Watch This: Vol. 104

[EDITOR’S NOTE: Due to the nature of these upcoming posts, a truncated version of this introductory paragraph will be appearing over the next several installments of this series.] It’s been quite some time since the 100th edition of Watch This went up on this site. There have been a lot of factors going into the extended interim but, as usual, a focal point of that absence was to make sure the preparation work was kept up to date. Full sessions, single song performances, DIY videos, and impressive turn-ins from radio stations abound. So, as always, sit back, adjust the setting, crank the volume, focus up, and Watch This.

1. Eskimeaux (Ithaca Underground)

Another full session from Eskimeaux as they continue to play out in support of the brilliant O.K., this particular session also stands as what may very well be Ithaca Underground’s finest capture. A DIY presentation, it catches a much less manufactured look at Eskimeaux’s tantalizing live show with their strongest lineup. Songs like “Folly” remain as breathtaking as ever, while the viewer has the added benefit of an actual spectator vantage point, making the experience a touch more immersive. As everything comes together, this quickly becomes a vital document of an important part of Eskimeaux’s history. It’s not just worth watching, it’s worth all of the inevitable return visits as well.

2. Wet Nurse (BreakThruRadio)

Scrappy basement pop is the lifeblood of this site and that occasionally can bleed over into the realm of pop-punk. Wet Nurse manage to find a compelling middle ground that makes them a fascinating variable whenever they’re lumped in with either category. “Belly Hurts” might be the best example of that middle ground and this BreakThruRadio session captures it– and the band’s general identity– with characteristic verve.

3. Courtney Barnett (Austin City Limits)

In addition to Torres and Girlpool, the only other artist to become a permanent fixture of this series’s coverage throughout 2015 has been Courtney Barnett. An unlikely mega-success, Barnett’s been racking up acclaim, sales, and new fans with abandon. One of the biggest aspects of the songwriter’s draw are live performances and this two song effort for her Austin City Limits session is a formidable example of that particular strength.

4. Mall Walk (KEXP)

Weird, dissonant post-punk with garage trappings has popped up more than a few times on this site and will continue to pop up anytime it’s done as well as Mall Walk does it here. One of KEXP’s spikier sessions in recent memory, it’s a five song onslaught that finds the trio firing on all cylinders. Aggressively bleak, a little unwieldy, and unreasonably propulsive, it catches the trio at a crucial point of momentum building. Expect to be hearing their name a lot more sometime soon.

5. Braids (3voor12)

Sometimes a performance comes along and reminds you why you ever started caring about music. This is one of those performances. Anchored by the band’s unconventional approach to composition, the band commits to this three song performance and winds up with a session that feels essential. Wildly impressive and strangely moving,  this isn’t a session to be missed.