Perturbazione, King Gizzard & The Lizard Wizard, George Winston, and Preservation Hall Jazz Band. All of those videos were compelling but it was the five below that wound up standing out most. So, as always, sit back, relax, clear your mind, and Watch This.

1. Car Seat Headrest – Working Girl (She’s Not A Single Version) (Conan)

Following last year’s outstanding Teens of Denial, Car Seat Headrest have been gifting the world one outstanding late night performance after the other. Here, the band’s penchant for altering their material for those performances rears its head once again and they transform “Unforgiving Girl (She’s Not an)” into a leaner, poppier, more radio-friendly anthem. It’s an endearing turn from a band that never seems to run out of small surprises.

2. Daddy Issues – Dandelion (Paste)

More than three years into what’s turning out to be an illustrious career, Daddy Issues have been quietly becoming one of the best largely under-the-radar bands touring the circuit.  The band turns in a stripped-back, three-song performance here for Paste and the session serves as a powerful showcase for  their talent. The trio’s got a record looming on the horizon and they’re playing with the confidence of an act who knows they’re on the verge of making the next big step in their personal evolution.

3. AJJ – Junkie Church (SideOneDummy)

Last year, AJJ released The Bible 2, a career highlight on every conceivable level. It’s a record that’s still resonating strongly, suggesting the type of longevity typically attributed to classic records. A large part of this is because of songs like “Junkie Church”, which gets a twitchy, tender performance here in a mesmerizing clip. Driven by narrative prose and feeling, the video more than earns its place as a part of this series.

4. Ty Segall (KEXP)

Anyone that’s seen Ty Segall live knows that the bands he assembles around himself are fully capable of tearing the roof of any given venue. The adrenaline and volume levels are typically off the charts and both band and audience are typically driven into a wild frenzy. Stripping Ty Segall of an energetic audience to feed off doesn’t seem to matter either, something proven by this rousing KEXP session which finds Segall and the band (which includes Mikal Cronin) in rare form.

Drive-By Truckers (Sound Opinions)

One of 2016’s more overlooked records came from the perennially overlooked Drive-By Truckers, who have remained dazzlingly consistent since the departure of their most famous memberAmerican Band, the project’s most overtly political record since their formation, caused an intriguing rift between many of their fans. The band’s politics have virtually always been present on their recorded work but hearing those views articulated so acutely proved to be too much for some, which is a shame. There are deeply important messages littering American Band and they’re all presented with unapologetic clarity, most memorably in “What It Means, something that Patterson Hood and Mike Cooley lay bare in this memorable four-song session for Sound Opinions.

Clearance – Owner/Operator (Stream)

clearance

Since Friday, there have been notable streams from IAN SWEET, Fake Palms, American Wrestlers, Space Mountain, John K. Samson, Tanukichan, What Moon Things, Peace Be Still, Axis: Sova, Twist, The Veils, Quarterbacks, J&L Defer, Bon Iver, Cheshires, Black Thumb, CHUCK, Suntrodden, Makeout Point, Shapes In Calgary, Adam Torres, Dowsing, and Hiva Oa that have all appeared. On top of that, there were great music videos that came courtesy of Pleasure Leftists, Jake S-M, Breathe Panel, Emma Russack, Winter, Ka, and Pfarmers. Full streams that came via Bueno, Swimsuit Addition, Echo Courts, Big Bliss, The Channels, Cassels, BJ Barham, Dolfish, and Red Heat closed the haul of new material out in a memorable fashion.

All of those entries impressed on multiple levels but it was the latest offering from site favorites Clearance that earned this post’s featured position. “Owner/Operator” is the band’s second individual release — following the excellent “Are You Aware” — since their outstanding Rapid Rewards LP and sees the quartet continuing to find fascinating ways to balance a carefree atmosphere with urgent conviction. The song will be featured as part of their forthcoming Are You Aware 7″, which seems poised to stand as one 2016’s finest releases for that format.

A large part of those expectations can be accredited to the successes of “Owner/Operator”, a breezy and bristling three-and-a-half minute number that both refines and advances Clearance’s songwriting. From the structure to the dynamic nuances, there’s an uncommon liveliness that electrifies the proceedings, pushing a good song into the realms of greatness. Surprisingly memorable, weirdly powerful, and unashamedly casual, “Owner/Operator” is an unlikely slacker pop anthem for the basement punk crowd.

Listen to “Owner/Operator” below and pre-order Are You Aware from Tall Pat here.

PWR BTTM – Projection (Stream, Live Video)

PWR BTTM III

The last few days held a whole host of incredible new songs from the likes of Turtlenecked, ScotDrakula, Animal Lover, Dolores, Rips, Dott, Sex Stains, Devon Welsh, Dogbreth, Honey Bucket, Lumer, Atticus Ross and Leopold Ross, Raccoon Fighter, Jenn Champion, Field Mouse, Luke Winslow, The Pooches, Butch Bastard, Ravenna Woods, Young Summer, Bellows, Rosemary Fairweather, Alice MK, Grey Gersten, JEFF The Brotherhood, and Royal Oakie as well as a two-song sampler of the forthcoming record from Echo Courts. While all of those songs should receive listens, it’s an old favorite finally finding release to capture this post’s featured spot.

The first time I saw PWR BTTM was at Miscreant’s Northside showcase last year and it immediately ensured the band a hefty amount of future coverage (especially in the live department). Having been impressed by their earlier material, I wasn’t entirely sure what to expect that day but it was one particular song that convinced me PWR BTTM was capable of achieving greatness: “Projection”.

Over time, “Projection” solidified its spot as my favorite song in the band’s arsenal. From Benjamin Hopkins’ remarkably tasteful guitar theatrics to a startlingly intimate lyric set to Liv Bruce’s intuitive drumming to the exchanged vocal leads, the song highlights several of PWR BTTM’s strongest aspects. From that first performance over a year ago, the band’s kept it as a live staple and subsequently afforded me the opportunity to document it several times over.

Recently, PWR BTTM announced they would be partnering with the excellent Big Scary Monsters label for their European releases, beginning with an extended version of Ugly Cherries that will come equipped with “Projection” (it’ll be available as a standalone single in America). While the band offers a mischievous wink towards the song’s main influence with its title, the narrative of “Projection” takes a much more serious tone.

From its opening couplet onward, “Projection” offers a very acute look at the displacement its songwriters have been subjected to because of their identities and preferences, rendering it heartbreaking in its realism– something enhanced even more by the song’s direct approach.

With its reprise of “my skin wasn’t made for the weather”, it’d be easy for the song to tip towards defeatism and while that’s an element that never completely disappears, the music surrounding the narrative becomes a retaliatory burst of frustration that seems to energize the band; they’ve found an outlet through creating music that feels like home. In that regard, “Projection” could be viewed as somewhat celebratory, though its down-trodden narrative keeps it tethered to the earth.

In creating that dichotomy, PWR BTTM fully demonstrate their enviable gifts as songwriters who have an uncanny understanding of their identity as a band (with only one full-length under their belt, no less). “Projection” finds every element of their songwriting at a stratospheric peak, underlining the hefty emotional undercurrent that informs their work but frequently winds up getting overlooked.

It’s an extraordinary song that offers insight, frustration, joy, longing, and some of their finest composition work to date. Empathetic and earnest in its unblinking sincerity, “Projection” is the type of song that’s capable of making converts out of skeptics; a genuine work of art. Greet the song’s official arrival with the kind of understanding and care that should be granted to others throughout life, free of discriminatory practices, prejudices, and blind hatred. Grab a copy, reciprocate its warmth, and never let its message fall out of reach… then hit repeat.

Listen to “Projection” below — and watch an early live performance of the song — and keep an eye on this site for more news on any of PWR BTTM’s forthcoming releases.