Heartbreaking Bravery

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Tag: Get Disowned

Watch This: Vol. 74

Over the course of the past few weeks, the influx of outstanding live videos has been staggering. Last week the series was put on a brief hold due to other personal obligations but even then, there was the threat of multiple installments for that particular Sunday. Amassing those with the live clips that followed in the subsequent week brings us to this point: there’s simply too much great material to feature to justify relegating anything exceeding the limit of five to the introductory paragraph(s). With this being the case, there will be seven- yes, seven– installments of Watch This to go live throughout the day (and possibly night).

To that end, this very introduction will be running prior to volumes 74-80 to reduce the levels of overall exposition to provide an emphasis on the material at hand. Site favorites Girlpool and Waxahatchee were seemingly everywhere this week, securing multiple entries throughout this run while Faits Divers spread-out documentation of a set from Ought (another site favorite) managed to do the same. As always, each video featured is an exemplary showcase for both artist and host, covering a wide range of sounds and styles. So, as always, sit back, adjust the volume to your preferred settings, sit up straight, lean in (or back), and Watch This.

1. Girlpool (Consequence of Sound)

Over the past year, Girlpool have been experiencing a quiet, rapid ascension in notoriety thanks to a singular take on songwriting. More than just about any other band operating, the duo have established a legitimate identity that manages to feel both familiar and singular. Here, in a lovingly shot session for Consequence of Sound, they provide some insight to their process and deliver two characteristically strong performances of Before The World Was Big‘s title track and “I Like That You Can See It”. It’s a powerful reminder of their seemingly limitless strengths and a perfect document of a young band on the cusp of reaching spectacular heights.

2. Diet Cig – Harvard (Play Too Much)

There’s a joy inherent to Diet Cig‘s music that translates so effortlessly into their live presentation that practically guarantees them a Watch This feature spot every time a video surfaces. Over Easy remains one of the year’s best- and most endlessly listenable- releases, while Diet Cig’s live show continues to gain velocity. It’s an explosive combination that renders the duo one of the more exciting prospects in today’s music. Manic energy, genuine passion, and their visible love for their craft are given a defining image towards the clip’s closing minutes as guitarist/vocalist strikes a power stance, perched on the top of her amp and Noah Bowman’s bass drum, practically bursting with joy. All together, it’s the exact kind of thing this site was built to celebrate.

3. Screaming Females – Shake It Off (AV Club)

Back in the 22nd volume of Watch This, The AV Club’s Undercover series took all five spots in a featured retrospective. One of those five selections was Screaming Females‘ incendiary Sheryl Crowe cover. The band and the series recently partnered up again, the band once again applying their unlikely brand to an even more unlikely cover; Taylor Swift’s inescapable “Shake It Off”. Played (mostly) straight with a fiery verve, the standout moment- unsurprisingly- is a deviation that allows guitarist/vocalist Marissa Paternoster to tear into a solo after a perfect breakdown. It’s one of the year’s most unexpectedly endearing moments.

4. Courtney Barnett – Depreston (La Blogotheque)

Courtney Barnett‘s Sometimes I Sit And Think, And Sometimes I Just Sit will almost certainly hold true as one of 2015’s most delightful titles. As enjoyable as the record is, though, there are moments of arresting pathos and gravitas that appear throughout. One of the most fascinating is Barnett’s treatsie on suburban malaise; “Depreston”. Barnett recently met up with the usually-great La Blogotheque for a performance capture that manages to transcend the bulk of the series’ considerable output. Simply put: it’s unforgettable.

5. Hop Along (KEXP)

One of the year’s most welcome breakout success stories was that of Hop Along’s sudden increase in exposure, recognition, and acclaim (all of which the band’s deserved since before the release of Get Disowned). Instead of being daunted by the attention, the band seems to be thriving off it- pushing themselves to go even further. That drive’s reflected in this full session for KEXP that finds Frances Quinlan and co. front and center for a lively outdoor showcase featuring songs from both Get Disowned and 2015 Album of the Year candidate Painted Shut. As if all of that wasn’t enough reason to watch (and the fact that the band’s live show’s been so powerful that they’ve been a staple of this series since it started), this set also features a back-to-back pairing of “Waitress” and “Tibetan Songs”, which will always be a moment far too perfect for words.

Watch This: Vol. 15

Once again, an apology is in order; due to extensive travel (more on that in a minute) a regular Sunday Watch This posting proved impossible. This 15th installment is a more low-key affair than usual. Apart from two very, very electric full sets, the emphasis falls squarely on wistful moments. From a powerpop staple to Appalachian-infused up-and-comers with a serious punk pedigree to Katie Crutchfield’s signature defiant vulnerability, open wounds wind up being this week’s focal point. As each video proves in some small way, sometimes the best way to deal with open wounds is to address them.

1. Saintseneca – Happy Alone (BadRacket Recording)

While Saintseneca has earned multiple mentions on this site before, they’ve never wound up in Watch This. It’s a drastic oversight and this is a necessary correction. Their run-through of “Happy Alone” for BadRacket Recording is nothing short of outstanding. Saintseneca continues to find new ways to impress and up the respective anticipation for their ANTI- debut, Dark Arc.

2. Matthew Caws – Inside of Love (KEXP)

When Nada Surf was still in the early stages of their career they were often written off as Weezer knockoffs. Many suspected they’d be unsustainable- and then they did the miraculous- they reinvented themselves and found themselves at the forefront of powerpop. Nada Surf’s Matthew Caws plays Let Go standout “Inside of Love” for KEXP here, as a part of the 15th anniversary celebration of Barsuk Records. It’s as winning now as it ever was.

3. Great Thunder – It Takes  So Much (Live at Saint Vitus)

Katie Crutchfield has one of the most arresting voices in all of music, writes emotionally crippling lyrics, and Great Thunder just made a fucking incredible record. A live performance showcasing all of those things? What more could anyone possibly want?

4. Hop Along (Live at Saint Vitus)

While any lineup that includes both Crutchfield twins is can’t-miss material, it’ll take something genuinely special to make an impression in the face of that. Luckily, for everyone, beloved Philadelphia act Hop Along proved more than up to the task and unARTigNYC was on hand to film all of it. While Get Disowned is (still) incredible on its own merits, the band comes into their own in a live setting. This is an impassioned 46-minute masterclass on how to do things right. Absolutely necessary viewing (and listening) material. 

5. Priests (Live at The Pinch)

There have been recent claims that seeing Priests for the first time is akin to a religious experience and the live footage that continues to surface of the band goes a long way in supporting that theory. It doesn’t seem to matter when the footage is from, either. From the get-go this band’s been channeling the brooding intensity of Swans and deftly combining it with the politics of Sleater-Kinney and the discordant aesthetics of Sonic Youth at their most fearlessly minimal. All of that is why Priests are this week’s band to know. Extra note: shout-out to vocalist Katie Alice Greer for her outstanding interview work over at Fvck the Media. Be sure to go read that- but be sure to watch this.