Heartbreaking Bravery

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Tag: Holiday

A Two Week Toll: Music Videos

Continuing on with the precedent set by the previous post, everything here is designed to celebrate some of the best releases of the past two weeks. This time around, the emphasis falls to music videos. There’s an incredibly expansive array of material to be discovered via the links below. Click through some of the titles or bookmark this page and click through everything, there’s a very good chance a new favorite’s waiting somewhere in the wings. Enjoy. 

Boytoy, Menace Beach, Petal, Big EyesFake Palms, The Tuts, Jay Som, Hovvdy, Eyelids, Tacocat, Toys That Kill, Emilyn Brodsky, Priests, YJY, Weyes Blood (x2), Pumarosa, Computer Magic, Banana Split, Midnight FacesKraus, Wyatt Blair, Johanna Warren, Aidan Knight, Jayle Jayle, The Faint, Chromatics, Soft Fangs, Berwanger, WALL, Xenia Rubinos, Scully, Shura, Cass McCombs, Mile Me Deaf, Duchess Says.

PillMatt Kivel, San CiscoHalfsourWoods, VacationJoan of Arc, Womps, Slow Mass, Kvelertak, Slow Club, Alex Izenberg, Amber Coffman, Nick Waterhouse, Balto, Hurry, Navy GangsIzzy True, MarineSavoy Motel, Mutual Benefit, Balcanes, The Dandy Warhols, Yellow DaysThe WharvesMadeline Kenney, livThe Dirty Nil, Joyce Manor, Mutts, Ex Reyes, Big SmokeGloria, Earwig, and RF Shannon.

Weaves – Shithole (Stream)

weaves

Following another insane Monday, Tuesday’s kept things humming along at an impressively furious clip. A few of the full album streams that surfaced included CreaturoS’ miraculous psych-punk stomper Popsicle, Nude Beach’s characteristically impressive 77, Dope Body‘s ferocious Lifers, and Marshall Teller supergroup Psychic Markers’ impressive self-titled debut. On the EP and 7″ side of things, the absolutely jaw-dropping four-way split between Krill, LVL UP, Ovlov, and Radiator Hospital started streaming over on Soundcloud, while the split between Girlpool and Slutever= where both bands cover each other’s songs- went up on bandcamp. Vetter Kids also debuted their excellent new EP, Logan, on AV Club.

A fair few single songs started to make the rounds as well: Guided By Voices mastermind Robert Pollard introduced his new project- Ricked Wicky- by way of the hard-charging “Mobility“, Diarrhea Planet continued to improve with the 90’s-influenced throwback “Bamboo Curtain“, Sorority Noise’s “Wesleyand’s Best Dressed” confirmed their growing buzz is fully warranted, Strange Babes ensured that their upcoming debut effort is worth anticipating with the lovely powerpop of “Holiday“, and Ex-Breathers continued breathing fire into their peculiar brand of hardcore with the violently unhinged “Falling Away“. In addition to all of that, the visual medium was well-represented with a highly stylized (and extremely disquieting) black-and-white clip for “Am Gone” from avant pop weirdos Adult Jazz and Routine Involvements‘ surrealist headtrip for their instrumental track, “UFO“.

Having already given the split between Krill, LVL UP, Ovlov, and Radiator Hopsital quite a bit of attention recently, today’s feature fell to an artist who has yet to earn notable coverage on this site: Toronto’s Weaves. Having just missed their set opening for Courtney Barnett at Sonic Boom during NXNE, they’ve been a band that’s been on the cusp of the radar. Previously, the band’s sound has been rooted in a brave kind of DIY punk experimentalism; electronic and dance undercurrents cut apart what would’ve otherwise been straightforward rock n’ roll songs. While that proved to be an angle that kept things interesting, the band’s done away with any tangential excess on “Shithole”- and they might be better off for it.

“Shithole” is the most direct track of Weaves’ still-young career and very likely their best effort to date. Precariously balanced on the tightrope connecting a laid-back vibe to a relentless energy, it still manages to come across as enticing and effortless in equal measure. Ragged guitar riffs meet a sweetly irresistible vocal melody while vocalist Jasmyn Burke’s lyrics push the whole thing towards the sublime. It’s an absolutely stunning track that completely re-defines the rules for a band that was already emerging- and in doing so, forces an adjustment for the expectations that have started surrounding them. All of that is prompted even before the track’s closed out by a relentless, feedback-tinged solo that supplements the cathartic final chorus. If this really is an indication of the direction Weaves is heading in, it’s time to sit up and start paying extremely close attention to this band.

Listen to “Shithole” below and keep both eyes peeled for whatever Weaves has in store to follow it up.

Home for the Holidays & A Guide to Surviving (Mixtape 001)

Well, it’s been a brief but substantial fifty day run and this, the 50th post, seemed as good a place as any to celebrate something so small and meaningless. To that end, Heartbreaking Bravery is offering up its first official mixtape; Home for the Holidays. Look for one every fifty posts. Some will have themes, some will just serve as reviews for the past near-two-months of coverage the site provides.

Home for the Holidays was a unique challenge. For the songs to qualify they had to fit within the general aesthetic of what Heartbreaking Bravery would normally cover- they would also have to mention Christmas without being a Christmas-specific song. All of these songs are here for a reason and deserve to be heard. A welcome alternative to the endless barrage of the same twenty songs getting played in seemingly every location. Both the mixtape and the accompanying guide to surviving are below.


1. Tenement – Spit in the Wind

Did anyone honestly expect this list to start with anything else? It’s no secret how this site feels about this band. They’ve mastered the exploration of lower middle-class difficulty and it really comes through on the chorus of this Napalm Dream standout. “Father pissing on the Christmas tree, suicide for the family” is a masterclass in both explicit and implicit imagery as well as tone-setting.

2. The Wombats – Moving to New York

Sleep-deprivation, needless excitement, and suspecting disappointment. “Looks like Christmas came early” has never sounded so true. 

3. Sundials – Christmas Day

One of 2013’s most exceptional compilations was the collection of Sundials songs from 2009 to 2012. “Christmas Day” closed the collection out with flare, emphasizing how ugly financial situations can be made ten times worse by the holidays with a surprising amount of verve. 

4. The Weakerthans – Exiles Among You

The Weakerthans were (are?) one of the most consistently impressive bands on the circuit and released a few records that qualify as classics. On their standout sophomore effort Left & Leaving was this gem, that included a heartbreaking moment where the protagonist shoplifts for Christmas and ignores her family. A perfectly executed example of estrangement.

5. Titus Andronicus – No Future Part Three: Escape From No Future

On Titus Andronicus’ masterpiece The Monitor, the band managed to cover an endless arsenal of subjects. One of the strongest moments in a record full of them was “No Future Part Three” with its rapid shifts in pace and tone. There’s anger, there’s grim determination, a palpable sense of sadness, and a devastating Christmas list. 

6. Neutral Milk Hotel – Two-Headed Boy

One of 2013’s biggest moments was the return of Neutral Milk Hotel, prompting many to revisit In the Aeroplane, Over the Sea and “Two-Headed Boy” in particular. That song contains a fierce ending of bitter abandonment set under Christmas trees, elevating the importance of the act. Brutal, harsh, and brilliant. 

7. Waxahatchee – Rose, 1956

There are very few records as pointed and barbed as American Weekend, a record that’s only managed to grow stronger with time. “Rose, 1956” stands out for a variety of reasons but the mention of Christmas Eve at the song’s opening drives home how specific it is, which makes it more revealing in turn. 

8. Bon Iver – Blood Bank

Bon Iver is almost too obvious of a choice for this but it’s hard to look past the muted elegiac title-track of the band’s sole EP. Not only do the levels of wistfulness feel appropriate but the song nicely underscores the possibility of truly understanding difficult moments. One of Bon Iver’s most stunning moments. 

9. Why? – The Fall of Mr. Fifths

Why? have always managed to effortlessly evoke very specific feelings with their arrangements alone. Yoni Wolf’s lyrics generally accentuate that feeling masterfully and “Mr. Fifths” is no exception. There’s an underlying theme of fear and obsession here that touches on the rising death rates that surround the holiday season. 

10. The Hold Steady – One for the Cutters

Quite possibly The Hold Steady’s most inventive moment, this harpsichord-driven tale paints the most realistic portrait of the sort of culture that exists in the shadows the band has managed in years. An absolutely stunning achievement that culminates in the central character’s defeated-beyond-reason return to her family at Christmas. 

11. Sparklehorse – Little Fat Baby

Mark Linkous’ penchant for subtlety resonates throughout this song, in part an understated allegory about (seemingly) the prominence of Christmas. It’s a subdued-yet-jarring yarn that feels intensely personal. 

12. Belle & Sebastian – I Don’t Love Anyone

Fleeting moments of self-doubt and occasional resentment spring up in early winter more than anyone would like to admit. Self-evaluation becomes a bitter process and all of the potential disappointment can manifest itself outwards. The best way to deal with it is just to acknowledge it and move on.

13. The National – It Never Happened

“We look younger than we feel and older than we are” is a beyond perfect way to describe the holiday hangover that’s constantly present, lingering around the corner. The easygoing pace of “It Never Happened” mirrors the pose some people will themselves into just to survive the rougher patches.

14. Okkervil River – Where the Spirit Left Us

The first of of two Okkervil songs on this list, “Where the Spirit Left Us” pinpointed a certain kind of well-informed nostalgia that was brought to life in a dazzlingly vivid manner. There’s a small-town longing that matches up nicely with the resigned minutiae  surrounding any large family gathering.

15. The Weakerthans – My Favorite Chords

John K. Samson does environmental setting better than almost anyone penning lyrics today. The fact that The Weakerthans can often be described as wintry only heightens the reason for this song’s inclusion.

16. Tom Waits – Christmas Card From A Hooker in Minneapolis

A wildcard among these 21 tracks, “Christmas Card From A Hooker in Minneapolis” qualifies based on the title, not a lyric contained within the song. One of Waits’ most towering achievements and one of the best moments on his classic Blue Valentine.

17. Ben Folds Five – Brick

Did you really expect this not to make the list? It’s a song about the aftermath of a Christmas Eve abortion. One of the most frighteningly realistic songs in recent memory. At the very least, let this one invoke deep sympathy.

18. Palace Songs – Christmastime in the Mountains

Okkervil River artist Will Schaff brought this song to the list as it was experiencing a rough draft dating back to last December. “Christmastime in the Mountains” is stark, beautiful, and nicely summarizes the empty feelings that can occasionally hit at this time of year.

19. Why? – Kevin’s Cancer

Yoni Wolf has been operating in his own territory for a long time now. This is the second Why? song to be included but the way Wolf and company operate only furthers situational reality. 

20. Elliott Smith – King’s Crossing

From A Basement on Hill bafflingly exists simultaneously as one of the most personal and impersonal records to be released in the past 15 years. It’s posthumous status elevates the impact of searingly revealing songs, yet those involved with it say that the record was far from finished and released with only the mixes Elliott had left behind when he tragically passed away. “King’s Crossing” stands out as one of the record’s most personal (and most biting) moments, reflecting the holiday’s darker spirit.

21. Okkervil River – Calling and Not Calling My Ex

This is the song that inspired the idea for this collection several years back. It’s Sheff at his most pointed. Sleigh bells in the background offer up an ever fuller world-building experience for an environment surrounding the introspection that often hits hardest towards the end of the year.

Happy Holidays.

HB