great new music | Heartbreaking Bravery

September 12, 2014

Nano Kino – Eyes Before Words (Music Video)

Since the majority of the start of this week was spent on the road, it’s been difficult to be as vigilant about keeping up with the new music and videos that have been coming out. Today, that changed and the amount of great content is almost overwhelming. Every single one of the items that are going to be hyperlinked following this sentence are worthy of being the feature item. Those include full album streams from Mumblr and Sleepyhead (their first in 15 years), and a stream of Parquet Courts and Future Punx’s split 7″. There were excellent music videos from Death From Above 1979, Lace Curtains, and Brick Mower. Most of all, though, there were great new songs. Cut Teeth offered up a post-hardcore ripper, Ovlov provided a tantalizing glimpse at their upcoming 4-way split with Ex-Breathers, Woozy, and Gnarwhal. There was a smoky piece of folk-psych from Mail the Horse, a new Pity Sex song that ranks among the best of the year and teases an upcoming split with Adventures (it’s also their career-best), a new look at an upcoming EP from the increasingly popular Girlpool, a fiery Stereolab cover from Greys, another indicator that Dark Blue’s Pure Reality will be one of the year’s best records, another gentle piece of bliss from Eternal Summers, a snappy piece of riff-happy outsider pop from Little Big League that- like the Pity Sex song from just a few hyperlinks ago- ranks among the year’s best, another incendiary look at Meatbodies’ upcoming record on In the Red, and a brand-new career highlight for King Tuff. That’s one hell of a haul.

All of those are likely to get features elsewhere- if they haven’t already had them (and most have)- and Heartbreaking Bravery would be nothing if it wasn’t for the bands that are flying under the radar. Those are the kind of bands that this place strives to support- and Nano Kino (which translates to “very small cinema”) is one of them. And while the duo does include Duncan Lloyd of Maximo Park (and Decade in Exile), their profile’s currently surprisingly contained- which isn’t likely to last too long. There are chilly atmospheres that permeate throughout the duo’s music, using no-wave and post-punk as their major touchpoints while exuding an icy demeanor not too far removed from The xx. A lot of the band’s intrigue gets an extra push thanks to the mysterious vocal performances of Sarah Surl, the duo’s other member. While there’s still a considerable sense of mystery to be found in the textured guitar work that Lloyd provides, Surl gives it a strange sense of humanism that allows Nano Kino to eclipse so many similarly-minded acts.

Nano Kino currently have plans to release their debut record in the early parts of next year but have promised to tease pieces of the record in the lead-up campaign. One of the first pieces they’ve offered up is a visually stunning black-and-white clip that emphasizes the band’s penchant for noir-ish sensibilities. Bringing in other visual aesthetics to the fold (there’s a prominent French new wave influence running throughout this- as well as a lot of glances towards Spain’s golden-era of silent film), “Eyes Before Words” winds up being a quietly intense experience. Using grainy superimposed imagery (that’s occasionally stripped back to isolation) to maximum effect helps make this a video that stays with the viewer long after the final whispers of the fade-out. It’s unrelentingly poised and announces Nano Kino as a band that’s embraced a very particular vision- one that could wind up meriting critical and commercial success. Whatever the future does hold for Nano Kino, it’ll be a pleasure watching them fight their way forward- especially if the ensuing releases all manage to be as arresting as “Eyes Before Words”.

Watch “Eyes Before Words” below and keep an eye on this site for updates in the coming months.

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September 6, 2014

Young Jesus – G (Stream)

In 2012, Chicago quartet Young Jesus quietly self-released Home, which was astounding on first listen and improved with subsequent listens. Now, with the benefit of distance, it’s easy to cite it as one of the best records of the decade’s first half. Earning its longevity through a delicate balance of the genuinely mournful and the defiantly celebratory, it occasionally wound up coming off as a much more self-aware and contained version of Funeral. There was nothing overly bombastic about it- or anything that suggested grandeur that neared the over-reaching. While those elements were certainly present, they were given equal footing with an underlying minimalism; burying large ideas in a decidedly niche presentation without ever losing their focus.

After the release (and extremely warm reception of Home by the people fortunate enough to hear it), the band fell understandably silent- emerging out of the shadows to play a one-off show on the rarest of occasions. Following up near-perfection isn’t an enviable task- or one that can be taken lightly. Thankfully, the clouds have been slowly parting and the band’s begun to make some calculated moves, the most notable of which is their relocation to Los Angeles. Another that deserves some serious consideration is the addition of a keyboardist, which allows them to broaden an already impressive sonic palette.

“G”, the first song to be teased from the band’s upcoming Grow/Decompose (that’s the artwork, up above) gets one thing out of the way very quickly; this is still a band that’s defined by the city that birthed them. There’s a very prevalent strain of relatively downtrodden post-punk that’s helped characterize Chicago over the past several years that’s been best exemplified by bands like Young Jesus and Shy Technology. That they haven’t sacrificed that sound in the wake of their move is a welcome affirmation of their own identity. All of the other key elements of their best works remain in tact as well, from impressive arrangements and individual song structures to the never-ending arsenal of memorable turns of phrases that can be found in their typically extraordinary lyric sets.

If there was any doubt of the band losing any of its punch after re-assembling out West, “G” annihilates those notions almost as soon as it starts playing. Opening with a character-heavy dialogue (another of the band’s more prominent traits) of: “Neil sits alone outside in a motel in the summer, he checks his phone, checks when a friend is coming over” it’s abundantly clear that the band’s lost none of their verve in what, by all logic and reason, should be a transitory stage. By the time they land on the line “he makes a joke about how fucking ain’t for lovers” in the midst of unraveling Neil’s existential crisis under a microscopic lens, “G” has already entered the conversation for their best song. Unfailingly melodic, unrelentingly impassioned, and frightening personable, this is Young Jesus at their best and bodes well for what’s to come.

While Grow/Decompose has yet to land an official release date, it seems to be safe to say that whenever that occasion does arise, it’ll be a great day for music.

Stream “G” below, download Home (an essential must-own) on their bandcamp, and check back here for additional updates in the coming weeks (or months).

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August 23, 2014

Dark Blue – Here on My Street (Stream)

The members of Dark Blue could all likely be seen as institution of the Philadelphia scene at this point. Among them, Clockcleaner, Purling Hiss, Strand of Oaks, and Ceremony are all represented- but, most importantly, all of them used to play in the rightfully revered Puerto Rico Flowers, whose 7 is one of this decades better releases. However, during their time spent in Puerto Rico Flowers, it was still clearly spearheaded by John Sharkey III, whereas Dark Blue is a much more collaborative project which is rightfully being considered a band. Recently, they unveiled the brooding “Here On My Street”, evoking a very particular sound- one that many bands have tried their hand at but failed to get completely right, as Dark Blue do here.

“Here On My Street” is the first look at Dark Blue’s upcoming full-length, Pure Reality, which will be released on October 7 via Jade Tree. As mentioned, their are some striking similarities (which is unsurprising, given the circumstances) to Puerto Rico Flowers, though they only run so deep. There’s a greater emphasis on tension, restraint, and atmosphere than there was the last time these three shared a project that results in a sound not too dissimilar from Terry Malts at their most laid-back. Guitars surge through an ostensibly bleak soundscape and occasionally stray more towards the celebratory than defeatism, straddling the line between no-wave and new wave with terrifying precision. It’s a fairly foreboding piece overall but it yields spectacular results, pushing Pure Reality up several levels on the anticipation meter.

Listen to “Here On My Street” below and make sure to pick up Pure Reality as soon as possible.

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August 14, 2014

Happy Diving – Weird Dream (Stream)

This week has had no shortage of great material to choose from thanks to great new songs from the likes of Glish (whose upcoming self-titled is among the year’s best releases), Miss Destiny, Straight Arrows, Colleen Green, Cozy, and VCR. There were also eye-catching music videos from the likes of site favorites Creepoid and Happyness to round things out on the visual end of the spectrum. One of the most arresting things to be introduced into the world, though, was Happy Diving’s lo-fi basement punk rager “Weird Dream”.

Bookending a song with sheets of feedback is a bold move that normally indicates a fair amount of aggression. It’s a trick that Dinosaur Jr. has used to great effect and a proclivity that Happy Diving seems to have picked up (among a few others that offer a strong connection between the two bands). From the scorching guitar work to the scuzzy production, “Happy Diving” isn’t content to drift by without landing a cavalcade of punches. As damaging as it is damaged, the song’s one hell of an introduction to a band on the verge of releasing their debut record, Big World, through a label as revered as Father/Daughter Records. If “Weird Dreams” does prove to be truly indicative of what Big World has in store, October 21 can’t get here fast enough.

Listen to “Weird Dream” below and make sure to pre-order Big World directly from Father/Daughter Records here.

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August 11, 2014

Girl Tears – Candy Darling (Stream)

Near the end of July, Girl Tears put up the first glimpse at their upcoming full-length, Tension, with “Candy Darling”. It’s a charging bit of scuzz-punk that barely eclipses a minute in length and announces the Los Angeles-based trio as an act worth paying a lot of attention to. Tension will be the band’s debut record and they’ve secured a release through the excellent Sinderlyn Records, furthering their prospects at making an impact on an audience far greater than the one they’re enjoying now.

“Candy Darling” itself a snarling bit of lo-fi outsider punk mastery; micro-punk at its finest. Operating like a cathartic joyride, “Candy Darling” practically flies off the handle from the moment it starts, barreling forward with a natural intensity characteristic of the best kind of immediacy (one that sticks). Blink and it’s done, so make sure both eyes are wide open because this is something that deserves to be witnessed.

Listen to “Candy Darling” below and make sure to pick up a copy of Tension when it’s released on August 26.

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