Heartbreaking Bravery

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Tag: Hurricane

A Week and a Half’s Worth of Material

Over the past week and a half there was a vast arsenal of material that found release across all three major formats. All of the titles that made a sizable impression will be linked to below and all of them are well worth exploring. Over the next few days there will be a laundry list of individual items to find small features but that in no way should deter from the immense value of the songs listed below. If there was enough time to provide each and every one of these entries features of their own, a regular day would have to be well over 24 hours. As it stands, the best approach is to simply bookmark this page and peruse these selections at a preferred pace. Keep an eye out for more updates from this site very soon and enjoy the incredible offerings that are available below.

Streams

The Raveonettes, Coaster, Puerto Rico Flowers, Beachtape, Sad13 (x2), Small Wonder, Two Houses, Floating Room, Hooton Tennis Club, Communions, Monster Rally, Mark Sultan, CRX, Dama Scout, Lady Lamb, Maria Taylor (ft. Conor Oberst), The Cinematic Orchestra (ft. Moses Sumney), Frank Weysos, Parlour Tricks, JD Werner, Del Water Gap, Invisible Boy, Magic Magic Roses, Hand Habits, The Breaks, Tyvek, clipping., Flower Girl, Mark Eitzel, Soft Lions, Cosmonauts, Desperate Journalist, Sonnyskyes, Tyler Daniel BeanSløtface, Cory Hanson, Sinai Vessel, Will Johnson, MOLLY, The Olympian, Boon, Emily Reo, Joanna Newsom, War Nurse, Ramonda Hammer, Sundayman, Yeasayer, Gummy, Sacred Paws, Enemies, BROS, Dead Leaf Echo, Mo Troper, Jarrod Milton, Dante Decaro, wrtch, Miya Folick, and Frankie Cosmos

Music Videos

Flasher, Honeyblood, Gland, Black Marble, Matt Kivel, Emilyn Brodsky, Peacock Affect, The Soonest, Alpenglow, Peder, Peeling, Worms, Girl Ray, Communist Daughter, Moonheart, The Superweaks, Sara Jackson-Holman, Andy Shauf, Monomyth, Victoria + Jean, The Avalanches, Purling Hiss, Tanukichan, Lou Barlow, Pity Sex, Froth, Allison Crutchfield, Strange Relations, Berwanger, Hazel English, Nada, Mayflower, Jess Williamson, Brunch, The Cavemen, Ray & Remora, Busman’s Holiday, Matt Costa, Muncie Girls, Soaker, and Oh Pep!.

Full Streams

Slothrust, Eric Schermerhorn, Tony Molina, Perfume-V, Silent, gobbinjr, Thick, Sam Kogon, Soft Pyramids, Max, Suntrodden, Loamlands, Nocturnal Habits, Choir Boy, Twiga, Angelic Milk, Realms, Parlour Tricks, Skye Wallace, Saba, Dead To Me, Teen Suicide, No Nets, Kevin Morby, Bloody Death Skull, Tournament, King Dude, Spectral Fangs, Communist DaughterSpeak Into My Good Eye‘s The 3rd Annual 24 Hour Songwriting Challenge, and Brown Acid, a joint-effort compilation from Riding Easy Records and Permanent Records that explores some of the heavier music of the ’60s and ’70s.

Fake Palms – Heavy Paranoia (EP Review)

fake palms

The first trio of days this week were comprised of a large handful of impressive full streams that came via Ghost Gum, Katie Ellen, Ganser, Sculpture Club, The Royal They, Joey Sprinkles, Idiot Genes, Tongues, Edgar Clinks, Jackson Boone, Kyle Morton, and Residuels. There was also an incredible compilation that came courtesy of a collaboration between Swell Tone and Z Tapes entitled Summer of Sad. While each of those releases deserves all of the investment they’ll undoubtedly receive and more, this post’s feature spot falls to the great Fake Palms and their outstanding forthcoming EP, Heavy Paranoia.

Back in 2015, Fake Palms grabbed another of this site’s feature spots for their dark, insistent “Sun Drips“. It’s astonishing how much the band’s grown in that time and Heavy Paranoia is concrete proof of their accelerated sense of artistry. From the onset, Heavy Paranoia ably demonstrates the band’s creative expanse with the towering “Collar Bone”. Riding the crest of a monstrous wave of hooks, sharp riffing, and a cold atmosphere that’s — somehow — conjured up by almost exclusively warm tones, “Collar Bone” immediately becomes distinctive and sets a ridiculously gripping precedent for the quartet of tracks to follow.

“Holiday” and “Frequencies” both hurtle along at a quick pace that still allows Fake Palms to establish a sense of expanse. Both tracks are perfect examples of the band’s acute awareness of dynamic structure, successfully playing several angles in one fell swoop. Whether it’s to create a sense of mild discord through committing to figures designed to emphasize ambient effect rather than melody or in shifting the tonal qualities of their tracks, every idea works beautifully. Importantly, the band also expertly navigates the pacing of Heavy Paranoia, lending it a feel of completion that few EP’s have managed to achieve.

By the time Heavy Paranoia‘s closing track hits, Fake Palms have already secured the EP the distinction of being the best release of their career. Fortunately, that last track, “Snowblink”, only solidifies that distinction. As characteristically spare and relentless as the preceding songs on this miniature post-punk masterpiece, “Snowblink” does eventually hit an enormous, sprawling moment that serves as the climactic final sequence of both the song and the EP. Those final three minutes are the most exhilarating of a release that’s never anything less than arresting and ensure that Heavy Paranoia‘s a release worth remembering.

Listen to Heavy Paranoia below and pre-order the EP here.