Heartbreaking Bravery

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Tag: firefly

Tony Molina – Hung Up on the Dream (Stream)

tony-molina

While Monday, Tuesday, and Wednesday saw a period of relative inaction for this site, that didn’t prevent Real Numbers, Never Young, Luxury Death, The Dazies, Dark Mean, Active Bird Community, American WrestlersSLØTFACE, Hello Shark, House of Wolves, Peeling, Justin Peter Kinkel Schuster, Warpaint, Swampmeat, Jeff Rosenstock, The Nursery, Shamir, Mouse on the Keys, Tredici Bacci, The Tins, The Regrettes, Julia Ruzicka, Personal Space, Brain Tentacles, Birthday Club, White Laces, Primal Static, and Violence Creeps from releasing a small army of great songs that deserve as many attentive ears as possible. Another artist that added to the pile, Tony Molina, returns to the feature slot less than a week after the release of “See Me Fall“.

Like “See Me Fall”, “Hung Up on the Dream” — the second track to tease Molina’s forthcoming 7″, Confront the Truth — leans into an acoustic angle that grounds the songwriter in intriguing ways. Far removed from the exhilarating excess of Molina’s past work, “Hung Up on the Dream” manages to invoke and echo a formidable cast of influences. Traces of everyone from The Beatles to Cat Stevens to Weezer to Sparklehorse are evident throughout “Hung Up on the Dream”, without ever overwhelming Molina’s own identity.

Clocking in at under 90 seconds, Molina still manages to convey a frighteningly realistic sense of heartache and longing. The phrase that gives the title its track opens the set of lyrics, which eventually reveal themselves to be the most strikingly vivid of Molina’s storied songwriting career. There’s an unavoidable resignation that defines “Hung Up on the Dream” that winds up elevating the song to a quiet transcendence.

It’s another masterstroke from an engaging artist who may just be on the verge of releasing 2016’s best 7″. If the rest of the eight-song collection can live up to the precedent set by “See Me Fall” and “Hung Up on the Dream”, Molina’s name could be showing up in a lot more places in the year’s final stretch. No matter how things shake out, it’ll be a privilege to be present for the ride.

Listen to “Hung  Up on the Dream” below and order Confront the Truth from Slumberland here.

Watch This: Vol. 142

From this past Monday to this just recently-ended Sunday, there were a slew of great live clips that came from the likes of Ben Seretan, Johanna Warren, Cymbals Eat Guitars, Chook Race, Ty Segall, Dog & Wolf, Daniel Lanois, Charles Bradley, Odanah, Strange Ranger, Flock of Dimes, July Talk (x2), Sleepy Kitty, Maszer, Lisa Hannigan, Half Waif, Gia Greene, The Felice BrothersEsmé Patterson, Elvis Depressedly, Jessie Kilguss, Alaska, Ghosts I’ve Met, MUNA, Underground Rider, American Trappist, Marlon Williams, James Vincent McMorrow, Hinds, Ile, and Keaton Henson. The strength of those video, as always, is indicative of the substance contained in the five featured performances below. From old favorites to emerging artists, there’s a lot of material to explore. So, as always, sit up, lean in, crank the volume, and Watch This.

1. Teenage Fanclub – Thin Air (BBC)

For decades, certain pockets of the music world have treated Teenage Fanclub with a reverence that’s typically reserved for deities. In the time that’s elapsed since they formed in 1989, the band’s amassed a devoted following but — as this performance for BBC’s Radio 6 definitively demonstrates — they haven’t lost a step. Still boasting all of the charm in the world, “Thin Air” is a reminder of their casual timelessness.

2. Weaves (KEXP)

Since the release of their incendiary self-titled debut earlier this year, Weaves have become a mainstay of the Watch This series. Tackling a quartet of songs here, the quartet brings their wild energy to the KEXP studios for one of the station’s best sessions of the year. As ever, the band’s a relentless force, attacking each of these songs with the conviction and tenacity that’s earned them a dedicated, steadily-increasing following.

3. gobbinjr – Firefly (Boxfish Sessions)

A few years into a promising career, Emma Witmer — who masterminds the gobbinjr project — has been releasing delicate pop songs that sound airy but boast a substantial amount of weight. “Firefly” is a prime example and its performance here, for Cuttlefish Collective’s Boxfish Sessions, is a thing of singular beauty. With only vocals, an omnichord, and a pre-programmed drum track, “Firefly” surpasses being simply mesmerizing and winds up at a place of transcendence.

4. Tuns – Mixed Messages + Mind Over Matter (Indie88Toronto)

Whether Tuns is a side project, a supergroup, or a curiosity is irrelevant, what’s important is that they’re writing great songs. Legendary pedigree aside, Tuns would’ve likely been turning heads. While the band’s members’ projects certainly hold a particular amount of influence over their sound (Sloan likely being the most notable of the bunch), there’s a spark here that should help the project establish their own identity. Either way, “Mixed Messages” and “Mind Over Matter” are worth celebrating.

5. PUP (CBC)

Earlier this year, PUP released their fiery sophomore effort, The Dream Is Over. Several strides forward from their explosive debut, the record opened up their already frantic live show and sent the band’s members careening to every corner of stages the world over with wild abandon. The band recently stopped by CBC’s studios to tear through several key songs from their Polaris-nominated record — including “If This Tour Doesn’t Kill You, I Will” and “DVP”, two of the year’s finest songs — and the resulting document is an exhilarating portrait of a wild-eyed band that refuses to hit the brakes.

LVL UP – Spirit Was (Stream)

LVL UP II

The first two days of this week saw strong songs released from the following artists: Painted Zeros, Sneaks, Devon Welsh, Cheap Girls, Lilac Daze, Casper Skulls, Dweller on the Threshold, Idiot Genes, gobbinjr, Faux Ferocious, Halfsour, Pip Blom, Elephants, Split Single, Rose Hip, Weyes Blood, Thick, Cameron AG, Preoccupations, Oldermost, Tim Hecker, The Shacks, Swet Shop Boys, The Cradle, Gallery 47, Monomyth, Robot Princess, Pumarosa, COPY, decker., Slaughter Beach, Dog, and The Perennials, as well as a great Modern Lovers cover from Sunflower Bean. That’s an intense amount of genuinely exceptional material, which says a lot about the strength of this post’s featured track: LVL UP‘s “Spirit Was”.

Pain” and “Hidden Driver” have set an impressive early tone for LVL UP’s forthcoming Return to Love — an easy album of the year candidate — and now “Spirit Was” joins their ranks. From its opening seconds, it’s evident that “Spirit Was” would be foregoing the heaviness of “Pain” and the urgency of “Hidden Driver” in favor of the more dream-like qualities that have given previous tracks like “Proven Water Rites” a tremendous amount of impact, despite their more serene nature.

As was the case with “Proven Water Rites”, bassist Nick Corbo is at the helm of “Spirit Was”, suffusing the tune with a distinctive blend of weariness, downtrodden longing, and a glimmer of faith in the possibility that there’s more to life than struggle. Like a lot of Return to Love (which can be streamed upon pre-order), “Spirit Was” showcases a heavier, grunge-leaning side of LVL UP that they’d only shown glimpses of in their earlier works. There’s a genuinely intangible quality to this song that elevates it beyond being a good song and transforms it into something impossibly compelling.

Every single second of “Spirit Was” seems to have an incalculable depth of meaning and importance to its authors, going far deeper than just the narrative. LVL UP are playing as if the stakes are life or death and they’re hedging all of their bets on survival, at all costs. From the very welcome addition — and surprising prominence — of piano flourishes to the empathetic rhythm section work to the intuitive guitar interplay, there’s not a false move to be found. It’s an astonishing moment of poise from a band that’s operating at the peak of their powers, paying tribute to their past while not taking their eyes off of the future.

By its end, “Spirit Was” serves as an incredibly assured testament to the artistic prowess that the band’s attained over several years of evolving their craft.  None of them have ever sounded more impressive than they do on Return to Love both in an individual capacity and as a unit. “Spirit Was” is a perfect example of that progress and a cogent argument for their tenacious commitment to artistic growth. Subdued, atmospheric, and oddly reassuring, “Spirit Was” is the sound of a band on the verge of perfection. It’s a peak that deserves to be experienced by everyone so stop reading now and just hit play.

Listen to “Spirit Was” below and pre-order Return to Love from Sub Pop here.