Heartbreaking Bravery

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Tag: Creep Highway

2014: A Pictorial Review, Pt. 5

Speedy Ortiz III

One thing that this site has strived to maintain is its own visual aesthetic. While it’d be impossible to find a photo in the archives for every given band that headlines a post, an original photo will be posted anytime the opportunity presents itself. Upgrading cameras halfway through the year provided a bevvy of new opportunities and the subsequent implementation of a more photo-centric presence. That’s not by mistake. Photography (especially event photography) has always been an important crux of multimedia journalism. It can be a way to implicitly (or explicitly) convey some of the more minute details of a singular moment to a reader- or it can simply act as an intriguing supplement.

Those were just a few of reasons that went into the decision behind a headfirst dive into photography investment (on both a personal and public level) and factored into why one camera or another was brought along to every show this site covered in the past year. Now, with 2015 just around the corner, seemed like as good a time as any to showcase a few photographs from the past 12 months that stood out as personal favorites. Since there are a few too many to go up all at once, they’ll be posted at random as part of installments that will run from now to the start of January. Most of these shots have been published on the site before (or on The Media), though there are a few that will be appearing for the first time.

Pt. 5 will be the final installment of this series and the preceding galleries can be accessed via the links directly below. Enjoy!

2014: A Pictorial Review, Pt. 1
2014: A Pictorial Review, Pt. 2
2014: A Pictorial Review, Pt. 3
2014: A Pictorial Review, Pt. 4

 

2014: A Pictorial Review, Pt. 4

Perfect Pussy VIII

One thing that this site has strived to maintain is its own visual aesthetic. While it’d be impossible to find a photo in the archives for every given band that headlines a post, an original photo will be posted anytime the opportunity presents itself. Upgrading cameras halfway through the year provided a bevvy of new opportunities and the subsequent implementation of a more photo-centric presence. That’s not by mistake. Photography (especially event photography) has always been an important crux of multimedia journalism. It can be a way to implicitly (or explicitly) convey some of the more minute details of a singular moment to a reader- or it can simply act as an intriguing supplement. Those were just a few of reasons that went into the decision behind a headfirst dive into photography investment (on both a personal and public level) and factored into why one camera or another was brought along to every show this site covered in the past year. Now, with 2015 just around the corner, seemed like as good a time as any to showcase a few photographs from the past 12 months that stood out as personal favorites. Since there are a few too many to go up all at once, they’ll be posted at random as part of installments that will run from now to the start of January. Most of these shots have been published on the site before (or on The Media), though there are a few that will be appearing for the first time. Enjoy!

Songs of Summer: 2014 (Mixtape)

hbsos

Another hundred posts in and this site’s still humming along. As tradition dictates, today is one of the only days that doesn’t get dedicated to the outstanding just-released content (though there was an incredible amount, which will be covered tomorrow)- and features a digital mixtape instead. There was a lot of talk over what the song of the summer was and no real general consensus in any type of forum. In the spirit of that surprisingly diverse conversation, the mixtape features the songs that resonated throughout this place most strongly during what proved to be an incredibly memorable summer (covering both NXNE and Pitchfork festivals among the many highlights). As the season approaches its end, it only felt right to shine a light on some of those songs one more time before the year draws to a close.

A few of these have been featured in previous playlists but that should only stand as a testament to their longevity. While a few weren’t even released in summer, they definitely struck a deeper chord as the surroundings finally caught up to the mood they inhabited. Every single one of them can be streamed below (a tracklist is also provided) and, being that this marks another hundred posts- and in the event anyone was curious in catching something they missed, hyperlinks to posts No. 200-299 are given beneath the tracklist. So, turn the volume all the way up and enjoy some great music while the warm weather’s still here.

Stream Songs of Summer: 2014 below and feel free to navigate through any of the listed hyperlinks.

1. Lost Boy ? – Hollywood
2. LVL UP – Soft Power
3. Radiator Hospital – Cut Your Bangs
4. The Coasts – I Just Wanna Be A Star
5. The Yolks – You Don’t Live Here No More
6. Tweens – Forever
7. The Sleepwalkers – My Best Was Never Good Enough
8. Bent Shapes – 86’d in ’03
9. The Freezing Hands – Good Morning Takeout
10. Happyness – Anything I Do Is All Right
11. Dead Stars – Summer Bummer
12. Joanna Gruesome – Jerome (Liar)
13. Perfect Pussy – Leash Called Love (Sugarcubes Cover)
14. Eugene Quell – Hell Presidente
15. Happy Diving – Weird Dream
16. Mean Creek – My Madeline
17. Cymbals Eat Guitars – Warning
18. Left & Right – Low Expectations
19. Mulligrub – Canadian Classic
20. Dude York – Believer
21. Cayetana – Scott Get the Van, I’m Moving
22. Lenguas Largas – Kawasaki Dream
23. Wyatt Blair – Girls!
24. Jawbreaker Reunion – Empire
25. Reigning Sound – Falling Rain

+++

HB200: NXNE 2014: A Listener’s Guide (Mixtape)
HB201: Sam Coffey & the Iron Lungs – Calgary Hill (Music Video)
HB202: Swearin’ at Memorial Union Terrace – 5/30/14 (Pictorial Review, Video)
HB203: Watch This: Vol. 27
HB204: Watch This: Vol. 28
HB205: Pretty Pretty – Leather Weather (Stream)
HB206: Haunted Heads – VV (Stream)
HB207: Marvelous Mark – Bite Me (Music Video)
HB208: Mean Creek – Anxiety Girl (Music Video)
HB209: Bob Mould – I Don’t Know You Anymore (Music Video)
HB210: Parquet Courts – Black and White (Music Video)
HB211: Greys – Use Your Delusion (Music Video)
HB212: Beverly – Honey Do (Music Video)
HB213: Jawbreaker Reunion – Lutheran Sisterhood Gun Club (Review)
HB214: Green Dreams – Rich Man Poor Man (Review)
HB215: Watch This: Vol. 29
HB216: Watch This: Vol. 30
HB217: La Sera – Fall in Place (Music Video)
HB218: Lemuria – Brilliant Dancer (Music Video)
HB219: The Midwestern Charm – Growing Pains (Trailer)
HB220: NXNE: Day 1 (Pictorial Review)
HB221: Watch This: Vol. 31
HB222: NXNE: Day 2 (Pictorial Review, Video)
HB223: NXNE Day 3: Greys, Benjamin Booker, Viet Coing (Photo Gallery)
HB224: NXNE Day 3: Speedy Ortiz, Swearin’, Spoon (Photo Gallery)
HB225: NXNE Day 3: Perfect Pussy (Photo Gallery)
HB226: NXNE Day 4: Creep Highway, Perfect Pussy, Frankie Cosmos, Swearin’ (Photo Gallery)
HB227: NXNE Day 5: Courtney Barnett, Army Girls (Photo Gallery)
HB228: Soybomb HQ: Cellphone, Ice Cream, Pleasure Leftists, Perfect Pussy (Photo Gallery)
HB229: Smiling Buddha: Pleasure Leftists, Holy Fuck, METZ (Photo Gallery)
HB230: NXNE: Day 3 (Review, Videos, Photos, Videos)
HB231: NXNE Day 3: Perfect Pussy (Review, Photos)
HB232: NXNE Day 4 + 5 (Review, Photos)
HB233: Perfect Pussy at Soybomb HQ – 6/21/14 (Review, Video)
HB234: METZ at Smiling Buddha – 6/22/14 (Review, Video)
HB235: Deafheaven at Bottom Lounge – 7/18/14 (Review, Photos)
HB236: Pitchfork Festival Day 2 (Review)
HB237: Pitchfork Festival Day 3 (Review)
HB238: Pitchfork Festival Day 3: Perfect Pussy (Review)
HB239: Watch This: Vol. 32
HB240: Watch This: Vol. 33
HB241: Watch This: Vol. 34
HB242: Watch This: Vol. 35
HB243: Watch This: Vol. 36
HB244: Watch This: Vol. 37
HB245: LVL UP – Soft Power (Stream)
HB246: Cymbals Eat Guitars – Warning (Stream)
HB247: Iceage – The Lord’s Favorite (Music Video)
HB248: Terry Malts – Let You In (Stream)
HB249: Dead Stars – Summer Bummer (Music Video)
HB250: Songs in Screen: A Look Back (Music Video Mixtape)
HB251: The Frankl Project – Day at the Races (Stream)
HB252: Cancers – Moral Net (Stream)
HB253: Watch This: Vol. 38
HB254: Mannequin Pussy – Kiss (Stream)
HB255: Vacation – Every Direction (Stream)
HB256: The Midwestern Charm – Bloodbath (Stream)
HB257: Dude York – Believer (Stream)
HB258: PURPLE 7 – Wise Up (Stream)
HB259: Lost Boy ? – Hollywood (Stream)
HB260: Mulligrub – Canadian Classic (Stream)
HB261: Purling Hiss – Learning Slowly (Stream)
HB262: Sam Coffey & the Iron Lungs – Gates of Hell (Music Video)
HB263: Two Houses – Disappointer (Stream)
HB264: Cayetana – Scotty Get the Van, I’m Moving (Stream)
HB265: Shy Boys – Life Is Peachy (Music Video)
HB266: Low Expectations – Left & Right (Stream)
HB267: Sonic Avenues – Bored With Love (Stream)
HB268: Joanna Gruesome – Jerome (Liar) (Stream)
HB269: The Yolks – You Don’t Live Here No More (Stream)
HB270: Bent Shapes – 86’d in ’03 (Stream)
HB271: Watch This: Vol. 39
HB272: Ex-Breathers – Pocket (Stream)
HB273: Liam Betson – Rapture in Heat (Stream)
HB274: Allison Crutchfield – Berlin (Stream)
HB275: The Ar-Kaics – Be My Baby (Stream)
HB276: Even Hand – Even Hand (Album Review, Stream)
HB277: Naomi Punk – Firehose Face (Music Video)
HB278: Kindling – Sunspots (Stream)
HB279: Places to Hide – Nowhere Bound (Stream)
HB280: We Need Secrets – How You Remember (Stream)
HB281: LVL UP – I Feel Ok (Stream)
HB282: Girl Tears – Candy Darling (Stream)
HB283: Ex Hex – Beast (Stream)
HB284: The Freezing Hands – Good Morning Takeout (Stream)
HB285: Follies – I Make Sense (Stream)
HB286: Happy Diving – Weird Dream (Stream)
HB287: Big Ups – Justice (Music Video)
HB288: Radiator Hospital – Bedtime Story (Music Video)
HB289: Space Raft at Crunchy Frog – 8/16/14 (Pictorial Review)
HB290: Watch This: Vol. 40
HB291: The Seeers – Without Lites (Stream)
HB292: Dark Blue – Here On My Street (Stream)
HB293: Lenguas Largas – Kawasaki Dream (Stream)
HB294: Wyatt Blair – Girls! (Stream)
HB295: Perfect Pussy – Leash Called Love (Stream)
HB296: Eternal Summers – Window (Stream)
HB297: Watch This: Vol. 41
HB298: Eugene Quell – A Great Useleness (Review, Stream)
HB299: LVL UP – DBTS (Stream)

NXNE: Day 4 + 5 (Review, Photos)

Courtney Barnett XIV

[AUTHOR’S NOTE: Once again, apologies are necessary for the long drought of material. I have been organizing, writing, shooting, editing, and attending more events than usual. This has taken up a considerable amount of time but Heartbreaking Bravery hasn’t been forgotten. In fact, most of it has been for the site and will be posted about shortly. Full attention will return shortly and regular posting will resume along with it.]

NXNE is now more than a month in the past but it’s difficult not to keep returning to those shows. The last two days of that Toronto trip were made up of some of the most explosively visceral and gratifying shows anyone could possibly ask for. Two of those shows won’t be accounted for in this review as they weren’t official parts of the festival. Both shows will be given their own full reviews following everything here. Now that all of that’s out of the way, onto the shows themselves.

Day 4 of NXNE kicked off at Sonic Boom where noise/hardcore duo Creep Highway immediately set about providing as much sonic destruction as they possibly could. The duo, led by guitarist/vocalist Michael DeForge, played a fierce, ragged set that saw inflections of powerviolence weaving in and out of their songs. It was an arresting start and both DeForge and drummer Patrick Kyle looked exhausted, but happy, when the last bits of feedback were finally cut off. After happily enduring their onslaught, it was a mad dash over to The Great Hall for Perfect Pussy, looking to avoid another unfortunate situation.

Not two steps were taken into a crowded Great Hall before hearing Graves’ earnest “Hi, we’re Perfect Pussy” led the band straight into their usual chaos. Only this time, unlike the (admittedly mesmerizing) performance not even twelve hours prior, everything went off without a hitch. Their levels were mixed well, Graves’ confrontational pleading was audible, Greg Ambler’s bass- and bass amp- were both in tact, and the audience fed into the band’s energy with a strong display of their own. All of the usual highlights remained extraordinarily strong moments (“Interference Fits”, in particular- still as much of a contender for “song of the decade” as it’s ever been) and by the time Shaun Sutkus’ loops were turning into decays in the epilogue section of “Advance Upon the Real”, Graves was sitting onstage with her backpack, entranced by her bandmate, and looking deservedly pleased. All in all, it was over in about twenty minutes and wound up as another strong example of their live prowess.

After sticking around to hear a few enchanting songs from ANAIKA and leaving with Graves for a very revealing conversation about the previous nights events, it was off to the Ryerson University outdoor stage for an enchanting set from Frankie Cosmos. Graced with good weather and good sound, the young (and very prolific) singer-songwriter delivered each of her songs in high spirits to a small but appreciative crowd. Fan favorite “On the Lips” proved to be an easy high point; it’s as sweet and startling as it’s ever been. All of Cosmos’ bands played off her to near-perfection, each seeming like a natural extension of her songs themselves. By the end of the set, they were all miming their respective parts before falling down in a memorable bit of unassuming humor that wound up being the perfect capper to what was one of the festival’s most endearing performances.

When Frankie Cosmos’ set had come to a close, it was difficult to keep up (any serious festival attendee or reporter will attest to how exhausting the most extensive can be) so there was a dead-zone until Swearin’ took things over at Smiling Buddha. After dealing with some unfortunate mixing situations the previous night, it was a thrill that bordered on catharsis to enter a venue and hear the band in fine form, mixed to perfection. Once again, they offered up an incredibly balanced set that had clear highlights in particularly fiery renditions of “What A Dump”, “Dust in the Gold Sack”, and “Movie Star”. By the time their set had drawn to a close, they’d thrown down the perfect reminder of why they’ve earned so much critical adoration and fan loyalty. Swearin’ are one of the best bands out there- not an easy claim to make, but an impossible one to ignore after seeing a set like that one. A perfect way to end the official festival portion of Day 4.

Day 5 would be split between two venues and only one of them was an official NXNE showcase, which is why this is being included here instead of given separate billing. That showcase took place, once more, at Sonic Boom (and was graciously hosted by the inimitable Chart Attack– who had hosted the previous day as well). It began with a rousing set from one of Australia’s finest exports, Courtney Barnett. An early crowd had formed for the on-the-rise artist and Barnett delivered the way she always does; with warmth, grace, and an endless supply of smiles. No one in the band seemed able to contain their happiness or gratitude and were even smiling through their technical difficulties (which were expertly maneuvered into noise sections that fit the songs so perfectly that it almost felt like they should be integral parts of the band’s sound/records). It was a surprisingly ragged set (made even more ragged by Barnett’s virtue of refusing to use a pick) that sounded as blissed-out as the band looked, even in some fairly startling heaviness the band’s adopted into their palette. Everything about Barnett’s set pointed to one thing: her name isn’t one that will be disappearing anytime soon.

Local band Army Girls‘ bluesy post-punk leanings were next to be featured and the duo lived up to the promise of their recordings. It was one of their first appearances in a while and if there was any rust, it didn’t show. Between seriously impressive displays of fretwork and control from guitarist/vocalist Carmen Elle and drummer Andy Smith, Elle would offer up some biting banter before launching into the next song. Nearly everyone in Sonic Boom couldn’t seem to take their eyes off of them; even Courtney Barnett was dancing in between the aisles and shouting between-song encouragement. She wasn’t alone. Army Girls’ set had an even, practiced feel to it that warranted both attention and investment. If this band ever decides to make a serious run, it’ll be one to keep both eyes on. That their set was the last official NXNE showcase to be taken in felt appropriate; it was another perfect example of the independent spirit that the festival built itself on- and of the city that hosted it. Here’s to NXNE XX- and here’s to looking forward to the 21st installment.

The photo galleries of both days can be accessed below.

NXNE: Day 4 (Photo Gallery)
NXNE: Day 5 (Photo Gallery)

NXNE Day 4: Creep Highway, Perfect Pussy, Frankie Cosmos, Swearin’

hbb27

A note: All night tonight Heartbreaking Bravery will be running photo galleries from the recent Toronto trip. All of these galleries will have full reviews to accompany them in the near future. The preceding galleries all came with additional notes out of necessity but this will be the short reminder that runs with the remainder. Enjoy the photographs below and keep an eye out for the upcoming reviews.