Heartbreaking Bravery

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Tag: Gates of Dawn

Watch This: Vol. 84

Nothing was posted on this site over the holiday weekend but there were multiple items that were being prepared. One of them, naturally, was the weekly installment of Watch This– a series that celebrates some of the finest live video captures of that week. A lot of familiar faces are featured in this installment, especially considering the massive promotional runs that the teams for Courtney Barnett and Torres (two of the more exciting live acts of the moment) have managed to string together. Once again, a lot of videos that were considered for feature in this 84th issue point towards a fascinating spike of quality in this format. Artists in those videos include: The Kyle Sowashes, Andrew Bird, Fat White Family, Perfume Genius, The Fall, Rozwell Kid, DYGL, Mitski, Klangstof, Strand of Oaks, Heartless Bastards, Other Lives, and Crosss. So, as always, sit up, lean in, settle down, focus up, and Watch This.

1. Alvvays – Archie, Marry Me (BBC)

“Archie, Marry Me” was first released in 2013 to a small amount of claim but eventually blossomed into one of 2014’s defining songs with its re-release. Now, two years after it was first introduced to the world, it still sounds vital despite the amount of playtime (and references) it’s received. Alvvays recently played the Glastonbury festival and knocked the single out of the park with a heartfelt rendition- something that wasn’t lost on an effusive crowd. Fortunately, for everyone, the BBC had their cameras rolling and captured the whole thing.

2. Courtney Barnett – The Fox (The Current)

Courtney Barnett is an exhilarating performer and her insistent placement in this series is continuously justified and warranted. Barnett and her band recently stopped by the twin cities to deliver a powerhouse set as part of the Rock The Garden festival. While the songwriter had strong showings via a solo performance of “Depreston” for Jimmy Fallon and a typically charged take on “Pedestrian At Best“, it was the capture of “The Fox” that played strongest, earning its placement here.

3. Torres (Sound Opinions)

Over the past several installments of this series, no artist has made as many appearances as Torres. Now deep into a fierce touring schedule, Mackenzie Scott’s assembled a (relatively) new crew of musicians to perform the songs and the group taps into three of Sprinter‘s more subdued tracks for Consequence of Sound’s Sound Opinions series. Never anything less than enthralling, there’s a gentle- but firm- grip that gets held throughout this run of “Son, You Are No Island”, “The Harshest Light”, and “Ferris Wheel”. There’s some strange magic at work here and it’s best to just let go and lose yourself to its power.

4. PINS – Young Girls (WFUV)

Wild Nights has already established PINS as one of 2015’s most exciting breakout acts and here- in a characteristically angular session for WFUV- the band stealthily unloads on the record’s finest song, “Young Girls”. It’s a startling reminder of the quartets considerable talent(s) and will likely act as a perfect introduction for anyone unfamiliar with the band. Confident and measured, completely self-aware and reassuringly uninhibited, their performance here goes a long way in laying out the myriad of bigger opportunities that will become available to this band over time.

5. Exquisite Corpse (NPR)

Some things are just so enticing and beautiful that they warrant featuring, no matter their distance from the regular coverage spectrum. In this clip, a small troupe of jazz musicians comprised of different groups play a game of exquisite corpse, with each section taking an idea from one group’s presentation of a song and expanding on it until it becomes a whole; an evolving construction that provides room for individual showcases without ever succumbing to anything other than camaraderie and trust. Gorgeously lensed- and performed on Duke Ellington’s grave- this is a truly remarkable piece of work, noteworthy by even NPR’s enviable standards.

Fraser A. Gorman – Shiny Gun (Music Video)

Fraser-A-Gorman-promo

After two consecutive clips dealing with extremely heavy subject matter, switching focus to much lighter fare almost seems necessary. Before getting into the carefree fun-fest that is Fraser A. Gorman’s latest clip for “Shiny Gun”, there will be one last video round-up to get the coverage of the format caught back up to the present release cycle. Heartless Bastards unveiled their confrontational “Gates of Dawn“, Angelic Milk went the irreverent effects route for “IDK How“, Fred Thomas indulged in some light masochism for “Cops Don’t Care, Pt. II“, Leon Bridges furthered his throwback aesthetic with “Better Man“, Elisa Ambrogio tapped into a deeply moving wistfulness through “Arkansas“, Vince Staples flexed some serious artistic muscle with the arresting “Señorita“, and Glockabelle’s immensely lovable 8-bit lunacy intensified with “Wolf BBQ“. All seven clips deserve a few run-throughs and quite a bit of attention. Of course, so does Fraser A. Gorman’s “Shiny Gun”, which is why it wound up as this post’s headline selection.

After some humorous text-only exposition- over some tongue-in-cheek broadcast music- about news anchors getting fired for unprofessional behavior (and then starting a band), “Shiny Gun” takes us back to that final, fateful day in the studio. What follows is an absurd collection of non-responses after a bevvy of failed studio re-direct attempts, with a cast of misfit anchors (including site favorite Courtney Barnett) doing an abysmal job at their actual job, completely ignoring everything and looking miserable in the process. That sense of downtrodden misery carries throughout the black-and-white broadcast, that is, until someone shows up with some guitars. After the first hand-off results in a twangy solo (cue Gorman’s enthused “Deep!”), the whole thing switches back over to technicolor as the studio side anchors get to shed their shackles cut loose as Gorman’s “Shiny Gun” (which is the closest thing I’ve heard to someone accurately emulating The Band in ages) takes them home. It’s one of the more joyous, deadpan clips to emerge from this year and it certainly bodes well for Gorman’s upcoming Slow Gum (which is being released on Courtney Barnett’s own Milk! Records label), which is sounding more promising by the minute. If you were looking for something enjoyably simplistic and carefree to unwind with tonight, you’ve just struck gold.

Watch “Shiny Gun” below and pre-order Slow Gum, which will be available via Milk! in Australia, House Anxiety/Marathon Artists in the UK,  here.