Heartbreaking Bravery

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Tag: Idle Bloom

17 of ’17: The Best Songs of the Year

2017 was a staggeringly balanced year in terms of memorable musical output. To honor that consistency, the typical run of 17 songs will be complemented by a list — in no particular order — of 83 other great songs to find release throughout the year. As usual, the “best” tag simply acts as shorthand for the music I was fortunate enough to consume from January through December, which had an individual song list that tallied well into the quadruple digits.

Names that are already familiar to year-end lists on this publication reside comfortably alongside artists who are still looking to make a larger impression. Non-singles are included with some of the year’s strongest advance tracks and songs that tip towards hardcore rub shoulders with some quiet basement pop numbers. There’s a lot to contemplate — both inside and outside of the top 17 selections — and even more to celebrate.

These are the 17 best songs of 2017.

Enjoy.

Great Grandpa – Teen Challenge

One of the great album openers of 2017, “Teen Challenge” reintroduced a noticeably more explosive version of Great Grandpa that wasn’t afraid of hairpin turns or controlled catharsis. From the outset of “Teen Challenge” the band is swinging for the fences but it’s not until the enormous final section where something deeply impressive transforms into something legitimately inspiring. It’s a celebratory song that comes loaded with conviction and is delivered with the type of determination that refuses to be held back.

Mo Troper – Your Brand

One of this site’s picks for last year’s Album of the Year honors, Mo Troper returned this year with two records. One, a collection of older material reworked for Troper’s current band, the other, an inspired effort of new material that saw Troper expanding his ambitions to legitimately unexpected degrees. The elevation of both songwriting and production on Exposure & Response is particularly evident in career highlight “Your Brand“, which finds Troper turning his gaze towards the brand-obsessed inhabitants of social media, people who treat themselves as corporate entities and flaunt varying levels of entitlement.

Occasionally, those same denizens find the levels between tongue-in-cheek mockery and unwitting sincerity blurring into an unrecognizable definition. It’s a richly-deserved skewering that’s shot through with a resigned understanding. The tasteful string and brass arrangements that adorn “Your Brand” send the song to euphoric heights even as Troper is weighed down in the bog of a tragicomic reality. It’s a masterful outing that positions Troper as one of the most promising pop songwriters of this generation.

Cende – What I Want

Cende‘s first and final full-length effort was an enticing effort headlined by a slew of singles that all warranted consideration for placement on this list (and earned individual write-ups). None of them wound up impressing quite as deeply as the song boasting the record’s most challenging — and towering — arrangement, the Greta Kline-featuring “What I Want“. Falsettos, a lilting string arrangement, and an incendiary bridge showed off Cende’s formidable range, tilting from something approaching the saccharine to a vicious instrumental outburst at the click of a hi-hat.

Charly Bliss – Westermarck

Few bands have earned as much attention and praise from this site as Charly Bliss over its four-year existence and it was heartening to watch the band break out in 2017 with one of the year’s most affirming releases in Guppy. While every track on that record is noteworthy for one reason or another, it was “Westermarck” that kept revealing deeper facets of itself. A rousing meditation on uncertainty couched in an unapologetic joy of simply being alive, the song became an unlikely anthem for anyone questioning their partner’s motives (especially in significantly skewed familial setting).

Common Holly – Nothing

Tender, sparse, and wrought with longing, Common Holly‘s “Nothing” proves how adequately minimalist formulas can maximize difficult emotions. It’s a bare-bones run through a personal affirmation, rendering something that appears delicate at first blush searing at second glance. More than that, “Nothing” introduces Common Holly as a deceptively powerful artist with the capacity to deliver breathtaking turns in the quietest rooms.

Weaves – Puddle

Riding a wave of critical adulation and having earned the respect of their contemporaries, Weaves returned in 2017 with Wide Open, an aptly named run that they billed as their Americana effort. While the record takes a lot of notable cues from that genre, the band’s wildly erratic, genre-obliterating core remained intact with the barn-burning closer “Puddle” acting as the clearest indication that the band’s unpredictable firepower was still fully intact.

Fred Thomas – Misremembered

Following a record as momentous as All Are Saved will always be a difficult task but to surpass high expectations in the way that Fred Thomas managed with Changer is a rarity. From the record’s dynamic opening track, Thomas proves to be more focused than ever, spinning barbed tapestries of lived-in realism with unmatched verve. “Misremembered” isn’t just a testament to Thomas’ lyricism, either, the fiery music that serves as its backdrop propelling it to stratospheric heights.

Big Thief – Breathe In My Lungs

A lot of outlets gave Big Thief‘s breathtaking “Mary” a deserving amount of love, ranking both the song — and the record it resides — as the year’s best. Meanwhile, the band’s devastating B-side, “Breathe In My Lungs”, flew under the radar. As is often the case with bands as prolific and talented as Big Thief, “Breathe In My Lungs” is so much more than just a castaway or afterthought, it’s one of their most heartrending numbers, expertly using the considerable weight of guitarist/vocalist Adrianne Lenker’s singular voice to turn in some of the year’s most unforgettably damaged romanticism.

Cayetana – Bus Ticket

2017 saw a very large handful of bands taking the next step in their evolution but few seemed to take their strides forward with as much assurance as Cayetana, who zeroed in on what’s long been the crux of their songwriting: mental health. No song conveyed this more than their staggering “Bus Ticket“, which saw the band slowing the tempo and accelerating the force the trio’s always put into their compositions. Managing to be direct and atmospheric simultaneously, “Bus Ticket” stands proudly as a career high for a band that’s found their voice.

Yucky Duster – Elementary School Dropout

One of the year’s most unabashedly exuberant records came in the form of Yucky Duster‘s latest EP, Duster’s Lament. Headlined by the effusive “Elementary School Dropout”, the band offered up an irresistible slice of joyful basement pop that grounded it’s more playful elements with some effective self-deprecation. Expertly toeing the balance between the light and the bleak, “Elementary School Dropout” stood out as 3 of 2017’s most outright fun minutes in a year where that sort of thing was desperately needed.

Strange Relations – Say You

One of the boldest re-introductions of 2017 came by way of Strange Relations‘ enormously confident Editorial You, which was teeming with memorable bursts of icy post-punk that saw the band considerably elevating their grasp on composition. One of the most significant individual outings for the project comes on the record’s second track, “Say You“, which conjures up a steely demeanor and enhances it with fiercely jagged musical interplay. Both minimalist and towering, it’s an obscenely impressive song from a young band that seems determined to continuously reach for greater heights.

Covey – Call Home

There were a lot of songs that came out over 2017’s 12 months that occupied a similar space as Covey‘s “Call Home”: laid back, lovely, unassuming, and tinged with regret, loneliness, and despair. None of them wound up staying the way “Call Home” managed to stay; the song’s melodies and gorgeous chorus humming along and dominating unexpected spaces of memory when it could’ve just as easily rescinded into oblivion. Every return listen offered a new take and at some point, the song migrated from being a pleasant curiosity to something far more essential: one of the year’s best.

IDLES – Mother

Recently given Music Video of the Year honors, IDLES‘ “Mother” also comes off as a ferocious head-turning effort when stripped from its hyper-intense visual accompaniment. Vocalist Joe Talbot repeats several mantras throughout “Mother” — written as a tortured tribute to his own late mother, whose portrait graces the record’s cover — each of them decrying two evils: one political, one sexual, both too frequently intertwined into a nightmarish whole.

Viciously opposed to a system that uses a weighted system to the benefit of the people who are afforded privilege, the song is a startling reminder of the seething anger and frustration of the people who oppose those systems. It’s a clarion call delivered with an excess of venom, using it’s hardcore leanings to drive a message home hard enough that the ramifications of our choices are left lingering in the smoke.

Palehound – If You Met Her

A beacon of consistency over the past several years, news of a new Palehound record was welcome when it was first announced. The first few singles were packed full of the band’s usual tricks but then “If You Met Her” arrived and decimated everything. A hard-hitting look at how the loss of someone you know can affect your own perception of what it means to die, “If You Met Her” immediately registered as not just Palehound’s darkest effort but the project’s best as well.

It’s a gripping, grounded meditation on life itself and it’s delivered with such empathetic understanding that it’s nearly impossible to listen to the song in full without running through an avalanche of feeling. Anything that inspires that level of emotional response and visceral reaction is worth noting — and in the case of “If You Met Her”, it’s more than worth celebrating.

Young Jesus – Feeling

A longtime staple of this site’s coverage, Young Jesus have continuously found exciting ways to evolve as a band in the face of a slew of obstacles that leave lesser bands stumbling. From nearly complete lineup shifts to a refocused experimentation to a relocation that took them from the upper Midwest to the West Coast. The band’s latest effort saw a quick self-release suddenly disappear only to be re-released shortly after by Saddle Creek.

All it takes to understand why such a revered label would take on the band is one listen to “Feeling”, a sprawling 10-minute opus which beautifully showcases the band’s remarkable range, guitarist/vocalist John Rossiter‘s penchant for blending memorable poetry with unforgettable melody, and a growing fearlessness. It’s a heart-stopping moment on what remains one of 2017’s most woefully overlooked records and reaffirms Young Jesus’ place as one of today’s best bands.

The Magic Lantern – Holding Hands

Easily one of 2017’s outright loveliest moments, The Magic Lantern‘s “Holding Hands” casts a spellbinding magic all its own within its opening figures, as a yearning vocal is laid on a bed of gentle saxophone figurines. As the notes and vocals hold — with as much purpose as the imagined goal of the narration, no less — the song winds up with enough power from two core elements to elicit chills.

When the body of “Holding Hands” takes shape as the drums kick in, providing yet another one of 2017’s most perfectly-realized moments, it becomes abundantly clear that something miraculous is happening on the track. By the time it all winds to a ghostly close, “Holding Hands” has left a mark that deserves to be called upon fondly in the days to come. In all of it’s warmth and care, “Holding Hands” pushes forward from a simple greatness and achieves something far closer to transcendence.

SONG OF THE YEAR:

Mount Eerie – Real Death

When Mount Eerie‘s “Real Death” first arrived, it was set to get a standalone feature. That post never arrived as I personally struggled with the decision to attempt to bring any sort of discourse to something so nakedly personal, which held true for A Crow Looked At Me (the record it’s from) as well. As time passed, that decision lingered, though it became increasingly difficult to listen to both the song and the record, famously written about the death of the songwriter’s wife and recorded in the studio she’d built in their house, on the instruments she left behind.

Even without being able to listen to the song, the memory of the song stayed as strongly as the feelings that accompanied the first listen (as well as the subsequent ones). It’s the sound of Phil Elverum tearing his own wounded heart out of his body to present to the world so that they can understand what kind of grief accompanies something so tragically world-shifting.

While every moment of “Real Death” is shattering, the weight of it becomes nearly unbearable when Elverum shifts the lyrics from oblique poetry to a hyper-specific narrative, recounting one moment of singular heartbreak that arrived with a package that has late wife had secretly ordered for their daughter. In that retelling, Elverum envisions his wife, living with the knowledge that her wife would be ending, thinking ahead and wanting to provide comfort for the people she loved.

Not only does that specific moment touch upon why Geneviève was someone he loved so fiercely but, in doing so, provides the song’s listeners a glimpse into her character as well. It effectively shifts the tonality of the record even further toward heartbreak by painting such an intimate portrait, making “Real Death” come across as even more unmistakably, painfully human. It’s a tribute to an artist that so many of us wish we knew and stands as a stark reminder to cherish the ones we do know while we can and to strive to match their gifts with our own.

By positing real-life implications alongside meaningful execution, “Real Death” became something much larger than the sum of its parts. In plumbing the depths of personal loss, Elverum’s Mount Eerie projected gifted us something hard to experience and impossible to forget. With any luck, it will steer us towards more effectively demonstrating our love when it can be appreciated by the people for which it’s intended.

 

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The Best of the Rest

18-21

22-26

27-32

Middle Children – Baby Boom
Joyce Manor – NBTSA
Thurst – Forever Poser
The New Years – Recent History
Monomyth – Puppet Creek
Hermetic – Strategic Default

33-100

Protomartyr – A Private Understanding
Alexander F – Call Me Pretty
Pile – Dogs
Vagabon – Cold Apartment
Cloud Nothings – Internal World
Prom Queen – Blonde
Holiday Ghosts – Can’t Bear To Be Boring
Washer – Dog Go Bark
Grouper – Children
Slaughter Beach, Dog – Fish Fry
Fits – Ice Cream On A Nice Day
Meat Wave – Run You Out
The Spirit of the Beehive – Ricky (Caught Me Tryin’)
Walter Etc. – April 41st
Chemtrails – Deranged
Juila Louise – Brat
See Through Dresses – Lucy’s Arm
Amy O – Lavender Night
Modern Baseball – This Song Is Gonna Buy Brendan Lukens A New Pair of Socks
Girlpool – It Gets More Blue
The Total Bettys – Stay Here All Night
Tica Douglas – Same Thing
Midnight Reruns – Warm Days
WHY? – Proactive Evolution
Hand Habits – Sun Beholds Me
Long Neck – Mine/Yours
Julien Baker – Appointments
Anna Burch – Asking 4 A Friend
Palm – Walkie Talkie
Single Mothers – People Are Pets
Lydia Loveless – Desire
Deem Spencer – Soap
Two Inch Astronaut – Play To No One
Blessed – Headache
Diet Cig – Maid of the Mist
Madeline Kenney – Big One
Dream Wife – Somebody
Bethlehem Steel – Finger It Out
Strange Ranger – House Show
Miya Folick – Trouble Adjusting
Jesca Hoop – Pegasi
Fiji-13 – Mansplain It To Me BB
Idle Bloom – Dust
Florist – What I Wanted To Hold
Beachheads – It Feels Alright
Fruit & Flowers – Out of Touch
Ratboys – The Record
Schlotman – Holy Basil
Lost Balloons – Numb
John Rossiter – Mom Guitar
Lomelda – Interstate Vision
Walter Martin (ft. Matt Berninger) – Hey Matt
Jay Som – The Bus Song
Japanese Breakfast – The Body Is A Blade
Screaming Females – Glass House
Phoebe Bridgers – Smoke Signals
Open Mike Eagle (ft. Sammus) – Hymnal
Half Waif – Frost Burn
Petite League – Pocketknife
Say Sue Me – Bad Habit
Petal – 15
Waxahatchee – Silver
Jason Isbell & the 400 Unit – If We Were Vampires
Siobhan Wilson – Whatever Helps
Sammi Lanzetta – Circles
Deep State – Nothing Speaking
Saintseneca – Moon Barks at the Dog
Lithuania – 5000 Year Leap

Streams of the First Quarter: The Honorable Mentions

Less than a week remains in 2017’s first quarter and the year’s already earned solid representation thanks to a slew of incredible releases. Below this paragraph are links to approximately 500 of the finest songs that the January-to-March period had to offer. A few of which are from widely renowned artists but the vast majority are from the artists who deserve more recognition than they receive.

Now, it’s practically impossible to imagine any one individual is going to sit down and listen to every single one of the songs here but that’s not exactly the purpose of these lists. This, as was the case with the others, is a capsule of a time period that offered up art that was (mostly) lost to the shuffle. It’s a representative account of what was happening behind-the-scenes while this site was in its extended hiatus.

Most importantly, it’s a way to recognize and honor the artists responsible for crafting pieces that both deserved and earned praise, even if it’s in a relatively minor form. This will likely be one of the longest lists of links to ever run on this site and it’s likely best to just click around until something strikes a chord. So, bookmark this page, dive in, and explore what the world’s produced over this first quarter and keep an eye on this site for a few short “best of” posts before Heartbreaking Bravery resumes its regular daily coverage. Enjoy.

NE-HI, Hater (x2), Knife in the Water (x2), Thelma, The Districts, Flasher, Catholic Action, Growl, Happyness, Land of Talk (x2), Canshaker Pi, Baby!, Gold Connections (x2, 3), Jay Som (x2), Go Fever, The Mells, The Chinchees, Aye Nako, Greatest Champion Alive, Diet Cig (x2, 3), High Sunn, Tall Friend (x2, 3), Do Make Say Think, Boss Hog (x2), Fog Lake (x2), Littler, Real Life Buildings (x2), The Proper Ornaments, Alex Napping (x2), Bruising, YURT, Analog Candle (x2), The Courtneys (x2), Wild Pink (x2), Amanda Glasser

Lunch Ladies (x2, 3), B Boys, Molly BurchIdle Bloom, WHY?, Vengeance, Phoebe Bridgers, Kane Strang, Former Bullies, The Spookfish (x2), Dude York (x2), Ben Grigg (x2, 3), Agent blå, Andrew Goldring, Fragrance., Rolling Blackouts Coastal Fever, Spiral Stairs (x2), Bonnie ‘Prince’ Billy, Guided By Voices (x2), Future Teens, WaydeÀ La Mode, Fraidycat, Robyn Hitchcock (x2), Eric Slick, Terry Malts, Sharkmuffin, Ride, Joan Shelley, PONY, The Coathangers, Juliana Hatfield (x2), Sorority Noise (x2), Slow Caves

No Thank You (x2, 3), Francobollo, Great Profile, Mount Song, Real EstateHawkmoon, Casper Skulls, Century Palm (x2), Deathlist (x2), Rosie Carney, Superorganism, Goldblooms, Day Wave, Wire, Cotillon (x2, 3), Will Johnson (x2), Anti Pony, Personal Best, Mind Rays (x2, 3), Ty Segall (x2, 3), Bonny Doon (x2), Arc Flash (x2), Tobin Sprout, Slowdive, Top Down, Mise en Scene, Thunder Dreamer, Hiccup (x2), Bent Denim, The Molochs, Caitlin Pasko, Cold Beat, Oak House

Mad OnesThe FeeliesWavves (x2), Tonstartssbandht (x2), Those Lavender Whales (x2), Overlake, Winstons, Vagabon, MaganaTrust Fund, Fuzzystar (x2), Baked (x2), Loose Tooth (x2, 3), The Sloppy Heads, The Cairo Gang (x2), Vundabar, Chick Quest (x2), Holy Sheboygan (x2), The Craters, Doug Tuttle, Walter Martin, Nadine Khouri, Holy Now, Vassals, The Obsessives (x2), Orchid Mantis, Thin Lips, Apocalypse, Communions, Olden Yolk, Dion Lunadon, Emperor X, Shadow Band, Richard Edwards, Adna

Bleached (x2), SaltlandTim Kasher (x2), Warm SodaAlyeskaMatthew Squires, You’re Jovian, Little Star, Mothpuppy, Midwives, Monster Movie, Jessica Denison + JonesElijah, Loom, Your Old Droog, Mimi Raver, Smidley, Beachheads, Clap Your Hands Say Yeah (x2), Cesar Ruiz, Leather Can, Woods, The Yugos (x2), Adam Torres (x2), L.A. Witch, David Bazan, Luxury Death (x2), Imaginary Tricks, Strange Lot (x2), Lomelda, Sacred Spirits, Matty Ann, The Hernies, Destrends, ELLA, Adult Mom, Second Still

The Dove & The Wolf, Gang of Youths, Trementina (x2), Good Good Blood, SheerOrchin, Anna Coogan, WALL, Artificial Pleasure, Sera Cahoone, Annie Hardy (x2), Priests, Laura Marling, Yawn Mower (x2), Toby Foster, Wear Your Wounds, The Present Age, The Knitts (x2), Junior Astronomers, No Vacation, Wolf Girl, Peter Bjorn and John, Cassandra Jenkins (x2, 3, 4), A Valley Son (x2), Jons, Sinai Vessel, Yellow Paper Planes, Seven Deaths, Snakehole, Sondre Lerche (x2), Varvara, Karen Elson

Tiger! Shit! Tiger! Tiger!, Wilding, Common MinerDan Misha GoldmanCymbals Eat Guitars, Lost Boy ?, Moon DialThe Birthday Letters, UV-TV, Girl As Wave, Big Surr, Nightlands, Menace Beach, Boytoy, Melby, Dali Vision, Desperate Journalist, Alex G, Knifey, Aquarian Blood, Winstons, High Up, Joshua James, I Am the Polish Army, Feral Ohms, French Vanilla, Bad Breeding, The Octopus Project, Born Without Bones, Laughed The Boy, Jake Xerxes Fussell (x2, 3), Cindy Lee, The Cover Letter, Michael Nau

Lyrie and the Duckies, Vorhees, Blank SquarePatterson Hood, Jon McKiel, Whips, WompsKikagaku Moyo, Brandon Koebs, Surf Dads, LT Wade, Daddy Issues, David Bazan, Matthew Lee Cothran, Jake Clarke, Spur, Loose Buttons (x2), Bilge Rat, Saw Black, Lowly, Jackson Boone, Superchunk, Desert Culture, Julia Lucille, The Darling Buds, Ducks Unlimited, Hoops, Taft Mashburn, Summer Moon, Conifer Vista, My Education, The Wooden Sky, Her’s, Teen Daze, Rubblebucket, Platinum Boys, Jens Lekman, Threefifty

Sam Coffey & The Iron Lungs, Nadia KazmiShelby Earl, Preservation Hall Jazz Band, Circus DevilsFire in the Radio, Half Waif, Metric, Sampha, Deadwall, Ground and Grave, Martin Rev, Craig FinnOiseaux-Tempête, Raj and the 100’s, The Wintyr, TW Walsh, ShitKid, Joel Michael Howard, Evening Darling, FOTR, Pollen Rx, Lillie Mae, Kyle T. Hurley, Hite, Tara Jane O’Neil (x2), Louise Lemón, PalomaStacey, Two Moons, POND, Business of Dreams, Billy Moon, Low Roar, She-Devils, White Reaper, Tiny Vipers

SOFTSPOT, Gorillaz, ROYA, BottlerThe Megaphonic Thrift, Caves, The New PornographersJulie Byrne, BNQT, COTE, Damaged Bug, Railings, Mark Eitzel, Deleter, Code Orange, Goddamnit, Cory Branan, No Joy, Blak Emoji, Tropical Skin Byrds, Empty Lungs, Tomber Lever, Rainbrother, Max Subar, Little Person, Perhapsy, Other Houses, Dehd, Niilo Smeds (x2), Morning Teleportation, The Co Founder, Show Me the Body, Kory Quinn, Tow’rs, Circle, Maria Kelly, Cosima, John Craigie, Holy Motors, Benjamin Booker

Me Not You, Her HarbourHeath Green and the Maksehifters, CodistMatt Maltese, Thurston Moore, Pissed Jeans, Feist, Odd Couple, A Deer A Horse, Cassels, Thad Kopec, Turn to CrimeTorgeir Waldemar, Oyama, Said the Whale, Altar Eagles (x2), Grace Mitchell, Radiator King, Minus the Bear, The Tarantula Waltz, Hiva OaTrès Oui, The Buttertones, Winston Hightower, Crooked Bangs, Los Angeles Police Department, CFM, Diagrams, Boosegumps, Marcus Norberg and the Disappointments

The Nickajack Men, Semi-Attractive Boys, BanditosRachel Kilgour, Broken Field Runner, Residuels, Jim and the French Vanilla, Wooden Wand, Emma Ruth Rundle, Batz, Monograms, Operator Music Band, RF Shannon (x2), LAKE, Ha Ha Tonka, Fufanu, Coast Modern, The Glass Eyes, Keto, Loess, Go By Ocean, Unstoppable Death Machines, Frederick the Younger, Bendigo Fletcher, Meatbodies, The Bingers, Slingshot Dakota, Astro Tan, Football, etc., Planning for Burial, Delafye, Dim Wit, Retail SpaceEmma Gatrill, Gnod, Mark Lanegan Band, and Leon of Athens.

 

 

 

Music Videos of the First Quarter: The Honorable Mentions

A little over a week remains in 2017’s first quarter so it felt appropriate — especially considering the recent hiatus — to reflect on some of the best material to have been released over the course of these past three months. What started yesterday with the list of notable full streams will bleed into the following days. Today’s post shifts the focus to some of the most memorable music videos to have surfaced since the start of the year. All of the below videos piqued attention for one reason or the other, either on the film or music side, and deserve as many views as they can possibly receive. So dive in, click around, and explore. Good things await.

Future Islands, Eric Slick, J.E. Sunde (x2), The Spirit of the Beehive (x2, 3), I Am The Polish Army, Caitlin Pasko, Gurr, Retail Space (x2), White Reaper, Demure For Sure, Meursault, Rosie Carney, Pronto MamaTouché Amoré, The Saxophones, Slow Bear, Thao & The Get Down Stay Down, Cass McCombs, NE-HI (x2), Chastity Belt, Francobollo, Ruby Bones, Blaire Alise & The Bombshells, PINS, Honeyblood, Idle Bloom, Hiccup, Xiu Xiu (x2, 3), The Youngest, Durand Jones & The Indications, Blonde Summer, Tobin Sprout

Hurray for the Riff Raff (x2), Beach Slang, Peter Silberman, Clipping., Molly Burch, Tijuana Panthers, Chick Quest, Chaz Bundick Meets the Mattson 2, Los Campesinos!, Wax Idols, The ShiversLee Fields & The Expressions, Bleached, Oceanator, Conor Oberst, Real Estate, D.A. Stern, minihorse, Drakulas, FACIAL, Tall Tall Trees (x2), gobbinjr, Parquet Courts, Band of Horses, Sam Vicari, Slothrust, Many Voices Speak, Happyness, Paul White, Strand of Oaks, Cosmonauts, NxWorries, Batwings Catwings, Mary Lynn

The Velveteins, Marching Church, Imaginary Tricks, Frederick the Younger, Moon Duo (x2), Christine Leakey, Walrus, No Ice, Froth, Nana Grizol, Bellows, Tyler Daniel Bean, The Walters, Flat Mary Road, Teen Vice, Woozles, Danny Denial, Night Shapes, Tough Tits, Swoon Lake, Harem, The Modern Savage, The Little Kicks, Crocodiles, We Leave At Midnight, Delicate Steve, The Smith Street Band, The Magnetic Fields (x2, 3, 4), Bin Chivalry, Summer Moon, JFDR, Six Organs of Admittance, Alex Lahey, Joan of Arc

TrentemøllerLeopold and His Fiction, Hippo Campus, Cherry Glazerr, Curse of Lono, Los Angeles Police Department, IAN SWEET, Surf Curse, Delicate Steve, The Black Angels, Timber Timbre (x2), Skaters (x2), Oxbow, Static Eyes, Young Romance, Space Camp, Bonnie Whitmore & Her Band, Quin Galavis, Tim Kasher, Slam Dunk, Daniel Romano, Big Lonely, Reptaliens, Sammus, Rainbrother, Callow, Rolling Blackouts Coastal Fever, Bill MacKay, Moody Beach, My Education, HOTT MT, Century Palm (x2), Arthur Moon

The New Pornographers, Campbell L Sangster, Son & Thief, Yohuna, Girl Scout, Tim Kasher, The Head, Perfume Genius, TW Walsh, Blood Ponies, Laura Marling, Dead Man Winter, Sean Rowe, Kate Crash, Warm Body, Free Pizza, Kidsmoke, John Wesley Coleman III, Hand Habits, Aye Nako, Dirty Projectors, Chris Bathgate, Holy Motors, The Two Tens, FOTR, Amy Klein, London O’Connor, Dan San, Lisa/Liza, Knox Hamilton, Swet Shop Boys, Homebody, No Joy, Sunday Morning, Callow, Local Natives, Fastball

Personal Space, Milemarker, Allison Crutchfield, Brother Ali, Garrett Pierce, High Contrast, Wilsen, Crazy Bones, Spookey Ruben, Mt. Doubt, Fufanu, Circles/Waves, Spinning Coin, BATYA, High Waisted, Hoan, Strange Lot, Tennis, Ex-Girlfriends, Thurston Moore, Skating PollyJammz, Annie Hardy, Early Riser, Jay Som, Communist Daughter, Colin Stetson, Analog Candle, CRYWANK, Cate Le Bon, Phoebe Bridgers, Geotic, Diagrams, Jenny Hval, Mastodon, CHILLEMI, Shocking White, The Cherry Wave, Oshwa

Skyway Man, Equators, The Superweaks, Luke Sital-Singh, Ivy Meissner, Redspencer, Run The JewelsSpiral Stairs, Gothic Tropic, American Wrestlers, Moby & The Void Pacific Choir, Warhaus, Kodak Black, Annabelle’s Curse, The Obsessives, Heart Attack Man, and Harmony Tividad.

Nothing Stops In November: The Month’s Streams

While only two premiere spots ran on this site over the course of November, there was more than enough new material being released to keep anyone attempting to track it all extremely occupied. A total of nearly 200 outstanding songs found their way out into the world and, just as the preceding posts did for full streams and music videos, this post will serve as a recap of the majority of those titles. If there were enough time to provide all of these tracks feature spots, they’d be receiving a lot more words. However, that shouldn’t distract from their merit; all of these tracks are more than worth hearing. So, bookmark the page, click around, and discover a few new favorites. 

Hater, Alyeska, Dama Scout, Fred Thomas, Turtlenecked, Pissed Jeans, Rolling Blackouts Coastal Fever, Wild Pink, PermitTy Segall, The Courtneys, Julien Baker, brunch., Holy Now, Breast Massage, Hideout (x2), Jitterz, Drakulas, Ted Leo, Peter Silberman, Creepoid, ot to, not to, Luxury Death, Leapling, Day Wave, No Sun, Matthew Squires, Skyway Man, Dominic, Tobin Sprout, D.A. Stern, Minor Moon, Dear Georgiana, Slumbers, FRIGS, Nadia Reid, Mark Sultan, Polyester, Imaginary People, Shiny Wet Machine.

Magic Magic Roses, Spelling Reform, The Velveteins, Rubblebucket, Cate Le Bon, A Valley Son (x2), Old Gray, The Besnard Lakes, Swampmeat, Heat, Fascinations Grand Chorus, Alexander F, Mica Levi, Steady Hands, Bell the Band, Urochromes, Idle Bloom, Mainland, Thelma, The Regrettes, Modern Baseball, Holiday Ghosts, Los Campesinos!, Fear of Me, Lilah Larson, Frederick the Younger, Silver Rose, Lucidalabrador, The Molochs, Molly Burch, Tim Cohen, Rainbrother, AD.UL.T. (x2), Decorum, MELT, Emmy the Great.

GOLDBLOOMS, The Adventures of the Silver Spaceman (x2), We Leave at Midnight (x2), Dooms Virginia, Rosebug, Paperhead, OhBoy!, whenyoung, Caitlin Pasko, Lampshades, Pie Face Girls, Brandon Can’t Dance, Kevin Krauter, Childcare, Mind Rays, Eric Matthews, The Velvet Ants, The Black Clouds, Diagrams, Marine, Corner Suns, So Stressed, Crash Club, Future Peers, Proper Ornaments, Trudy and The Romance, Will Johnson, Fond Han, Natalie Bouloudis, Jordan Burchel, Big Mother Gig, Elliot, Once & Future Band.

Chaz Bundick Meets the Mattson 2, Pure Moods, Dude York, Sam Brockington, Del Caesar, John Travoltage, Camp Cope, Mutts, Pollen Rx, Cloakroom, Mr. Universe, Carroll, Purmamarca, Ben Pagano & The Space Machine, Tim Carr, Eat Fast, Landing, Louise Burns, Toothless, Plastic Pinks, Less Acrobats, Knifey, Known To Collapse, Cassels, Tracy Bonham, Brasstronaut, Satin Cowboys, Surf Rock Is Dead, Fruit Bats, Steph Barrak, Oliver Houston, The Sloppy Heads, Chavez, Aan, Sex Drive, The Saddest Landscape, Xiu XiuLiving Body, Lowly, JERK, Medium Mystic, Dutch Uncles, COTE, Koresma, Jailbox, Hajk, Archawah, Levek, and Grave School.

March 2016: The Streams

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In keeping with the past several recap posts, a lot of material will be listed below. I wish I could have granted each of these individual songs more words than just a generic introductory paragraph extolling their high quality of work but time can be extremely cruel and leave few desirable options. March was an extraordinary month for music, if you knew where to look and could spare the investment. Below is a list of the individual streams that surfaced during the month, each one worth several looks.

Once again, there’s simply too much material to consume in one sitting so this page is best experienced via a bookmark and return explorations. Following this post, the site will be running a premiere or two and then lists of the very best streams and live videos of 2016’s first quarter but until then, taking a trip through the below titles should be a rewarding experience that keeps everyone occupied. You may even find a new favorite band. Happy hunting. 

The Sun Days – Get Him Off Your Mind | Loco Ono – Sunny Day | Kidsmoke – Heartache | Summer Cannibals – Say My Name | Peter Bjorn and John – Breakin’ Point | Diarrhea Planet – Life Pass | A Place To Bury Strangers – Oh No / Cool Sensations / Gong Home | Marisa Anderson – Into the Light | Pinkwash – Longer Now | Polonium – Tuberculosis | Psychic Teens – End | Magic Potion – Milk | Yoni & Geti – Lunchline | Eagulls – Skipping | The Thermals – Thinking of You | Holy Now – Wake Up | Crow’s Feet – Surge // Swell

Fews – 100 Goosebumps | ShitKid – 666 | Museum Mouth – Incubus Tattoo | Haybaby – Joke/Rope | Jay Arner – Crystal Ball | Mo Kenney – Mountains to the Mess | Oberhofer – Alone Man | Hockey Dad – So Tired | Pacific Heights (ft. Louis Baker) – Buried by the Burden | Moonface and Siinai – Risto’s Riff | Patrick LaBahn – Equanimity | Scott Yoder – Looking Back In Blue | The Coathangers – Squeeki TikiSofia Härdig – Streets | The Person & The People – Hot Summer Nights | Megafauna – Desire | ANGEL DU$T – UPSIDE DOWN

Lattice Moore – Superused | Pinkwash – Burning Too | New Madrid – Darker Parts | Big Deal – Say Yes | Mrs. Magician – No Action | Small Circle – Please Don’t Touch the Moon | Greater Pyrenees – Homemade Blood | Blondfire – Domino | Former Belle – Honey Bee | Parker Millsap – The Very Last Day | Puce Mary – Night Is A Trap II | Turnover – Change Irreversible | Lontalius – I Was More Than | Iska Dhaaf – Invisible CitiesOdonis Odonis – Needs | Beach Skulls – Dreamin’ Blue | Peder (ft. Oh Land) – Still Life | MOURN – Storyteller

Eliza Shaddad – Always | Follin – Memories | Ghost King – Bones 1 & 2 | Steady Holiday – Open Water | Trace – Honey | Guided By Voices – My Zodiac Companion | Former Belle – I Woke Up In Chicago | Gabriel Bruce – Metal Soul | Margo Price – Hands of Time | Krano – Mi E Ti | Head Wound City – Born to Burn | Grayling – Empath | Tuff Slang – Nothing All the Time | Morly – PluckySelf Defense Family – Baby Mother Home | Jack Frederick – In My Dreams | John Doe (ft. Debbie Harry) – Go Baby Go | Modern Baseball – Everyday

Chris Cohen – In A Fable | John Dillon – Holy Fool | Ben Millburn – Hold Up | Amanda Palmer – Machete | James Bishop – Another Day | Lisa Prank – Starting Again | Foals – Rain | Arthur Moor – Wind Up | Hayes Carll – The Magic Kid | Russian Baths – Ambulance | Colleen Green – Between the Lines | P.O.S. – sleepdrone/superposition | Colin Stetson – SORROW III (Extract II)Idle Bloom – Good Hope (Demo) | Snow Roller – Cycling | case/lang/veirs – Best Kept Secret | Ashley Shadow – Tired | Beverly – Contact | Dowsing – Dissolve

Yeasayer – Gerson’s Whistle | OCCY – No Way | Iska Dhaaf – Lost | ANGEL DU$T – STAY | Darla and the Blonde – Vampyr | BOYFRNDZ – Hiatus | Summer Heart – The Forbidden | Phosphene – Wild Decay | Mt. Wolf – St. Michael | Seratones – Chandelier | Martha’s View – Baby In Vain | Dowsing – Kept Me Around | Victoria+Jean – Takes You Like A Rose | Dal Niente & Deerhoof – meltDown Upshot: 6. Cherubim (Marcos Balter) | Miserable – Violet

15 of ’15: The Best EP’s of 2015

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Now that all the visual retrospectives are out of the way and the best live videos have been accounted for, it’s time to move onto the records in earnest. Over the course of the next several days there will be “best of” lists for the following categories: music videos, odds and ends (demos, 7″ records, compilations, etc.), songs, and albums. There will also be an Honorable Mentions devotion that covers a massive array of material from the majority of those categories. Following those lists will be the second installment of the A Year’s Worth of Memories series, which will once again feature a murderer’s row of contributors that have been pulled from both the music and film worlds.

For now, we’re turning our attention to the EP’s that made the most formidable impressions over the course of the past 12 months. Well over 100 titles were considered and then boiled down to the 15 that you see below (this was such a strong year for EP’s that the top 5 are essentially interchangeable). Before delving into those titles, it’s worth noting that “best” in the case– as it is in all cases– is just a meaningless formality and the list below is a reflection of subjectivity. I make no claim to be an authoritative voice in these matters, just a person that genuinely enjoys music and uses a platform as a means to attempt to elevate some of the acts that truly deserve to have their names in greater circulation. So, without further ado, here’s 15 of ’15: The Best EP’s of 2015.

15. Idle Bloom – Some Paranoia

Sometimes all you need to do is offer to help carry equipment to be introduced to incredible new bands, which is exactly how I met Callan Dwan, who I would come to learn is not only Mitski’s guitarist but one of the guitarists for two other acts as well: Dogtooth and Idle Bloom. The latter– a shoegaze-obsessed post-punk act (or is it the other way around?)– recently released their Some Paranoia EP, which stealthily builds its momentum in a clever, multifaceted way; not only do the majority of the songs work their way into a cacophonous frenzy but so does the EP as a whole. It’s an exhilarating listen from a promising emerging act and boasts one of the year’s best riffs.

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14. ThinLips – Your Divorce

An extraordinary opening track can do wonders for any release. An effective opening track will set a precedent and a tone for the ensuing material on the record. Your Divorce‘s opener “Nothing Weird” is both effective and extraordinary. Brandishing a compellingly damaged form of lo-fi leaning pop-punk, ThinLips crafted a vicious, compact stunner of an EP that comes across like a warning shot. In a genre that’s increasingly weakened by diminishing returns from the artists utilizing reverential approach, it’s heartening to see the more subversive acts releasing material that feels genuinely vital.

13. Bad Wig – Bad Wig

Before Bad Wig was Bad Wig, they were The Midwestern Charm, an act that worked their way from a sound that fell closer in line to Ryan Adams to crafting a record that fit better alongside the likes of The Lemonheads. A few member changes and stylistic shifts later, they’d carved out a new identity under their new name. Their introductory act is ferociously ragged and maybe even a little audacious. Most everything else there is to be said about this brilliant collection of punk-tinged micro-pop gems can was covered in last week’s review.

12. Potty Mouth – Potty Mouth

A lot of bands found surprisingly bold ways to shift their sound but none caught me as off-guard as Potty Mouth‘s fearless swan dive into the polished, arena-ready sounds of their self-titled EP. Opening with the skyward stretching of “Cherry Picking” and only building momentum from there, Potty Mouth could very easily signal a new era for a band that was formerly known for reveling in their scrappier tendencies. Every song on the EP connects with a staggering amount of force, nicely correlating with the self-possessed determination found at the root of nearly every song in this collection. Potty Mouth is the kind of rallying call that echoes.

11. Midwives – Cowboy Songs

After releasing a fierce full-length debut back in February, Midwives managed to top themselves as the year was drawing to a close. The shockingly immediate Cowboy Songs dishes out punishment at a startling rate and bristles with real emotion. Things kick off with the vicious “Back in the Saddle” and never look back from there, each subsequent song in this seven and a half minute collection of deranged hardcore acting as a flawless showcase of the band’s brute strength. Cowboy Songs is filled to the brim with the kind of hardcore that thrashes around wildly and refuses to be tamed.

10. Geronimo! – Buzz Yr Girlfriend: Vol. 4 – Why Did You Leave Me?

While a lot of people were justifiably saddened over the losses of Ovlov and Krill, it may have been the departure of Geronimo! that hit hardest. Granted, for the vast majority of my life, they were easily the closest to my location of that trio but the sentiment remains. At the very least, the trio went out on top with their final bow: Buzz Yr Girlfriend: Vol. 4 – Why Did You Leave Me?. Characteristically unwieldy, the band’s final three songs ranked among the best work of a deeply impressive career, each (justifiably) landing a premiere at a massive publication. Fitting levels of recognition for an overwhelmingly powerful final effort.

9. Teksti-TV 666 – 2

One of the biggest surprises of the year for me personally, this blistering EP from Finnish act Teksti-TV 666 practically qualifies as an album by today’s standards (its runtime is over 22 minutes). Full of surging basement pop that’s not too far off from the best of The Marked Men, the aptly named swings for the fences at every turn without hesitation. Incorporating a several-member guitar attack that may rival Diarrhea Planet’s, the band finds new avenues to explore as the record careens headfirst towards something concrete. After the fireworks of “Tuhatvuotinen Harharetki”, the band never lets up and goes on exploratory tangents at will. Psychedelic flourishes, sludge breakdowns, and a serious amount of momentum carry to its status as one of the best of 2015.

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8. Slight – Hate the Summer

Hate the Summer prompted a few difficult guideline decisions for this list: was it ethical to include an EP anchored by a song that premiered on this site and would a tape release of the EP that included the entirety of an online single that this site ranked as last year’s best be eligible for contention? The answers, obviously, were “absolutely” and “yes.” The latter line of questioning was the one that was scrutinized the most for this list and wound up excluding Meat Wave’s formidable Brother from eligibility (nearly half of the EP pulled from a variety of the band’s other releases, rendering it more of a padded compilation than an EP). With Hate the Summer, the band’s not only expanded the scope of their work but they’ve tapped into something with the three new songs on display here that have the potential to lift this project to new heights of outside recognition. Overall, it’s an important early piece of the trio’s developing history and deserves to be heard as many times as possible.

7. Midnight Reruns – Get Me Out

A staple of this site’s coverage since its introduction, Midnight Reruns rewarded that attention by taking a huge leap with this year with their two strongest releases to date, beginning with this bleary-eyed EP. The Tommy Stinson-produced “Ain’t Gonna Find” sets things in motion and establishes the band’s manic basement pop sensibilities in the early goings, with Graham Hunt’s million-words-a-minute delivery emboldened by the characteristically fierce lead guitar work between Hunt and Karl Giehl. From that blistering opening number, the band takes a step back and sinks their teeth into more left-field territory like the rollicking “Ancient Creature”, which boasts the instantly memorable chorus couplets of “I am the sun, I am the sea/I am an ancient creature/I was born in Madagascar/I was raised by lemurs” and a bruising cover of The Mistreaters’ “The Other Man”.

6. Sheer Mag – II

Another year, another Sheer Mag list placement. Expanding on everything that made the band so great right out of the gate, II was a natural extension of its predecessor, driven by the wild energy of its phenomenal closing track, “Button Up“. All of the glam influences remain and the band likely owes a remarkably huge debt to Marc Bolan but it’s hard to care about influences when the music manages to be so ridiculously entertaining. People will talk about how ’50s pop seeps in around the band’s roughest edges but really, they should probably just stop talking and start dancing. Scrappy and deliriously fun, II‘s another triumph.

5. Diet Cig – Over Easy

No EP soundtracked more aimless drives for me this year than Diet Cig‘s endearingly jubilant Over Easy, which served a necessary reminder that sometimes the most important function music can have is a sense of joy. In the face of a horrifying year in the news, an onslaught of overly-serious releases, and a general downcast pall, Over Easy was a breath of fresh air; a pair of young musicians finding their voice. Every song on Over Easy is memorable not just for its irreverence but for its uncompromising energy and impressive levels of commitment. Warm weather anthems abound and guitarist/vocalist Alex Luciano gets to deliver one of the year’s most scathing kiss-off’s in the final track’s most rousing section.

4. LVL UP – Three Songs

In 2014, site favorites LVL UP topped this site’s Albums of the Year list with ease thanks to the overwhelming brilliance of Hoodwink’d, which was the most perfect distillation of the respective voices of the band’s three principal songwriters to date. Three Songs continues that trend in miniature, allotting a song a piece from Dave Benton, Mike Caridi, and Nick Corbo. All three bring a palpable sense of weariness to the proceedings, immediately rendering this LVL UP’s moodiest record. From the spiky micro-pop of “Blur” to book-ends “The Closing Door” and “Proven Water Rites”, there’s never a dull moment and the band, once again, leave their guts on the table before walking out the door.

3. Ernie – Dog Park

Occasionally, a single song can elevate an already-strong release to unthinkable proportions, which is exactly what happens with Ernie’s delightful Dog Park and its monumental centerpiece, “Sweatpants“. While all four songs contained in Dog Park are memorable and have an impressive host of great moments, it’s the frantic, hook-laden “Sweatpants” that brings the collection together and enhances its immediate surroundings. A surging jolt of relatable discontentment emphasized by a vicious undercurrent of basement pop aesthetics, “Sweatpants” becomes Dog Park‘s definitive moment and simultaneously becomes an unwitting microcosm of 2015’s prevailing sense of disillusionment before turning on that notion in defiance and letting loose a series of blows. Dog Park‘s status as one of 2015’s great releases is cemented in the process.




2. Tenement – Tenement

No band was written about more- or in greater detail- throughout the course of 2015 than Tenement. For nearly 10 years, I’ve been clutching at mostly empty air while damaging my lungs screaming at seemingly empty rooms to go listen to this band. 2015 was the year where everyone started listening. Of the band’s three releases throughout the past 12 months, their self-titled effort was by far the least discussed. Originally released as a limited-run cassette for one of their early tours, the trio decided to release it to the general public several months later, potentially realizing that it deserved a much wider audience. Focusing on the band’s underlying roots, country, folk, and soul influences without ever completely sacrificing their punk bite, Tenement‘s easily the band’s most easygoing collection as well as its most immediately timeless. Keep its open-road sensibilities in mind for your next long drive.

1. Cende – Cende

Capping off an extraordinary year for drummer (and occasional guitarist) Greg Rutkin (LVL UP, Slight, Normal Person, etc.) was Cende’s explosive self-titled debut, which was recently released online (the bandcamp lists the official release as January 1). The band’s been playing these songs out for a while and garnered heavy coverage from this site during its extended Brooklyn residency. An LP is due out in 2016 as well and, after this EP and the live previews, it’s already one of the most highly anticipated releases of 2016. Taking cues from acts like Radioactivity, Cende has already perfected their blend of searing basement pop and unforgiving basement punk. Only two of these songs- including “Widow”, the opening track and one of the year’s finest- go over the 90 second mark and all of them boast hooks powerful enough to keep pulling the listener back, making Cende an endlessly replayable gift. It’s a monstrous release from a band refusing to aim for anything other than greatness and continuous improvement. Cende is one hell of a starting point.

2015: A Visual Retrospective, Vol. 3

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Throughout the course of 2015 I’ve been fortunate enough to attend upwards of 100 shows, festivals big and small, and spend approximately half a year living in a city that hosted a mind-boggling amount of quality shows on a nightly basis. To that end, it’s probably unsurprising that I wound up taking over 10,000 photos this year alone. Over the course of the next few days, this site will be running seven volumes of the shots that stood out as personal favorites, whether that was due to their composition, sentimental attachment, or an intangible emotional or intellectual response. It’s been an honor to be able to take even the smallest part in the ongoing sagas of the artists in the photographs below and an additional thanks is due to the venues that allowed me to shoot (as well as the people who encouraged me to keep shooting).

Enjoy the gallery.

 

METZ – Spit You Out (Music Video)

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While this site hasn’t been running posts at the everyday pace it used to, there’s always work that’s being done behind the scenes. A project for the site has been enormously time-consuming as have other pressing commitments. However, as always, everything’s been accounted for as it comes into play. The next four posts will focus on some of the finest music videos to have come out  over the past few months, each highlighted by an individual clip. The upcoming slew of full and single stream posts will follow this format. Kicking everything off is the video for METZ‘s excellent “Spit You Out“.

A seemingly never-ending stream of frantic words have been spoken, shouted, and (suitably) unintelligibly screamed about METZ’s live show so a live edit clip somewhere along the way seemed inevitable. Enter: “Spit You Out”. Appropriately, the song’s visual accompaniment feels as searing as the song itself, utilizing a stark black and white palette, frenzied editing, and a strobe-like presentation to maximum effect. All the while, both the band and the audience go about losing their respective minds. It’s a no-holds-barred attack that leaves a strong impression. By scaling back, the band ups the urgency and remind us that stakes never really mattered in the first place.

Watch “Spit You Out” below, pick up a copy of METZ II here, and explore a list of some of the best music videos of the past few months underneath the embed.

Desaparecidos – Golden Parachutes
Sauna Youth – The Bridge
The Beverleys – Hoodwink
Soul Low – Always Watchin’ Out
Noun – Loveblood
Wavves – My Head Hurts
Loose Tooth – Skinny Chewy
Idle Bloom – Mind Reader
Haybaby – Doored
Laura Stevenson – Torch Song
The Blue Jean Committee – Catalina Breeze
Bianca Casady & the C.i.A – RoadKill
Spring King – Who Are You?
Potty Mouth – Creeper Weed
Petal Head – Spooky Something
Will Butler – What I Want
Swings – Tiles
Pouty – Sad
Majical Cloudz – Game Show
Madeira – Lay Me Down
Lil Bub – Gravity
Polyon – Blue
Public Access TV – In Love And Alone
Wimps – Dump
Cass McCombs – I Cannot Lie
This Will Destroy You – Mother Opiate
Chris Farren – Chris Farren’s Disney’s Frozen
Leif Erikson – Looking for Signs
Muncie Girls – Gas Mask 4
Waxahatchee – La Loose
Pixx – Deplore
Walter Martin – Amsterdam

Idle Bloom – Pride Line (Stream, Live Video)

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It’s been a while since there’s been a standalone post on this site so it seemed appropriate to have that spell broken by a recent favorite: Idle Bloom. Before diving too far into that, though, it’s worth noting that since it’s been such a long time since the last standard post, each of the forthcoming posts will be equipped with a list of the outstanding tracks, videos, or full streams that have come out in that time. While the attention will be returned to Idle Bloom and their latest, some attention should also be given to some excellent new songs from Eluvium, Tracks, Laika’s Orbit, Big Hush, The Foetals, Ripper, Flowers, Kevin Devine, Sioux Falls, Patsy’s Rats, Big Ups, Goldmund, and Midwives. All of those songs are worth several listens but it’s time to get back to this post’s focal point: Idle Bloom and their towering “Pride Line”.

Driven by a gripping lead guitar line that froze me when the band pulled this song out for their knockout set at Alpahville, “Pride Line” is one of the band’s most definitive entries to date. While psychedelic flourishes permeate throughout the track, it’s even more heavily informed by shoegaze without ever coming across as revivalist. As the main riff slashes its way through the song, frequently augmented by wordless falsettos, everything supporting it steadily builds towards a climactic outro figure that does away with any perceived lightness and comes crashing down with bruising force. A dynamic powerhouse from a band that feels like they’re just getting started, “Pride Line” is an electrifying masterclass in atmospherics without ever relinquishing its sense of purpose. Get on board or get the hell out of the way because this will take you to the ground.

Listen to “Pride Line” and watch a video of the band performing the song live below. Pre-order Some Paranoia here before its Friday release.

Julien Baker – Sprained Ankle (Music Video)

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Every few months or so, a music video comes along and manages to steal breath, freeze blood, and make time stand still. In those moments, careers on both sides of the lens can get pushed forward with a momentum that borderlines shocking and– importantly– keeps the medium pushing forward instead of succumbing to a rote stagnancy. Julien Baker’s “Sprained Ankle” is one of those videos.

Even on its own, the title track of Baker’s astounding Sprained Ankle is gripping. A haunted, downcast meditation on self-worth and perseverance, “Sprained Ankle” could have accompanied a strong photograph and it would have made a mark. Director Sabyn Mayfield and cinematographer David Newbert, thankfully, had a different vision in mind. While “Sprained Ankle” does start on a near-frozen one shot of a dejected Baker staring at the floor, it slowly unfurls into something that feels transcendent.

As the song’s guitar harmonics ring out, the camera pulls back to reveal an isolated Baker in the damaged expanse of a demolished classroom. As Baker makes her way through an emotionally crippling set of lyrics, the camera slowly surveys the surroundings without ever abandoning Baker is the focal point; she’s at the heart of the damage. As the lyrics draw to a close, the camera approaches Baker before finally pushing past her shoulder as the song descends into a wordless, layered chorus.

Finally, in that wordless section, the camera peers upward, focusing on the ceiling insulation in between the structural gaps. As the camera explores that aspect of the gradual destruction, there’s a palpable sense of sadness that accompanies the moment, driving home the thematic point of inevitable decay with an astonishing amount of grace. Presented as a tracking shot, “Sprained Ankle” concludes by sweeping from the roof back down to tarnished earth, pulling back to reveal Baker’s vanished entirely to inject the clip with a feeling of an almost sorrowful abandonment.

Ultimately, “Sprained Ankle” comes across as deeply human. It’s a tacit statement about the cyclical nature of loss and an unforgettable examination of self-awareness. It’s an unforgettable moment from an artist who deserves a lot more discussion going forward. Don’t let this one fade into the recesses of the forgotten anytime soon.

Watch “Sprained Ankle” below and pre-order the record from 6131 here. Below the embed, explore an extensive collection of some of the past few weeks’ best videos.

Farao – Warriors
R. Ring – Loud Underneath
Violent Mae – In the Sun
The Spirit of the Beehive – You Are Arrived (But You’ve Been Cheated)
Hey Lover – I’ve Got A Car
Skaters – Mental Case
Big Eyes – Local Celebrity
The Bandicoots – Overnight Innovator
Acid Fast – Momma Grey
Fog Lake – Shanty Town
Split Feet – Selective Mommery
A Place To Bury Strangers – Supermaster
Wand – Sleepy Dog
Mooner – Alison
Novella – Sentences
Billie Marten – Bird
Conner Youngblood – The Badlands
EL VY – Need A Friend
John Andrews and the Yawns – Peace of Mind
Moon King – Roswell
Rain – Slur
Joanna Newsom – Divers
The Zephyr Bones – Weird Summer
Eliot Sumner – I Followed You Home
Wells – Shepherd
Idle Bloom – Fare Fumo