Heartbreaking Bravery

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Tag: Ego

Watch This: Vol. 148

Continuing on with the two-part installment, The Let’s Go, Billy Bragg and Joe Henry, The Luyas, C Duncan, The Growlers, Warpaint, Faux Furs, Flesh Panthers, Ego, Courtney Marie Andrews, Adam Torres, Slow Club, Oh Pep!, Pity Sex, Northcote, Bec Sandridge, and Brooke Sharkey all put forth valiant efforts in last week’s crop of exceptional live videos. With the strength of those acting as an indicator, the merit of the five featured clips shouldn’t be questioned. A handful of series staples, a gorgeous and inventive new clip, and an excellent video from a series that’s quickly emerged as a new favorite constitute the spotlighted entries for the 148th installment of Watch This. So, as always, lean in, block out all the distractions, get studios, and Watch This.

1. Margaret Glaspy – You & I + Emotions and Math (Skype)

A biting wit, a commanding performance style, and tremendous songwriting have made Margaret Glaspy one of the most featured artists on this series over the past few months. While the selections here — “You & I” and “Emotions and Math” may be familiar, they’re still at the root of powerful performances. Week in and week out, Glaspy has proven to be a formidable talent. This abbreviated session’s no exception.

2. Lucy Dacus (La Blogotheque)

Lucy Dacus, another artist who made a habit of appearing on this series over the past several months, gets the La Blogotheque treatment in this characteristically gorgeous clip. Performing a trio of songs — including 2015 standout “I Don’t Wanna Be Funny Anymore” — Dacus is never anything less than mesmerizing. Framed by a series of lived-in Manhattan locations, the entire affair breathes effortlessly and casts a tantalizing spell all of its own.

3. Rhea – 3am (Boxfish Sessions)

As Cuttlefish Collective’s Boxfish Sessions project continues, their offerings seem to get more impressive. While their gold standard remains Long Neck‘s breathtaking showcase that was featured in Watch This: Vol. 143, this entry from Rhea’s not far behind. An entrancing performance of a brilliant song from an intriguing emerging artist, “3am” is comprised of a little bit of everything that this site was built to celebrate. Don’t let lack of familiarity prevent a look; this is exceptional work.

4. Angel Olsen – Give It Up (BBC)

My Woman will likely be showing up a lot as year-end lists start rolling out but that level of excessive praise is deserved. Angel Olsen delivered one hell of an album just last month and has been riding a wave of critical and commercial success in the wake of that release. Instead of just coasting, the songwriter’s turning in incredibly committed performances that not only retain but elevate the impressive bite that informed Burn Your Fire For No Witness. BBC’s Radio 6 studio was recently lit up by a charged performance of one of My Woman‘s many highlights, “Give It Up”, and finds the band sounding locked in and ready for anything.

5. Glen Hansard – Stay the Road (Nooks & Crannies)

Last year Glen Hansard delivered one of the most beautiful clips to ever be featured on this series in the painfully gorgeous “McCormack’s Wall” and has finally come through with what feels like a natural successor in “Stay the Road”. Shot in, around, and outside of the legendary Sydney Opera House, the tenderly-shot black-and-white clip tracks Hansard making the most of the venues architecture and delivering a heartfelt rendition of “Stay the Road”. A beautifully constructed clip, it’s a very capable demonstration of what can be accomplished while working within the confines of a very niche medium. It’s a masterful piece of multimedia artistry and it more than deserves a spot on this list.

All Dogs – Skin (Stream)

All Dogs V

Depending on the releases, some days are made easy and- while the reprieve is welcome- it can be disheartening. Then there are days like today, which offer a frustration spurred by more than a few releases being too good to settle on a definitive feature. For a large portion of the planning that went into this post, the intended feature was going to go to Ought’s most recent blistering, insistent masterwork, “Men For Miles“.  Even in those stages, the song had competition in the likes of Nabil’s jaw-dropping GoPro interactive design that acted as the moody clip for Foals’ fiery “Mountain At My Gates“.

It wasn’t as if that trio was without competition, either. Deer Tick’s gorgeous “Grandfather Song“, Faux Ferocious’ scuzzy “Nowhere To Go“, Team Spirit’s pulsating “Takin’ My Time (Never Enough)“, Doubting Thomas Cruise Control’s frenetic “Lenny Bruce“, Birthmark’s slow-building “Find Yourself” would have constituted an impressive field on their own accord. Elevating the difficulty was the fact two outstanding unique features surfaced in the form of an engrossing Tickle Torture documentary and a full recording of a recent set from Colin Bares (the songwriter behind The Weasel, Marten Fisher project), whose responsible for some of the year’s finest songs.

Even the full streams had a great day, with excellent offerings from bratty scuzz-punks Fox Face, the lo-fi neurotics in Ego, the punk-indebted basement poppers in Vamos, and the increasingly fascinating (and darkly tinted) world of Black Thumb. Rounding the day out were compelling music videos from Wild Ones, Oddisee, and Living Decent. Even with all of that taken into consideration, though, the day still ultimately belonged to All Dogs.

Having just released a surefire song of the year candidate in “That Kind of Girl“, the band was presented with the unenviable  task of selecting the follow-up track for their forthcoming record’s rollout campaign. A lot of different modes can be considered (and ultimately, selected) for this slot and “Skin” seems to fall into one of the trickier categories to pull off: the song that demonstrates the record’s range and scope. In the past, those songs have tended to fall more towards the acute version of sophomore slump than anything else but “Skin” hurdles those traps with no shortage of grace to all but ensure Kicking Every Day will be among 2015’s best releases.

All Dogs have never been shy about finding something beautiful in damage, something that’s been continuously driven home by the frequently devastating lyrics of Maryn Jones (who’s also a member of site favorites Saintseneca and Yowler, the latter being Jones’ solo outfit). “Skin”, over the course of it’s slow-building five minutes and change, finds Jones grappling with some of the prevailing themes throughout her discography: loneliness, self-doubt, resilience, self-sabotage, and quiet redemption. All of which continue to feel deeply personal, nearing a point of voyeurism that only grows more nerve-wracking as the song progresses.

Elevating the feeling of tension is the scintillating dynamic angle that All Dogs uncovered when transitioning their writing process to a full-band ordeal following the addition of guitarist Nick Harris. Every conceivable element that made the band so great to begin with gets amplified by this approach and the dividends are already paying off in startling fashion. The interplay between Jones’ and Harris’ guitar work is increasingly nuanced and the rhythm work’s even more emotive than it’s been in the past, contributing to some newfound atmospherics that complement the band to perfection.

Looking at the sheer magnitude of “Skin” in comparison to anything found on the band’s debut 7″ (which was reviewed in the sixth post to ever run on Heartbreaking Bravery) is revelatory. At the level the band’s currently operating, they’ve unlocked a seemingly boundless arsenal of styles to achieve increasingly varied effects. From the subtle, interlocking post-punk guitar work to the bruised euphoria of the chorus, “Skin” is a jaw-dropping indication of the band’s ever-expanding capabilities. Throw in an earnest, beating heart at the core and All Dogs’ future suddenly looks intimidatingly bright.

All that’s left at this point is to find out whether the band can top perfection.

Listen to “Skin” below and pre-order Kicking Every Day from Salinas here.