Heartbreaking Bravery

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Tag: Falling Away

Ratboys – Not Again (Stream)

ratboys

Last year, Ratboys quietly put out one of 2016’s best records with AOID, a record that’s only benefited from repeat listens (which have existed in abundance). The band’s returned with the playful “Not Again”, a welcome breath of fresh air. Before going too far into the examination  of “Not Again”, though, a handful of other great tunes should be mentioned. Since the start of April, a whole host of worthwhile songs have appeared, including releases from Grieving, Little Scream, Bengtsarvet, Empty Houses, Ultraviolence, LUKA, Dave Harrington Group, The Shaker Hymn, and Greater Pyreneese. Despite those tracks’ formidable strengths, it was Ratboys who secured the feature spot.

AOID saw the quartet sharpening their songwriting approach, fine-tuning how they implemented the folk and Americana attributes of their aesthetic into something that closely resembles basement pop but still manages to sound singular, while faintly recalling some of the finest acts on Saddle Creek, a label that built their reputation on bands who boasted a similar musical blend. “Not Again” finds Ratboys’ songwriting growing even sharper, with the band paying a greater interest to choices in dynamics, resulting in one of their fullest-sounding tracks to date.

Additionally, guitarist/vocalist and principal songwriter Julia Steiner has grown more assured in the band’s narrative approach, concocting an acutely-realized dissection on mortality that functions as a celebration of being alive to experience life in its maddening, confounding, and ultimately reassuring fullness. The lyric set here is just as impressive as the crisp instrumental work and production, with everything coming together seamlessly to ensure “Not Again” its rightful place as the band’s current career highlight.

On a level that’s purely concerned with composition, “Not Again” registers as incredibly thoughtful, even for a band that’s already known for their abilities as songwriters. This is never more clear than in the sudden burst of power that closes the song out, following a quiet, enticing bridge. It’s the perfect way to end a song that may very well signal an entirely new level for the band as a unit, both in terms of artistry and commercial success. In any case, the fact that they’re continuing to make music and continuously improving in the process is more than enough cause for celebration.

Listen to “Not Again” below and download it from the band here.

Weaves – Shithole (Stream)

weaves

Following another insane Monday, Tuesday’s kept things humming along at an impressively furious clip. A few of the full album streams that surfaced included CreaturoS’ miraculous psych-punk stomper Popsicle, Nude Beach’s characteristically impressive 77, Dope Body‘s ferocious Lifers, and Marshall Teller supergroup Psychic Markers’ impressive self-titled debut. On the EP and 7″ side of things, the absolutely jaw-dropping four-way split between Krill, LVL UP, Ovlov, and Radiator Hospital started streaming over on Soundcloud, while the split between Girlpool and Slutever= where both bands cover each other’s songs- went up on bandcamp. Vetter Kids also debuted their excellent new EP, Logan, on AV Club.

A fair few single songs started to make the rounds as well: Guided By Voices mastermind Robert Pollard introduced his new project- Ricked Wicky- by way of the hard-charging “Mobility“, Diarrhea Planet continued to improve with the 90’s-influenced throwback “Bamboo Curtain“, Sorority Noise’s “Wesleyand’s Best Dressed” confirmed their growing buzz is fully warranted, Strange Babes ensured that their upcoming debut effort is worth anticipating with the lovely powerpop of “Holiday“, and Ex-Breathers continued breathing fire into their peculiar brand of hardcore with the violently unhinged “Falling Away“. In addition to all of that, the visual medium was well-represented with a highly stylized (and extremely disquieting) black-and-white clip for “Am Gone” from avant pop weirdos Adult Jazz and Routine Involvements‘ surrealist headtrip for their instrumental track, “UFO“.

Having already given the split between Krill, LVL UP, Ovlov, and Radiator Hopsital quite a bit of attention recently, today’s feature fell to an artist who has yet to earn notable coverage on this site: Toronto’s Weaves. Having just missed their set opening for Courtney Barnett at Sonic Boom during NXNE, they’ve been a band that’s been on the cusp of the radar. Previously, the band’s sound has been rooted in a brave kind of DIY punk experimentalism; electronic and dance undercurrents cut apart what would’ve otherwise been straightforward rock n’ roll songs. While that proved to be an angle that kept things interesting, the band’s done away with any tangential excess on “Shithole”- and they might be better off for it.

“Shithole” is the most direct track of Weaves’ still-young career and very likely their best effort to date. Precariously balanced on the tightrope connecting a laid-back vibe to a relentless energy, it still manages to come across as enticing and effortless in equal measure. Ragged guitar riffs meet a sweetly irresistible vocal melody while vocalist Jasmyn Burke’s lyrics push the whole thing towards the sublime. It’s an absolutely stunning track that completely re-defines the rules for a band that was already emerging- and in doing so, forces an adjustment for the expectations that have started surrounding them. All of that is prompted even before the track’s closed out by a relentless, feedback-tinged solo that supplements the cathartic final chorus. If this really is an indication of the direction Weaves is heading in, it’s time to sit up and start paying extremely close attention to this band.

Listen to “Shithole” below and keep both eyes peeled for whatever Weaves has in store to follow it up.