In the past month, a lot’s happened on both sides of the coverage spectrum. A lot of sets were documented in that time and will be receiving some attention at some point down the line. A lot of full streams came out, even more songs were released, and quite a few music videos found their way out into the world as well. All three of those formats will have a list dedicated to them and then a slew of individual features will be posted celebrating a handful of exceptional titles. Below is a list of formidable music videos that made a powerful impression over the course of the last month. Take a breath, dive in, and go exploring.
Nothing was posted on this site over the holiday weekend but there were multiple items that were being prepared. One of them, naturally, was the weekly installment of Watch This– a series that celebrates some of the finest live video captures of that week. A lot of familiar faces are featured in this installment, especially considering the massive promotional runs that the teams for Courtney Barnett and Torres (two of the more exciting live acts of the moment) have managed to string together. Once again, a lot of videos that were considered for feature in this 84th issue point towards a fascinating spike of quality in this format. Artists in those videos include: The Kyle Sowashes, Andrew Bird, Fat White Family, Perfume Genius, The Fall, Rozwell Kid, DYGL, Mitski, Klangstof, Strand of Oaks, Heartless Bastards, Other Lives, and Crosss. So, as always, sit up, lean in, settle down, focus up, and Watch This.
1. Alvvays – Archie, Marry Me (BBC)
“Archie, Marry Me” was first released in 2013 to a small amount of claim but eventually blossomed into one of 2014’s defining songs with its re-release. Now, two years after it was first introduced to the world, it still sounds vital despite the amount of playtime (and references) it’s received. Alvvays recently played the Glastonbury festival and knocked the single out of the park with a heartfelt rendition- something that wasn’t lost on an effusive crowd. Fortunately, for everyone, the BBC had their cameras rolling and captured the whole thing.
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2. Courtney Barnett – The Fox (The Current)
Courtney Barnett is an exhilarating performer and her insistent placement in this series is continuously justified and warranted. Barnett and her band recently stopped by the twin cities to deliver a powerhouse set as part of the Rock The Garden festival. While the songwriter had strong showings via a solo performance of “Depreston” for Jimmy Fallon and a typically charged take on “Pedestrian At Best“, it was the capture of “The Fox” that played strongest, earning its placement here.
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3. Torres (Sound Opinions)
Over the past several installments of this series, no artist has made as many appearances as Torres. Now deep into a fierce touring schedule, Mackenzie Scott’s assembled a (relatively) new crew of musicians to perform the songs and the group taps into three of Sprinter‘s more subdued tracks for Consequence of Sound’s Sound Opinions series. Never anything less than enthralling, there’s a gentle- but firm- grip that gets held throughout this run of “Son, You Are No Island”, “The Harshest Light”, and “Ferris Wheel”. There’s some strange magic at work here and it’s best to just let go and lose yourself to its power.
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4. PINS – Young Girls (WFUV)
Wild Nights has already established PINS as one of 2015’s most exciting breakout acts and here- in a characteristically angular session for WFUV- the band stealthily unloads on the record’s finest song, “Young Girls”. It’s a startling reminder of the quartets considerable talent(s) and will likely act as a perfect introduction for anyone unfamiliar with the band. Confident and measured, completely self-aware and reassuringly uninhibited, their performance here goes a long way in laying out the myriad of bigger opportunities that will become available to this band over time.
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5. Exquisite Corpse (NPR)
Some things are just so enticing and beautiful that they warrant featuring, no matter their distance from the regular coverage spectrum. In this clip, a small troupe of jazz musicians comprised of different groups play a game of exquisite corpse, with each section taking an idea from one group’s presentation of a song and expanding on it until it becomes a whole; an evolving construction that provides room for individual showcases without ever succumbing to anything other than camaraderie and trust. Gorgeously lensed- and performed on Duke Ellington’s grave- this is a truly remarkable piece of work, noteworthy by even NPR’s enviable standards.
Occasionally there are days when the floodgates open and all that you’ve managed to miss over the past few weeks swarms its way into the surging current. Today was one of those days. More than 30 great items materialized, spread across all of the usual formats (although the vast majority were single stream entries). Full streams found life via great records from Crosss (LO), Pinecones (Sings For You Now), Porcelain Raft (Half Awake), Hex Dispensers (III), and Flesh World (The Wild Animals In My Life). Music videos had a strong year sustained with a fascinating crop of new clips that ranged from tongue-in-cheek (Mikal Cronin’s “Say“) to the epic sprawl found in Yak’s “Smile/Distortion“. The list of stunners in between included the following: Django Django’s “Shake and Tremble“, Elacampane’s “Out of Control“, Swiftumz’s “Take The Gray“, Toby Goodshank’s “Baby I Feel Like I Just Got Cut In Half“, Blue Smiley’s “Warn“, and Karen Meat & The Computer’s “Pizza & Beer“.
For the full songs, things picked up considerably and produced a particularly fierce onslaught of new material. That being the case, they’ll simply be listed and linked. All of these deserve so much more than just those direct mentions but this time around, there are simply too many. If anything, that should serve as strong evidence of 2015’s continued kindness. To wit: Daddy Issue’s “The Bruise“, Dead Stars’ “Calm Punk“, C-Duncan’s “Garden“, Little Racer’s “Jack Knife“, Mammut’s “Blood Burst“, Kid Wave’s “Honey“, Wing Dam’s “House Boat“, The Good Life’s “Everybody“, PINS’ “Molly“, Girlpool’s “Cherry Picking“, Angelo De Augustine “If I Could Fly“, Two Inch Astronaut’s cover of Taylor Swift’s “Fifteen“, Zachary Cale’s “Sundowner“, Dog Party’s “Sapphires“, Ecstatic Visions’ “Astral Plane“, Oberhofer’s “Memory Remains“, Sorority Noise’s “Nolsey“, No Joy’s “Hollywood Teeth“, The Cairo Gang’s “Ice Fishing“, and EZTV’s “Trampoline“. There was also the return of Radioactivity that took the shape in the form of the fiery “I Know”.
One of the first posts to ever run on this site was a review of Radioactivity’s incredible self-titled debut, which was easily one of 2013’s best records. Radioactivity felt like a continuation of The Marked Men’s Fix My Brain, an indisputable genre classic from The Marked Men, the band that mostly comprises Radioactivity. Two years later, the band’s back in full swing and has “I Know” to lead their charge. Much like Fix My Brain and Radioactivity, “I Know” is a snarling burst of pop-inflected basement punk. Guitarist/vocalist Jeff Burke continues to operate at an exceedingly high peak, offering one infectious melody after another. By the time “I Know” careens towards its finish, it’s almost as if Radioactivity never took their foot off the pedal after their debut, creating something as memorably urgent and accessible as each members’ finest outings. With June 30 only just around the corner, we’ve got some time to brace for impact- and it’s a recommended strategy- because Silent Kill is coming at full force and it’s not slowing down for anybody.
Listen to “I Know” over at Billboard, who premiered the track, and pre-order Silent Kill from Dirtnap here.
After a ridiculously packed month of material and a few small campaigns, this site’s nearly caught up on songs and music videos. There are 18 songs to get to and ten videos that aren’t contained in this post’s headline. What is going to be the primary focus of this post is also one of the best clips of the year (and possibly the decade) but we’ll get to that in due time. Before then, we’ll start with the lion’s share of the pre-feature coverage: single streams. Since there are so many, I won’t go into too much detail in listing the attributes that make them great, just know that they are genuinely great. In no particular order those songs are: Young Jesus’ “Dirt“, Fort Lean’s “New Hobbies“, Sweet John Bloom’s “Tell Me“, Chelsea Wolfe’s “Iron Moon“, Battle Ave.’s “Solar Queen“, Diamond Youth’s “No Control“, Colornoise’s “Amalie“, Spraynard’s “Bench“, and The Trendees’ “Motorcycles (Make Loud Noises)“. Joining that already formidable pile were Crosss’ “Golden Hearth“, Jack + Eliza’s “Oh No“, Elliot Moss’ “VCR Machine“, Lull’s “Bubble Tea“, Porcelain Raft’s “All In My Head“, Stranger Wilds’ “Pronoia“, Ezra Furman’s “Lousy Connection“, Mike Viola’s “Stairway to Paradise“, and Inheaven’s “Slow“.
Much like the songs listed above, the music videos over the past week or so have covered a similarly expansive musical spread. Among these videos were Something Anorak’s absurdly lush “I Am A Doctor“, Heaters’ retro dancehall exhibition “Mean Green“, ANAMAI’s extremely unsettling “Half“, Iron & Wine’s surprisingly beautiful indie wrestling fever dream “Everyone’s Summer of ’95“, and Palma Violets’ gleefully raucous “English Tongue“. Also included in this run were Ceremony’s stark career highlight “Your Life In France“, Jamie xx’s slow-burning, jaw-dropping “Gosh“, Death From Above 1979’s wild-eyed Amish party clip “Virgins“, The Rentals’ eerie, foreboding “It’s Time To Come Home“, and “Keep Your Stupid Dreams Alive“- a comically psychedelic animated adventure from The Prefab Messiahs. And then there was Bent Denim’s devastating, unforgettable “Good Night’s Sleep“.
Abortion has always been- and likely always will be- a difficult subject to address. Treatment either empathetic or unerringly sympathetic has rendered some recent works (like last year’s outstanding Obvious Childor The Antlers’ wrenching “Bear“) into pieces of art equipped with a lasting resonance. It’s the same reason that Ben Folds Five’s “Brick” has retained its value as an emotionally difficult piece of pop culture and it’s why the deeply-felt clip for “Good Night’s Sleep” is nearly impossible to watch without feeling emptied. After one viewing, it’s difficult to return to the video’s thesis shot: a vacant child’s swing, rocking gently in silence. It’s an arresting image that sets the tone for the ensuing emotional onslaught. Intertwining two visions (a la Derek Cianfrance’s masterpiece, Blue Valentine)- one decidedly more hopeful than the other- Bent Denim present a vision that cuts in a manner that’s brutally immediate.
Accentuating the video’s sense of pain and longing is the home video visual aesthetic, which suits the gentle tones of the song to a sublime perfection. All in all, “Good Night’s Sleep” is an intensely compassionate, moving portrait of both sides’ turmoil following what comes off as a difficult decision (one via audio and one through the clip, which features a gripping performance from its lead). In either case, the emotions are so palpable that the whole thing feels uncomfortably voyeuristic and intensely harrowing. It’s a situation that’s more familiar than most parties would let on but it’s rarely presented as delicately or as realistically as it is in “Good Night’s Sleep”. At the clip’s conclusion, to drive everything home in a way that’s definitively final, the viewer’s returned to the thesis image: a lone child’s swing, once projected to be full, once again swaying in silence.
Watch “Good Night’s Sleep” below and order Romances You from the band’s bandcamp.
