Heartbreaking Bravery

stevenmps2@gmail.com | @steven_mps | @hbreakbravery

Tag: Fucked Up

Full Streams of the First Quarter: The Honorable Mentions

Technical difficulties forced Heartbreaking Bravery into an effective hiatus at the start of the year but, even through the visible inaction, behind-the-scenes work continued in earnest. Various outlets depths were exhausted, the site’s inbox maintained its regular flood of releases, and everything else that emerged was meticulously examined. Over the course of 2017’s first quarter (minus a week or so), more than 100 great records were released. 10 will be spotlighted in the very near future and the rest of the releases that caused a positive reaction can be found below. Enjoy.

Cool American, Alexander F, The Courtneys, Single Player, Schlotman, Street Stains, Thurst, Teenage Wedding, oso oso, Sam Skinner, Thelma, Wild Pink, Toby Reif, Omni, Pissed Jeans, Baked, WHY?, Neutral Shirt, Hideout, SSWAMPZZ, Boosegumps, Maryn Jones, Luxury Death, UV-TV, Ron Gallo, Matty Ann, Communions, Hanni El Khatib, Vagabon, So Stressed, The Paranoyds, Middle Kids, David Bazan, Toner, minihorse, Fucked Up, Olive & The Pitz, Boreen, Two Moons, wayde, The Spirit of the Beehive

Lunch Ladies, Heavy Pockets, Layperson, Little Person, Laura Marling, Chick Quest, Tobin Spout, Tall Friend, Caitlin Pasko, The Molochs, Trust Fund, Pinegrove
 Radula, Sinai Vessel, CARE, Michael Chapman, Jamie Wyatt, The Modern Savage, Analog CandleLouise Lemón, Heart Attack Man, Matthew Lee Cothran, Retail Space, The Cherry Wave, Frederick the Younger, No Thank You, Railings, Crushed Stars, Fragrance., ShitKid, Joan of Arc, Jim O’Rourke, Black Kids, Knife in the Water, bvdub

The Ocean Party, VICTIME, Career Suicide, Dead Man Winter, Lindenfield, Loess, Redshift Headlights, Balto, Angelus, Fufanu, French Vanilla, The Wild War, Turn to Crime, Souvenir Driver, Stinking Lizaveta, Matteo Vallicelli, Milk Music, Caroline Spence, NAVVI, Cody Crumps, Exasperation, Xiu Xiu, Damaged Bug, Winston Hightower, Kim Free, Kikagaku Moyo, Lilah Larson, Appalache, Eric Burnham, Party of One, Noveller, sir Was, R. Missing, Yawn Mower, Moral Panic, Auditorium, The Pantheon, The Obsessives

Dakota Blue, Skullflower, My Education, Lowlands, Half Waif, Trevor de Brauw, Strange RangerOnce & Future Band, DONCAT, The Visis, Blank Range, Transona Five100%/Joyce Manor, and Dead Tenants/Drome.

A special mention should also be given to these five compilations, all supporting worthy causes: Our First 100 Days (at the time of this writing, this release is still being updated), Sad! A Barsuk Records Compilation for the ACLU, Is There Another Language?, Save the Smell, and Don’t Stop NowA Collection of Covers.

A Two Week Toll: Streams

It’s been a little over two weeks since this site’s run regular coverage. After the 1,000th post, there was a decision to be made over whether to continue on Heartbreaking Bravery in a severely limited capacity, a full capacity, or use the A Step Forward compilation as a final exclamation point. Before long, continuing on with a daily regiment felt like the right decision. This post and the dozen plus posts that will follow will all be a coordinated effort to get caught back up to the present release cycle.

The opening trio of posts will all feature a laundry list of items that are more than deserving of attention while the ensuing posts will be dedicated features for a singular item. A few Watch This installments will be posted and the rest of the coverage will be split into the three major tiers: streams, music videos, and full streams. Kicking things off is this collection of outstanding songs to have emerged during the brief hiatus. Dive in and go swimming.

Crying, Hellrazor, CasselsSlowcoaches, CoasterHalfsour, Private Interests, Minihorse, Very Fresh, Honeyblood, Fucked Up, Terry Malts, Kevin Devine, Joyride!, Teen SuicideLA BÊTE BLOOMS, The Exquisites, Penelope Isles, Nice Try, Dag, Jess Williamson, Chemtrails, Really Big Pinecone, John K. Samson, Soviet Soviet, American Wrestlers, Fake Limbs, The Tuts, Lubec, CarrollGirlboss, Gladkill, Hollow EverdazeBoogarinsLOKIT, Parlour Tricks, Vanishing Life, Wistappear, gobbinjr, Dmitry Evgrafov, Hidden Ritual, Lucidalabrador, Many Voices Speak, Future States.

Flamingosis, Sexy Jesus, Magana, Glacial Pace, Plastic Flowers, Super Unison, WTCHS, Tape Deck Mountain, Dexateens, Planes Mistaken for Stars, The Flat Five, HMLTD, Wovoka Gentle, Homebody, Pop & Obachan, Soft PyramidsFascinations Grand Chorus, Warhaus, Future DeathEmily ReoAffordable Hybrid, Light Fantastic, Temples, Michael ChapmanHiss Golden Messenger, The Dazies, Hippo CampusDoubles, LolahikoYouth Funeral, Lou Barlow, Pure Moods, Floating Room, James Parry, I’m Glad It’s You (x2), Communist Daughter, Henry Jamison, and J Mascis.

Johanna Warren – True Colors (Music Video) (NSFW)

Johanna Warren I

It’s been about a week since a regular post ran on here, which mostly just means there’s a lot of content to come. A lot of great songs and albums have managed to appear in a very short window of time. All of those will be put on pause as this post gives sole focus to the more visually-inclined main category of this site (though plans are still in motion for film to factor into coverage): music videos.

Fucked Up’s fearlessly experimental multimedia experience for “Year of the Hare“, FIDLAR’s endearing, homage-heavy “40oz. on repeat“, Liza Anne’s absolutely gorgeous “Lost“, Braids’ stunning visual accompaniment to their career highlight “Miniskirt“, and Blur’s immensely enjoyable “Ong Ong” all proved to be notable highlights. Joining them were Pleistocene’s playfully shambolic “Pulp“, Swervedriver’s multicolor, kaleidoscopic “I Wonder?“, Izzy True’s tantalizingly bare-bones lyric clip for “Swole“, Demons’ skate spree in “Radical Cure“, Eternal Summers’ color-bled “Gold And Stone“, and We Were Promised Jetpacks’ beautiful, arresting “A Part Of It“.

Then, there was Johanna Warren’s “True Colors”.

Before diving into the blisteringly intense content of the video itself, it’s worth taking a step back to take a look at the history of the video- one that’s intrinsically intertwined with this site. At some point late last year, I’d latched onto Warren’s music thanks to her tour with site favorite Mitski. At some point during that time, Warren and I began talking and she eventually agreed to contribute a piece to the diaristic year-end segment A Year’s Worth of MemoriesHer piece stood out immediately, primarily because it was about something that hadn’t ever materialized.

When I caught up with Warren in Menasha- a small town in the middle of Wisconsin- to profile her for Consequence of Sound, I was eager to discuss the video. I’d been listening to nūmūn religiously in preparation and had a very distinct idea for what I thought the clip- initially intended for “Black Moss”- would be if it was ever resuscitated. Warren assured me it hadn’t escaped her mind (not surprising considering her initial levels of unease- feelings which would return leading up to the record’s premiere) and was still hoping to return to the concept for a future release.

Somewhere along the way, the song shifted and- during filming- took on a new life. Originally envisioned to be something far more gentle, the concept was adjusted into something much rawer (and, likely, much more important). To go into further details at this point would be relatively pointless as Warren provided an eloquent analysis of its mechanics in a statement issued to Stereogum, where the video premiered. That statement can also be read below.

This song is about traversing and transgressing boundaries: the tenuous lines that separate physical and metaphysical, waking and dreaming, and our moral categories of right and wrong. It’s about walking barefoot down the fertile coastline where binaries touch and exploring what hidden, buried parts of your soul might stir awake and flourish if you free yourself from the shackles of what society deems appropriate. It’s about surrendering to the wild — specifically the wild feminine, which has been so oppressed and forgotten — and communing in a primal, magical way with the powerful forces of nature.

The scene depicted in this video is an initiation rite. Throughout human history, spiritual practices have involved elements of bondage, flagellation, and submission as a means of entering altered states of consciousness/getting close to God. These days, most of us feel like we don’t have access to visionary experiences, largely because organized religions have convinced us they are the gatekeepers to spirituality. But there is a basic evolutionary human need for the expansion of consciousness, and that drives some of us to engage in activities that have been scorned, demonized and/or criminalized by our puritanical society, such as exploring psychedelics, magick, and BDSM—all of which, when done safely and consentually, can be effective keys in unlocking altered/ecstatic states (and all of which, I believe, are the subject of increased mainstream interest right now specifically because of our culture’s gaping spiritual deficit).

The making of this video was an experience I curated for myself with the support and guidance of two trusted, beloved collaborators: Gretchen Heinel, a radical feminist genius whose evocative body of work explores BDSM, body modification, and ritual; and Damon Stang, a highly gifted and learned Witch and practitioner of queer urban folk magic. In light of important ongoing discussions and valid sensitivities around issues of consent and violence towards women, let me clearly state my stance as an empowered creative woman who believes every human has the right to do with his or her body exactly what he or she chooses, short of infringing the rights of a fellow being. The struggle to reclaim that right is at the heart of so many key social issues right now: gay marriage, abortion rights, legalizing marijuana and other controlled substances, etc. For me, making this video felt like a radical reclaiming of my right to do with my body exactly what I want.

On my drive home from the shoot, a critical little voice in my head asked me why the hell I did this, and I happily replied, “Because I fucking wanted to.” It was fun and empowering and sexy and beautiful and deep and magical, I learned so much about myself and I have no regrets. It’s crazy, though, how even knowing all that, watching the video and thinking of others watching it, I find myself judging myself SO HARD and feeling a lot of fear. But just as my anxiety reaches a peak, I hear my own voice sing, “Forget the duality of wrong and right,” and I’m like… “Oh yeah, good point.”

It’s at once a spellbinding look at the psyche of one of the more interesting artists of the moment and an incredibly charged statement. Genuinely unsettling and superbly directed by the team of Gretchen Heinel and Damon Stang, it verges on being an extremely difficult watch but it soon becomes impossible to look away. As a representation of one of Warren’s most successful dichotomies (an inexplicable- and often light- gentleness paired with a searing- and frequently dark- intensity). Operating on the fringes of both dream and nightmare, “True Colors” is one of 2015’s boldest visual works to date.   

Watch “True Colors” below and pick up nūmūn from Team Love here.

14 of ’14: The Best Albums of 2014

LVL UP II

One last time for one last 2014 list: “best” is in no way an attempt to be an objective statement. The terminology is shorthand to reflect personal taste and is not to be construed as anything more. Also, for the purposes of a more personal summary in this year-end coverage period, this site’s regular restriction on first person will be lifted. In 2014, I listened to more music that was released throughout the year than any other in my life. Numbering well upwards of a thousand releases, it proved impossible to keep tracks on everything (I’m already certain a few of these lists are missing more than a few titles that I genuinely loved)- but there were a few items that were worth remembering. Below are 14 records that managed to carve their way into my esteem both instantaneously and through the process of time. Below that is what turned into the most extensive list I’ve ever assembled, one that acts as an unnecessary validation that good music is being created at an excessively high volume (all of which is hyperlinked to either a full stream or a representative portion). We’re living in a golden age for access and music continues to reap the benefits allowed by technology.  In that spirit, it’s worth noting that a lot of the names included below won’t always be the most recognizable- this is due to both that volume and the fact this site’s built on a foundation that ensures bands who are marginalized will be given the consideration they deserve. So, with all of that noted, it’s time to move on to the main attraction: 14 of ’14: The Best Albums of 2014.

14. Taulard – Les Abords Du Lycée

2014’s most unexpected gem, Les Abords Du Lycée, is a mesmerizing listening that drives home taut organ/drums/vocals post-punk with a startling amount of verve. Endlessly charismatic and unpredictable, the dozen tracks on display here constantly twist and turn, never once daring to let the listener catch their breath. Mood and tempo changes abound on one of 2014’s most fearlessly unique records. Even for those who aren’t even remotely well-versed in the French language, Les Abords Du Lycée should be a thrilling listen; something like unbridled passion can always translate well enough to near the universal.

13. La Dispute – Rooms of the House

What’s easily one of 2014’s boldest concepts roots La Dispute’s mesmerizing Rooms of the House, a record that shows La Dispute’s rapid maturation with a weary grace. Centered around a meticulously brilliant narrative device, it’s a record that stunned me on my first few listens before growing into an inescapable force of nature that refused to leave my thoughts. As bleak as anything the post-hardcore has ever produced, Rooms of the House finds its strength through focus and restraint, zeroing in on difficult topics with a keen eye and an abundance of determination. Blisteringly personal and nearly voyeuristic, it stands as one of 2014’s fiercest artistic statements.

12. Two Inch Astronaut – Foulbrood

Two Inch Astronaut’s Foulbrood has come up more than a few times on the site over the past handful of months thanks to its casual brilliance. Wielding an enticing palette of influences ranging from Drive Like Jehu to their contemporaries in Exploding in Sound, Two Inch Astronaut managed to conjure up one of the most impressive sophomore efforts of the year. The title track, “Part of Your Scene“, and “Dead White Boy” all earned themselves individual write-ups on the basis of their appealingly off-kilter and ragged identity. Foulbrood‘s a record that knows exactly what it wants to be and goes straight for the throat, sending a trail of viscera flying it its wake.

11. Cloud Nothings – Here and Nowhere Else

One of the things I kept coming back to throughout the course of music in 2014 was Jayson Gerycz’s drumming on this record. Not just because it’s a staggering individual performance but because there’s an undefinable, inherent quality that exists within that drumming which drives this record to obscene heights. Impossibly, stripped of the drumming, the record succeeds wildly in an acoustic setting and demonstrates Dylan Baldi’s increasing proficiency as a songwriter, a vocalist, and a guitarist. After losing a member in guitarist Joe Boyer, Cloud Nothings somehow managed to transform themselves into an act that was simultaneously heavier and poppier than when they were a quartet. Importantly, this is a record that’s built to last and it’s only grown on me as the year’s progressed (and that trend’s not showing any signs of slowing).

10. Ought – More Than Any Other Day

As beguiling as it is bewitching, Ought’s brit-pop influenced post-punk masterpiece was a record that sounded triumphant right out of the gate. Slowly, that triumph turned to transcendence and the songs contained within More Than Any Other Day became unavoidable mission statements. In terms of scope, the majority of More Than Any Other Day feels as epic as LCD Soundsystem operating at their best. Both acts share a penchant for sprawling structures and self-containment, bridging a gap between intimacy and grandeur with a knack for deceptive, intricate songwriting. Anthemic and mundane, More Than Any Other Day was like a shot of adrenaline straight to the heart, waiting for the resuscitated with a sly grin and a memorable, tossed-off joke. Excessively charming and utterly winsome, it’s a record that felt (and still feels) necessary.

9. Jawbreaker Reunion – Lutheran Sisterhood Gun Club

“E.M.O.”, Lutheran Sisterhood Gun Club‘s thrilling centerpiece, recently appeared in this site’s best songs of 2014 list- but the song’s only one part of a much larger picture. At once, one of the year’s most joyous and pissed off releases, Jawbreaker Reunion tore through a variety of serious issues with aplomb on their absolutely stunning debut effort. Other than distilling songs like “Laughing Alone Eating a Salad” with a wicked sense of humor, the whole affair’s imbued with an enviably powerful sense of songcraft. Lo-fi, DIY, punk, and teeming with an understanding of classic pop, Lutheran Sisterhood Gun Club was one of 2014’s boldest introductions- it was also one of its best.

8. PURPLE 7 – Jewel Finger

PURPLE 7 boasts a lineup that’s accompanied by an impressive pedigree. Members of the band have previously played in bands like Defiance, Ohio, Landlord, and Hot New Mexicans (whose self-titled record ranks among my all-time favorites and currently leads my “best of decade” selections). Unsurprisingly, their debut LP effort hits a lot of sweet spots, including a gritty middle point between basement punk and basement pop. Simply put, this is a stunning collection of songs that was overlooked by most to a baffling degree after its release. Grounded, humble, and heartfelt, Jewel Finger is one of the records that reminds me of the reasons I started this site. This is music that deserves to be celebrated.

7. Angel Olsen – Burn Your Fire For No Witness

Arguably 2014’s first truly great release, Angel Olsen’s Burn Your Fire For No Witness saw the songwriter transition from a promising talent into one of the year’s most arresting figures. Embracing a fuller sound and a newfound confidence, Burn Your Fire For No Witness broke Angel Olsen’s career wide open with an onslaught of genuinely haunting tunes. Whether they were relentlessly spare or soaked in noir-ish tendencies, they were uniformly captivating; both the storm and the eerie silence before. Raw, tender, and occasionally antagonistic, Burn Your Fire For No Witness was one thing above all else: unforgettable.

6. Cymbals Eat Guitars – LOSE

From the devastating opening lines all the way through to the climactic finish, LOSE holds its ground as one 2014’s most frighteningly personal albums. Largely influenced by the death of a friend close to the band, it’s a meditation on loss and the surrounding aspects of something so tragic. Easily Cymbals Eat Guitars’ finest work to date both lyrically and musically, it’s a powerful (and powerfully moving) listen. “Warning”, in particular, cuts deep- which is one of the reasons why it wound up on the best songs of 2014 list just a few days ago. Incredibly impassioned and brave in its sincerity, LOSE finds a level of catharsis in its emotional turbulence, lending it a charge that renders it one of the year’s most human (and most important) releases.

5. Perfect Pussy – Say Yes To Love

Perfect Pussy, for better or worse, have become intrinsically linked with this site. From Meredith Graves’ insistence on tangential involvement (which I’ll forever be grateful for) to the fact that the band’s greater ascension matched up with the very start of this site, they’re a band I’ve gone step for step with since bringing Heartbreaking Bravery into existence. None of that would have happened if I hadn’t been so fiercely drawn to the things that they were doing, though, which is why I approached them in the first place. Ever since those beginnings, it’s been a privilege to watch them progress, to travel at lengths to watch them play, and to see them release a record as enormously powerful as Say Yes To Love, a collection which houses my favorite song of 2014 (and possibly of this decade so far). Unapologetic, personal, damaged, resilient, powerful, feral, oddly triumphant, and unbelievably intense, Say Yes To Love operates as a perfect reminder for all of the reasons why I fell in love with this band- and why I’ll continue to pay close attention to their movements.

4. Iceage – Plowing Into The Field of Love

No band in 2014 made a more stunning artistic leap than Iceage, who went from a static blur to matching the swaggering heights of Nick Cave & the Bad Seeds after discovering their voice. Plowing Into The Field Of Love was a startlingly radical change of pace for Iceage, who imbue the record with a curious restraint and a sense of deeply haunted Americana. Southern Gothic touch points are littered throughout the record’s bleak landscape, while making room for plaintive ornamentation in the form of brass, string, and piano figures. Darker and more self-aware than anything in the band’s career, Plowing Into The Field Of Love earned them quite a few words of praise from this very site. Augmented by some legitimately extraordinary music videos, Plowing Into The Field Of Love proved to be an unexpectedly rattling experience. Easily one of the year’s most divisive records (as is the case with any left turns this sharp), it suggested Iceage’s ambitions ran way deeper than anyone expected and, subsequently, that they had the know-how to see those ambitions to fruition. In chasing their whimsy they wound up with something I wouldn’t fault anyone for calling a masterpiece.

3. Mitski – Bury Me At Makeout Creek

My connection with Mitski’s music is something that will always hold a very personal resonance. I’ll leave most of the reasoning behind that statement to a forthcoming piece but it’s worth noting in regards to a record that’s so unabashedly self-exploratory. Bury Me At Makeout Creek was an enthralling re-introduction for Mitski, who saw it rightfully skyrocket her name recognition. Top to bottom, it’s an extraordinary effort that re-defined her artistic capabilities after a string of meticulously composed records that leaned on chamber pop tendencies. Here, that past gets blown to bits almost immediately. One of my favorite experiences in music listening all year came when “Texas Reznikoff” explodes in its final section- another came while listening to one of the best songs I’ve heard this decade (for obvious reasons, considering that statement). Where Bury Me At Makeout Creek manages to approach the transcendental is in the process of allowing listeners to hear an artist coming into their own. Part of Mitski’s identity is laid bare by Bury Me At Makeout Creek: it’s the unwillingness to accept identity as a static object and the desire to question its cumulative elements. That search is what gives Bury Me At Makeout Creek its bruised heart- and it’s why musicians will use it as a source of inspiration for several years to come.

2. Radiator Hospital – Torch Song

After the exhilarating highs of Something Wild, Radiator Hospital had a tall order for their follow-up. Fortunately (and unsurprisingly), they obliterated those towering expectations with Torch Song. Sounding more confident- and more polished- than ever before, Torch Song cemented Sam Cook-Parrott’s status as one of this generation’s keenest emerging voices. Paying attention to the minutiae of everyday experiences and injecting them with a self-deprecating sense of poetry laced with pessimism, the songs contained on this record all aim to cut and find their mark with an incredible amount of ease. Having already established themselves as one of today’s more formidable units musically, Torch Song has the added benefit of having four loaded personalities find each other in total harmony, each acting as a complement to the other. Personal diatribes, small journeys of self-discovery, and a sense of empathy inform Torch Song and help cultivate its unassuming charm. There’s not a weak track among the record’s 15 songs and it maintains an assured sense of pace throughout its relatively breezy runtime. By the time it draws to a close, it stands as one of the most fully-formed and rewarding records of recent memory.

1. LVL UP – Hoodwink’d

I don’t think any record resonated more for me throughout the course of 2014 than LVL UP’s Hoodwink’d, which I revered with literally no reservations. 2014’s strongest sophomore effort, Hoodwink’d saw LVL UP expanding most of the elements that made Space Brothers such an incredible release and retained all the others. Unreasonably refined and exceedingly personable, LVL UP have always found a strength in accentuating their members’ unique personalities and that trend got pushed to the forefront for their second full-length (which was co-released by Double Double Whammy and Exploding in Sound). Utilizing a distinctly unique take on their 90’s influences, the band also reveled in the benefits of a cleaner production that allowed them to sound more massive than they ever have in the past. No release felt more timely than Hoodwink’d, either, with the record practically serving as a stand-in voice for a disenfranchised sect of people. Alternately crushingly heavy, viciously poppy, relentlessly personal, and completely worn-out, Hoodwink’d never loses sight of its own mechanics. There’s a level of mutual understanding on display here that separates it from the rest of the year’s releases. Everyone feeds off each other, everyone supports each other, and everyone contributes to one hell of a set without even coming close to overstaying their welcome. Conversely, Hoodwink’d also ranks as one of the year’s most welcoming releases, radiating an empathetic warmth in its tone (and in its tones). As an entry in LVL UP’s catalog, it’s their career best. As a general 2014 release, it’s the best thing I had the privilege of hearing all year.

[EDITOR’S NOTE: All of the titles below without an accompanying link can be streamed in the order they’re listed via the embedded spotifly player below the list.]

Albums from 2014 that deserve to be heard:  Mean Creek – Local Losers | Happyness – Weird Little Birthday | Dark Blue – Pure Reality | Band Practice – Make Nice | Little Big League – Tropical Jinx | Happy Diving – Big World | Tweens – Tweens | Big Ups – Eighteen Hours of Static | Geronimo! – Cheap Trick | Greys – If Anything | Alvvays – Alvvays | White Lung – Deep Fantasy | Caddywhompus – Feathering A Nest | Left & Right – Five Year Plan | Ty Segall – Manipulator | Brain F/ – Empty Set | We Need Secrets – Melancholy and the Archive | Makthaverskan – II | Playlounge – Pilot | Eternal Summers – The Drop Beneath | MOURN – MOURN | Run the Jewels – Run the Jewels 2 | The History of Apple Pie – Feel Something | Flying Lotus – You’re Dead! | Trace Mountains – Buttery Sprouts | Dead Stars – Slumber | Fear of Men – Loom | PAWS – Youth Culture Forever | Swans – To Be Kind | The Yolks – King of Awesome | Crabapple – Is It You? | The Coasts – Racilia | Purling Hiss – Weirdon | Reigning Sound – Shattered | Creepoid – Creepoid | Saintseneca – Dark Arc | Mannequin Pussy – Gypsy Pervert | Fucked Up – Glass Boys | Music Band – Can I Live | Glish – Glish | Liam Betson – The Cover of Hunter | Frankie CosmosZentropy, Donutes, Affirms Glinting | Girl Tears – Tension | Martha – Courting Strong | Hurry – Everything/Nothing | The Spirit of the Beehive – The Spirit of the Beehive | Protomartyr – Under Official Color of Right | The Gary – Farewell Foolish Objects | Spit – Getting Low | Nothing – Guilty of Everything | Sharpless – The One I Wanted To Be | Legendary Wings – Do You See | Therapy? – Act of Contrition | Chris Weisman – Monet in the 90’s | Mumblr – Full of Snakes | Cayetana – Nervous Like Me | Free Cake for Every Creature – “pretty good” | Ed Schrader’s Music Beat – Party Jail | S – Cool Choices | Allo Darlin’ – We Come From The Same Place | Sneeze – Wilt | Quarterbacks – Quarterboy | The Twilight Sad – No One Wants To Be Here And No One Wants To Leave | Filmstrip – Moments of Matter | Bleeding Rainbow – Interrupt | La Sera – Hour of the Dawn | Big K.R.I.T. – Cadillactica | Gold-Bears – Dalliance | Sharon Van Etten – Are We There | Nude Beach – ’77 | A Winged Victory For The Sullen – Atomos | The Gotobeds – Poor People Are Revolting | Nots – We Are Nots | Alex G – DSU | Lower – Seek Warmer Climes | Young Widows – Easy Pain | CreaturoS – Popsicle | Mr. Gnome – The Heart Of A Dark Star | Parquet Courts – Sunbathing Animal | Ex Hex – Rips | Trust Punks – Discipline | Failures’ Union – Tethering | Odonis Odonis – Hard Boiled Soft Boiled | Beverly – Careers | The Number Ones – The Number Ones | Tigers Jaw – Charmer | Tiger High – Inside The Acid Coven | Straight Arrows – Rising | Dead Soft – Dead Soft | The Lemons – Hello, We’re The Lemons | Baked – Debt | MAZES – Wooden AquariumSleepyhead – Wild Sometimes | Native America – Grown Up Wrong | The Wans – He Said, She Said | Trophy Wife – All the Sides | Doe – First Four | Lushes – What Am I Doing | Ultimate Painting – Ultimate Painting | Haley Bonar – Last War | The Casket Girls – True Love Kills The Fairy Tale | Slothrust – Of Course You Do | Sorority Noise – Forgettable | Team Spirit – Killing Time | Feral Trash – Trashfiction | Blank Pages – Blank Pages | Mr. Dream – Ultimate In Luxury | Carsick Cars – 3 | SUNN O))) & Ulver – Terrestrials | This Will Destroy You – Another Language | Vanna Inget – Ingen Botten | The Real Energy – Beyond Delay | Muuy Bien – DYI | Young Ladies – We Get By | Eureka California – Crunch | Negative Scanner – Negative Scanner | Violent Change – A Celebration Of Taste | Black Wine – Yell BossImpo & The Tents – Peek After A Poke | Tomorrows Tulips – When | Mountain Bike – Mountain Bike | The Lees of Memory – Sisyphus Says | Telepathic Lines – Telepathic Lines | The Shivas – You Know What To Do | Allah-Las – Worship the Sun | Das Rad – Radiation | The Coathangers – Suck My Shirt | Crow Bait – Sliding Through The Halls Of Fate | together PANGEA – Badillac | Deerhoof – La Isla Bonita | PUJOL – Kludge | FF – Lord | Aj Davila Y Terror Amor – Beibi | Emilyn Brodsky – Emilyn Brodsky Eats Her Feelings | Young Statues – Flatlands Are Your Friend | Cancers – Fatten the Leeches | Sam Coffey + The Iron Lungs – Gates of Hell | Courtney Barnett – The Double EP: A Sea of Split Peas | The Ar-Kaics – The Ar-Kaics | Beach Day – Native Echoes | Hiss Golden Messenger – Lateness of Dancers | Dude York – Dehumanize | Gino & The Goons – Shake It! | Kevin Morby – Still Life | Bob Mould – Beauty & Ruin | Wyatt Blair – Banana Cream Dream | Queen Jesus – Darkness Yea, Yea | Joel Jerome – Psychedelic Thrift Store Folk | Espectrostatic – Escape From WitchtropolisCheap Girls – Famous Graves | Davila 666 – Pocos Anos, Muchos Danos | Parts & Labor – Receivers | Nick Thorburn – Music From SERIAL | DTCVHilarious Heaven, The Early Year | Bellows – Blue Breath | Teenager – E P L P | Spider Bags – Frozen Letter | The Paperhead – Africa Avenue | Parkay Quarts – Content Nausea | The Jazz June – After The Earthquake | Michael Sincavage – Empty Apartments (Supporting Actors) | Restorations – LP3 | MONO – The Last Dawn, Rays of Darkness | Matthew Melton – Outside of Paradise | The Vaselines – V For Vaselines | Total Control – Typical System | The Velveteens – Sun’s Up | Step-Panther – Strange But NiceExit Verse – Exit Verse | Slippertails – There’s A Disturbing Trend | Globelamp – Star Dust | Champ – Champ | Le Rug – Swelling (My Own Worst Anime) | VLMA – VLMA | Turn To Crime – Can’t Love | ScotDrakula – ScotDrakula | Warehouse – Tesseract | Muhammadali – Future Songs | Unwelcome Guests – Wavering | Baby Ghosts – Maybe Ghosts | White Mystery – Dubble Dragon | Constant Lovers – Experience Feelings | Future Islands – Singles | Maica Mia – Des Era | Tacocat – NVM | Popstrangers – Fortuna | Curtis Harding – Soul Power | New Swears – Junkfood Forever, Bedtime Whatever | The Miami Dolphins – Becky | Thee Oh Sees – Drop | Fasano – The Factory LP | Dum Dum Girls – Too True | Yellow Ostrich – Cosmos | Metronomy – Love Letters | Great Cynics – Like I Belong | Neighborhood Brats – Recovery | Connections – Into Sixes | Three Man Cannon – Pretty Many People | Grouper – Ruins | YOB – Clearing The Path To Ascend | Thee Silver Mt Zion Memorial Orchestra – Fuck Off Get Free We Pour Light On Everything | Apollo Brown – Thirty Eight | Hookworms – The Hum | Wrekmeister Harmonies – Then It All Came Down | Lee Fields & The Expressions – Emma Jean | What Moon Things – What Moon Things | Guided By VoicesMotivational Jumpsuit, Cool Planet | Gem Club – In Roses | Saturday’s Kids – The Lunatic | King of Cats – Working Out | Shopping – Tvff Noogies | The Love Triangle – Clever Clever | Nightmare Boyzzz – Bad Patterns | Future Virgins – Late Republic | Parasol – Not There | Lenguas Largas – Come On In | Cocktails – Adult Life | Generation Loss – Generation Loss | Feral Future – Haematic | Posse – Soft Opening | Diners – Always Room | Mimicking Birds – EONS | The Freezing Hands – Coma Cave ’13 | Amanda X – Amnesia | Predator – The Complete EarthWatery Love – Decorative Feeding | The Estranged – The Estranged | Steve Adamyk Band – Dial Tone | The Cry! – Dangerous Game | Ruined Fortune – Ruined Fortune | Good Throb – Fuck Off | The Elsinores – Dreams of Youth | The Bugs – The Right Time | Vacation Club – Heaven Is Too High | Freinds of Cesar Romero – Cinco Seis | Leather – Easy | Los Pepes – Los Pepes For Everyone | Juanita Y Los Felos – Nueva Numancia | Dan Webb and the SpidersEine Kleine Akustichmusik, Now It Can Be Told | Bozo Moto – BozoMoto | Low Life – Dogging | Moth – First Second | Rhythm of Cruelty – Dysphoria | Siamese Twins – Still Corner | Departure Kids – On The Go | Blessed State – Head Space | Flagland – Love Hard | Manateees – Sit N Spin | White Ass – White Ass | Ausmuteants – Order Of Operation | The Gutters – Eventually | Hysterese – Hysterese | The Ricky C Quartet – Recent Affairs | Hoax Hunters – Comfort & Safety | Arctic Flowers – Weaver

Watch This: Vol. 52

With another week behind us (and a few milestones), it’s time to look back at some of the best live videos that surfaced during that time. Unsurprisingly, there were a fair few videos vying for contention- and, in a rare case, there were too many worthy of feature spots to contain to just one installment of this series. To that end, these are the first five entries in what will be another two-part showcase for great live footage. A few bigger names make appearances in volume 52 but, as ever, their performances are characteristically exemplary and impossible to ignore. From a few revered songwriters to the emerging acts, there’s a lot to love. So, as always, sit back, dim the lights, lean in, and Watch This.

1. Two Inch Astronaut (BreakThruRadioTV)

Foulbrood, with all of its sharp left turns and subtle nuances, has a claim as one of 2014’s best records. With the title track and “Part of Your Scene” already hinting at just how much creative muscle’s being flexed on Foulbrood, one of the only real questions was how these songs would hold up in a live setting. With their Live Studio session for BreakThruRadio they put any doubts to rest; this is a band that’s ready to leave a lasting mark.

2. Restorations – Tiny Prayers (Little Elephant)

Restorations have been building up a steady buzz around their name over the past few months and a large part of that’s due to their powerhouse live performances. Little Elephant proves to be the perfect venue to showcase their towering, Midwest-inflected basement punk. With LP3 continuing to make the rounds and live turn-ins like the one featured here, a great future for Restorations is theirs for the taking.

3. Nick Cave & the Bad Seeds – Stagger Less (Austin City Limits)

By this point one thing should be entirely evident; there will never be enough words to do Nick Cave & the Bad Seeds proper justice. Cave’s a freakish force of nature, a preacher who’s actually made of brimstone and fire, and the band he’s assembled behind him are talented enough to match Cave’s genius (a term that’s not used lightly). PBS’ notoriously white bread Austin City Limits series recently made the commendable decision to feature Cave and his collaborative partners for their most recent episode. Understandably, they saved the (brilliantly edited) profanity-riddled Murder Ballads classic “Stagger Lee” as a web exclusive. As can be safely expected, the performance is a killer.

4. Jenny Lewis – Slippery Slopes (KCRW)

The Voyager is one of this year’s great road trip records, Jenny Lewis’ tour-ending show at Minneapolis’ famed First Avenue was an unforgettable display of charisma and raw talent, and Lewis remains one of this generations finest songwriters. Having already established a reputation as one of the more celebrated independent songwriters, Lewis could have easily relegated the rest of her career as a victory lap after various successes with both Rilo Kiley and as a solo act. Thankfully, for everyone, Lewis isn’t one to stay still- and will always be up to the task of providing a stunning performance, like this run through “Slippery Slopes” for KCRW.

5. Fucked Up (Exclaim!)

Fucked Up are one of the more fascinating anomalies in music, a hardcore band that pisses off purists and appeals to people that aren’t normally into harsher genres. A band that makes records tethered to ambitiously sprawling narrative arcs, usually seeped in religion and heavily influenced by epics. Literary, self-aware, and visceral, their records hit like an anvil and their live shows tend to facilitate a palpable sense of community. A few recent performances and interview snippets are featured here in the excellent Coastal Frequencies series, courtesy of Exclaim!. It’s an excellent profile of one of the most interesting bands of the past 15 years.

LVL UP – Ski Vacation (Stream)

lu

It’s been an insane past few days. Full streams, videos, and songs worth writing about have been emerging at a breakneck pace and making deciding what to feature a near-herculean task of decisiveness. There was a monumentally important music video from Mean Creek‘s Chris Keene for his upcoming solo record as Dream Generation, an interactive piece of unbridled fun from Ty Segall for the title track off of Manipulator, characteristically cinematic videos from both Beverly and Fucked Up– who have each been doing wonders with the visual medium, a video that practically defines Bob Mould’s workmanlike nature, and a Jane Forsyth & Ian Pollard-helmed video for Parquet Courts’ “Bodies Made Of“- which proved to be an astoundingly sensible creative pairing. There were full streams of the gently gnarled She Keeps Bees full-length, the psych-trip of the White Fence and Jack Name split, and a new Greylag song, “Yours to Shake“, that showed some serious teeth. Picking between all of those seemed as if it might be impossible until, once again, LVL UP made the decision fairly easy.

At this point, noting that LVL UP’s upcoming Hoodwink’d is this site’s front-runner for Album of the Year seems redundant. It’s a 15-song masterpiece that sees the band perfecting their best aspects and surpassing an arsenal of lofty expectations in the process. This is something that this site’s touched on in reviews for the first three songs to be teased from the record: “Soft Power“, “I Feel Ok“, and “DBTS“. Now, the band’s released the fourth look at the now-imminent Hoodwink’d with “Ski Vacation” which shows the band expanding their sonic palette yet again. Boasting a tranquil atmosphere and no shortage of jangly guitar tones, the song integrates some subtle-yet-effective surf tendencies into the band’s outsider pop aesthetic- and the end result is spectacular. What jumps out about all of the songs that the band’s been previewing is that they stand on their own extraordinarily well and would warrant serious consideration for pushes as Hoodwink’d singles- but as a collective piece they’re extraordinary and complement each other better than just about anything that even bothers to casually flirt with genre-hopping tendencies. In that respect, Hoodwink’d might be the first record 2014 produces that would be deserving of a title no smaller than masterpiece. “Ski Vacation” is just the fourth of 15 dimensions.

For some essential reading on Hoodwink’d, please go to Sasha Geffen’s Interview piece– where the track premiered- to scroll through a can’t-miss interview that sheds some light on what went into making the record.

Stream “Ski Vacation” below and pre-order Hoodwink’d from Double Double Whammy (which has played host to several of 2014’s best releases and is in the midst of an absurd winning streak)- who will be co-releasing it with Exploding in Sound (see: last parenthesis)-  here.

Songs in Screens: A Look Back (Music Video Mixtape)

static

We’ve hit the approximate 2/3’s mark of the year 2014 and this very post is the 250th to run on this site. Over the course of its duration Heartbreaking Bravery has included a fairly strong emphasis on the music video and this year’s offerings made that commitment a complete non-issue by virtue of their excellence. Songs in Screens: A Look Back is a visual-based “mixtape” and serves as a reminder of a lot of the videos that earned acclaimed here- and a few that, whether due to time or an overabundance of other predetermined material, were egregiously overlooked. For all of the videos that have been featured, there will be a hyperlink leading to their respective write-ups. Those that didn’t receive a write-up will get a very brief one below the mix itself. All of these videos came out in 2014 and made an impression- and they all deserve to be remembered. Let’s give them the recognition that they deserve.

1. Perfect Pussy – I
2. Bleeding Rainbow – Images
3. Creepoid – Baptism

4. Thee Oh Sees – Drop

While Thee Oh Sees’ “The Lens” did land itself a nice write-up, “Drop” was unfairly pushed to the side during its release. Arguably the better of the two videos (and songs), it gets the most out of its constantly evolving, simplistically animated black-and-white presentation and felt like a more appropriate inclusion for this list.

5. together PANGEA – Offer
6. Diarrhea Planet – Babyhead
7. Potty Mouth – Black & Studs
8. Dead Stars – Summer Bummer

9. The Coasts – I Just Wanna Be A Star

It’s almost cruel that both this song and this video were overlooked due to festival coverage. Both are either perfect or near-perfect and embody just about everything this site loves most. “I Just Wanna Be A Star” is a joyous celebration on record and the video gets one hell of a performance out of its unlikely lead. Make sure to not skip this one.

10. PUP – Guilt Trip

11. Anna Calvi & David Byrne – Strange Weather

This spot was always intended to feature an anomaly- an act or style that doesn’t regularly earn a feature spot on this site. clipping. came a hair’s breadth away from claiming it with their mercilessly arresting video for “Work Work” but Anna Calvi & David Byrne made something so staggeringly beautiful and emotive with their video for their “Strange Weather” cover that it would’ve been criminal to ignore it. No video this year had cinematography this stunning- or a mood this anxious. A genuine work of art.

12. Beverly – Honey Do
13. Mean Creek – My Madeline
14. Fucked Up – Sun Glass
15. Mozes & the Firstborn – Bloodsucker
16. Tweens – Forever
17. PAWS – Owls Talons Clenching My Heart
18. Iceage – The Lord’s Favorite
19. The So So Glos – Speakeasy
20. Marvelous Mark – Bite Me
21. Savages – Fuckers

22. Lower – Soft Option

No video from 2014 had this amount of unrelenting tension. From its bare-bones premise to the engaging execution, it’s something with the potential to be permanently embedded into the brain of anyone lucky enough to come across it.

23. Greys – Guy Picciotto

24. Cloud Nothings – Psychic Trauma 

At this point, it’s fairly evident that Here and Nowhere Else will stand as one of 2014’s best records. The video for “Psychic Trauma” comes as a welcome reminder of that fact and features some basic (albeit eye-catching) visual effects. That combination’s enough to land it a spot in this list.

25. White Lung – In Your Home

Of all the 2014 music videos to be released so far, very few approach the levels of insanity attained by White Lung’s fiery “In Your Home”. Mixing a lot of the items featured prominently throughout this list (unexpected psychedelic imagery, contained animation, and the black-and-white aesthetic, especially) with something that’s uniquely their own, “In Your Home” stands tall as a testament to the fact that being weird is way more fun than being standard. And it offers up a perfect wrap for this mix. Roll credits.

Marvelous Mark – Bite Me (Music Video)

marvmark

Marvelous Mark (known humanly as Mark Fosco) made his name in the Marvelous Darlings and The Roommates, two essential powerpop acts. In both, he played partner to Ben Cook (most famously known for his work in Fucked Up) but here, he showcases what he can do on his own. There are blissful melodies that are layered as pristinely as possible- yet they don’t overshadow his gift for a quick turn of phrase. That it’s as simplistic as it is winds up being part of the point, which is emphasized even more strongly in the song’s accompanying video.

Capitalzing on the downtrodden mood buried beneath the otherwise spritely tune, the Ben Cook-directed and Nick Marian-shot video just focuses on one man enabling his most lethargic tendencies, never leaving the confines of his room. It’s a smart companion piece to a perfect first outing from Marvelous Mark and only ensures its longevity. There’s remarkable restraint and a fair amount of finesse wrapped up in the tiniest details, which makes this a project to watch.

“Bite Me” b/w “Paralysed” is currenly available as a very limited lathe-cut clear 7″ flexi from Bad Actors (which is Cook’s label, making it seem pretty difficult to separate these two), who also have the single available as a cassette.

NXNE 2014: A Listener’s Guide (Mixtape)

It’s been 200 days since the idea of Heartbreaking Bravery was actually put into motion. In that time, multiple recurring features have been launched and it began to become something a little more than just a hobby. The more effort that was put into the content that went up, the greater the response was. Now, the site’s been viewed in nearly 80 countries, been granted media accreditation outside of the country, and helped form some meaningful relationships. Most importantly, though, it served- and will continue to serve- as a place of unwavering support for artists rooted in the DIY scene doing things on their own terms.

Now, anyone who has been paying attention to recent content will know that this site’s been running a lot of coverage in anticipation of this year’s NXNE. Anyone who’s been following the content for a long time will know that every 50 posts brings a new mixtape. This being the case, it only made sense to draw up a mixtape that served as an abbreviated listener’s guide for anyone who needed a crash course before heading to Toronto next month. That mix can be found below and features both long-held favorites and a few artists outside of this site’s normal comfort zone. All of the songs are worth a listen and the tracklist for the mix can be found below. Below all of that are hyperlinks to posts 100-199 (post 100 includes hyperlinks to the first 99). Enjoy.

Heartbreaking Bravery Presents: NXNE 2014: A Listener’s Guide

1. Swearin’ – What A Dump
2. Spoon – Don’t Make Me A Target
3. METZ – Wet Blanket
4. PS I Love You – Facelove
5. Greys – Use Your Delusion
6. Perfect Pussy – Interference Fits
7. Swans – My Birth
8. St. Vincent – Cheerleader
9. Courtney Barnett – Avant Gardener
10. Odonis Odonis – I’d Prefer Walking
11. Eagulls – Nerve Ending
12. White Mystery – People Power
13. Beliefs – Long Wings
14. Run the Jewels – A Christmas Fucking Miracle
15. Pusha T – Nosetalgia
16. Mac DeMarco – Brother
17. Future Islands – Seasons (Waiting On You)
18. Christian Hansen – Ma-Me-O
19. Mutual Benefit – Golden Wake
20. My Darling Fury – Blots in the Margin
21. Low – Murderer
22. Robert Ellis – Only Lies
23. Typhoon – Common Sentiments
24. Speedy Ortiz – No Below
25. Tim Hecker – Live Room

Here’s the last set of 100 articles, hyperlinked for convenience. Enjoy the exploration.


HB100: Heartbreaking Bravery: A Retrospective

HB101: Great Cynics – Whatever You Want (Music Video)
HB102: Watch This: Vol. 12
HB103: Bleeding Rainbow – Tell Me (Stream)
HB104: Beverly – Honey Do (Stream)
HB105: Brain F/ – Sicks (Stream)
HB106: Vertical Scratchers – Memory Shards (Stream)
HB107: Carsick Cars – Wild Grass (Stream)
HB108: Summer Twins – Carefree (Music Video)
HB109: Archie Powell & the Exports – Everything’s Fucked (Stream)
HB110: Perfect Pussy – I (Music Video)
HB111: Watch This: Vol. 13
HB 112: Mozes and the Firstborn – Bloodsucker (Music Video)
HB113: Cheap Girls – Knock Me Down (Stream)
HB114: Watch This: Vol. 14
HB115: Perfect Pussy – Interference Fits (Stream)
HB116: PAWS – Tongues (Stream)
HB117: Screaming Females – Lights Out (Live) (Stream)
HB118: Technicolor Teeth – Can You Keep Me Out of Hell (Stream)
HB119: Silence Dogood – Chairman of the Bored (Stream)
HB120: Watch This: Vol. 15
HB121: Nervosas at Center Street Free Space and Quarters Rock N Roll Palace – 3/1/14 (Live Review)
HB122: White Lung – Drown With the Monster (Music Video)
HB123: Tweens – Be Mean (Music Video)
HB124: La Sera – Losing to the Dark (Stream)
HB125: Creepoid – Baptism (Music Video)
HB126: Dum Dum Girls – Are You Okay (Short Film)
HB127: Watch This: Vol. 16
HB128: Green Dreams – Bug Sex (Music Video)
HB129: Playlounge – Waves and Waves and Waves (Stream)
HB130: Molybden – Woman Who Left Behind (7″ Review)
HB131: La Dispute – Rooms of the House (Album Review)
HB132: Perfect Pussy – Say Yes to Love (Album Review)
HB133: Watch This: Vol. 17
HB134: Mr. Dream – Cheap Heat (Stream)
HB135: Fucked Up – Paper the House (Music Video)
HB136: Bleeding Rainbow – Images (Music Video)
HB137: Sleep Party People – In Another World (Stream)
HB138: Help Save Fort Foreclosure (Indiegogo Campaign)
HB139: Tashaki Miyaki – Cool Runnings (Music Video)
HB140: Thee Oh Sees – The Lens (Music Video)
HB141: Diarrhea Planet – Babyhead (Music Video)
HB142: Green Dreams – Eye Contact (Stream)
HB143: Watch This: Vol. 18
HB144: Tumul – Nature Master (Music Video)
HB145: Young Widows – King Sol (Stream)
HB146: Priests – Right Wing (Stream)
HB147: Antarctigo Vespucci – I’m Giving Up On U2 (Stream)
HB148: Ernest Undead (Short Film)
HB149: Watch This: Vol. 19
HB150: First Quarter Finish (Mixtape)
HB151: Perfect Pussy at 7th St. Entry – 3/30/14 (Live Review)
HB152: Perfect Pussy at Township – 4/1/14 (Live Video)
HB153: The Sleepwalkers – Come Around (Music Video)
HB154: Watch This: Vol. 20
HB155: Tweens – Forever (Music Video)
HB156: Reigning Sound – Falling Rain (Stream)
HB157: New Swears – Midnight Lover (Music Video)
HB158: Shannon & the Clams – Mama (Stream)
HB159: Gold-Bears – For You (Stream)
HB160: PUP – Lionheart (Music Video)
HB161: The So So Glos – Speakeasy (Music Video)
HB162: Archie Powell & the Exports – Holes (Music Video)
HB163: Mean Creek – My Madeline (Music Video)
HB164: Watch This: Vol. 21
HB165: Greys – Guy Picciotto (Music Video)
HB166: PAWS – Owls Talons Clenching My Heart (Stream)
HB167: Perfect Pussy – Candy’s Room (Stream)
HB168: Watch This: Vol. 22
HB169: 5 to see at NXNE 2014: Vol. 1
HB170: Girl Band – The Cha Cha Cha (Stream)
HB171: Cloud Nothings at High Noon Saloon – 5/2/14 (Pictorial Review)
HB172: Watch This: Vol. 23
HB173: 5 to see at NXNE 2014: Vol. 2
HB174: Savages – Fuckers (Music Video)
HB175: Midnight Reruns at Polack Inn – 5/7/14 (Pictorial Review, Video)
HB176: Watch This: Vol. 24
HB177: Watch This: Vol. 25
HB178: PAWS – Owls Talons Clenching My Heart (Music Video)
HB179: Priests – Doctor (Stream)
HB180: Lady Bones + Horsehands (Split Review)
HB181: Fucked Up – Sun Glass (Music Video)
HB182: 5 to See at NXNE 2014: Vol. 3
HB183: Cymbals Eat Guitars – Jackson (Stream)
HB184: Dead Stars – Someone Else (Music Video)
HB185: 5 to see at NXNE 2014: Vol. 4
HB186: Lower – Bastard Tactics (Music Video)
HB187: Bad History Month – Staring At My Hands (Stream)
HB188: White Lung – Face Down (Music Video)
HB189: Greys – Use Your Delusion (Stream)
HB190: 5 to See at NXNE 2014: Vol. 5
HB191: The Rich Hands – Teenager (Stream)
HB192: Clap Your Hands Say Yeah – As Always (Music Video)
HB193: The Pharmacy – Masten Lake Lagoon (Stream)
HB194: 5 to See at NXNE 2014: Vol. 6
HB195: Naomi Punk – Television Man (Stream)
HB196: Watch This: Vol. 26
HB197: Geronimo! – Euphoria (Stream)
HB198: Watch This: Vol. 27
HB199: PUP – Guilt Trip (Music Video)