November was a hectic month for a lot of reasons, politically and personally. Barely any posts ran over the past 30 days but, as always, the new releases were accounted for as they were unveiled. As December presses towards 2017, there will be a slew of new posts covering the best material to be released in November as well as the releases that appear throughout the month. Before those run, though, there’ll be extended recaps of some of the most exceptional releases in the three major categories (streams, music videos, and full streams). This post will cover the visual end of that spectrum and offers up a wide array of styles. Go exploring.
Let’s get this out of the way at the top: there hasn’t been a post on this site for roughly a month. A large part of that development is due to the fact that for approximately half of that timeframe, I’ve been on the road and either playing or taking in shows (the majority of which will be receiving coverage here at some point in the near future). During that stretch, a lot of material has surfaced. From extremely strong post-punk debuts to an astonishing, simultaneous 35-record release, it’s been a fascinating month. Below is a collection of some of the finest releases that have emerged over the past several weeks. Enjoy.
Over the past two days, a whole bevvy of outstanding songs have been released. A lot of them coming from site favorites. The bands responsible for those songs included Leapling, Diarrhea Planet, METZ & Swami John Reis, Yung, Snakes, Little Scream, Weaves, Haybaby, Supermoon, Beach Skulls, Daniel Martin Moore, and Heavy Times. That small group constitutes one of the strongest small, hyperlinked fields that this site’s run in some time (and it turned selecting a song to feature in this spot into a quasi-nightmarish scenario).
In the end, after listening to all of the songs listed above multiple times (a trend that will undoubtedly continue going forward), one song managed to stand out ever-so-slightly more than the rest of the pack: Mercury Girls‘ “Ariana”.
After waltzing away with the top honors in this site’s Odds and Ends of 2015 list (thanks to their awe-inspiring Demos & Live Songs), Mercury Girls could have easily buckled under the weight of the pressure that accompanies the follow-up to a flawless release. Instead, the band’s only sharpened what made them so great from the onset: soaring, airy melodies, unbelievable dynamic work, thoughtful composition, sharp instrumental work, intuitive production, and a genuine sense of hopeless romanticism that informs every nook and cranny of their songwriting.
All of the elements that comprised the winning formula that drove Demos & Live Songs have been amplified on “Ariana” in a way that feels meaningful rather than exploitative. While it may have been tempting for the band to just focus in on one aspect of what made those songs work as well as they did, they seemed to have poured even more care and attention — if “Ariana” is any indication — into their upcoming batch of material.
From the clean tones to the surprising amount of natural punch, the bittersweet “Ariana” stands proudly as the band’s most definitive song. The guitar work’s scintillating, the rhythm section generates a tremendous amount of power, and the vocals are pure and irresistible. For a few brief moments on “Ariana”, Mercury Girls recall The Cure at their finest.
By the time the track’s entered its explosive final quarter and set every conceivable wheel into motion, the band’s managed to plant their own flag firmly into the earth. No matter how clear their influences wind up being, “Ariana” couldn’t be the product of any band other than Mercury Girls. On the A-side of their first 7″, with no full-length out, Mercury Girls have readily established themselves as one of America’s best bands. Whether or not they’ll be able to reaffirm this with their future releases remains to be seen (there have definitely been a slew of indicators that have been more than favorable) but for now, all that matters is that they’re heard.
Listen to “Ariana” below and pre-order the 7″ from the band here.
In keeping with the past several recap posts, a lot of material will be listed below. I wish I could have granted each of these individual songs more words than just a generic introductory paragraph extolling their high quality of work but time can be extremely cruel and leave few desirable options. March was an extraordinary month for music, if you knew where to look and could spare the investment. Below is a list of the individual streams that surfaced during the month, each one worth several looks.
Once again, there’s simply too much material to consume in one sitting so this page is best experienced via a bookmark and return explorations. Following this post, the site will be running a premiere or two and then lists of the very best streams and live videos of 2016’s first quarter but until then, taking a trip through the below titles should be a rewarding experience that keeps everyone occupied. You may even find a new favorite band. Happy hunting.
Before diving into the particulars of the forthcoming lists, it’s worth addressing the distinction made in the headline. Each of the categories that received a list in 2015 (music videos, songs, EP’s, albums, odds and ends) will be expanded upon in this post. However, there are still two forthcoming film lists but each of those will include the honorable mentions along with the featured rankings. An obscene amount of great material came out over the 12 months that comprised the past year so any attempts to cover everything would be futile. If anyone’s exhausted the below lists, a more comprehensive version can be found by exploring the following tags: stream, full stream, EP stream, and music video. Explore some of the top tier picks that didn’t make it onto the year-end lists via the tags below.
While this site hasn’t been running posts at the everyday pace it used to, there’s always work that’s being done behind the scenes. A project for the site has been enormously time-consuming as have other pressing commitments. However, as always, everything’s been accounted for as it comes into play. The next four posts will focus on some of the finest music videos to have come out over the past few months, each highlighted by an individual clip. The upcoming slew of full and single stream posts will follow this format. Kicking everything off is the video for METZ‘s excellent “Spit You Out“.
A seemingly never-ending stream of frantic words have been spoken, shouted, and (suitably) unintelligibly screamed about METZ’s live show so a live edit clip somewhere along the way seemed inevitable. Enter: “Spit You Out”. Appropriately, the song’s visual accompaniment feels as searing as the song itself, utilizing a stark black and white palette, frenzied editing, and a strobe-like presentation to maximum effect. All the while, both the band and the audience go about losing their respective minds. It’s a no-holds-barred attack that leaves a strong impression. By scaling back, the band ups the urgency and remind us that stakes never really mattered in the first place.
Watch “Spit You Out” below, pick up a copy of METZ II here, and explore a list of some of the best music videos of the past few months underneath the embed.
More than four dozen items into today’s review of the past week of music and there’s still more than a dozen things left to cover. That’s absurd. It’s also indicative of just how consistent 2015’s been in terms of great new releases. Whether it was a pair of music videos from Pity Sex and Will Butler or what essentially amount to attention-snagging previews from Heavy Looks and Chris Sutter‘s intriguing solo venture Genie’s Organ Recordings. There were also outstanding new songs from Woozy, Three Man Cannon, Holy Oysters, Haybaby, Broadcaster, British Sea Power, Palmas, and Polyon, as well as a deeply compelling full-length from Brooks Strause. In addition to that wealth of memorable material, there was a breathtaking new song from site favorite Laura Stevenson.
Coming off of a career high– 2013’s Wheel, a wonderful record that keeps improving with age– Stevenson had the unenviable task of following up an unlikely genre classic. As each new song from the songwriter’s forthcoming Cocksure trickles out, the more it seems like the record may surpass its predecessor. “Claustrophobe”, the latest single to be unveiled from the record, makes an immediate impact with its stargazing guitar line and insistent piano-plinking. Unfurling with grace and determination, “Claustrophobe” plays to Stevenson’s most anthemic sensibilities, with its monster chorus doing quite a bit of its own heavy lifting.
Propulsive, dynamic, and bittersweet, “Claustrophobe” is the latest extension of a continuously improving winning streak from one of this generation’s more under-appreciated songwriters. If the rest of Cocksure lives up to its previews, Stevenson’s name may be appearing in a lot of desirable places. For now, the best course of action’s to simply enjoy the music and the building anticipation for the October 30 release date. Just hit repeat until that day arrives.
Listen to “Claustrophobe” below and pre-order Cocksure from Don Giovanni here.
As was stated earlier on, it’s been a while since a single stream has been featured on this site- about three weeks to be exact. To remedy that, all of the songs that have been collected over that period of time (all of which made incredibly favorable impressions) will be featured in a trio of posts, beginning with this one. Each post will focus on one genuine standout and include a hyperlinked list of the others beneath the embedded player, bringing the site up to the present release cycle.
Kicking this process off is Ernie’s raucous “Sweatpants”, an unabashedly melodic song that’s not afraid of flashing some serrated edges. A towering vocal melody powers “Sweatpants”, while the guitar, bass, and drums surge underneath. Mining the typically rich field of malaise for lyrical content, Ernie finds a contrast between spry musicality and downtrodden lyrical content and exploits the divide to maximum effect. It’d be a tremendously downcast affair were it not for the defiantly energetic musical approach. Nuanced, balanced, and deceptively subtle, “Sweatpants” is a song that deserves to be in the collections of anyone who’s ever visited this site more than once.
Listen to “Sweatpants” below and pre-order Dog Park from Soft Speak Records here. Underneath the embed, explored a handful of other great songs to find release over the past three weeks.
With an incredibly strong Tuesday already transitioning to the rear view, it would have made sense to see a drop in content release but a lot of places seemed intent on following other plans leading to a Wednesday that was just as overflowing with great material. Shit Present unveiled a spiky EP debut of Salinas-brand pop-punk and The School revealed something resembling a low-key indie pop masterpiece in Wasting Away and Wondering. Hurry Up, Spray Paint, Julia Holter, Telekinesis, Moses Sumney, Heaters, Jono McCleery, Weyes Blood, Haybaby, and See Through Dresses all released excellent new songs while exemplary music videos got brought out by the likes of Girls Names, Vaadat Charigim, Shy Kids, Postcards From Jeff, Glen Hansard, Sporting Life, PILL, Wet Nurse, and Low Fat Getting High (whose director this time around, A Year’s Worth of Memories contributor Stephen Tringali, continues to do masterful work with desolate landscapes and imagery rooted in magic surrealism). Merge also surprised everyone with a stream of one of the year’s best records, Mike Krol’s Turkey.
After posting Krol’s ridiculously enjoyable video for “Neighborhood Watch” yesterday, the full album has finally arrived. Since a lot ground was already covered in the “Neighborhood Watch” write-up, I’ll forego some of that reviews focal points (the historical context of his long-standing Sleeping in the Aviary connection and his other past work) to focus on the material at hand. Before I get lost fawning over Sleeping in the Aviary- one of the most crushingly under-recognized bands of recent times- I’ll merely state that their impact can be felt all over Turkey (they’re essentially Krol’s backing band, after all) and Turkey seems to pick up right around where Sleeping in the Aviary’s 2011 swan song, You and Me, Ghostleft off in terms of stylistic approach.
Turkey is a different beast than its string of predecessors from either the man at the center of the project or the band he’s continued to incorporate into his project. Nearly every track of the formidable blitz that is Turkey seems wild-eyed and feral, largely eschewing grace in favor of brute force. In more than a few ways it recalls Lost Boy ?at their most ferocious, precariously balancing a delirious mental state with a bevvy of seemingly unchecked aggression. The difference maker here is the brevity, which is wielded like a weapon and utilized to frightening perfection.
Only one song on Turkey eclipses the two and a half minute mark, effectively rendering Turkey a barrage of quick hits. A normal detractor in this case is that in a flurry of blows, some of the shots can lose their power- a pitfall that Turkey overcomes with ease. Likely due to the fact that Krol’s boiled his peculiar model of songwriting down to an art form (Merge did sign him, after all), it’s an extremely impressive achievement nonetheless. With the exception of the gorgeous but ultimately irreverent closing track (“Piano Shit” is as apt as a title as any I’ve seen this year), every song on Turkey could work as a standalone single or cut through a crowded mixtape with ease.
When “This Is The News” was originally unveiled last month, expectations for Turkey skyrocketed but still allowed for a host of variables to diminish the extreme impact of its lead-off single. Looking back and taking into consideration Krol’s enviable long-term consistency and career track, the suggestion that Turkey would be anything other than a powerhouse release seems ridiculous. Now that it’s actually here, though, it’s unlikely that anyone could have fathomed the extent of how high-impact this record would wind up being. While it’s likely still too early to call it a genre masterpiece, the temptation’s already starting to build. Arriving at the precise intersection of basement pop and basement punk, allowing for a host of outlying genre influences (doo-wop and soul play key parts in the band’s atomic chemistry).
Nine songs of pure cathartic release, this easily ranks among the very best of 2015. Played with feeling, fearlessness, and an excessive amount of verve, Turkey is a new career benchmark for one of the sharpest talents to emerge out of the upper Midwest (between this, Tenement’s Predatory Headlights, and a small handful of other notable releases, the region’s composing a powerful run). Already nearly a dozen listens in since receiving new of the stream yesterday, I can personally attest to the fact that it’s addictive, it rewards investment, and retains enough punch to ensure it an unlikely level of longevity. Smart, catchy, and a blinding entry into a genre intersection that isn’t always afforded the luxury of national attention (something Turkey has a decent shot at, thanks to Merge’s involvement), this is a record worth purchasing several times over. Lay it all on the line and dive into this thing headfirst, the fall in will be worth it every time.
Listen to Turkey below and pre-order a copy from Merge ahead of its Friday release here.
