Heartbreaking Bravery

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Tag: First Love / Late Spring

Watch This: Vol. 141

This past week was brimming with exceptional live clips from artists like Happy Diving, Puppy Problems, Wolf Parade, Eros and the Eschaton, Grape Whales, Islands, The Tallest Man On Earth, Matthew Logan Vasquez, Oscar, Villagers, Clique, July Talk, Lisa Hannigan, Whitney, Rogue Valley, Woven In, Mudhoney, Helms Alee, Aidan Knight, Waterstrider, and The Staves. While all of those are worth studying for both the central performances and the way those performances were captured, the five clips featured below managed to become standouts for excelling in those departments. From old favorites to new faces, from legitimate live music video entries to full sessions, from cathartic release to sorrowful introspection, there’s a lot to navigate in these selections. So, as always, sit up, lean in, adjust the settings, focus, block out any distractions, and Watch This.

1. Mitski – First Love / Late Spring + Your Best American Girl (World Cafe)

Ever since Mitski‘s breakout release, Bury Me At Makeout Creek, the songwriter has been a staple of this site’s coverage. The project’s been outstanding both on record and in the live department. Mitski recently stopped by World Cafe to play through the fiery “Your Best American Girl“, easily one of this year’s brightest moments, and “First Love / Late Spring” with the calm confidence that’s propelled the songwriter to widespread acclaim. It’s a welcome reminder of a powerful performer and a beautiful document of the current era of the project.

2. Kevin Devine – No History

Kevin Devine has a storied history of spellbinding performances so it’s no surprise that the songwriter’s continued to sporadically show up in this series. Devine can be an electrifying performer when backed with a full, electric band but there’s a certain magic to his solo acoustic performances that’s only grown more pronounced with this time. “No History” capitalizes on that magic in full, standing confidently as both a gorgeously lensed live clip and — impressively — as bona fide music video.

3. XURS (KEXP)

A new name to this site, XURS recently had somewhat of a coming out party in the KEXP studios, delivering a blistering session of unapologetic noise/punk. Every song the band tears through in this session is absolutely vicious and delivered with enough conviction to knock most other bands flat. Wildly frantic and more than a little exhilarating, the band make the absolute most of a solid opportunity and the end effect seems set to resonate for quite some time.

4. Big Thief (NPR)

Big Thief very quickly became a distinctive part of this site’s identity thanks to the overwhelming strength of this year’s Masterpiece. “Paul“, the title track, and “Lorraine” all get performed here for NPR’s Tiny Desk Concerts series to a small, hushed crowd. The band’s a perfect fit for the series and the setting allows the sweeping, open-road atmospherics that’s a specialty of the band a little extra room to breathe, casting a spell that’s nothing short of entrancing.

5. Nick Cave & The Bad Seeds – I Need You

Only a few installments back, Nick Cave was granted an unforgettable entry in this series thanks to the harrowing clip for “Jesus Alone“, a gorgeous excerpt from the shattering Andrew Dominik documentary One More Time With Feeling. Like “Jesus Alone”, “I Need You” is a clip that’s both haunted and haunting, an examination of an artist going through unspeakable loss. Even these six minutes, isolated from the context of the film and the record, are a wrenching experience. Cave, now more than ever, looks like a ghost attempting to navigate a reality that shouldn’t exist. Deeply sorrowful and intensely moving, “I Need You” is an artful tragedy that’s impossible to shake.

Watch This: Best of 2014 (Video Mixtape)

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Live music videos never seem to get the emphasis they deserve. It’s part of why Watch This was created; to celebrate stunning documents of equally stunning performances. A good band can make a great record but a truly great band usually excels in the live setting. With 2014 winding to a close (and with another 100 posts in the past), it seemed appropriate to start reflecting on some of the year’s best offerings. Lists of LP’s, EP’s, 7″ releases, and more will be forthcoming but today the focus will fall on live clips. And, yes, 2014’s not quite over yet and there will be a few weeks worth of live clips to consider (in addition to the past few weeks, which will be focused on in the posts immediately following this one) and “best” is still subjective- but the videos contained in this mix were simply too good to just feature once. If there’s enough material, an appendix will be added around the start of next year.

To be eligible for this video mixtape, the videos involved had to have been previously featured in Watch This and not contain an interview sequence. Full sets were ruled out as well (with a lone exception being made for one of 2014’s best videos in any capacity to provide a sense of closure to the proceedings). These videos were pulled in from as many places as possible with only Chart Attack, La Blogotheque, and Little Elephant making repeat entries (with two each). From the painfully gorgeous (Mutual Benefit, Angel Olsen) to sublime perfection (Radiator Hospital, Little Big League) to the absurdly impressive (Kishi Bashi) to the most electric late night performance of 2014 (Ty Segall), there’s a little something for everyone. 25 clips are included and listed below, with a hyperlink provided to their respective installments in Watch This‘ always expanding catalog. Since this brings the site to another 100 post mark, hyperlinks will be provided to posts 300-399 for anyone interested in checking out past material. With all of this exposition out of the way, there’s really only one thing left to do: sit back, focus up, and Watch This.

1. Audacity – Counting the Days (Jam in the Van) — vol. 24
2. Greys – Guy Picciotto (Chart Attack) — vol. 24
3. Radiator Hospital – Fireworks (BNTYK) — vol. 51
4. Ovlov – Where’s My Dini? (Little Elephant) — vol. 23
5. Frankie Cosmos – Embody (Radio K) — vol. 55
6. Mean Creek – My Madeline (Wondering Sound) — vol. 19
7. Joanna Gruesome – Anti-Parent Cowboy Killers (BTR) — vol. 51
8. Sweet John Bloom – Aging In Place (Allston Pudding) — vol. 48
9. Emilyn Brodsky – Someone Belongs Here (TCGS) — vol. 28
10. Mitski – First Love // Late Spring (bandwidth) — vol. 43
11. Nick Cave & The Bad Seeds – Jubilee Street (ACL) — vol. 54
12. Sharon Van Etten – Serpents (Pitchfork) — vol. 40
13. Mutual Benefit – C.L. Rosarian (Bruxelles Ma Belle) — vol. 19
14. Angel Olsen – Enemy (La Blogotheque) — Vol. 11
15. Kishi Bashi – Philosophize In It! Chemicalize In It! (WNYC) — vol. 29
16. Little Big League – Year of the Sunhouse (Little Elephant) — vol. 45
17. Screaming Females – It All Means Nothing (Audiotree) — vol. 27
18. Ty Segall – Feel (Conan) — vol. 40
19. Dilly Dally – Candy Mountain (Chart Attack) — vol. 51
20. Cloud Nothings – Now Hear In (Amoeba) — vol. 57
21. MOURN – Otits (Captured Tracks) — vol. 53
22. Courtney Barnett – History Eraser (KEXP) — vol. 34
23. Lee Fields – Don’t Leave Me This Way (La Blogotheque) — vol. 54
24. Jenny Lewis – Slippery Slopes (KCRW) — vol. 52
25. Saintseneca (NPR) — vol. 38

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HB300: Songs of Summer: 2014 (Mixtape)
HB301: together PANGEA – Badillac (Music Video)
HB302: Night School – Birthday (Stream)
HB303: The Midwest Beat – Vortex Hole (Stream)
HB304: Watch This: Vol. 42
HB305: All Dogs at Bremen Cafe – 8/19/14 (Pictorial Review, Videos)
HB306: Attendant – Freaking Out (Review, Stream)
HB307: Grape St. – Free Stuff (Stream)
HB308: Iceage – Forever (Music Video)
HB309: Ed Schrader’s Music Beat – Televan (Music Video)
HB310: Young Jesus – G (Stream)
HB311: Watch This: Vol. 43
HB312: LVL UP – Ski Vacation (Stream)
HB313: Radiator Hospital at Cocoon Room – 9/8/14 (Pictorial Review, Video)
HB314: Nano Kino – Eyes Before Words (Music Video)
HB315: Tenement at Mickey’s Tavern – 9/9/14 (Pictorial Review, Videos)
HB316: Bass Drum of Death – For Blood (Stream)
HB317: Pretty Pretty – Feels Like Rain (Stream)
HB318: Watch This: Vol. 44
HB319: Medicine – Move Along – Down the Road (Stream)
HB320: Mitski – Townie (Stream)
HB321: Allah-Las – Follow You Down (Music Video)
HB322: Sonic Avenues – Teenage Brain (Music Video)
HB323: Iceage – How Many (Stream)
HB324: The Honeydips – No Shirt, No Shoes (Music Video)
HB325: Watch This: Vol. 45
HB326: Watch This: Vol. 46
HB327: Iceage – Glassy Eyed, Dormant and Veiled (Stream)
HB328: Zulu Pearls – Lightweight (Music Video)
HB329: Two Inch Astronaut – Foulbrood (Stream)
HB330: Little Big League – Property Line (Stream)
HB331: Mikal Cronin – I Don’t Mind / Blue-Eyed Girl (Stream)
HB332: Mutts – Everyone Is Everyone (Lyric Video)
HB333: LVL UP – Hoodwink’d (Album Review, Stream)
HB334: Watch This: Vol. 47
HB335: The History of Apple Pie – Jamais Vu (Music Video)
HB336: Iceage – Against the Moon (Stream)
HB337: Speedy Ortiz – Doomsday (Stream)
HB338: Hurry – Oh Whitney (Stream)
HB339: Thalassocracy – Shimensoka (Stream)
HB340: Mitski – iPhone Voice Memo (Stream)
HB341: Watch This: Vol. 48
HB342: Watch This: Vol. 49
HB343: Screaming Females – Wishing Well (Stream)
HB344: Meat Wave – Brother (Music Video)
HB345: Joanna Gruesome – Jerome (Liar) / Trust Fund – Reading the Wrappers (Music Video)
HB346: Ovlov – Ohmu Shell (Stream)
HB347: Ty Segall – The Singer (Music Video)
HB348: Pet Sun – Gimme Your Soul (Music Video)
HB349: Washer – Rot (Stream)
HB350: Three Quarters Down (Mixtape)
HB351: LVL UP – Big Snow (Stream)
HB352: Weaves – Shithole (Stream)
HB353: Pile at The Burlington Bar – 10/10/14 (Pictorial Review, Video)
HB354: Audacity – Counting the Days (Stream)
HB355: LVL UP at Beat Kitchen – 10/12/14 (Pictorial Review, Video)
HB356: Two Inch Astronaut – Part Of Your Scene (Stream)
HB357: Watch This: Vol. 50
HB358: Girlpool – Plants and Worms (Stream)
HB359: Watch This: Vol. 51
HB360: Cherry Glazerr – Nurse Ratched (Stream)
HB361: The Gotobeds – Wasted On Youth (Music Video)
HB362: Happy Diving – Big World (Album Stream)
HB363: Filmstrip – Don’t You Know (Stream)
HB364: Nobunny – Nightmare Night (Short Film)
HB365: Heartbreaking Bravery Presents, Vol. 1: Meat Wave, Mumblr, Geronimo! (Videos)
HB366: Watch This: Vol. 52
HB367: Watch This: Vol. 53
HB368: Cymbals Eat Guitars – Warning (Music Video)
HB369: Mitski – Bury Me At Makeout Creek (Album Review, Stream, Photos, Videos)
HB370: Chandos – ..Pretty Sure it’s ‘Tang Top’ (Stream)
HB371: Toby Coke – Face Taker (Stream)
HB372: Two Inch Astronaut – Dead White Boy (Stream)
HB373: Left & Right – Low Expectations (Music Video)
HB374: Watch This: Vol. 54
HB375: Deerhoof – Exit Only (Music Video)
HB376: Meat Wave – Sham King (Stream)
HB377: Kal Marks – It Was A Very Hard Year (Stream)
HB378: Band Practice – Bartending At Silent Barn (Stream)
HB379: Big Lonely – Dirty Clocks (Music Video)
HB380: Slight – Run (EP Review, Stream)
HB381: Screaming Females – Ripe (Stream)
HB382: Girlpool – Blah Blah Blah (Music Video)
HB383: Mutts – Black Ties & Diamonds (Song Premiere)
HB384: MOURN – Otitis (Stream)
HB385: Iceage – Against The Moon (Music Video)
HB386: Watch This: Vol. 55
HB387: Watch This: Vol. 56
HB388: Watch This: Vol. 57
HB389: Kal Marks – Don’t Pussy Foot With A Pussy Footer (Stream)
HB390: Trust Fund – Cut Me Out (Stream)
HB391: Alex G – Soaker (Stream)
HB392: Band Practice – Theme Song (Stream)
HB393: Chandos – Cobra Points (Stream)
HB394: Screaming Females – Empty Head (Stream)
HB395: Title Fight – Chlorine (Music Video)
HB396: Space Mountain – California Blue (Stream)
HB397: Liam Hayes – Fokus (Stream)
HB398: Toby Reif – 2014 (EP Stream)
HB399: Beliefs – Tidal Wave (Music Video)

Mitski – Bury Me At Makeout Creek (Album Review, Stream, Photos, Videos)

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Mitski’s Bury Me At Makeout Creek may very well be the year’s most stunning record. A bold lead-off sentiment, sure, but one that’s entirely warranted. Mitski’s first two records, LUSH and Retired from Sad, New Career in Business, were carefully orchestrated records of an off-kilted brand of chamber pop, occasionally punctuated by shards of distorted aggression. Nearly all of it fit neatly into the traditional singer/songwriter confines while still revealing a noticeable streak of creative mischief. For her third record, Mitski’s gone and blown up her previous formula by stripping things back to their essentials and blowing them up with a madcap glee. It’s a template that serves as the formula for the strongest, boldest work of her career.

Townie” was the song to suggest that Mitski had created something truly powerful by proving the early promise of “First Love // Late Spring” was far from a fluke. “I Don’t Smoke” followed just a while after and teased the extent of the creative risk-taking packed into Bury Me At Makeout Creek. “Texas Reznikoff” sets the tone early, with a gently-picked acoustic guitar that provides a warm bed for Mitski’s mesmerizing vocals before a brief shard of feedback serves as a fleeting warning for the volcanic eruption that takes place a little past halfway through the track, providing a downright vicious ending. “Townie”, with it’s once-in-a-lifetime chorus, kicks the momentum up a few notches while keeping Bury Me At Makeout Creek impressively ragged and resoundingly fierce.

Both of those songs don’t shy away from an easily identifiable resilience, which is part of what makes most of this record so compelling in lyric copy alone. As a writer, Bury Me At Makeout Creek demonstrates Mitski’s knack for probing a well of humanity with an attention to the most acute details that suggests a rare kind of talent.  It’s something that’s especially evident in the chorus of “First Love // Late Spring”, which finds Mitski grappling with the uncertainty of love: “Please don’t say you love me” and “One word from you and I would jump off this ledge I’m on” aren’t particularly light sentiments- but Bury Me At Makeout Creek is a record unafraid of shouldering the burdens of the heaviest thoughts and emotions.

From “Francis Forever” to “Drunk Walk Home”, the record’s mid-section reveals the lengths of Mitski’s artistic growth and newfound fearlessness. “Jobless Monday” has the clearest shades of the 50’s and 60’s pop influence that appear with a careful subtlety throughout what’s a decidedly modern record, allowing a faintly psychedelic haze to elevate it into something that practically transcends genre. “I Don’t Smoke” is easily the record’s most experimental moment, bringing in a thoroughly menacing take on industrialism and seamlessly adding it into an already impressively widespread palette of influences. “Francis Forever” brings in twin guitar leads and fully reinforces that this new version of Mitski is the most personal by it’s close. While all three of those songs are great in their own right and help shape Bury Me At Makeout Creek‘s identity, it’s the record’s most confrontational moment that will drop the most jaws: “Drunk Walk Home”.

Having seen firsthand the stunned reaction of an entire room when Mitski played a blistering version of this in Chicago at Beat Kitchen just a few weeks ago, the levels of abrasion and the startling nature of “Drunk Walk Home” are impossible to ignore. “For I’m starting to learn I may never be- but though I may never be free, fuck you and your money” is as attention-ensuring of a line as anyone can possibly manage and Mitski delivers it with such a relentless conviction that by the team she ends the song with unrestrained, vocal cord-shredding screaming, it shouldn’t come as too much of a surprise. When taking into account the entirety of Bury Me At Makeout Creek up to that point has been spent putting impossibly difficult feelings under a microscope and shredding them to pieces, those screams are fully justified; they’re an act of pure exhilaration in the face of all of the mounting frustrations, uncertainties, conflicts, and unguarded emotions.

“I Will” clears the smoke left behind by “Drunk Walk Home” by virtue of restraint. It’s a truly lovely song that’s clothed in minimal trappings and a palpable tension, one that builds as the song progresses and constantly threatens to break to give way to another massive moment- but that particular explosion never comes. As a whole, it may be the strongest example of Mitski’s maturity and craftsmanship to be found on Bury Me At Makeout Creek while also serving as the perfect lead-in to “Carry Me Home”. Yet another song that could feasibly be labeled as Bury Me At Makeout Creek‘s centerpiece (something that more than half of the record could claim), “Carry Me Home” starts with an absolutely gorgeous introduction before another cataclysmic shift that feels like an unexpectedly meaningful embrace from an old friend. In that inexplicably moving burst of warmth, there’s a plea that helps define the record’s overarching sentiments; no matter how insane things get, compassion will always be needed and empathy will always be welcome- no one should have to go through life alone.

The lilting “Last Words Of A Shooting Star” closes the record out, offering up the starkest moment. Composed of nothing but Mitski’s gift of a voice, a finger-picked guitar, an ambient swell, and lyrics revolving around the most unglamorous elements of mortality, it becomes a truly arresting epilogue. When that final volume swell dies out, it’s the last piece of a brilliantly-constructed jigsaw puzzle; a grace note to cap off a series of small perfections. Everything throughout Bury Me At Makeout Creek falls into the exact right place, from the sequencing (which nearly provides an intangible secondary narrative) to the mastering, there are no false steps to be found, right down to the final bittersweet “goodbye”. All of the smallest components of Bury Me At Makeout Creek– and all of its tasteful grandeur- ring true, rendering it both a fascinating anomaly and one of the best things that’s been released in the past several years.

Bury Me At Makeout Creek is a record that deserves to be celebrated now and listened to for years to come. It’s a brave new front for one of this generation’s most exciting new artists and another massive victory for Double Double Whammy‘s win column. Tellingly, Mitski’s already released at least one excellent new song (which was recently pulled) since the completion of Bury Me At Makeout Creek, inadvertently indicating a creative restlessness that could pay massive dividends down the line. Until then, Bury Me At Makeout Creek should be held as a high-water mark that other artists would do well to look to as a source of influence and a record that critics would be well within their right to hail as what it truly is: a masterpiece.

Listen to Bury Me At Makeout Creek below and pre-order it from Double Double Whammy here. Below the player embed, watch the video sets of Mitski that originally ran in The Media and Watch This: Vol. 50 as well as previously unseen photos taken from the video shoot for The Media.

Watch This: Vol. 50

Today Watch This enjoys it’s 50th installment. There have been 245 videos or small playlists featuring great performances up to this point. In celebration of this, today’s entry into the series will take a route that the feature’s only explored twice before and revolve around videos that were self-shot. It’s been three months since parting ways with the handheld camera that was responsible for all of the earliest footage in the Heartbreaking Bravery archives. Over that time, a lot of songs have been filmed by a lot of great bands. All of the videos in today’s installment have never been featured anywhere else. Additionally, with this being a more personal endeavor, the restrictions on first-person narrative will be temporarily lifted. Now, with all of that said: sit back, turn the volume up, and Watch This.

1. Mitski (Live at Beat Kitchen)

I’ve made no qualms about my love for Mitski and her upcoming record Bury Me At Makeout Creek but seeing her live set added a new depth to that appreciation. Backed by half of LVL UP, Mitski’s songs were transformed into a force that was as beautiful as it was ragged. Having spent part of the day with Mitski prior to her set, she revealed a gentle nature that helped inform her music to a greater extent- rendering the moments where she strips her emotions raw all the more cathartic. In this set the songs featured are “Townie“, “First Love / Late Spring”, and “Drunk Walk Home”.

2. Space Raft – Venus In Transit (Live at Crunchy Frog)

One of the best small band bills that Wisconsin’s seen this year was made up exclusively of in-state acts when Space Raft headlined Green Bay’s Crunchy Frog in mid-August. After incredible sets from the likes of The Midwestern Charm, Beach Patrol, and Midnight Reruns, Space Raft offered up a set that firmly cemented their reputation as one of Wisconsin’s most dynamic (live) bands. Here, they take a flawless run through “Venus In Transit“, a highlight from their rightfully acclaimed self-titled debut.

3. Geronimo! – Spitting in the Ocean (Live at The Powerstrip)

Last night, Heartbreaking Bravery presented a basement show in Stevens Point that featured three bands which I’d previously written about within the confines of the site. Geronimo! played last and delivered a blistering set that made their imminent departure all the more bittersweet. Having spent the better part of this year casually fawning to anyone who’ll listen about the band’s extraordinary Cheap Trick, being able to provide a visible platform for both the band and that record was nothing short of an honor. In this clip, the band tears through a particularly vicious version of one of 2014’s best songs, “Spitting in the Ocean“.

4. Pile – Special Snowflakes (Live at The Burlington Bar)

Another highlight from 2014, Pile’s “Special Snowflakes“, became an emphatic moment of reckoning when the band laid it to waste at The Burlington Bar towards the start of this month. Only one of a very small handful of live songs this year to give me violent chills, it also became the turning point that turned Pile’s set from a strong showcase into an unforgettable event. With the lighting appropriately dim, all it took was “Special Snowflakes” to temporarily transform The Burlington Bar into the river Styx.

5. LVL UP (Live at Beat Kitchen)

At this point, LVL UP, Double Double Whammy (a label half of LVL UP founded and still runs), and Exploding in Sound may very well be responsible for earning the most words from this site over the past few months. Both labels had a hand in releasing Hoodwink’d, which easily stands out as one of the year’s best records. It was a record I formed a fierce connection with in a terrifyingly immediate manner. Taking all of that into account, my expectations for their live set at Chicago’s Beat Kitchen were high- likely unreasonably high. Any doubts that I had over whether or not they’d live up to those expectations- not to mention that connection- were assuaged before their first song drew to a close. By the end of their set, they’d solidified their status as one of my absolute favorite bands- which is why they’re closing out this set of videos. Contained in these videos are performances of “Annie’s A Witch“, “I Feel Ok“, “Hex“, “Roman Candle“, “Alabama West“, “Black Mass“, and “ELIXR (19)“.

It’s also worth noting that LVL UP recently ran into some van issues that have temporarily derailed their tour- to help combat this and set things right, they’re offering Hoodwink’d as a pay-what-you-want deal on their bandcamp in an effort to help secure the necessary funding to get everything back up and running. Site favorites Big Ups are doing the same with their Flagland split and putting all of the donations towards the repairs as well (Big Ups and LVL UP will be joining up for a tour when everything’s fixed). Donate whatever’s possible to help a great band made up of great people- and get a lot of great music in return. After all that’s said and done, go ahead and come back to Watch This.