Dr. Dog | Heartbreaking Bravery

March 16, 2017

2016: A Year’s Worth of Memories (Eric Slick)

Heartbreaking Bravery recently went offline but all facets of the site are back to being fully operational. Apologies for any inconveniences. All posts that were slated to run during that brief hiatus will appear with this note.

In the last edition of A Year’s Worth of Memories, Eric Slick turned in a beautiful piece recapping an eventful year while dealing with some tumultuous times. This time around the Lithuania bandleader and Dr. Dog drummer (as well as solo artist) repeats that formula and touches on the things that made 2016 memorable. From falling in love and moving to a new city to finishing two records and meeting some personal heroes, there’s a lot to peruse. All of it’s shot through with Slick’s endearing voice and offers up some personal insight into the life of one of today’s hardest working artists. Enjoy.

2016: A Year’s Worth Of Memories

2016, the year that Facebook exploded. downloaded a plug-in for Chrome that disabled my News Feed so I could start focusing on something positive. My 2016 was weird, not nearly as weird as 2015. Let’s get the worst of it over first: I contracted Lyme’s Disease from an unruly tick while running in the woods, went to the ER four different times for all of the medical anomalies related to Lyme, and narrowly escaped death in Nashville in my first major car accident (we survived, my Ford Focus didn’t).

Now that I’m done kvetching, let’s move on to my favorite moments of 2016.

Moving to a new city and falling in love

I moved to Richmond, Virginia in January. I didn’t tell anybody in Philadelphia until the summertime. I was tired of people from my hometown accusing me of being a certain way, so I decided to start fresh in a place that was completely unfamiliar to me. I moved because I fell in love with an amazing person, someone who is 1000 times the person I could ever hope to be. Selfless, hilarious, intelligent, talented, compassionate. I’m happy I moved. Philadelphia, I loved you, but you were bringing me down.

There’s a great community of musicians in Richmond and the rent is affordable. I can get with the small college town mentality. The coffee here is fucking incredible. That’s a prerequisite wherever I decide to lay my head.

Going to Europe with Dr. Dog

I never talk about Dr. Dog because I’m a jerk. They are the best people on the planet. I wish I could be as cool as the rest of the guys in the band, but I’m not. I’m a doofy nerd who likes Abstract Expressionism and Stravinsky.

We’ve always struggled to make a European tour happen but this year we got to do it twice. I love going over there. The food situations are super dank. Why haven’t we figured out how to make our truck stops filled with organic produce? We have the same resources! I think the majority of Americans like boring ass bland food.

I like the modesty of European crowds. They don’t clap when you play. They give you constructive criticism when you’re done. They’re not full of shit. It’s great.

Meeting Weird Al and Paul Simon in the same month

I know it’s shallow to say you like meeting celebrities. Famous people aren’t much different than regular people. They just occasionally give themselves the license to behave like jerks because of their assumed power. It’s sad. I still get all loopy and endorphin-y when I meet a person I really admire. It’s disgusting to watch me bloviate.

My birthday present this year will be hard to top – two tickets to see Paul Simon at the Ryman Auditorium. I was fortunate enough to meet him. We didn’t talk about music at all. He just talked about the several(!) times he’s ingested ayahuasca. For those who don’t know, Google it. My five minutes with Paul Simon… talking about the time he “saw the God particle”. Unreal, but I kept it cool.

Well.

I didn’t keep it cool for long. Later that month I got to see Weird Al after a lifetime of waiting. I’m friends with his drummer, John “Bermuda” Schwartz. After the show, I was introduced to His Weirdness. Meeting Weird Al was easily the most strange celebrity encounter I’ve ever had. I’m a megafan. I was starstruck. I choked on my words and probably made a babbling fool out of myself. There’s a picture of us together but I can’t bring myself to post it online. It’s too special.

Bermuda then took us out to Dave and Buster’s, regaled us with incredible tour stories, and then bought us sundaes. How did he know I love D&B? Check that one off of the bucket list.

Favorite live shows of 2016, in no particular order:

Caetano Veloso and Gilberto Gil in LA

Weird Al in Nashville

Paul Simon in Nashville

Shimmer and Ahleuchatistas in Philadelphia

Scott Clark 4tet in Richmond

Finishing my solo record and the new Lithuania record

My best friends convinced me to finish my solo record.

I did all the basic tracking during the last week of 2014 at Phil Elverum’s studio in Anacortes, WA. Last year sucked so bad that I lost all my momentum in finishing it… and I procrastinated. Procrastination is the death knell.

2016 was very therapeutic – I finally felt vulnerable again. The record practically wrapped itself in a little under a month. Ricardo Lagomasino and Jose Diaz Rohena (the engineers/producers) powered through my insecurities and delivered something I’m really proud of. We recorded the new Lithuania record almost immediately after that. We did it in four days. I’m excited for people to hear it. Time to write the next ones.

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December 1, 2016

Nothing Stops In November: The Month’s Full Streams

A lot changed over the course of November, on national, global, and intimate scales. The results of the latter category led to a near-absence of posts over the past 30 days on this space. No matter how much the personal landscape changed, the tracking of new releases remained a constant. While the last post documented some of the best music videos to emerge over the course of that run, the attention here falls to the full streams that were unveiled in that same interim.

As is typically the case with these types of roundups, everything here deserves more praise than it can possibly receive here and is likely best sifted through at a leisurely pace. Feel free to bookmark the page and make return visits to hear some outstanding music because these aren’t releases that people will want to miss. Dive in and enjoy.

Permit, Lawn, Swampmeat, Minihorse, Deerhoof, Retail, The Momotarōs, Spelling Reform, Very Fresh, Dark Blue, Skin Lies, Nine of Swords, Harmony Tividad, Miracle Sweepstakes, Monomyth, Pure Moods, if i die in mississippi, Mustardmind, Frank Weysos, Tuffy, Dr. Dog, Jess Williamson, Pastel Felt, Floating Room, Mark Sultan, Landing, Psychic Love, His Clancyness, Blank Range, Dogs At Large, Mr. Universe, Carroll, Warm Ouroboros, NGHTCRWLRS, Ava Mendoza/Maxime Petit/Will Guthrie, You Blew It.

Burial, Justin Carter, Cold Country, Gloria, Brave Timbers, Split Single, Amp, Deadaires, Cameron AG, Estrons, The Superweaks, My Education, Genders, Elle, Perfect Human, Fujiya & Miyagi, The Immoderate Past, Holy Golden, and Quit + Wuss. An outstanding GoldFlakePaint compilation and an exceptional Z Tapes compilation rounded things out in memorable fashion.

June 26, 2016

Watch This: Vol. 130

Adult Mom, Margaret Glaspy, Mise En Scene, Beach Slang (x2), Dr. Dog, Lee Fields, John Grant, Brass Bed, Sleepy Kitty, Quarrels, Adia Victoria, Floating Points, Dentist, Søren Juul, Hounds of the Wild Hunt, Therm, Pile (x2), Quilt, Charlie Parr, Wye Oak, Gabriella Cohen, JJ Grey and Mofro, Band of Horses, King Woman, Yoni & Geti, The Slow Show, Told Slant, So Pitted, Guided By Voices, Steve Gunn, Trombone Shorty, Rogue Wave, Mount Moriah (x2), Lily and Madeleine, Shearwater, and The Jayhawks all had incredibly strong performance videos surface over this past week, each of them deserving of multiple looks and listens. Taken collectively, their cumulative strength is overwhelming which, in turn, illustrates the incredible power of this week’s five featured clips and sessions. From what’s undoubtedly the most moving performance to ever run in this series to what may just be the outright best full sessions, there’s a lot here to appreciate. So, as always, sit up, adjust the volume, tinker with the settings, block out all excess activity, lean in, and Watch This.

1. PUP (Audiotree)

PUP have been getting coverage from this site for just about as long as its existed and they’ve recently gone into an even more intimidating overdrive. After absolutely decimating 7th St. Entry at the start of the month, the band’s been providing reasons to revisit their past. This past week Audiotree uploaded an old full session the band gave the series back at the start of 2015, flashing some increasingly sharp teeth in the process.

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2. Royal Headache – High (Pitchfork)

High, the most recent release from Royal Headache, had more than enough firepower to earn a spot as one of last year’s best albums. As strong as their recorded output is, Royal Headache’s real draw has always been their live show, which is captured here via Pitchfork. Vocalist and principal songwriter Shogun has always been a commanding presence and that trait’s on full display as the band tears through the exhilarating title track of their last record at this year’s Primavera.

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3. Bob Mould (Sound Opinions)

One of the most respected elder statesman of punk has found a way to revitalize his career over the past several years, hitting some extraordinary highs with recent efforts. It’s not that Bob Mould‘s career has ever been dull, it’s that something inside of him seems to have been pushed to full throttle. The trio of songs Mould careens through here for Sound Opinions serve as very strong evidence.

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4. Weaves (CBC Music)

No band has been showing up in coverage lately more than Weaves, who are trying to outrun a tidal wave of adrenaline after releasing what may wind up being the year’s most explosive record. The band’s been stringing together an insanely impressive series of the exact right moves at the exact right moment and this full session for CBC Music continues that trend. Masterfully shot inside of a greenhouse, it’s easily one of the strongest visual sessions to have ever run in this series and for just about anyone else, the cinematography here could threaten to diminish the performance. However, Weaves are a different kind of animal and they find a way to draw strength from the setting, allowing the visuals to ultimately enhance a ferocious set. Every aspect of performance videos is paid respect to with this session, which stands as an unforgettable masterclass of the form. File this one away for multiple trips back to enjoy or even to study; it’s that good.

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5. PWR BTTM – Somewhere Over the Rainbow (Emily Dubin)

There’s nothing I can say here that isn’t said better in or by this video, which is a very loving, sincere capture of PWR BTTM playing a deeply heartfelt show in Orlando. Just click play and appreciate the worthwhile things and people in you’re life while you still can and while they’re still here.

June 19, 2016

Watch This: Vol. 129

Hello and welcome to the 129th installment of Watch This. Just like the previous 128 entries in this series, this volume will focus on the finest live performance videos to be released in a set time frame (this time around being the normal version: this singular, immediate week). As is usually the case, there was quite a bit of material to sift through that included strong showings from the likes of Margaret Glaspy, Antiphons, The Tallest Man On Earth, Ty Segall & Cory Hanson, Day Wave, Whitney Rose, Beach Slang, Naked Naps, Seratones, Amber Arcades, Hannah Georgas, Boogarins, Alessio Bax, Zach Puls, Totally Mild, Chick Corea & Gary Burton, Venus II, Dream On Nilsson, Dolfish, Dr. Dog, and Bowerbirds. A lot of gems can be found by exploring that list just as the five featured clips offer up an arsenal of astonishing talent on both sides of the camera. So, as always, kick back, crank the volume, get prepared, and Watch This.

1. Bully (Bonnaroo)

After purring out one of last year’s finest records, Bully have been hitting both the road and the festival circuit with staggering force. Feels Like, the record that spawned an extremely promising career, conjured up enough momentum that the band’s carried it to what’s essentially a victory lap. Fortunately for everyone, they’re playing their shows as if they still need to be the first to cross some unseen finish line.

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2. Fruit + Flowers – Drug Tax (BreakThruRadio)

For well over a year, Fruit + Flowers have been drawing near to the cusp of becoming a breakout band and in that time, they’ve sharpened their live show to a fine point. That dedication shows in this steely-eyed performance of “Drug Tax” the band delivered for BreakThruRadio, tapping into the kind of fiery determination that a bigger scale — a scale that they deserve — necessitates. Expect to be hearing their name more at some point in the near future.

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3. The She’s (PressureDrop.tv)

For as much as it gets featured on this site, the fact remains: good, carefree basement pop — the kind that comes equipped with a band’s singular identity — is surprisingly hard to create. Since they formed, The She’s have been working resiliently to perfect both their approach and that very niche genre. This inspired full session for PressureDrop.tv shows that they’re as close to achieving that goal as anyone.

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4. SAVAK – Reaction (BreakThruRadio)

Session musicians are frequently overlooked despite being the backbone of the recording industry. SAVAK is a supergroup of relatively unheralded background players whose cumulative credits include roles in Obits, Holy Fuck, Ted Leo & The Pharmacists, The Cops, Nation of Ulysses, and more. Apart from their former projects and united under one flag, they’ve clicked and transformed into a wrecking crew. This run through “Reaction” is proof.

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5. The Thermals (KEXP)

Very few bands boast a discography as absurdly strong as The Thermals, one that’s highlighted by The Body, The Blood, The Machine (which itself is one of the finest records of the past 16 years), yet they’ve managed to retain a nearly unparalleled drive that’s constantly reflected in their work. The band’s live show is when that aspect evolves from an endearing trait to an unavoidable reality. KEXP recently hosted the band (with the very welcome addition of Summer Cannibals‘ Jessica Boudreaux) in their studios and filmed them ripping through some highlights of their most recent effort, We Disappear. A loving document of one of the great DIY-leaning punk acts, it more than earned its spot on this list. Enjoy.

June 12, 2016

Lithuania – Kill The Thing You Love (Stream)

eric slick

[Editor’s Note: In light of the tragic circumstances in Orlando, there was some debate over featuring a song with a title that could be construed negatively in the face of that event. However, now more than ever, it seems deeply necessary to endorse and promote acts of kindness, understanding, and empathy. It’s because of this song’s message and the good that can come from its purchase that it’s in today’s headlining spot.]

Since the last post on this site went up just a few short days ago, new tracks emerged from Pari∀h, Deerhoof, Pink Mexico, Guts Club, Blesst Chest, Ali Beletic, Kool A.D., and two new tunes from JOYA‘s Robert Sotelo. Artists with commendable music videos was a list that included The Gotobeds, Wimps, Oddissee, The Figgs, Palehound, Gang of Youths, Terrible Feelings, WALL, and Museyroom. The past several days also saw the release(s) of several legitimate album of the year candidates, including efforts from Told Slant, DEN, The Gotobeds, Margaret Glaspy, The Craters, and a demo of the upcoming full-length debut from Mr. Martin & The Sensitive Guys.

All of the above items amounted to an extraordinary run — especially for the full streams — for such an abbreviated time frame. One of the most heartening things to emerge during that stretch came courtesy of site favorites Lithuania, a band fronted by Dr. Dog drummer and A Year’s Worth of Memories contributor Eric Slick. “Kill The Thing You Love” was originally intended for the band’s latest record, 2015’s astounding Hardcore Friends, but was ultimately nixed for being too out of sync on a thematic level. Fortunately, the song wasn’t just relegated to an unheard archives litter and was recently released as a standalone single to benefit Women Against Abuse, a Philadelphia organization that aids women who are escaping or have survived domestic abuse.

“Kill The Thing You Love” itself is one of the band’s more gnarled, rough-hewn offerings. Relentlessly aggressive in its dynamic approach, the song actually gains a wealth of power from its decidedly direct aesthetics, elevating an oddly moving narrative. Slick delivers the most impassioned vocal delivery of his career and the song uses its lo-fi nature to amplify its own propulsion. In a little over three and a half minutes, the band embraces a chaotic sludge that underlines the confusion that frequently manifests and overpowers the decision-making in relationships that make room for — and frequently try to excuse instances of — domestic abuse. It’s a bold song that calls attention to a dark reality that goes ignored far too often.

Here’s the statement that Slick issued to Post-Trash for the great premiere piece that accompanied the song:

The song “Kill The Thing You Love” was written in 2014. Its intended purpose was for the Hardcore Friends album, but we decided to leave it off because it didn’t fit the narrative. It’s also a complicated listen. However, the song is of great importance to me. It was written from the perspective of a young woman who runs away from her abysmal home life and starts fresh in a safe environment. It’s based on a story that a close friend told me about her incredibly difficult and abusive childhood. “Kill The Thing You Love” is indeed a jarring title, but its intent is more of a mantra of empowerment. Sometimes we have to let go of things (kill in the figurative sense) we love, especially when they’re hurting us. Abuse is still everywhere. A direct example is the inexcusable behavior of Seagreen Records. Seagreen was initially supposed to release this song until they came under fire for very serious sexual abuse charges. I was horrified. Luckily, Lame-O Records agreed to release this song. I’m relieved that we can benefit a great cause in the process.

Listen to “Kill The Thing You Love” below and get the track (and donate to a good cause) here.

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March 27, 2016

Watch This: The Honorable Mentions of 2016’s First Quarter

It’s been quite some time since their was an installment of Watch This, Heartbreaking Bravery’s weekly (when on schedule) round-up of the finest work in the live video field. Coverage is generally split between individual performances and full sessions that are captured in places like basements and professional radio studios. Though there has yet to be a volume of Watch This in 2016, the information regarding the series was collected diligently while it remained quiet.

Due to the overwhelming bevvy of material that’s surfaced over the past three months, the below collection while simply be given via hyperlinks. There’s a lot of information to digest here and — due to the nature of press cycles when bands are on tour — several acts will be listed more than once. Like the recent round-ups, this will be literally impossible to watch in one sitting. The best way to view this material will be to simply bookmark this page and explore the content at random, all of which is definitely worthy of some investment.

More round-ups will follow focusing on the best of the best of the 2016 Watch This field of candidates. Until then, enjoy these examples of excellency in the live video format.

Deep Sea Diver, Lip Talk, Strange Attractor, Potty Mouth, Expert Alterations, Nathaniel Rateliff, Shearwater, Shade, Indian Askin, Mount Moriah, The Wild Reeds, Ty Segall & The Muggers, Kevin Morby, Margaret Glaspy, Seratones, Kakkmaddafakka, Dr. Dog, Valley Queen (x2), Bantam Lyons, Rob Sutherland, Cosmonaut, Alabama Shakes, Long Beard, I Am Oak, Albert Hammond Jr., Amber Arcades, Victoria Reed, Dilly Dally, Sunflower Bean (x2), Fauna Shade, SEGO, Lissie, Declan McKenna, Billie Marten, Adult
Mom

Matt Vasquez, Bird Courage, Nap Eyes, Fraternal Twin, Giant Peach, Lola Marsh, Minnoe, Civic, Kamasi Washington, John Rossiter, Bummed Out Still Glowing,
Little Hurricane, The Perennials, Timothy Bloom, Duncan Sheik, Dilly Dally, Oscar, Langhorne Slim, Rob Courtney, Hinds, Into It. Over It., Bombino, Frank Bell, Ancient Whales (x2), Ripper, Eerie Wanda, The Dazies, Vinyl Thief, Alright Panther (x2), Julia Holter, BRAEVES, Stone Cold Fox, Painted Zeros, The Hunna, Kate Davis, Molly Parden

Super Furry Animals, Dogbreth, Tommy Emmanuel, All Dogs, Rupert Angeleyes, Korey Dane, Comfy, Jeanne Added, The Pines, Axel Flóvent, Naked Naps, Ezra Furman & The Boyfriends, Queen of Jeans, Darlene Shrugg, Sun Club (x2), Born Ruffians, Narc Twain, Pale Spectre, Canshaker Pi, No Parents, Idlewild, Woodpigeon, Rubblebucket, WEEED
Homme, Stumpf, J Fernandez, She-Devils, Emilie & Ogden, Fufanu, Most Selfless Cheerleader, Lael Naele, Pinegrove, Keenan O’Meara, Parquet Courts, Avantist, Low Culture

Chris Bathgate, Bombay, Julia Holter, Young Jesus, Heartless Bastards, Wussy, Futurebirds, Ben Folds, Bye Beneco, Posse, E.M.I.L., Battleme, Chill Moody, Mass Gothic, Escondido (x2) Feral Moan, Savages, Sharon Jones & The Dap-Kings, Help the Doctor, lowercase roses, Leyya, Hinds, M. Ward, LIGHTS, The Pony (x2), Armani White, Forth Wanderers, Oiseaux-Tempête (ft. G.W. Sok and Gareth Davis), Sonya Kitchell, Chris Bathgate, Emily Mure, Emily Wells, Torii, SWMRS, IAN, Dot.s, Chilly Gonzales, The Flips

Lanterns on the Lake, The Wombats, Rationale, Zula, Marc Scibilia, This Is The Kit, Looming, Bayonne, Crater, The Entrepreneurs, O, Sleep Storm, T. Hardy Morris, SkyBlew, John Coffey, Basia Bulat, Violent Femmes, Jeremy Messersmith, Nicki Bluhm and The Gramblers, Trixie Whitley, Aubrie Sellers, The Bottle Rockets, Max Meser, Tall Heights, Chilly Gonzales & Kiaserr Quartet

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February 19, 2016

2015: A Year’s Worth of Memories (Eric Slick)

eric slick

The first time I saw Eric Slick, he was manning the kit for Dr. Dog on their Shame, Shame tour and delivered a set that more than made up for just missing the cut-off at a sold-out LCD Soundsystem show. To date, that set remains one of my favorite memories and a benchmark for the realization that sometimes taking left turns winds up producing really memorable moments.

While Slick remains behind the kit for Dr. Dog, I’ve come to know him more for his work in his incendiary punk-tinged basement pop project, Lithuania (whose Hardcore Friends was one of the records from last year that I find myself coming back to the most). An enviably versatile musician and a genuine person, his impact on the music community is immeasurable.

For all those reasons and several more, I’m thrilled to be presenting a piece from Slick for A Year’s Worth of Memories that focuses in on touring, two acts that have been featured on this site numerous times, turning 28, and learning to come to terms with some aspects of his life via cognitive behavioral therapy. Read it below and always acknowledge the things that make you want to keep fighting.

As I write this, I’m currently suffering from a modicum of symptoms supposedly related to early Lyme’s Disease. If I make mistakes, it’s because my cognitive functions are limited. Forgive me!

2015

My 28th Year, The Year Of the Sheep. It was supposed to be a year of calm, but if I could offer you a window into my 2015 psyche, you’d see a tangled mess of wires engulfed in flames. There were times when I wanted to jump out of my skin from repulsion and excitement, a dichotomy that would become a warm blanket for my brain-addled nightmare. You see, the 28th year is often the beginning of one’s Saturn return in astrology. I felt as if I were living on that distant planet.

However, I’m not here to wallow in my past sadnesses and failures. I believe that you can rise above mistakes like a kind of animatronic phoenix rising from the CGI ashes. Here’s a list of things that saved my soul in 2015.

Touring with Lithuania

I have a tendency to read a lot of self-help books, even though I don’t absorb much from them. Being on tour with my band Lithuania helped in gaining some sort of empirical life experience. Dominic Angelella and Ricardo Lagomasino (my bandmates) gave me non-judgmental advice and listened as I complained about everything. They also delivered some of the best performances I’ve ever witnessed as a fellow band member. On one particularly memorable night, I walked offstage at The Soda Bar in San Diego and began crying on a dumpster. Ricardo had empathy for me in this unraveled state, so we walked to a nearby windowless Pizza Hut and shared a gluey Personal Pan Pizza and more importantly, our feelings.

We released an album called Hardcore Friends on Lame-O Records and toured with Hop Along, mewithoutYou, and Beach Slang. The lyrics were hard to sing and some of the lines would become downright prophetic. I guess we all wept a lot on those tours. In fact, I could be well qualified to become a professor in Lachrymology (the study of crying), although I’d have to go back and listen to a lot of Tool albums. I’m forever grateful for Dom and Ricardo, and I know a lot of people who feel similarly.

Hop Along

Speaking of crying, have you ever seen Hop Along? I can compare it to a few other acts I’ve seen: Bjork, Charles Bradley, Neutral Milk Hotel, Stevie Wonder. There are those who take and those who give. Hop Along is not only a gift, it’s a treasure. They’ve always been unnecessarily kind to us. I hope we can be unnecessarily kind to them too. The lyric “None of this is gonna happen to me” still makes me feel an immense and indescribable yearning every time I hear it.

Hop Along for President, 2016.

Pile’s You’re Better Than This

During the darkest moments, I would put on the new Pile record and pretend to punch the ceiling of my car. I didn’t actually punch it because I didn’t want to hurt my hand. You understand. The track “Mr. Fish” would become an anthem, a song of disillusionment and disassociation. There were days when I could relate to the main character, Darryl Fish. He speaks of wrestling formless tenants beneath his bed sheets, and missing the feeling of the sun’s warmth on his arms. What i’m trying to say is, shit got dark. Pile helped me climb my way out of it. I would repeat the album title like a mantra.

Therapy

You can pretend to be Zen all you want. I did. I spent the majority of 2011-2015 believing I had my life figured out, meditating regularly and over-preaching to people in my life that probably didn’t want to hear it. The reality is that nobody has anything figured out. Life is this incredible, amorphous blob that spews out chaos after chaos. It can be harrowing to realize this, but it can also be the beginning of personal freedom.

I started cognitive behavioral therapy in March 2015 and had to go face to face with a lot of issues that I wasn’t quite prepared to deal with. I still go to therapy whenever I can. My musician friend Chris Cohen once told me that, “Life doesn’t get easier, you just get better at dealing with it.” He told me this in 2013, but it resonates now more than ever. So here’s to 2016.

-Eric Slick

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