Heartbreaking Bravery

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Tag: Ian Graham

Watch This: Vol. 51

It’s been two weeks since the last regular Watch This segment, which means that there was twice as much to keep tabs on throughout the series’ (relative) absence. Every band that’s featured in the 51st installment has been previously covered on the site, which means a lot of old (and new) favorites are swinging for the fences. All five bands put out a great release this year and every single one of them had an incredible live performance surface over the past 14 days. There’s fuzz, lilt, and an abundance of passion all packaged together in the 51st round of this weekly spot and everything’s worth devouring. So, as always, pour a drink, sit back, turn the volume up to blistering heights, get comfortable, and Watch This.

1. Joanna Gruesome – Anti-Parent Cowboy Killers (BreakThruRadioTV)

For not releasing a full-length this year, 2014’s been very strong for the Joanna Gruesome camp. A few incredible splits (one of which was first announced here nearly a year ago), a great collaborative music video pairing, one of the year’s best songs, and a few appearances in this very series all hint that this is a band determined to continuously achieve more at a breakneck pace. That determination paired with live performances on par with this run through “Anti-Parent Cowboy Killers” and it’ll be impossible to stand in their way.

2. Dilly Dally – Candy Mountain (Chart Attack)

Dilly Dally is a name that’s been appearing with a frequent regularity as of late and that’s no mistake; any emerging act that comes off as a fully-realized project is worth several spotlights. “Green” and “Candy Mountain” both surfaced relatively recently and immediately became talking points among a very specific subset of circles. Punk, shoegaze, and indie pop all find a brooding middle ground in the band’s music and Katie Monk’s voice is as attention-ensuring as they come. Chart Attack had them in for a session that definitely proves their live act’s not to be trifled with, either.

3. Cheap Girls – Amazing Grace (Little Elephant)

A very specific brand of 90’s nostalgia is triggered by Cheap Girls’ music, which often plays like a carefully assembled and loving homage to the alternative sounds of that era. They’ve yet to make a weak record and continue to excel in the live department, which is the area that best exemplifies how they made their stock and trade. Famous Graves extended Cheap Girls’ winning streak with a practiced ease and the band keeps delivering memorable performance. This take on “Amazing Grace” is no exception.

4. Fear of Men – Green Sea (Faits Divers)

Loom already seems to have become one of 2014’s most overlooked records, which is a small tragedy. That record’s lack of what should have been well-deserved attention allowed Fear of Men to continue quietly excelling at just about everything they attempt, with their live performances attaining and carrying a certain hypnotic quality. Here, they deliver an acoustic version of “Green Sea” in Dijon and cement a spot as one of today’s most under-appreciated acts.

5. Radiator Hospital – Fireworks (BNTYK)

More than a few kind words have been used on Radiator Hospital and Torch Song (easily one of the year’s best records) via this site over the past year. So, it’s no surprise that “Fireworks” is on this list- especially considering BNTYK is one of the only video series to ever have a Watch This installment dedicated exclusively to their videos. Here, though, both Radiator Hospital and BNTYK outdo themselves and the results are utterly sublime. When the chorus hits, it’s a visceral gut-punch that offers direct insight to what makes the band so special, while the way it’s lensed is worthy of the moment. It’s a genuinely powerful example of what a truly great live video can accomplish. This is must-see entertainment operating at a level of excellence on a multitude of levels; don’t miss out.

Cheap Girls – Knock Me Over (Stream)

Cheap Girls have been one of the more intriguing touring acts since their debut, Find Me A Drink Home. While their deeply-indebted 90’s powerpop sound has proved surprisingly divisive, it’s always been hard to label them as revivalists. Theirs has been a sound that’s felt, more than any other act treading those waters, genuinely timeless. Even with 2012’s extraordinary Giant Orange, the band earned comparisons to bands as varied as Big Star, R.E.M., Elvis Costello, and the Gin Blossoms. They’ve always put exquisite care into their songcraft, no matter what the release (“Pure Hate” off of a split 7″ with Lemuria deserves to be considered a classic) and the upcoming Famous Graves looks to continue that trend.

Famous Graves will be the band’s first effort for new label Xtra Mile Recordings, after jumping off of Rise- a metal label that’s core audience frequently reacted very negatively to the band. Xtra Mile looks to be a much better (and much more beneficial) fit for the band, especially considering the levels of early enthusiasm for a record that has ample time for a pre-release run (Famous Graves is out officially on May 13th). Kicking off that pre-release run is “Knock Me Over”, which finds the band in typically outstanding form. Lead personality Ian Graham infuses the hard-driving powerpop song with characteristically weary lyrics that don’t lack in wit or memorable lines. It’s this quality, matched with the band’s increasing ambition, that makes them a perfect fit for their upcoming tour alongside literary-minded Midwest (via Brooklyn) music staples The Hold Steady.

Really, the closest cousin that “Knock Me Over” seems to have are the songs The Hold Steady have slowly been unveiling in advance of Teeth Dreams. Both bands draw a lot of influence from classic rock archetypes and both instill a sense of youthful exuberance into their work, no matter how battered the core topics are. There’s a sense of a kind of beautiful acceptance in both bands’ Us vs. the World mentality, as both realize that the world’s always going to win just by virtue of being bigger. Cheap Girls summarize this acceptance best in the chorus of “Knock Me Over”, lacing it with a subtle pang of regret that makes their lesson feel hard-won. Listen to “Knock Me Over” below and take a trip through a selection of the band’s discography here.