Heartbreaking Bravery

stevenmps2@gmail.com | @steven_mps | @hbreakbravery

Tag: Fauna Shade

Watch This: Vol. 143

Typically Watch This installments run on Sunday but the 143rd installment was given a later slot for a specific reason. While the videos covered  in this post will have been released, exclusively, in the time frame of last Monday to this past Sunday, this particular entry serves as somewhat of a gap-fill. The next post to run after this one will be the 1,000th that Heartbreaking Bravery has published and there will be a brief period of inactivity, only punctuated by the 143rd volume of Watch This.

The placement shouldn’t detract from the overwhelming strength of the formidable quality of the featured clips, which staved off particularly intense competition from the likes of Kevin Morby, Good Personalities, Saul Williams, Post Child, Hurry, Wolf Parade, Quilt, Suuns, Yung, Waterstrider, Gringo Star, The Pack A.D., Fauna Shade, Fascinating, The Minders, The Posies, Teeth & Tongue, Xenia Rubinos, Communist Daughter, Chris Cohen, Paper Bird, and Bully to secure the five highlighted slots. So, as always, sit up, lean in, adjust the settings, take a deep breath, and Watch This.

1. Margaret Glaspy – Emotions and Math + Pins and Needles (World Cafe)

In the past few months Margaret Glaspy has managed to become a staple of this series thanks to both songwriting and the subdued but outsized personality that the songwriter exudes in every performance. Glaspy’s two-song set for World Cafe is particularly crisp, offering up two spellbinding runs through two of Emotions and Math‘s brightest moments: the quietly exhilarating title track and “Pins and Needles”. Don’t miss out on this one.

2. Long Neck – Rosy + 10,000 Year Old Woman (Boxfish Sessions)

For the past few years, Lily Mastridomos has been releasing mesmerizing music under the moniker Long Neck. Known primarily for Jawbreaker Reunion, Mastridomos’ solo project allows the emphasis to fall to uninhibited tales of heartache. In Mastridomos’ shattering entry to this site’s A Year’s Worth of Memories, there was a courageously open emphasis on personal depression, something that informs both “Rosy” and “10,000 Year Old Woman” to heartbreaking effect in one of the finest Boxfish Sessions to date.

3. PUP – Doubts (q on cbc)

A lot has been written on this site about PUP, from their galvanizing live show to their self-titled debut (which has the distinction of being the first album review to run on Heartbreaking Bravery) to this year’s extraordinary The Dream Is Over, a record that earned them a Polaris Prize nomination. Here, the band stops by the q on cbc studio and unleashing holy hell with a fiercely committed take on “Doubts” that underscores the band’s terrifying level of conviction as well as their sheer force of will. It’s a characteristically exceptional performance and an outstanding document of a band that’s intent on pushing themselves to the absolute limit.

4. Tuxis Giant – Almost Enough (Boxfish Sessions)

The second Boxfish Session to be featured finds the spotlight falling to Tuxis Grant, an emerging songwriter who has a penchant for bleary-eyed folk that comes with a twinge of a punk-informed sensibility. “Almost Enough”, the song performed here, is a breathtaking example of Tuxis Giant’s considerable songwriting gifts, never becoming anything less than incredibly memorable. “Even when it isn’t hungry, it eats” is a refrain that sticks, perfectly complementing a compellingly singular introspective lens. If “Almost Enough” is any indication, Tuxis Giant will be a name worth learning.

5. Japanese Breakfast (PressureDrop.tv)

2016 has been a breakout year for Japanese Breakfast, the project of Michelle ZaunerLittle Big League, Zauner’s other band, had a handful of entries throughout the existence of this series. Japanese Breakfast seems set on continuing that tradition with a remarkable amount of poise. While all of the songs the band runs through for this PressureDrop.tv session are consistently impressive, “Everybody Wants to Love You” stands out as a particularly inspired highlight. It’s the start of an exclamation mark on the band’s coming out party, creating room for both celebration of what’s come before and wild anticipation for what comes next.

Watch This: The Honorable Mentions of 2016’s First Quarter

It’s been quite some time since their was an installment of Watch This, Heartbreaking Bravery’s weekly (when on schedule) round-up of the finest work in the live video field. Coverage is generally split between individual performances and full sessions that are captured in places like basements and professional radio studios. Though there has yet to be a volume of Watch This in 2016, the information regarding the series was collected diligently while it remained quiet.

Due to the overwhelming bevvy of material that’s surfaced over the past three months, the below collection while simply be given via hyperlinks. There’s a lot of information to digest here and — due to the nature of press cycles when bands are on tour — several acts will be listed more than once. Like the recent round-ups, this will be literally impossible to watch in one sitting. The best way to view this material will be to simply bookmark this page and explore the content at random, all of which is definitely worthy of some investment.

More round-ups will follow focusing on the best of the best of the 2016 Watch This field of candidates. Until then, enjoy these examples of excellency in the live video format.

Deep Sea Diver, Lip Talk, Strange Attractor, Potty Mouth, Expert Alterations, Nathaniel Rateliff, Shearwater, Shade, Indian Askin, Mount Moriah, The Wild Reeds, Ty Segall & The Muggers, Kevin Morby, Margaret Glaspy, Seratones, Kakkmaddafakka, Dr. Dog, Valley Queen (x2), Bantam Lyons, Rob Sutherland, Cosmonaut, Alabama Shakes, Long Beard, I Am Oak, Albert Hammond Jr., Amber Arcades, Victoria Reed, Dilly Dally, Sunflower Bean (x2), Fauna Shade, SEGO, Lissie, Declan McKenna, Billie Marten, Adult
Mom

Matt Vasquez, Bird Courage, Nap Eyes, Fraternal Twin, Giant Peach, Lola Marsh, Minnoe, Civic, Kamasi Washington, John Rossiter, Bummed Out Still Glowing,
Little Hurricane, The Perennials, Timothy Bloom, Duncan Sheik, Dilly Dally, Oscar, Langhorne Slim, Rob Courtney, Hinds, Into It. Over It., Bombino, Frank Bell, Ancient Whales (x2), Ripper, Eerie Wanda, The Dazies, Vinyl Thief, Alright Panther (x2), Julia Holter, BRAEVES, Stone Cold Fox, Painted Zeros, The Hunna, Kate Davis, Molly Parden

Super Furry Animals, Dogbreth, Tommy Emmanuel, All Dogs, Rupert Angeleyes, Korey Dane, Comfy, Jeanne Added, The PinesAxel Flóvent, Naked Naps, Ezra Furman & The Boyfriends, Queen of Jeans, Darlene Shrugg, Sun Club (x2), Born Ruffians, Narc Twain, Pale Spectre, Canshaker Pi, No Parents, Idlewild, Woodpigeon, Rubblebucket, WEEED
Homme, Stumpf, J Fernandez, She-Devils, Emilie & Ogden, Fufanu, Most Selfless Cheerleader, Lael Naele, Pinegrove, Keenan O’Meara, Parquet Courts, Avantist, Low Culture

Chris Bathgate, Bombay, Julia Holter, Young Jesus, Heartless Bastards, Wussy, Futurebirds, Ben Folds, Bye Beneco, Posse, E.M.I.L., Battleme, Chill Moody, Mass Gothic, Escondido (x2Feral Moan, Savages, Sharon Jones & The Dap-Kings, Help the Doctor, lowercase roses, Leyya, Hinds, M. Ward, LIGHTS, The Pony (x2), Armani White, Forth WanderersOiseaux-Tempête (ft. G.W. Sok and Gareth Davis), Sonya Kitchell, Chris Bathgate, Emily Mure, Emily Wells, Torii, SWMRS, IAN, Dot.s, Chilly Gonzales, The Flips

Lanterns on the Lake, The Wombats, Rationale, Zula, Marc Scibilia, This Is The Kit, Looming, Bayonne, Crater, The Entrepreneurs, O, Sleep Storm, T. Hardy Morris, SkyBlew, John Coffey, Basia Bulat, Violent Femmes, Jeremy Messersmith, Nicki Bluhm and The Gramblers, Trixie Whitley, Aubrie Sellers, The Bottle Rockets, Max Meser, Tall Heights, Chilly Gonzales & Kiaserr Quartet

 

White Reaper – Make Me Wanna Die (Stream)

wr

2015 already seems like its building towards a tidal wave of great releases that will consume everything in its path and today’s another one offering some formidable contributions. Since there weren’t too many full streams worth noting, it seems like that’d be an ideal starting point. While the medium may not have had the most impressive numerical outing, Big Moth more than filled the void with the self-titled EP. Hints of basement pop, basement punk, and the golden age of emo/post-hardcore resonate throughout the release (in a manner not too dissimilar from Attendant’s Freaking Out), securing it a spot as one of 2015’s finest debuts to date. For music videos, there was an inspired trio of clips: the infectiously joyous “East Coast Cities” (a giddy highlight off of Crabapple’s excellent Is It You), clipping.’s brilliant, striking “Intro“, and TV On the Radio’s soulful, delicate “Trouble“.

Unsurprisingly, single streams- once again- came out swinging. Which is as good a place as any to point out that the decisions for which item to headline have been nightmarish mental bloodbaths (in the best way possible). Roughly half of what’s linked to in this post that isn’t directly embedded below put up a fight to earn this piece’s central focus. From Pupppy‘s droll mid-tempo masterpiece “Or Maybe We’re Not” to The Midwestern Charm‘s re-release of fiery Growing Pains highlight “General Drag” (a live video of which exists in our archives), there were almost too many great songs to consider. Joining their ranks were Birds of Night’s compellingly moody “Asleep in the Pine”, The Dead Ships’ dark, frenetic “Floorboards“, and the retro-psych of Fauna Shade’s ridiculously enjoyable “Marzipan“. Completing the batch were Mac DeMarco’s touring band’s band (Walter TV) and their “Surf Metal“, Day Wave’s typically introspective “Drag“, and the unnervingly hypnotic ambient folk of Wilsen’s “Garden“.

As difficult as it was, a decision had to be made and White Reaper wound up outsprinting everyone else with the frantic, frenzied assault of their debut full-length’s lead-off single “Make Me Wanna Die”. After last year’s outstanding self-titled EP and a handful of mentions on this site, expectations for their first LP were raised. Add in the fact that the band signed to Polyvinyl (joining a slew of site favorites in the process), and the anticipation heightens. “Make Me Wanna Die” both justifies those high levels of anticipation and delivers a devastating gut-punch to any doubts surrounding the record’s early expectations. Fuzzed-out, punchy, and more manic than ever, the band also somehow found a way to refine their pop sensibilities, creating something that easily ranks among the year’s best. From the jaunty synth hook to the blistering pace, White Reaper appear to not only be in complete control of their craft but at the current height of their powers. Catchy as hell and packed with meaning, “Make Me Wanna Die” is a monstrous first look at what could be one of the surprise albums of 2015. After the drums kick in cloaked in a wall of noise and the count-off hits, it’s nothing but a whirlwind of surging lo-fi heat that strikes the perfect balance between scuzz-punk and powerpop. If the rest of the amusingly-titled White Reaper Does It Again lives up to what the band achieves here, it’ll be one hell of a thrill ride.

Listen to “Make Me Wanna Die” below and pre-order White Reaper Does It Again from Polyvinyl ahead of its July 17 release date here.