Heartbreaking Bravery

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Tag: Full Set

Watch This: Vol. 133

Now that Watch This is back to its regular Sunday scheduling, the concentrated efforts of the week can feel even more staggering. By confining outstanding clips featuring Big Thief, Kevin Morby, Winter, Nothing, Noxious Neighbors, Oscar, Tiny Fireflies, Suss Cunts, Fear of Men, Bad Bad MeowTancrède, Megafauna, Victoria+Jean, Tacocat, Holy Fuck, Michael Kiwanuka, Fruit Bats, My Bubba, Italian Boyfriend, Chris Farren, and The Districts to a single seven-day span, the volume of material that gets covered starts to feel a little more concrete (and remains fairly intimidating). All of the acts to earn a featured spot in this 133rd installment of the Watch This series have been praised on this site before. Here, they reaffirm those early nods of approval with excessively strong works that deserve praise. So, as always, sit back, block out any distractions, adjust the settings, focus up, and Watch This.

1. Audacity (3voor12)

After “Not Like You” saw Audacity rejoin the featured music videos fold, they confidently re-emerge in the Watch This series as well. The band’s always excelled in the live setting so the wildly entertaining nature of this session for 3voor12 shouldn’t come as too much of a surprise. It’s continuing to be a pleasure to watch their live chops grow sharper with age and this is no exception.

2. Palehound (NPR)

Palehound‘s grown incrementally more impressive each time I’ve caught their live show and this beautifully shot  NPR session from last year’s CMJ is a reminder of their potency in that department. Driven by the astonishing talent of Ellen Kempner and elevated by incredibly tight rhythm section work, the band’s attained a confident ease that suits both their music and their performances to perfection.

3. Margaret Glaspy – You & I (Conan)

One of the artists who’s been experiencing a very deserved breakouts this year has been Margaret Glaspy, whose Emotions and Math has proven to be one of 2016’s most nuanced and self-assured solo releases. Glaspy pulls inspiration from a wide-reaching variety of genres and continuously finds a way to make them coalesce into songs that frequently wind up being greater than the sum of their parts. Here, Glaspy tears through the best of those tracks, “You & I”, for one of the best performances to have graced Conan’s stage this year.

4. Pleistocene – Jack-O

For quite some time now, Pleistocene have been favorites of this site. While the band’s currently readying new material, they recently found time to dive into a recent favorite. In this clip, a pared-down version of the band performs a gorgeous, lilting version of “Jack-O”, a highlight from their split with Howlo. Perched on the branch of a tree and cloaked by its leaves with only an omnichord at their disposal, the duo gets swept up in harmonizing and visibly lose themselves in the music they’re creating. It’s a beautiful clip that serves as an able demonstration of the quiet power great art can carry.

5. Tacocat (PressureDrop.tv)

For the third consecutive Watch This in a row, PressureDrop.tv land an exhilarating entry that finds a way to enhance the common grounds between the featured band and the filmmaking. It’s startlingly effective on the visual front and enhances the frequently propulsive performances at its core. In this instance, Tacocat runs wild on a set that looks like an abandoned shed that was converted into a practice space. The setting mirrors the band’s own fun-loving sensibilities and the band seems to be energized by the space, turning in the kind of confident performance that makes it seem like they feel completely at home.

Watch This: Vol. 68

It only took about four months to elapse and required some serious legwork but Watch This will be resuming its regular format now and it’s regular pace on Sunday. Below are five live clips from last week that stood out. From old standbys to exciting new bands, each and every one of these takes is worth seeing. All five represent the absolute pinnacle of what can be accomplished with instruments, microphones, a camera, and some tasteful editing. So, enough with the lead-in, it’s time to sit back, turn the volume up, pour a drink, dim the lights, and Watch This.

1. Cymbals Eat Guitar (KEXP)

LOSE was easily one of last year’s best records and Cymbals Eat Guitars’ finest moment to date. Tackling sensitive topics with enough verve and vulnerability to make most acoustic singer/songwriters blush, the band created something that landed with enough force that it’s repercussions are still reverberating nearly halfway into this year. In the live setting, the band sinks its teeth into those songs with enough bleary-eyed fervor that it occasionally elevates their impact. KEXP recently turned their lenses on the band as they glided through a scorching set that fully demonstrated LOSE‘s formidable magnitude.

2. Lee Bains III & The Glory Fires – Sweet Disorder (Jam in the Van)

Back in October, Lee Bains III & The Glory Fires played their hearts out to less than twenty people in a small Milwaukee bar. It was one of the most impassioned sets that I’ve seen in the past few years and the band delivers that trademark intensity to Jam in the Van for what’s currently that series’ best session of 2015. All manic energy, grit, and relentless determination, the band turns in an absolute monster live take of “Sweet Disorder” that could convert more than a few people on its own.

3. Nots – Reactor (BreakThruRadio)

Nots’ self-titled full-length for Goner Records last year was one of the strongest moments of 2014 for the legendary punk label. Ever since that release, the band’s been touring at a reckless pace and honing their live show- something that’s easily evidenced in yet another outstanding BTR live clip. “Reactor” is one of the band’s best songs and the band injects it with a self-possessed fury that accelerates the song into a whirlwind of near-chaos that suits Nots’ aesthetic to perfection.

4. A Place To Bury Strangers – We’ve Come So Far (KEXP)

I’m not sure KEXP has a hosted an individual performance that’s as singularly vicious as A Place To Bury Strangers’ recent run-through of “We’ve Come So Far”, which goes so far beyond the memorable stage antics that helps transform this into one of the station’s most visually stunning offerings in some time. Light projections, noise solos, and a flood light that’s wielded as both a slide and as a weapon go a long way in making this version of “We’ve Come So Far” stick but what really gives the performance its teeth is the way every band member seems to forget their surroundings and just lay into their respectable roles in a way that indicates this is less of a performance and more of a deranged, otherworldly ritual.

5. The Districts (Out of Town Films) 

While The Districts recorded output hasn’t quite gripped me like I’ve expected, in a live setting the band’s an entirely different beast. Here, lovingly filmed by the excellent Out of Town Films, they deliver a scorcher of set that more than backs up the band’s considerable buzz. Stunning cinematography and a killer set of songs take this to the realms of a near-classic document of an exciting young band. Only growing stronger as they go, The Districts (and Out of Town Films) turn in a vital reminder of their sizable strengths. Don’t let this one slide by quietly.

Watch This: 2015, Vol. 3

static

Over the past few days, this site’s been running a campaign to get one of its most important cornerstones back. When the Watch This series was first brought into existence, it was done out of admiration- but also frustration. For whatever reason, great live footage never quite gets its due. Outside of rare exceptions (Scorsese’s The Last Waltz comes to mind), it’s an overlooked format. Reduced to miniature, it has an almost non-existent footprint. Yet, the very best of these clips hinge on the abilities of both filmmaker(s) and the central subject and are treasured fiercely by the people invested in either side. There’s a common ground between film and music that these clips manage to accentuate and exploit when they’re operating at their highest level, they represent multimedia formatting at its finest. Watch This was designed to amend the medium’s inexplicable reduction, Every Sunday, the installment would feature five of the strongest live clips of the week in some small effort to amend the egregious exclusion of a central focus for live footage.

Since 2015 started, like everything else, I’ve been amassing a list of some of the strongest entries in this category and this post marks the last of the trilogy making up the 15 or so weeks that made up 2015’s first quarter. There’s a heavy emphasis on interview-heavy clips and full sets, with healthy numbers for KEXP, BreakThruRadio, and Pitchfork. DIY culture is mostly fully embedded in Pupppy’s set at the endearingly named Dong Island and the whole playlist is bookended by two of the finest live videos of the year. Each of those two clips comes courtesy of NPR, with a full Sleater-Kinney set providing an exhilarating opening and a devastating Torres lullaby clip bringing the proceedings to a hushed, haunting close. Regular Watch This will resume on Sunday and continue weekly. Now, the video player below contains hours worth of material so it’s not something that’s probably going to be watched start-to-finish- but it can certainly be bookmarked and all of it is worth seeing (and, just as importantly, hearing). So, with all that mind, sit back, crank the volume, take a drink, settle in, and Watch This.

1. Sleater-Kinney (NPR)
2. Bully – Trying (Pitchfork)
3. Mike Pace and the Child Actors (TCGS)
4. Fred Thomas (BreakThruRadio)
5. Swervedriver – Autodidact (KEXP)
6. Menace Beach (3voor12)
7. Waxahatchee – Coast to Coast (Pitchfork)
8. Literature (BreakThruRadio)
9. Fat Supper – Mind Your Head #14 (MOWNO)
10. Francisco The Man (KEXP)
11. Nots (BreakThruRadio)
12. Title Fight – Mrahc (Pitchfork)
13. White Reaper – The Cut (BreakThruRadio)
14. GRMLN – Night Racer (Amoeba)
15. Girl Band (KEXP)
16. METZ – Nervous System (Pitchfork)
17. Popstrangers (BreakThruRadio)
18. Laura Stevenson – Bells And Whistles (Space Jam Sessions)
19. Jenny Lewis – Just One of the Guys (Jimmy Kimmel Live)
20. Strand of Oaks – For Me (Amoeba)
21. Pupppy (Dong Island)
22. Krill – Foot (WKNC)
23. Museum Mouth (WKNC)
24. La Luz – Call Me In The Day (KEXP)
25. Torres – A Proper Polish Welcome (NPR)

Watch This: Vol. 63

[Please refer to Vol. 59 for the introductory paragraph.]

1. White Reaper (BreakThruRadio)

BreakThruRadio has a wonderful habit of hosting bands that just can’t help but lose their minds a little when they play. White Reaper look like they’re practically jumping out of their skin here, with everyone seemingly set to their most vicious attack mode. It’s difficult to tell what’s more electrified; their guitars (and synth) or the people controlling them. A few brief-but-entertaining interview segments are included and they accentuate just how ridiculously energetic White Reaper are when they perform. All of the evidence is below.

2. Day Creeper – Turning Into A Man (The Mug and Brush Sessions)

The Columbus-based Day Creeper already appeared once on this series previously and made a pretty deep impression. They’re back now, with a casual vengeance and just as much grit. “Turning Into A Man” emphasizes their more creative tendencies while also allowing a more unobstructed view of some surprisingly strong lyricism. While this was said once already, it deserves repeating: Day Creeper are a band worth watching.

3. Big Ups – Not Today (BreakThruRadio)

Big Ups are making a dangerous push towards being the most featured band on Watch This, which- considering their typically blistering performances- isn’t all that surprising. Eighteen Hours of Static was one of 2014’s first truly great albums and the band’s only been building momentum since its release. They’re building up a head of steam as they charge headfirst towards the new year, pity anyone who gets in their way. In yet another monster performance for BreakThruRadio, they flick back and forth between detached empathy and boiled-over frustration with a terrifying precision, casually teasing their fast-clip tension/explosion dynamic. At this point, it doesn’t seem like there’s all that much out of their reach- and that’s partially in thanks to performances like this one.

4. Allo Darlin’ (KEXP)

It’s always a pleasure to hear something as downright winsome as We Come From the Same Place. Allo Darlin’ have created something that feels timeless and sounds ridiculously lovely. There’s a certain soft romanticism (often marginally damaged) that plays a central figure to the best indie pop and that holds true for We Come From the Same Place– a record that could (arguably) wind up standing as a genre classic. In the interview segments, the band’s personable. In the performance set pieces, they’re nearly transcendent.

5. La Sera – Losing to the Dark (Last Call With Carson Daly)

Rounding out La Sera’s triumphant Watch This trifecta is a wild-eyed run through one of 2014’s most unexpectedly ferocious lead-off singles, the errant firework that is “Losing to the Dark“.  As rabid as the song sounds on record, Katy Goodman and her band kick it up a few levels live- to the point where it almost seems like the entire band is trying to outrun themselves for fear of being trampled by their own creation. All manic adrenaline and seething resentment, it transforms itself into both a shot in the arm and a knife to the jugular. Vicious guitar riffs make the incisions and by the end of it all, the band’s already laughing everyone out of the room- and, somehow, the only viable option is to beg for seconds.

[Due to some technical issues, this video can only currently be seen here.]

Watch This: Vol. 59

Video mixtapes aside, it’s been quite a while since a standard volume of Watch This has been posted. This is due to some lingering technical complications but, rest assured, everything that’s been posted over the past few weeks has been studied and collected. It’s why tonight will see the posting of five new installments of the (usually weekly) series. Great live music collides with outstanding documentation in each and every one of the forthcoming entries. Ranging from full sets to DIY takes to stunning single song performances, the contents of this post- and the posts following- cover a wide breadth. All of it’s worth remembering. For the sake of time, convenience, and to avoid all of the inevitable redundancy, this current installment (Vol. 59) will be the only one to contain a written lead-in. All of tonight’s subsequent posts will follow the same pattern that the series has implemented all along: 5 great live-take videos that have emerged since Watch This‘ last five entries. So, as always, relax, turn on the speakers, turn up the volume, lean back, and Watch This.

1. Benjamin Booker – Have You Seen My Son? (WNYC)

Benjamin Booker had a breakout 2014 that saw him light up a number of festivals, earn the ardent support of outlets like NPR, and release a fairly extraordinary self-titled LP on a revered label. While all of that adds up to an impressive tally, it’s the live department where Booker and his cohorts excel. Teeming with determination and moxy, the trio also knows how to let its hair down and are capable of just going off at any given moment. For WNYC, they make their way through a raucous set that includes Benjamin Booker highlight “Have You Seen My Son?”- and it’s undeniably powerful.

2. AJ Davila Y Terror Amor (KEXP)

Beibi was one of the best records to be released by Burger Records this year- yet it never quite received the love it deserved. AJ Davila (also of Davila 666) put together a rousing collection of songs with the Terror Amor collective. KEXP recently brought the band in for a session and they made the absolute most out of the time they were given. Infectiously catchy and exploding with personality, this session doubles as a perfect introduction to the band for the uninitiated.

3. OBN IIIs (WKNC)

OBN IIIs are an absolute force to be reckoned with in the live department. It’s become nearly indisputable (especially following the incendiary Live in San Francisco) and isn’t all that surprising, considering the band’s collective pedigree. Here, they tear through a blistering 10-minute set for WKNC with ease and the overall performance eventually becomes something like a battering ram. If there’s smoke by the end of “Standing”, it’s either coming from the gun that OBN IIIs are holding in one hand or because of the lit fuse in the other.

4. Ex Hex (KEXP)

Mary Timony’s newest project, Ex Hex, was one of 2014’s more pleasant surprises. Rips, the band’s full-length debut lived up to its bold title with an excess of finesse. Yet, for as good as the record is, seeing the band live is an entirely different experience. Everything takes on a more visceral edge and their performances turn into showcases for tasteful showmanship. KEXP invited the band into their studios to film a live session that turns into a comprehensive document on how to do things right.

5. Lightning Bolt (unARTigNYC)

Much was made over the closing of beloved venue Death By Audio. The final weeks of shows there turned into hot-ticket events for everyone eager to preserve its memory. Tribute pieces trickled out and their were definitive look-backs that were published. Death By Audio took it upon themselves to create a documentary of the venue’s final days. A slew of think-pieces arrived and were guided by the hands of very capable writers. Another pair of hands held the camera that filmed the last performance in the venue from legendary noise-punk duo Lightning Bolt. Most of the set on display in this video captures the raw fury that’s constantly present in their music but takes a sharp left turn a little before the 9-minute mark where the video ceases becoming a document and starts becoming a statement. For more than 20 minutes, unARTigNYC loops drummer Brian Chippendale’s heartfelt two-word salute to Vice, the establishment credited with Death By Audio’s corporate takeover. “Fuck Vice”, over and over, an inescapable mantra that fully captures the mindset of a legion of people; some close to the venue and some far removed. “Fuck Vice”, over and over, looped into oblivion. “Fuck Vice”, over and over, until there is nothing left. “Fuck Vice”, over and over, echoing out into eternity. “Fuck Vice”, over and over, until everything fades to black.

Watch This: Vol. 56

Part two of today’s three-part Watch This marathon once again returns to a few familiar faces and two new ones that should have been featured all along. It’s another installment that covers the acoustic single take session to full electric set gamut and contains one of the most unique KEXP sessions to have come out of 2014. A few big names and a few emerging ones provide a pretty balanced spread- and all of them provide great performances. These are five clips from the past two weeks that are worth time investment. So, as always, grab a snack, crack a drink, sit back, turn the volume up, and Watch This.

1. TV On The Radio – Happy Idiot (KCRW)

TV On The Radio delivered one of the all-time great late night performances on Letterman years back with a positively fierce version of “Wolf Like Me” that put them on the map. Ever since then, the band’s been subject to extraordinarily high expectations and has rarely disappointed. This year’s Seeds was an undeniably intriguing release, with lead-off single “Happy Idiot” serving as a strong highlight. Live, the song takes on new life and becomes a reminder of some of the things that make TV On The Radio one of this generation’s more fascinating acts. Bonus points for Kyp Malone’s beard, always-incredible falsetto, and Thurston Moore signature jazzmaster.

2. Sorority Noise – Blonde Hair, Black Lungs (Space Jam Sessions)

A few bands quietly emerged over the course of the past eleven months and Sorority Noise were certainly among that group. With a great album and a great split under their belt, a lot of people have started granting them the attention they deserve. Here, they deliver an engaging acoustic performance of the lilting “Blonde Hair, Black Lungs” for Space Jam Sessions that more than lives up to their growing acclaim.

3. Restorations – Wales (Little Elephant)

Every once in a while Little Elephant will deliver on consistently great sessions from incredible live bands and Restorations are currently in the middle of one of their gradual session roll-outs. Having already earned a previous Watch This feature spot, they return with a vengeance. “Wales” is a menacing slow-builder that showcases the band’s penchant for dynamics and tension. For “Wales”, Restorations’ claws come out and dig into every tendon they can find. It’s a ferocious performance from a band that excels in a live setting, making this unmissable.

4. Shilpa Ray – Johnny Thunders’ Fantasy Space Camp (TCGS)

It’s been a while since a performance from The Chris Gethard Show has made an appearance in this feature- and who better to revive it than former Grinderman touring partner Shilpa Ray. Laying waste to a harmonium and a microphone, Ray leads her band through the driving “Johnny Thunders’ Fantasy Space Camp”. The band puts seemingly everything they’ve got on the line and the audience responds in kind. It’s a strong enough performance to make converts out of anyone who wasn’t previously familiar with Shilpa Ray- and it’s more than strong enough to earn a spot in this installment of Watch This.

5. Courtney Barnett (KEXP)

It’s unlikely that there’s been an artist to have more full set Watch This appearances than Courtney Barnett. There’s a reason Barnett and her band keep cracking  their way into these lists; there’s a palpable vibrancy and sense of pure enjoyment to their live show that’s more clear-cut than just about anyone else currently playing music. That said, they’ve never been more entertaining than they are here- appropriately decked out and fully costumed for a Halloween performance that doubles as one of the most memorable sessions the reliably excellent KEXP’s hosted all year.

Watch This: Vol. 30

Well, it finally happened. Waatch This is officially back on track and back to its regular every-Sunday rotation- and this week was particularly stacked. There was an incredible Serious Business feature from BreakThruRadio on Hive Bent, a beautiful Allston Pudding session with Saintseneca, and Mansions turned in what was arguably their best performance for an absolutely incendiary run for Little Elephant. None of them made this week’s installment. There were various reasons that kept each of them out and what wound up being featured was a fairly eclectic mix of full sets, single songs, old favorites, and at least one face that’s completely new to this site. So, sit back, relax, continue on with some day drinking, and Watch This.

1. Bob Mould – I Don’t Know You Anymore (The Current)

Bob Mould should be a household name by now. One of the most influential and well-respected songwriters to emerge from the 80’s/90’s DIY punk/hardcore heyday, he’s already amassed an army of untouchable classics that have his name on them and he’s in the midst of a staggering resurgence that’s currently seeing him match his past glory. Beauty & Ruin is one of 2014’s best and isn’t in danger of losing that position by year’s end. It’s driven by gems like “I Don’t Know You Anymore” which Mould recently deliver a commanding solo performance of for Minneapolis’ 89.3 The Current. That can be seen below.

2. Archie Powell & the Exports – Everything’s Fucked (Jam in the Van)

This isn’t the first time that this song’s appeared on this site and the feelings towards it haven’t changed. “Everything’s Fucked” is a song that aims to scorch the earth that surrounds it and shows a total disregard for anything attempting to get in its way. Here, the band delivers a fierce, ragged performance of it for Jam in the Van during their SXSW stay and hold absolutely nothing back. It’s a jolt of energy that’s strong enough to inject a jump-start into any dreary Sunday; keep it on file for those occasions.

3. Hop Along (unARTigNYC)

unARTigNYC is back in a big way this week: this is the first of three videos the channel posted that will be featured as the extended closing sequence for this week’s Watch This. Now, this will come with a touch of Deja Vu for any longtime readers of the site as Vol. 15 also featured a full Hop Along set that was also posted by unARTigNYC that was also captured at Saint Vitus. Lightning can strike twice. The only real differences are the sets and the fact that this was a Pitchfork showcase that also featured Pleasure Leftists, Frankie Cosmos, and the band occupying this installment’s fifth slot All of the new material Hop Along has been playing out is pointing towards one thing; whenever that record drops, it’s going to be a big deal that a lot of people will be very passionate about. Expect to see a stream of praise coming from sites like this one the moment that happens. For now, just enjoy the fact there are things like this out there to keep everyone excited (and deeply impressed).

4. Charles Bradley – The World Is Going Up In Flames (unARTigNYC)

Are there any stories in music from this decade more inspiring than the ascension of Charles Bradley? It’s sincerely doubtful. Plucked from obscurity during his days as a James Brown impersonator, he impressed all the right people and wound up signing a deal with Daptone Records, the most influential label in soul. Before that moment, and during the interim, the now-65 year old Bradley went through some extraordinarily harsh times. Almost dying and experiencing great personal tragedy didn’t deter him, though, and in 2011 his debut record No Time for Dreaming was met the same way his sophomore effort, 2013’s Victim of Love was: they both garnered immediate acclaimed and helped elevate Bradley to being one of the biggest names in his genre. Now affectionately known as “The Screaming Eagle of Soul”, Bradley has greeted any kind of interest with overwhelming appreciation and humility. If there’s one thing to feel good about in music, it’s his success- a success driven by charisma and raw natural talent.

5. Perfect Pussy (unARTigNYC)

Perfect Pussy, the band whose name makes Hop Along’s Frances Quinlan blush every time she says it, headlined the recent Pitchfork showcase at Saint Vitus. They also now have a commanding lead as the band featured most on this site, which should mean that close to everything’s already been said about them here. While that might be the case, I’m not even close to done talking about Perfect Pussy and I doubt I’ll ever be. Part of the reason for this is their high-velocity live show. Each of their shows is its own beast, though they all seem to clock in at around 20 minutes, which are infused with the most blistering whirlwind of sound and unrepentant aggression anyone could imagine (this fact has caused a lot of confusion from people who aren’t familiar with hardcore and the people that don’t understand how quickly high-intensity physical exertion can lead to dangerous levels of exhaustion). Vocalist Meredith Graves greets the triviality of those complaints the only way she knows how: with a smile (for proof of this, check the :40 mark for a memorable quip). Her lyrics are some of the most unflinchingly honest I’ve ever encountered and, impossibly, stand as both a complement and contrast to the band’s performance. In prose, Perfect Pussy can come off as slightly withdrawn and full of guarded desperation- but even then, it’s so forward that it feels like that same gut-punch the live show so readily and consistently provides. Here, the band’s in fine form, Graves is the physical manifestation of an internal maelstrom or three; Shaun Sutkus project a steely, detached calm to provide some stability behind his setup of synths; the rhythm section of Greg Ambler and Garrett Koloski both make sure they’re as physically present as Graves is and guitarist Ray McAndrew keeps his head down while providing an additional thrashing body. If it sounds chaotic, it’s because it is- it’s also all so improbably controlled that it makes their sets unforgettable affairs- no matter how long or short they wind up being. Add all of these qualities to the fact that Graves is currently one of the most outspoken public figures in an ongoing fight against multiple kinds of oppression and Perfect Pussy winds up exactly where they should be: as one of the most important bands that we’ve got. See them (and support them) as soon as humanly possible.

Perfect Pussy at Township – 4/1/14 (Live Video)

Perfect Pussy

There are times when I’ve broken one of Heartbreaking Bravery’s most defining tenets (no self-identifiers: the music is more important than the reviewer) in an effort to illuminate something. This will be one of those times for several reasons: 1) This post may mark the last time a point n’ shoot is used for content on Heartbreaking Bravery. 2) This is the first time, and certainly not the last time, a (new) self-shot full set will be appearing on this site. 3) Perfect Pussy have already qualified as exempt from this rule for reasons explained here (and then again here). 4) By posting this, I’m hoping to stabilize a bridge between a focus on music and a focus on film (look for more on that later). 5) It’s the only way I could think of delivering these points as honestly as possible. 6) I firmly believe in a support structure between DIY publications and fully intend on this being the first part of a collaboration piece.

With all of that out of the way, there’s only a few things left to say before the video(s) themselves: Yes, this is a severely blown out recording with some seriously damaged audio quality. Yes, there is an unexpected break that results in a twenty second delay between the monstrous second half of “Interference Fits”. Yes, there are times where the band goes completely out of frame. Yes, that was because I kept getting hit hard enough by the wildly enthusiastic crowd around me to be literally upended into the stage multiple times over (and, yes, I loved every second of it, bloodied up leg, beer-soaked jacket, bruised hips and all). Yes, this isn’t the greatest live presentation in the world- far from it, in fact- and yes, this is primarily being posted because it’s something I fiercely love (and has people that I love dearly in it). No, that doesn’t affect my judgment at all- these were all instances of friendships born out of love for their art and through mutual understanding/support. Yes, there will be a review of this entire show (along with more photographs)- but not on Heartbreaking Bravery (more to come on that later). Yes, I really am posting this right after the Minneapolis review– and yes, all of this can be seen in two parts below.

Enjoy.