Heartbreaking Bravery

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Tag: Haley Bonar

Watch This: The Best of 2017’s First Quarter, Pt. III

The first two parts of this four-part series shedding light on some of the finest live videos to see the light of the day over 2017’s first three months largely focused on single song takes, with a few two-song performances for good measure. The latter two of this series turns the attention to full sessions. Part three, specifically, focuses on long takes of these sessions encompassed in a single video, an area that places like KEXP — who are featured here multiple times — have wisely made their calling card. All of the performances and bands featured in this third installment of this review are worthy of celebration. So, as always, get excited, try to keep calm, lean in, hit play, and Watch This.

PART III

1. Car Seat Headrest (KEXP)
2. PWR BTTM (NPR)
3. Sad13 (WKNC)
4. Cloud Nothings (KEXP)
5. Mannequin Pussy (Audiotree)
6. Hazel English (Rough Trade)
7. Alvvays (CBC Music)
8. Big Thief (NPR)
9. The Spirit of the Beehive (WKNC)
10. Jeff Rosenstock (Little Elephant)
11. Crying (Audiotree)
12. Priests (PressureDrop.tv)
13. Lee Fields & The Expressions (KEXP)
14. Horse Jumper of Love (Audiotree)
15. Angel Olsen (KEXP)
16. The Regrettes (PressureDrop.tv)
17. Thee Oh Sees (KEXP)
18. Mall Walk (PressureDrop.tv)
19. Los Campesinos! (KEXP)
20. Fai Baba (KEXP)
21. Terry Malts (PressureDrop.tv)
22. Haley Bonar (KEXP)
23. Let’s Eat Grandma (KEXP)
24. Valgeir Sigurðsson & Jodie Landau (KEXP)
25. Explosions In The Sky (Moshcam)

Watch This: Vol. 147

After a brief hiatus, Watch This returns with another two-part installment focusing on the outstanding live videos to have emerged from last Monday through last Sunday.  Japanese Breakfast, Mikey Erg, Quarterbacks, Okkervil River, The Tallest Man On Earth, Robbing Millions, Busman’s Holiday, Sarah White, Ages and Ages, The Aviary, Jamie T, Xenia Rubinos, Tycho, Misimplicity, Local Natives, Naked Giants, and Yonatan Gat were all responsible for notable entries while the five featured clips were genuine standouts. From fresh faces to beloved veterans, there’s a lot to explore. So, as always, sit up, lean in, adjust the volume, focus, and Watch This.

1. Gurr – Walnuss (Auf Klo)

Following up their run through “Moby Dick” that was featured in the last installment of this series, another clip of Gurr playing in a bathroom stall finds its way to a featured slot. Just as endearing and just as heartfelt this round, the ascendant duo delivers a lively take of “Walnuss“. Building on a momentum swing, the band should find their name growing increasingly more recognizable as the year pushes forward.

2. Haley Bonar (NPR)

Haley Bonar has been featured on this series a few times in the past but the songwriter’s in rare form for this Tiny Desk Concert. A genuinely gorgeous run through a set of songs, Bonar exerts a nuanced control that enlivens every second of this session. One of the strongest Tiny Desks of the year, it’s a beautiful showcase of a musician whose finally starting to get due credit.

3. Feels (Pressuredrop.tv)

For the past few years, Feels have been steadily building up an impressive name for themselves through a solid discography and explosive live shows. The latter bit of that formula is expertly documented here in a fiery full session for Pressuredrop.tv. From song to song, Feels sink their teeth into their material and give it their all. As a result, they wind up with one of the more exhilarating full sessions in recent memory.

4. PWR BTTM – All the Boys (The Wild Honey Pie)

Over the past few years, PWR BTTM have become one of the most written-about artists on this site. One of the biggest reasons for this occurrence is the band’s incredible live show. While it’s been lovingly portrayed in the past by several outlets, none of those entries have come close to being as beautifully shot as this take of “All the Boys” for The Wild Honey Pie’s Buzzsessions. A gorgeously lensed clip, “All the Boys” also manages to capture the band’s infectious spirit and undeniable charisma, becoming one of the most definitive portrayals of the band to date.

5. Charles Bradley (Strombo Sessions)

Earlier this month, the music community was hit with tragic news: Charles Bradley, a figure that’s been embraced by an adoring public that stretch multiple genres, was diagnosed with stomach cancer. One of the most inspirational figures in music, the Screamin’ Eagle of Soul was also a regular staple of this series. As a result, there’s a twinge of heartbreak running through this beautiful full session for the Strombo Sessions. Bradley’s characteristic exuberance winds up tipping the scales back to something genuinely heartening before the clip hits its close and provides the proceedings with a sense of genuine triumph. As a whole, it’s a deeply important portrait of one of the most gifted songwriters — and pure performers — of recent memory. Give it the kind of love and attention it (and Bradley) deserves.

Watch This: Vol. 145

The past week contained a plethora of outstanding performance clips, including memorable takes of Ama, Haley Bonar, Alex Napping, The Seratones, Benjamin Booker, Cate Le Bon, Twin Limb, Pinegrove, The Frights, Matthew Logan Vasquez, Beach Slang, Heaters, Naked Giants, The Sweet Release of Death, Conor Oberst, and King Gizzard & The Lizard Wizard. Since there was an excessive amount of incredible material over the past seven days, this will be the first of two tandem Watch This installments. The five featured clips below are heavy on full sessions and include one genuine outlier that was simply too good to pass up featuring. So, with that in mind, take a deep breath, steel some nerves, block out any distractions, adjust the settings, lean in, and Watch This.

1. Big Ups (Audiotree)

As a live act, Big Ups are an extremely enticing draw. They’re explosive performers, their songs are complex and dynamic enough to demand uncommon talent, and the quartet boasts a magnetic playing style. They’ve appeared on several past Watch This entries but occupy an elevated space for this Audiotree session. Characteristically intense and oddly entrancing, this session stands as a career highlight for both the band and the rightfully acclaimed studio.

2. Uni Ika Ai – Already Dead (BreakThruRadio)

2016 has been something of a breakout year for Uni Ika Ai. While they may not be an instantly recognizable name, the act’s been gaining traction on the back of their dreamlike approach to subdued indie pop. Deeply impressive and hard to shake, this enrapturing performance of “Already Dead” for BreakThruRadio is as good an entry point as any for the uninitiated. For more than seven minutes, the band casts a spell that deepens as the song progresses, making one hell of an impression.

3. Explosions in the Sky (KEXP)

cTypically Watch This — and Heartbreaking Bravery in general — is a space reserved for emerging artists but every once in a while a veteran act will issue a reminder of how they earned their status. Case in point: post-rock titans Explosions in the Sky‘s recent KEXP session. The band’s riding another critical surge following the release of this year’s The Wilderness, a record that subtly expanded the band’s scope. As ever, the songs translate beautifully to the live setting and this performance serves as concrete proof.

4. Nothing (KVRX)

When a band’s volume levels are as relentlessly punishing as Nothing‘s, stripping songs to bare acoustics can be a risky prospect. Fortunately, the band are incredibly gifted songwriters, something that comes across with a charming, natural ease in this unassuming KVRX session. There’s a certain amount of grace that often gets overlooked when shoegaze-leaning bands heavily emphasize the most bruising aspects of their approach and each song performed here becomes an essential reminder of that grace, winding up as an unexpected document of one of the genre’s most intriguing acts.

5. Jay Reatard (Pitchfork)

More of an archival release than anything else, this look back at a musician that was lost far too young is vital, painful, and wildly exhilarating. Taking a breathlessly frantic approach, Jay Reatard whips his band into overdrive right out of the gate, ripping through a dozen songs in a fiery twenty minute set, featuring a host of songs that have rightfully carved their place out in history as pivotal genre classics. Reatard was writing out of his mind during the time this was filmed, fresh off the release of Blood Visions (which remains an indisputable classic). An arresting look back at a formidable talent, there’s heartbreak to be found in thinking about what could have been but more than enough heart on display to make up some of the difference.

Watch This: Vol. 144

To ease Watch This back into its regularly scheduled rotation, the following will focus on the two weeks that occurred after the last installment was published. In that time, Acapulco Lips (x2), Wasted On You, Chain of Flowers, Pinegrove, Peter Bjorn and John, Sunbathe, Good Personalities, Bad Cop / Bad Cop, Claire Cottrill, The Brokedowns, Kississippi, Haley Bonar, Billie Marten, Bayonne (x2), Entrance, Lush (x2), The Blank Tapes, JFDR, The Frights, Teleman, The Districts, Doe, Marissa Nadler, Joshua Bell & Jeremy Denk, No Honeymoon, Aaron & Bryce Dessner with Ben Lanz and Boys Noize, BlackGlass, The Minders, Super Furry Animals, Kristin Kontrol, Tenement, Queen of Jeans, Michael Kiwanuka, Breanna Barbara, Corbu, All People, Boss Fight, Margo Price, Titus Andronicus, Brass Bed, Somos, Oliver John-Rodgers, Foxing, The Wombats, and PWR BTTM all found themselves at the center of outstanding performance clips. Competition that strong says more about the strength of the five featured clips that could be conveyed with mere words. All five bands have been featured on the site in the past and the performances range from genuinely exhilarating to utterly devastating. So, as always, sit up, lean in, adjust the volume, block out any excess noise, focus, take a deep breath, and Watch This.

1. Never Young – Soap (Prisma Guitars)

Immediately kicking things back into the highest gear possible is this Prisma Guitars session from site favorites Never Young. Easily one of the most explosive single-song performance clips to ever be featured throughout the 140+ installments of this series, the quartet careens through an adrenaline-inducing take on “Soap” that sees them giving the session their everything. Beautifully shot and presented with an enormous amount of conviction, this is exactly the type of clip that Watch This was built to celebrate.

2. Greys (KEXP)

Greys have made several appearances throughout this series’ run and touring on their recently-released Outer Heaven‘s allowing them even more opportunities to be featured. The band recently stopped by the KEXP studios for a full session that features songs from their past three releases, including their most recent work, Warm Shadow. As always, the band plays with a barely-contained energy, an incredible amount of tenacity, and a deep-seated passion that makes this another vital document of one of today’s most exciting acts.

3. Heliotropes – Primates (BreakThruRadio)

For a few years now, Heliotropes have been quietly carving out an impressive name for themselves, earning the respect of both critics and their peers. Creatively restless and endlessly intriguing, the band continues to impress with this BreakThruRadio performance of “Primates”. It’s a glimpse towards the future the band’s angling towards and it’s impossibly tantalizing. One of their finest songs to date, “Primates” keys in on the band’s wiriest post-punk tendencies and sporadically cuts them to shreds. If this is indicative of the rest of the band’s forthcoming material, start bracing for something genuinely explosive.

4. The Coathangers (KEXP)

The second KEXP session of this installment features The Coathangers, who have been touring hard behind their excellent Nosebleed Weekend. Celebrating both that record and the 20th anniversary of the label that released the record, Suicide Squeeze, finds the band in exceptionally high spirits. All of that culminated in an unshakable, infectious joy that drives this session, making it both immediately accessible and surprisingly memorable. The trio remains in fine form throughout the session, playing with ramshackle glee while maintaining an impressively tight grasp on the songs, creating what could be considered a definitive portrait.

5. Nick Cave & The Bad Seeds – Girl In Amber

After enduring unspeakable loss, Nick Cave allowed filmmaker Andrew Dominik into his creative process to create One More Time With Feeling, a documentary that follows both the creation of Skeleton Tree and Cave’s battle with grief in the wake of his youngest son’s tragic death. It’s excruciatingly heartrending from an outsider’s perspective and Dominik elegantly underscores how unthinkably difficult it’d be to be in that situation. In the third studio video to be released from the project, Cave continues to look completely lost and withdrawn, as if perpetually trying to wrestle his thoughts down.

“Girl In Amber” also expertly incorporates Dominik’s inspired direction and the technical wizardry that went into the 3D, black-and-white filming of One More Time With Feeling. The overall effect’s equal parts haunting and haunted, creating an unforgettable impression. This is a staggering work of bravery and artistry, each colliding with the other to produce something as singular as it is captivating. As the camera circles Cave, surveying his every movement and placing him at the center of swirling uncertainty, Cave repeats “don’t touch me” as the video cuts to black, providing one last breathtaking moment of a miniature masterpiece.

Mannequin Pussy – Romantic (Stream)

mannequin-pussy

There were outstanding music videos from Potty Mouth (which very nearly claimed this post’s feature spot), Jeff Rosenstock, WL, Haley Bonar, No Nets, T-Rextasy, Public Access TV, Tom Brosseau, NOTHING, Cass McCombs, Candy, Sargent, Maxwell Drummey, This Is The Kit, and Jonny Fritz to emerge over the past 48 hours. Joining those clips were quality full streams that came courtesy of Hiding Place, Mozes and the Firstborn, Slow Mass, Dust From 1000 Yrs, Wovenhand, BLKKATHY, and Whiskey Myers. All of them deserve all of the attention that they’ll inevitably receive but today’s featured spot falls to an old site favorite: Mannequin Pussy.

Following some seriously impressive turns at the start of their career, Mannequin Pussy have hit an astonishing career high with “Romantic”. Opening with a surge of unexpected momentum amid a wall-of-sound shoegaze-friendly opening figure that seems intent on decimating in its path, the band suddenly veers back into a section that’s more delicate than anything in their discography (so far, at least). What follows is a back-and-forth battering ram of dynamic dichotomies in both the music and the narrative.

“I get along with everyone I meet, I’m so sweet” is the unassuming opening line of “Romantic”, which sets an uncertain tone that quickly fixates on much darker undertones. There’s a desperate, pleading moment before the chorus that brings the dramatic stakes of the narrative to light and once the intentions of the band’s statements become clear, the music gains a staggering amount of force. While the narrative hits upon some difficult subject matter, the emotive backdrop of the vocal delivery and instrumental figures never lose themselves to easy trappings. It’s a deeply impressive work from a young basement punk band that’s been finding exciting ways to surprise their audience. If “Romantic” is any indication, that audience should be getting a whole lot bigger in the very near future.

Listen to “Romantic” below and pre-order the record here.

Dentist – Joel (Stream)

dentist

Monday tends to be one of the more eclectic release days for standalone streams and today proved to be no different. Worthwhile material emerged from just about every genre this site typically covers and continued to stretch some boundaries. The following artists all had songs that deserved to be heard: Consilience, Jackal Onasis, Gap Dream, Sweat, Scarlett Saunders, Cheena, Possible Humans, Ranch Ghost, Above Top Secret, and The Meltaways. In addition to those releases, a small handful of notable music videos from angelic milk, Wireheads, Haley Bonar, Preoccupations, and Ali Beleitc also saw the light of day.

Dentist’s surf-tinged “Joel” wound up securing the feature spot by virtue of sheer strength. Opening up on a foreboding riff and staccato chord stabs awash in reverb, “Joel” sets an intriguing — and oddly compelling —  tone at its onset. Slowly, the guitar fades and gives way to a creeping piano figure that injects the song with an eerie Southern Gothic sensibility. Then, after a brief rest, the song snaps into a sugary overdrive that kicks the energy up from 15 to 80 in an instant.

Following the switch, Dentist falls comfortably into a groove that operates as a pastiche of pop influences from decades long gone. It’s a perfect transition that illustrates the band’s understanding of their craft, suggesting that Dentist’s forthcoming Ceilings may be one of 2016’s most unexpected joys. Apart from the invigorating dynamic shifts of “Joel”, the song’s vibrant second act endearingly instills the song with a surplus of giddy joy. “Joel” ultimately goes from bleakly intimidating to openly welcoming, leaving one hell of an imprint in the process.

It’s another entry in an already-long string of unlikely summer anthem candidates, carefree and just about perfect.

Listen to “Joel” below and pre-order Ceilings from Little Dickman here.


[Editor’s Note: The beginning of coverage in 2016 was an extremely hectic time and one odd quirk of this site was overlooked. That particular oversight will be amended in this post, which precedes the resumption of posting the 100 immediately preceding entries in the continuously-expanding Heartbreaking Bravery catalog of posts. A few of the image links are broken and some of the galleries are missing but all of them will eventually make the migration to Heartbreaking Bravery’s flickr. Keep an eye out.]

To access posts 700-799, click on the links listed below.

HB700: Wrap Up Warm (Mixtape)
HB701: Ronnie Stone & The Lonely Riders – ❤ Race. Cold Sweat. Nu Dance. Do It. (Glassio Remix Premiere)
HB702: Phooey! – Molly’s at the Laundromat (Song Premiere)
HB703: Idle Bloom – Pride Line (Stream, Live Video)
HB704: METZ – Spit You Out (Music Video)
HB705: Alex G – Brite Boy (Music Video)
HB706: Dilly Dally – The Touch (Music Video)
HB707: Dusk – Too Sweet (Music Video)
HB708: Watch This: Vol. 108
HB709: Watch This: Vol. 109
HB710: Watch This: Vol. 110
HB711: Patio – Patio Songs (Demo Review, Stream, Live Video)
HB712: PURPLE 7 – Garden Eyes (Album Review, Stream)
HB713: Milk Crimes – Milk Crimes (EP Review, Stream)
HB714: Bad Wig – Bad Wig (EP Review, Stream, Live Video)
HB715: Beliefs – Colour of Your Name (Stream)
HB716: Bruising – Honey (Stream)
HB717: Lucy Dacus – I Don’t Wanna Be Funny Anymore (Stream)
HB718: Mothers – Too Small For Eyes (Stream)
HB719: Birth (Defects) – Ascetic (Stream)
HB720: Casket Girls – Deep Time (Stream)
HB721: Two Inch Astronaut – Good Behavior (Stream)
HB722: bed. – The Rule (Stream)
HB723: Dark Blue – Delco Runts (Stream)
HB724: A Short Review (Live Video Compilation
HB725: 2015: A Visual Retrospective, Vol. I
HB726: 2015: A Visual Retrospective, Vol. II
HB727: 2015: A Visual Retrospective, Vol. III
HB728: 2015: A Visual Retrospective, Vol. IV
HB729: 2015: A Visual Retrospective, Vol. V
HB730: 2015: A Visual Retrospective, Vol. VI
HB731: 2015: A Visual Retrospective, Vol. VII
HB732: 2015: The Best of Watch This
HB733: 15 of ’15: The Best EP’s of 2015
HB734: 15 of ’15: The Best Music Videos of 2015
HB735: 15 of ’15: The Best Odds and Ends of 2015
HB736: 15 of ’15: The Best Songs of 2015
HB737: 15 of ’15: The Best Albums of 2015
HB738: The Honorable Mentions of the 2015 Music Categories
HB739: The Best Scenes of 2015
HB740: 2015: A Year’s Worth of Memories (Loren DiBlasi)
HB741: 2015: A Year’s Worth of Memories (Lindsey-Paige McCloy)
HB742: 2015: A Year’s Worth of Memories (Sabyn Mayfield)
HB743: 2015: A Year’s Worth of Memories (Nicola Leel)
HB744: 2015: A Year’s Worth of Memories (Lindsay Hazen)
HB745: 2015: A Year’s Worth of Memories (Tica Douglas)
HB746: 2015: A Year’s Worth of Memories (Fred Thomas)
HB747: 2015: A Year’s Worth of Memories (Phil McAndrew)
HB748: 2015: A Year’s Worth of Memories (Isabel Reidy)
HB749: 2015: A Year’s Worth of Memories (Jessica Leach)
HB750: 2015: A Year’s Worth of Memories (Sami Martasian)
HB751: 2015: A Year’s Worth of Memories (Ben Grigg)
HB752: 2015: A Year’s Worth of Memories (Amanda Dissinger)
HB753: 2015: A Year’s Worth of Memories (Bella Mazzetti)
HB754: 2015: A Year’s Worth of Memories (David Anthony)
HB755: 2015: A Year’s Worth of Memories (Jamie Coletta)
HB756: 2015: A Year’s Worth of Memories (Chris Sutter)
HB757: 2015: A Year’s Worth of Memories (John Rossiter)
HB758: 2015: A Year’s Worth of Memories (Cole Kinsler)
HB759: 2015: A Year’s Worth of Memories (Megan Manowitz)
HB760: 2015: A Year’s Worth of Memories (Gabriela June Tully Claymore)
HB761: 2015: A Year’s Worth of Memories (Stephen Tringali)
HB762: 2015: A Year’s Worth of Memories (Alisa Rodriguez)
HB763: 2015: A Year’s Worth of Memories (Toby Reif)
HB764: 2015: A Year’s Worth of Memories (100%)
HB765: 2015: A Year’s Worth of Memories (Amelia Pitcherella)
HB766: 2015: A Year’s Worth of Memories (Katie Bennett)
HB767: 2015: A Year’s Worth of Memories (Miranda Fisher)
HB768: 2015: A Year’s Worth of Memories (Christine Varriale)
HB769: 2015: A Year’s Worth of Memories (Sam Clark)
HB770: 2015: A Year’s Worth of Memories (Julia Leiby)
HB771: 2015: A Year’s Worth of Memories (Kelly Johnson)
HB772: 2015: A Year’s Worth of Memories (Jessi Frick)
HB773: 2015: A Year’s Worth of Memories (Nicholas Cummins)
HB774: 2015: A Year’s Worth of Memories (Lily Mastrodimos)
HB775: 2015: A Year’s Worth of Memories (Jerard Fagerberg)
HB776: 2015: A Year’s Worth of Memories (Athylia Paremski)
HB777: 2015: A Year’s Worth of Memories (Eric Slick)
HB778: 2015: A Year’s Worth of Memories (David Glickman)
HB779: 2015: A Year’s Worth of Memories (Ryan Wizniak)
HB780: 2015: A Year’s Worth of Memories
HB781: WASHA – Bury Our Love (Music Video Premiere)
HB782: 2016: The First Two Months (Streams)
HB783: 2016: The First Two Months (Full Streams)
HB784: 2016: The First Two Months (Music Videos)
HB785: Introducing: Ubetcha
HB786: Inside Voices – Nomad:Begin (Song Premiere)
HB787: Watch This: The Honorable Mentions of 2016’s First Quarter
HB788: Horse Teeth – Dark & Gloomy (Song Premiere)
HB789: March 2016: The Full Streams
HB790: March 2016: The Music Videos
HB791: March 2016: The Streams
HB792: Ladada – Hi Five (EP Premiere)
HB793: The 50 Best Songs of 2016’s First Quarter
HB794: The Nudes – Nowhere To Be (Song Premiere)
HB795: Watch This: The Best of 2016’s First Quarter, Vol. I
HB796: Watch This: The Best of 2016’s First Quarter, Vol. II
HB797: Watch This: The Best of 2016’s First Quarter, Vol. III
HB798: Watch This: The Best of 2016’s First Quarter, Vol. IV
HB799: Watch This: The Best of 2016’s First Quarter, Vol. V

What A Difference A Month Makes (Streams)

As was discussed in the preceding two posts, there’s been a serious lull of inaction on this site as of late as far as posting is concerned. A large reason for that was the fact that the majority of that coverage gap was spent traveling thousands of miles to document sets from bands like Oops, Dilly Dally, Yowler, Eskimeaux, Frankie Cosmos, Beach Slang, Potty Mouth, Dyke Drama, PWR BTTM, and more.

The resulting documentation will be posted at some point in the near future but the hefty amount of visual content (not to mention the act of traveling itself) necessitated a publishing break. However, as usual, every new piece of incoming information was accounted for in the interim. Full streams and music videos have already been covered so it’s time that the attention was turned towards individual songs.

A list of some of the finest new tunes to have emerged over the past month can be found below. Since there are so many, it may be best to bookmark this page and explore its contents at a more leisurely pace to avoid being overwhelmed. Jump on in and go swimming.

Basketball Shorts, Mikey Erg, Bird of Youth, Las Rosas, Mitski, The Big Moon, Nicholas Allbrook, The Gotobeds, Nothing, Fawnn, Leapling, Speedy Ortiz, Yours Are the Only Ears, Don Vail, Frail, Stephen Steinbrink, Yeesh, Pkew Pkew Pkew, Haley Bonar, And The Kids, Gauntly, Summer Cannibals, case/lang/veirs (x2), Psychic Teens (x2), Glenn Davis, Dogheart, Cat’s Eyes, benjamin783 (x2), Ian William Craig, Terry, Emily Jane White, Walleater, VATS, Alice Bag (x2), Mutual Benefit, Blowout, Mike Adams At His Honest Weight, and Outer Spaces.

The Monkees, Tens, Yung, Star Parks, Marissa Nadler, Brenda’s Friend, elvis depressedly (x2), Rick Redbeard, Sega Genocide (x2), Honey (x2), GØGGS, The Dan Ryan (x2), Male Gaze, Heaters, Leif Erikson, Blessed, Boys, Mumblr, Anthony Sanders, Swanning, Kvelertak, Hollowtapes (x2), Bonnie ‘Prince’ Billy, OVER, Erin Tobey, Quiet Hollers, The Clientele, Young Magic, LUKA, Yikes, Teen BodyFew Bits, Fear of Men (x2), Joy Void, Message to Bears (ft. Will Samson), Baby In Vain, Local Natives, Scroll Downers, and Psychic Heat.

OHIOANDaniel Wilson, The Invisible, Ultraviolence, Oddissee, Bad Channels, Dentists, Deerhoof, Hayden Calnin, The Mercury Programs, Yoni & Geti, Marisa AndersonColleen Green, Lisa Prank, Ultimate PaintingJuniore, Spice Boys, Stone Cold Fox, Avalanche, Beliefs, Museum Mouth, Psychic Ills, Flat Worms, Robin Pecknold, Mock Orange, Magic Potion, Retail Space, VHSBag-Dad, Casper Skulls, Peach Kelli Pop, Aloha, JPNSGRLS, Adeline Hotel, WoodsColder, The Mystery Lights, Islands, Sego, Casey Jordan Weissbuch, Honey Radar, and an unexpected Car Seat Headrest cover of a Radiohead classic as well as an unexpected Yuck cover of an Elliott Smith staple.

14 of ’14: The Best Albums of 2014

LVL UP II

One last time for one last 2014 list: “best” is in no way an attempt to be an objective statement. The terminology is shorthand to reflect personal taste and is not to be construed as anything more. Also, for the purposes of a more personal summary in this year-end coverage period, this site’s regular restriction on first person will be lifted. In 2014, I listened to more music that was released throughout the year than any other in my life. Numbering well upwards of a thousand releases, it proved impossible to keep tracks on everything (I’m already certain a few of these lists are missing more than a few titles that I genuinely loved)- but there were a few items that were worth remembering. Below are 14 records that managed to carve their way into my esteem both instantaneously and through the process of time. Below that is what turned into the most extensive list I’ve ever assembled, one that acts as an unnecessary validation that good music is being created at an excessively high volume (all of which is hyperlinked to either a full stream or a representative portion). We’re living in a golden age for access and music continues to reap the benefits allowed by technology.  In that spirit, it’s worth noting that a lot of the names included below won’t always be the most recognizable- this is due to both that volume and the fact this site’s built on a foundation that ensures bands who are marginalized will be given the consideration they deserve. So, with all of that noted, it’s time to move on to the main attraction: 14 of ’14: The Best Albums of 2014.

14. Taulard – Les Abords Du Lycée

2014’s most unexpected gem, Les Abords Du Lycée, is a mesmerizing listening that drives home taut organ/drums/vocals post-punk with a startling amount of verve. Endlessly charismatic and unpredictable, the dozen tracks on display here constantly twist and turn, never once daring to let the listener catch their breath. Mood and tempo changes abound on one of 2014’s most fearlessly unique records. Even for those who aren’t even remotely well-versed in the French language, Les Abords Du Lycée should be a thrilling listen; something like unbridled passion can always translate well enough to near the universal.

13. La Dispute – Rooms of the House

What’s easily one of 2014’s boldest concepts roots La Dispute’s mesmerizing Rooms of the House, a record that shows La Dispute’s rapid maturation with a weary grace. Centered around a meticulously brilliant narrative device, it’s a record that stunned me on my first few listens before growing into an inescapable force of nature that refused to leave my thoughts. As bleak as anything the post-hardcore has ever produced, Rooms of the House finds its strength through focus and restraint, zeroing in on difficult topics with a keen eye and an abundance of determination. Blisteringly personal and nearly voyeuristic, it stands as one of 2014’s fiercest artistic statements.

12. Two Inch Astronaut – Foulbrood

Two Inch Astronaut’s Foulbrood has come up more than a few times on the site over the past handful of months thanks to its casual brilliance. Wielding an enticing palette of influences ranging from Drive Like Jehu to their contemporaries in Exploding in Sound, Two Inch Astronaut managed to conjure up one of the most impressive sophomore efforts of the year. The title track, “Part of Your Scene“, and “Dead White Boy” all earned themselves individual write-ups on the basis of their appealingly off-kilter and ragged identity. Foulbrood‘s a record that knows exactly what it wants to be and goes straight for the throat, sending a trail of viscera flying it its wake.

11. Cloud Nothings – Here and Nowhere Else

One of the things I kept coming back to throughout the course of music in 2014 was Jayson Gerycz’s drumming on this record. Not just because it’s a staggering individual performance but because there’s an undefinable, inherent quality that exists within that drumming which drives this record to obscene heights. Impossibly, stripped of the drumming, the record succeeds wildly in an acoustic setting and demonstrates Dylan Baldi’s increasing proficiency as a songwriter, a vocalist, and a guitarist. After losing a member in guitarist Joe Boyer, Cloud Nothings somehow managed to transform themselves into an act that was simultaneously heavier and poppier than when they were a quartet. Importantly, this is a record that’s built to last and it’s only grown on me as the year’s progressed (and that trend’s not showing any signs of slowing).

10. Ought – More Than Any Other Day

As beguiling as it is bewitching, Ought’s brit-pop influenced post-punk masterpiece was a record that sounded triumphant right out of the gate. Slowly, that triumph turned to transcendence and the songs contained within More Than Any Other Day became unavoidable mission statements. In terms of scope, the majority of More Than Any Other Day feels as epic as LCD Soundsystem operating at their best. Both acts share a penchant for sprawling structures and self-containment, bridging a gap between intimacy and grandeur with a knack for deceptive, intricate songwriting. Anthemic and mundane, More Than Any Other Day was like a shot of adrenaline straight to the heart, waiting for the resuscitated with a sly grin and a memorable, tossed-off joke. Excessively charming and utterly winsome, it’s a record that felt (and still feels) necessary.

9. Jawbreaker Reunion – Lutheran Sisterhood Gun Club

“E.M.O.”, Lutheran Sisterhood Gun Club‘s thrilling centerpiece, recently appeared in this site’s best songs of 2014 list- but the song’s only one part of a much larger picture. At once, one of the year’s most joyous and pissed off releases, Jawbreaker Reunion tore through a variety of serious issues with aplomb on their absolutely stunning debut effort. Other than distilling songs like “Laughing Alone Eating a Salad” with a wicked sense of humor, the whole affair’s imbued with an enviably powerful sense of songcraft. Lo-fi, DIY, punk, and teeming with an understanding of classic pop, Lutheran Sisterhood Gun Club was one of 2014’s boldest introductions- it was also one of its best.

8. PURPLE 7 – Jewel Finger

PURPLE 7 boasts a lineup that’s accompanied by an impressive pedigree. Members of the band have previously played in bands like Defiance, Ohio, Landlord, and Hot New Mexicans (whose self-titled record ranks among my all-time favorites and currently leads my “best of decade” selections). Unsurprisingly, their debut LP effort hits a lot of sweet spots, including a gritty middle point between basement punk and basement pop. Simply put, this is a stunning collection of songs that was overlooked by most to a baffling degree after its release. Grounded, humble, and heartfelt, Jewel Finger is one of the records that reminds me of the reasons I started this site. This is music that deserves to be celebrated.

7. Angel Olsen – Burn Your Fire For No Witness

Arguably 2014’s first truly great release, Angel Olsen’s Burn Your Fire For No Witness saw the songwriter transition from a promising talent into one of the year’s most arresting figures. Embracing a fuller sound and a newfound confidence, Burn Your Fire For No Witness broke Angel Olsen’s career wide open with an onslaught of genuinely haunting tunes. Whether they were relentlessly spare or soaked in noir-ish tendencies, they were uniformly captivating; both the storm and the eerie silence before. Raw, tender, and occasionally antagonistic, Burn Your Fire For No Witness was one thing above all else: unforgettable.

6. Cymbals Eat Guitars – LOSE

From the devastating opening lines all the way through to the climactic finish, LOSE holds its ground as one 2014’s most frighteningly personal albums. Largely influenced by the death of a friend close to the band, it’s a meditation on loss and the surrounding aspects of something so tragic. Easily Cymbals Eat Guitars’ finest work to date both lyrically and musically, it’s a powerful (and powerfully moving) listen. “Warning”, in particular, cuts deep- which is one of the reasons why it wound up on the best songs of 2014 list just a few days ago. Incredibly impassioned and brave in its sincerity, LOSE finds a level of catharsis in its emotional turbulence, lending it a charge that renders it one of the year’s most human (and most important) releases.

5. Perfect Pussy – Say Yes To Love

Perfect Pussy, for better or worse, have become intrinsically linked with this site. From Meredith Graves’ insistence on tangential involvement (which I’ll forever be grateful for) to the fact that the band’s greater ascension matched up with the very start of this site, they’re a band I’ve gone step for step with since bringing Heartbreaking Bravery into existence. None of that would have happened if I hadn’t been so fiercely drawn to the things that they were doing, though, which is why I approached them in the first place. Ever since those beginnings, it’s been a privilege to watch them progress, to travel at lengths to watch them play, and to see them release a record as enormously powerful as Say Yes To Love, a collection which houses my favorite song of 2014 (and possibly of this decade so far). Unapologetic, personal, damaged, resilient, powerful, feral, oddly triumphant, and unbelievably intense, Say Yes To Love operates as a perfect reminder for all of the reasons why I fell in love with this band- and why I’ll continue to pay close attention to their movements.

4. Iceage – Plowing Into The Field of Love

No band in 2014 made a more stunning artistic leap than Iceage, who went from a static blur to matching the swaggering heights of Nick Cave & the Bad Seeds after discovering their voice. Plowing Into The Field Of Love was a startlingly radical change of pace for Iceage, who imbue the record with a curious restraint and a sense of deeply haunted Americana. Southern Gothic touch points are littered throughout the record’s bleak landscape, while making room for plaintive ornamentation in the form of brass, string, and piano figures. Darker and more self-aware than anything in the band’s career, Plowing Into The Field Of Love earned them quite a few words of praise from this very site. Augmented by some legitimately extraordinary music videos, Plowing Into The Field Of Love proved to be an unexpectedly rattling experience. Easily one of the year’s most divisive records (as is the case with any left turns this sharp), it suggested Iceage’s ambitions ran way deeper than anyone expected and, subsequently, that they had the know-how to see those ambitions to fruition. In chasing their whimsy they wound up with something I wouldn’t fault anyone for calling a masterpiece.

3. Mitski – Bury Me At Makeout Creek

My connection with Mitski’s music is something that will always hold a very personal resonance. I’ll leave most of the reasoning behind that statement to a forthcoming piece but it’s worth noting in regards to a record that’s so unabashedly self-exploratory. Bury Me At Makeout Creek was an enthralling re-introduction for Mitski, who saw it rightfully skyrocket her name recognition. Top to bottom, it’s an extraordinary effort that re-defined her artistic capabilities after a string of meticulously composed records that leaned on chamber pop tendencies. Here, that past gets blown to bits almost immediately. One of my favorite experiences in music listening all year came when “Texas Reznikoff” explodes in its final section- another came while listening to one of the best songs I’ve heard this decade (for obvious reasons, considering that statement). Where Bury Me At Makeout Creek manages to approach the transcendental is in the process of allowing listeners to hear an artist coming into their own. Part of Mitski’s identity is laid bare by Bury Me At Makeout Creek: it’s the unwillingness to accept identity as a static object and the desire to question its cumulative elements. That search is what gives Bury Me At Makeout Creek its bruised heart- and it’s why musicians will use it as a source of inspiration for several years to come.

2. Radiator Hospital – Torch Song

After the exhilarating highs of Something Wild, Radiator Hospital had a tall order for their follow-up. Fortunately (and unsurprisingly), they obliterated those towering expectations with Torch Song. Sounding more confident- and more polished- than ever before, Torch Song cemented Sam Cook-Parrott’s status as one of this generation’s keenest emerging voices. Paying attention to the minutiae of everyday experiences and injecting them with a self-deprecating sense of poetry laced with pessimism, the songs contained on this record all aim to cut and find their mark with an incredible amount of ease. Having already established themselves as one of today’s more formidable units musically, Torch Song has the added benefit of having four loaded personalities find each other in total harmony, each acting as a complement to the other. Personal diatribes, small journeys of self-discovery, and a sense of empathy inform Torch Song and help cultivate its unassuming charm. There’s not a weak track among the record’s 15 songs and it maintains an assured sense of pace throughout its relatively breezy runtime. By the time it draws to a close, it stands as one of the most fully-formed and rewarding records of recent memory.

1. LVL UP – Hoodwink’d

I don’t think any record resonated more for me throughout the course of 2014 than LVL UP’s Hoodwink’d, which I revered with literally no reservations. 2014’s strongest sophomore effort, Hoodwink’d saw LVL UP expanding most of the elements that made Space Brothers such an incredible release and retained all the others. Unreasonably refined and exceedingly personable, LVL UP have always found a strength in accentuating their members’ unique personalities and that trend got pushed to the forefront for their second full-length (which was co-released by Double Double Whammy and Exploding in Sound). Utilizing a distinctly unique take on their 90’s influences, the band also reveled in the benefits of a cleaner production that allowed them to sound more massive than they ever have in the past. No release felt more timely than Hoodwink’d, either, with the record practically serving as a stand-in voice for a disenfranchised sect of people. Alternately crushingly heavy, viciously poppy, relentlessly personal, and completely worn-out, Hoodwink’d never loses sight of its own mechanics. There’s a level of mutual understanding on display here that separates it from the rest of the year’s releases. Everyone feeds off each other, everyone supports each other, and everyone contributes to one hell of a set without even coming close to overstaying their welcome. Conversely, Hoodwink’d also ranks as one of the year’s most welcoming releases, radiating an empathetic warmth in its tone (and in its tones). As an entry in LVL UP’s catalog, it’s their career best. As a general 2014 release, it’s the best thing I had the privilege of hearing all year.

[EDITOR’S NOTE: All of the titles below without an accompanying link can be streamed in the order they’re listed via the embedded spotifly player below the list.]

Albums from 2014 that deserve to be heard:  Mean Creek – Local Losers | Happyness – Weird Little Birthday | Dark Blue – Pure Reality | Band Practice – Make Nice | Little Big League – Tropical Jinx | Happy Diving – Big World | Tweens – Tweens | Big Ups – Eighteen Hours of Static | Geronimo! – Cheap Trick | Greys – If Anything | Alvvays – Alvvays | White Lung – Deep Fantasy | Caddywhompus – Feathering A Nest | Left & Right – Five Year Plan | Ty Segall – Manipulator | Brain F/ – Empty Set | We Need Secrets – Melancholy and the Archive | Makthaverskan – II | Playlounge – Pilot | Eternal Summers – The Drop Beneath | MOURN – MOURN | Run the Jewels – Run the Jewels 2 | The History of Apple Pie – Feel Something | Flying Lotus – You’re Dead! | Trace Mountains – Buttery Sprouts | Dead Stars – Slumber | Fear of Men – Loom | PAWS – Youth Culture Forever | Swans – To Be Kind | The Yolks – King of Awesome | Crabapple – Is It You? | The Coasts – Racilia | Purling Hiss – Weirdon | Reigning Sound – Shattered | Creepoid – Creepoid | Saintseneca – Dark Arc | Mannequin Pussy – Gypsy Pervert | Fucked Up – Glass Boys | Music Band – Can I Live | Glish – Glish | Liam Betson – The Cover of Hunter | Frankie CosmosZentropy, Donutes, Affirms Glinting | Girl Tears – Tension | Martha – Courting Strong | Hurry – Everything/Nothing | The Spirit of the Beehive – The Spirit of the Beehive | Protomartyr – Under Official Color of Right | The Gary – Farewell Foolish Objects | Spit – Getting Low | Nothing – Guilty of Everything | Sharpless – The One I Wanted To Be | Legendary Wings – Do You See | Therapy? – Act of Contrition | Chris Weisman – Monet in the 90’s | Mumblr – Full of Snakes | Cayetana – Nervous Like Me | Free Cake for Every Creature – “pretty good” | Ed Schrader’s Music Beat – Party Jail | S – Cool Choices | Allo Darlin’ – We Come From The Same Place | Sneeze – Wilt | Quarterbacks – Quarterboy | The Twilight Sad – No One Wants To Be Here And No One Wants To Leave | Filmstrip – Moments of Matter | Bleeding Rainbow – Interrupt | La Sera – Hour of the Dawn | Big K.R.I.T. – Cadillactica | Gold-Bears – Dalliance | Sharon Van Etten – Are We There | Nude Beach – ’77 | A Winged Victory For The Sullen – Atomos | The Gotobeds – Poor People Are Revolting | Nots – We Are Nots | Alex G – DSU | Lower – Seek Warmer Climes | Young Widows – Easy Pain | CreaturoS – Popsicle | Mr. Gnome – The Heart Of A Dark Star | Parquet Courts – Sunbathing Animal | Ex Hex – Rips | Trust Punks – Discipline | Failures’ Union – Tethering | Odonis Odonis – Hard Boiled Soft Boiled | Beverly – Careers | The Number Ones – The Number Ones | Tigers Jaw – Charmer | Tiger High – Inside The Acid Coven | Straight Arrows – Rising | Dead Soft – Dead Soft | The Lemons – Hello, We’re The Lemons | Baked – Debt | MAZES – Wooden AquariumSleepyhead – Wild Sometimes | Native America – Grown Up Wrong | The Wans – He Said, She Said | Trophy Wife – All the Sides | Doe – First Four | Lushes – What Am I Doing | Ultimate Painting – Ultimate Painting | Haley Bonar – Last War | The Casket Girls – True Love Kills The Fairy Tale | Slothrust – Of Course You Do | Sorority Noise – Forgettable | Team Spirit – Killing Time | Feral Trash – Trashfiction | Blank Pages – Blank Pages | Mr. Dream – Ultimate In Luxury | Carsick Cars – 3 | SUNN O))) & Ulver – Terrestrials | This Will Destroy You – Another Language | Vanna Inget – Ingen Botten | The Real Energy – Beyond Delay | Muuy Bien – DYI | Young Ladies – We Get By | Eureka California – Crunch | Negative Scanner – Negative Scanner | Violent Change – A Celebration Of Taste | Black Wine – Yell BossImpo & The Tents – Peek After A Poke | Tomorrows Tulips – When | Mountain Bike – Mountain Bike | The Lees of Memory – Sisyphus Says | Telepathic Lines – Telepathic Lines | The Shivas – You Know What To Do | Allah-Las – Worship the Sun | Das Rad – Radiation | The Coathangers – Suck My Shirt | Crow Bait – Sliding Through The Halls Of Fate | together PANGEA – Badillac | Deerhoof – La Isla Bonita | PUJOL – Kludge | FF – Lord | Aj Davila Y Terror Amor – Beibi | Emilyn Brodsky – Emilyn Brodsky Eats Her Feelings | Young Statues – Flatlands Are Your Friend | Cancers – Fatten the Leeches | Sam Coffey + The Iron Lungs – Gates of Hell | Courtney Barnett – The Double EP: A Sea of Split Peas | The Ar-Kaics – The Ar-Kaics | Beach Day – Native Echoes | Hiss Golden Messenger – Lateness of Dancers | Dude York – Dehumanize | Gino & The Goons – Shake It! | Kevin Morby – Still Life | Bob Mould – Beauty & Ruin | Wyatt Blair – Banana Cream Dream | Queen Jesus – Darkness Yea, Yea | Joel Jerome – Psychedelic Thrift Store Folk | Espectrostatic – Escape From WitchtropolisCheap Girls – Famous Graves | Davila 666 – Pocos Anos, Muchos Danos | Parts & Labor – Receivers | Nick Thorburn – Music From SERIAL | DTCVHilarious Heaven, The Early Year | Bellows – Blue Breath | Teenager – E P L P | Spider Bags – Frozen Letter | The Paperhead – Africa Avenue | Parkay Quarts – Content Nausea | The Jazz June – After The Earthquake | Michael Sincavage – Empty Apartments (Supporting Actors) | Restorations – LP3 | MONO – The Last Dawn, Rays of Darkness | Matthew Melton – Outside of Paradise | The Vaselines – V For Vaselines | Total Control – Typical System | The Velveteens – Sun’s Up | Step-Panther – Strange But NiceExit Verse – Exit Verse | Slippertails – There’s A Disturbing Trend | Globelamp – Star Dust | Champ – Champ | Le Rug – Swelling (My Own Worst Anime) | VLMA – VLMA | Turn To Crime – Can’t Love | ScotDrakula – ScotDrakula | Warehouse – Tesseract | Muhammadali – Future Songs | Unwelcome Guests – Wavering | Baby Ghosts – Maybe Ghosts | White Mystery – Dubble Dragon | Constant Lovers – Experience Feelings | Future Islands – Singles | Maica Mia – Des Era | Tacocat – NVM | Popstrangers – Fortuna | Curtis Harding – Soul Power | New Swears – Junkfood Forever, Bedtime Whatever | The Miami Dolphins – Becky | Thee Oh Sees – Drop | Fasano – The Factory LP | Dum Dum Girls – Too True | Yellow Ostrich – Cosmos | Metronomy – Love Letters | Great Cynics – Like I Belong | Neighborhood Brats – Recovery | Connections – Into Sixes | Three Man Cannon – Pretty Many People | Grouper – Ruins | YOB – Clearing The Path To Ascend | Thee Silver Mt Zion Memorial Orchestra – Fuck Off Get Free We Pour Light On Everything | Apollo Brown – Thirty Eight | Hookworms – The Hum | Wrekmeister Harmonies – Then It All Came Down | Lee Fields & The Expressions – Emma Jean | What Moon Things – What Moon Things | Guided By VoicesMotivational Jumpsuit, Cool Planet | Gem Club – In Roses | Saturday’s Kids – The Lunatic | King of Cats – Working Out | Shopping – Tvff Noogies | The Love Triangle – Clever Clever | Nightmare Boyzzz – Bad Patterns | Future Virgins – Late Republic | Parasol – Not There | Lenguas Largas – Come On In | Cocktails – Adult Life | Generation Loss – Generation Loss | Feral Future – Haematic | Posse – Soft Opening | Diners – Always Room | Mimicking Birds – EONS | The Freezing Hands – Coma Cave ’13 | Amanda X – Amnesia | Predator – The Complete EarthWatery Love – Decorative Feeding | The Estranged – The Estranged | Steve Adamyk Band – Dial Tone | The Cry! – Dangerous Game | Ruined Fortune – Ruined Fortune | Good Throb – Fuck Off | The Elsinores – Dreams of Youth | The Bugs – The Right Time | Vacation Club – Heaven Is Too High | Freinds of Cesar Romero – Cinco Seis | Leather – Easy | Los Pepes – Los Pepes For Everyone | Juanita Y Los Felos – Nueva Numancia | Dan Webb and the SpidersEine Kleine Akustichmusik, Now It Can Be Told | Bozo Moto – BozoMoto | Low Life – Dogging | Moth – First Second | Rhythm of Cruelty – Dysphoria | Siamese Twins – Still Corner | Departure Kids – On The Go | Blessed State – Head Space | Flagland – Love Hard | Manateees – Sit N Spin | White Ass – White Ass | Ausmuteants – Order Of Operation | The Gutters – Eventually | Hysterese – Hysterese | The Ricky C Quartet – Recent Affairs | Hoax Hunters – Comfort & Safety | Arctic Flowers – Weaver

The History of Apple Pie – Jamais Vu (Music Video)

The-History-of-Apple-Pie

This week was kicked off in powerful fashion thanks to the most recent additions to the never-ending avalanche of new releases. Mitski, Slothrust, and Jeff Rosentstock all had outstanding new songs, increasing the anticipation levels for each of their upcoming records. Mary Timony’s newest project, Ex Hex, have their upcoming record streaming in full over at NPR’s First Listen. On the music video side of things, Nothing offered up a sinister clip (directed by band member Domenic Palermo) composed of nothing but home invasion archival footage for a recently-remastered early acoustic version of “B&E“. There were also two visually stunning videos that surfaced from  Haley Bonar and The Bug, the former being a gentle oneiric caress and the latter being a masterfully composed nightmarish descent of towering proportions. The History of Apple Pie staked out a place in a similar camp with their visually meticulous clip for Feel Something highlight “Jamias Vu”.

Director Alistair Redding has said that the video for “Jamais Vu” took cues from French New Wave pioneer Jean-Luc Godard and indie darling Wes Anderson. From the Robert Yeoman framing symmetry to the highly stylized art production, both influences cut through the clip like a knife. It’d all be distracting if it didn’t wind up being a perfect complement to The History of Apple Pie’s particular brand of whimsy; their exceptional fuzz-cloaked outsider pop somehow given greater emphasis by the striking visual palette. They’re a band that seems to operate in multicolor already and they’ve found a perfect match in Redding’s distinct and well-versed grasp on varying filmic influences. At just past the minute-and-thirty mark, there’s a long shot that switches the focal emphasis to the environmental foreground (which is generally relegated to the backdrop), double-framing the character subjects and providing a perfect point of reference for the composition mastery on display in “Jamais Vu”. Guns fire stars, uniformly dapper battalions stride through fields and scout the woods, and the whole thing’s brilliantly soundtracked by the song it was designed to enhance. It’s a monstrously winsome work of multimedia perfection, with every element working together to hit a surprisingly comprehensive level of artistry. “Jamais Vu” is far too fun to miss.

Watch “Jamais Vu” below and order Feel Something from the excellent UK-based Marshall Teller Records here.