Heartbreaking Bravery

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Tag: Habits

Waxahatchee – Silver (Music Video)

Throughout the past six or seven days, great music videos by the likes of Pale Grey, Meat Wave, Tim Kasher, Mark Lanegan, Fuzzystar, Special Teams, Gurr, Chick Quest, EMA, Street Eaters, SOFTSPOT, No Vacation, Mayflower Madame, Airpark, Real Numbers, Hoan, Exit KidMurlo, M.I. Blue, Kurt Swinghammer, The Broken Hearts, Skye Steele, and Morning Teleportation have found their way into the world. All of them made several very good impressions but none of them seemed to go quite as deep as the considerable indent Waxahatchee‘s “Silver” left in its wake.

Katie Crutchfield’s projects were always going to be a staple of this site for however long either wound up being around. Ever since becoming accustomed to the songwriter’s work during P.S. Eliot‘s tenure. Fortunately, Crutchfield’s kept busy under the Waxahatchee moniker, releasing one sterling record after another and Out in the Storm looks ready to carry that unimpeachable run. “Silver” the first song to be released from the record also came equipped with an appropriately DIY-leaning video.

Throughout the clip, Crutchfield’s shown in a variety of ways, from running through the song with the band, to lip-syncing along to “Silver” while bathed in confrontational strobe lights, to black-and-white footage of the artist simply walking around. All of it forms a coherent whole that seems to enliven the song driving the whole affair. Clever editing, an easygoing charm, and a sense of place all congeal into something striking. When all’s said and done and the storm has abated, Crutchfield remains calm, standing proudly as one of this generation’s essential artists.

Watch “Silver” below and pre-order Out in the Storm from Merge here.

Yankee Bluff – I (EP Review)

Dogs On Acid II

To close out last week, a variety of great songs got released from the likes of Jeff Rosenstock, Sharon Jones & the Dap-Kings, The Channels, YJY, Morgan Delt, Color Tongue, Pill, Multicult, Alphabetic, dreambeaches, and DYAN. While all of those tracks were certainly worthy of a great deal of attention, this featured spot goes to the surprise debut from Yankee Bluff, a band that was born out of the ashes of site favorites Dogs On Acid (pictured above), who announced both this new project and their end in a recent Facebook post.

While losing Dogs On Acid is tough to swallow, the sudden appearance of Yankee Bluff helps smooth out the transition. Helping matters even further is the fact that their debut EP, I, easily ranks as one of the format’s finest entries of the year. Beginning with “Agessi”, demonstrates the songwriters’ increasing knack for nuanced basement pop and distances them even further from their emo roots.

Anchored by a compellingly battered production aesthetic, everything in comes across as surprisingly grounded without sacrificing some towering pop-leaning hooks. As the EP progresses, a folk undercurrent slowly emerges, recalling some of Tenement‘s more Americana-informed works. By the time hits its halfway point, Yankee Bluff have fully announced themselves as a democratic collective, allowing each member’s respective voice the opportunity to become distinctive, bringing their contemporaries in LVL UP to mind.

There aren’t any weak patches throughout the EP, with each song demonstrating a new angle that Yankee Bluff manages to successfully explore, a trait that will undoubtedly work to their advantage down the line. Whether they’re latched onto the near-anthems that Dogs On Acid cranked out a startling rate or the slow-burning acoustic act that defines the EP’s penultimate track, they also manage to cultivate a singular identity and establish themselves as a very serious force.

Ultimately, stands as an unlikely — and unexpected — triumph. In the wake of losing one of the best bands of the past few years, we’ve been gifted a band that’s very capable of taking up the mantle. is as good of a debut as anyone’s likely to hear this year and opens up the doors for even more impressive material in the coming years.

As Dogs On Acid recedes into the distance, it’ll be incredibly reassuring to have the privilege of watching their spiritual successor keep their flame alive and burning while forging an entirely new path. Even at the start of the party, there’s already an abundance of riches. Pick them up and hold them close, value them with the respect they deserve, and don’t make the mistake of letting them disappear without acknowledgement. After all, nothing lasts forever.

Listen to below and pick it up here.

Coaster – Paralyzed (Stream)

coaster

Community Records have been putting together an extraordinary run of releases lately and that patterns set to continue with Coaster’s Slow Jams. Approaching outsider punk-inflected basement pop with an immediately distinguishable identity is one thing to simply achieve but Coaster’s on the verge of perfecting that dynamic. Restrained but strangely volatile, the band’s sunk their teeth into something that feels familiar but incredibly unique.

“Paralyzed” elicits the opposition reaction of its title; it’s nearly impossible to not find your head nodding along as the song wills itself towards a powerful, climactic finish. It’s a fairly astonishing piece of work that bodes well for the band’s future. If Slow Jams can sustain the best qualities of “Paralyzed”, it’ll very easily find itself among my favorite release of the year.

Listen to “Paralyzed” below and pick up a copy of Slow Jams from Community Records here. Find 10 more excellent songs to have been released in the past two weeks below the embed.

Gardens & Villa – Fixations
Clearance – You’ve Been Pre-Approved
Widowspeak – Girls
Ricked Wicky – Tomfoole Terrific
Peter Matthew Bauer – Hold on to Someone (Quiet Version)
Scott Bartenhagen – Beacons
White Reaper – Pills
Alice – Shitty
Native Eloquence – Habits
Advance Base – Trisha Please Come Home