Heartbreaking Bravery

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Tag: Elbow

Phylums – Go Home (Stream)

phylums

Another day’s come and gone and another glut of excellent new releases has been left for exploration. Between Albert Hammond Jr.’s Momentary Masters and Seapony’s A Vision, the full stream category was richly represented. An impressive roster leaning more heavily on big names than usual comprised a strong showing for music videos with acts as varied as Major Lazer (ft. Ellie Goulding & Tarrus Riley), Elbow, Samantha Crain, and Jason Isbell all making intriguing contributions.

The day’s single streams leaned fairly heavily on fiery punk-tinged numbers but did make room for one glitchy ambient outlier; Fine Print’s moody “Can’t Lie“. Womps’ gloriously ragged “Live A Little Less” offered no shortage of pure exhilaration and Ghetto Ghouls’ “Hezbollah” maximized lo-fi grit and manic energy to great effect. While each of the linked items is worthy of a click (and of passing along to your friends), today’s feature spot goes to the WI-based Phylums.

Normally, I do my best not to use any type of identifier for the artists that get covered in here unless it plays a special function in their art because music is a universal craft that can (and should) be defined by so much more than gender and/or location. “Go Home” will be a rare exception to this rule just because it adds a bit of a personal punch for someone that recently moved halfway across the country from the state Phylums call home.

Phylums also boast an impressive pedigree through their members’ respective back catalogs (any band that has any ties to The Goodnight Loving– one of the best bands to ever come out of WI- will always have my attention) and that’s guaranteed them the attention of anyone even tangentially aware of what’s happening in that state’s DIY punk scene. “Go Home” is the first look at their first full-length, affirming just about every suspicion that’s been leveled at the band since forming; this is genuinely great music.

Taking a handful of cues from Nuggets and blending in the slapdash approach of the members’ various other projects and past experience (including- but not limited to- Holy Shit!, WI’s finest hardcore band), the quartet have wound up settling into a jangly psych-tinged basement pop groove and are- probably unsurprising- already far outstripping most bands kicking around that genre.

What’s more, “Go Home” carries with it a genuine sense of place; “Go Home” sounds like a loving homage to the environment where Phylums create. There’s a feeling it evokes that’s indescribably familiar- a visual suggestion of sprawling expanses of some light urban decay, rolling, tree-lined highways, and a lot of dairy farms. I’ve played through “Go Home” more than a dozen times already and on each subsequent listen I’m a little more tempted to take the song up on its title’s command- then I just close my eyes and as the song washes over everything, I’m practically back in the throes of the state that raised me- and that’s about as meaningful as praise gets.

Listen to “Go Home” below and keep an eye on the always-remarkable Dirtnap for pre-orders (and another on this site for more updates).

Cymbals Eat Guitars – Warning (Music Video)

cymbeatguit

With another traditionally huge Monday just about in the books, it’s time to recap a large portion of the great material that was released. NPR’s First Listen series was typically stocked and contained Bedhead‘s discography as well as the upcoming records from Big K.R.I.T. and Hookworms. There was also the aggressively bleary noise-psych of Energy Slime’s debut 7″, New Dimensional. Stereogum played host to a slew of impressive song premieres: Lemuria‘s sprightly “Froggy Smoke“, Chief Scout’s kinetic basement pop stunner “Oh Shit“, Whirr‘s newest heavy-hitter “Ease“, and Cloakroom‘s Matt Talbott-assisted “Dream Warden“. In other reaches of the internet, The Sidekicks announced a new record and signing with Epitaph with the typically excellent “Deer” and Diarrhea Planet continued to up the anticipation for their upcoming EP, Aliens in the Outfield, with the absolutely stunning closer- and very likely their career-best- “Peg Daddy“. Empty Apartments’ punchy lo-fi treasure “Lefty (Cardboard Box)“, Terrorista’s jumpy basement punk brawler “Darren vs Bag“, and The Coathangers‘ savage Gun Club cover all also found their way into the world.

To round things out there were also outstanding new music videos that included a tantalizing introduction to what will be a multi-part series from Kevin Devine via “She Can See Me“, an intense visual stimuli overload in the form of Naomi Punk‘s “Television Man” video, Desert Sharks’ revenge fantasy in “crazycrazy“, and Elbow’s artful ode to motorcross in the artfully composed “New York Morning“. There was also The Twilight Sad‘s gorgeous black-and-white clip for “Last January“, Yesway’s hauntingly minimalistic “Let Go“, and Appomattox‘s celebratory career-ending exclamation point in the skate-heavy video for “Yr Soul“. While all of those operated on various levels of unique excellence, it’s tough to outmaneuver that towering scope of one of the year’s most powerful albums- especially when the music video for one of its best songs feels so perfectly assembled.

LOSE is a record that carries the burden of the heavy emotions that come with the loss of a close friend. “Warning” is one of its few moments of total exhilaration; a release of the pent up frustration, angst, despair, and complete helplessness in the face of death. It’s a staggeringly powerful moment on the record and hits stratospheric heights when paired with- and accompanied by- the record’s implicit narratives. In the brilliantly directed music video, Cymbals Eat Guitars are reverted back to youth via teenage stand-ins who deliver some commendably impassioned (and entirely convincing) performances as they mimic the song. A sense of well-placed nostalgia is subtly added in through quick cuts revealing some classic posters and albums that likely served as influences for the band (and for Benjamin High, whose early departure was the event that inspired much of LOSE). “Warning” is lovingly edited and gorgeously lensed, it’s a video that manages to evoke a deeply-felt well of emotions. It’s a surprisingly moving complement to a song- and record- that deserved nothing less.

Watch “Warning” below and buy LOSE directly from Barsuk here.