Heartbreaking Bravery

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Tag: Crank

Watch This: Vol. 127

Now that Watch This has resumed regular installments, the overwhelming amount of material on offer may necessitate more than one installment of the series. The 126th volume exclusively focused on individual performance sessions, while the five featured performances below are all full (or nearly full) sessions. The vast majority of the bands selected for feature below have already earned mountains of praise from this site (especially in the live department) and are providing even further justification for those earlier claims. Everything that’s here is here for a reason. So, as always, sit back, adjust the volume, relax, and Watch This.

1. Palm (Audiotree)

One of last year’s most buzzed-about live acts has been capitalizing on that momentum this year and recently got a chance to show off their deadly syncopation for Audiotree. Palm may still be a ways off from having the sort of name recognition as, say, Battles, but they’re well on their way to that point. Frenetic, razor-sharp, and endlessly intriguing, the band’s a sure bet to steal any show they play. As a shockingly young band, they’ve also got a terrifying amount of potential growth and exploration on the horizon. If they sustain their trajectory, their journey will be one of the most explosively rewarding of the next several years.

2. Thao & The Get Down Stay Down (KDHX)

Utilizing a fairly stripped-down for this KDHX session, Thao & The Get Down Stay Down manage to find some new life in already vibrant material. The band runs through three songs for the radio program, straddling the divide between consummate professionals and friends just having fun. Everything they try here works beautifully and re-establishes Thao & The Get Down Stay Down as one of the more exemplary live acts that’s currently touring the circuit.

3. Posse (Band In Seattle)

Band In Seattle has been making a lot of strong moves lately and that streak’s extended with this session featuring Posse, who make the most of their spotlight by demonstrating their considerable range. From slow-burners to mid-tempo trots to furious noise-inflected basement pop, the band never sets forth a false foot. Impressive to the end, it’s a memorable showing from a band that’s looking poised to be on a lot of people’s radar very soon.

4. Speedy Ortiz (PressureDrop.tv)

Speedy Ortiz have been making the rounds again thanks to their latest release, the very strong Foiled Again EP. Accordingly, their schedule’s been a lot busier and afforded opportunities like this discography-spanning live session for PressureDrop.tv. In 10 songs, the band asserts their dominance as a live act with a practiced ease, underscoring their gnarled dynamic approach nicely.

5. Frankie Cosmos (KEXP)

For the past year or so, Frankie Cosmos — like a lot of acts that comprise The Epoch — have been quietly having a well-earned breakout moment. This year’s Next Thing was the band’s first official full band release and, arguably, their best. Previously the solo bedroom project of Greta Kline, Frankie Cosmos has long derived its powerful emotional pull from its live show, something that comes through with this beautifully-shot KEXP performance.

All Dogs – How Long (Stream)

All Dogs V

As was mentioned in the preceding post, this has been a characteristically enormous week for new music and music videos (at least as far as 2015’s concerned). It makes sense, then, that the most traditionally packed main category (single streams) would log the most outstanding entries. All of the songs that caught my ears or piqued my interest have been hyperlinked below this post’s featured song- All Dogs‘ stunning “How Long”. The third song to be officially released from the band’s forthcoming full-length, Kicking Every Day, “How Long” continues their drastic expansion of dynamic range.

As has been previously noted, the dynamic shift was sparked by two crucial elements: the addition of ex-NONA guitarist Nick Harris and the retooling of the actual songwriting process, allowing the band to collaborate on a much more extensive level. Leading the charge, as always, is Maryn Jones, an enviably gifted songwriter that’s perfected an unshakable blend of humility, honesty, and yearning that can be absolutely devastating. Jones and Harris’ guitar work across all of the tracks in Kicking Every Day‘s rollout campaign have been nothing short of miraculous. Understated, complementary, and intuitive, their instrumental work has managed to maintain a surprisingly emotional heft that only deepens the inherent sadness that permeates the bulk of Jones’ discography (something also exhibited in her work with Saintseneca– who also have a forthcoming record this year- and as Yowler, a project that released a full-length earlier in 2015).

Backed by the rhythm section of Amanda Bartley (bass) and Jesse Wither (drums), all of All Dogs’ songs gain an intimidating set of teeth. Bruised and bristling, the band dives headfirst into Jones’ damaged introspection with a commendable fearlessness, amplifying a deeply personal struggle of self-worth. Putting herself under the knife, Jones is merciless in her meticulous scrutiny of her own value. In Fader’s premiere of the song, Jones issued a statement about “How Long” was “an extended question about when [she] would stop hating [herself].” It takes bravery to acknowledge your own faults and even more to do so on an extremely public level but in a recent conversation I was fortunate enough to have with Jones after Saintseneca’s impressive performance at Baby’s All Right, she revealed that the process of writing and playing music has been deeply therapeutic.

Fortunately, Jones’ self-loathing is given a celebratory tint with a positive angle when framed in the greater context of All Dogs’ work and there’s a very palpable love for their craft that’s continuously evidenced by their breathtaking live show(s). Every now and then, that euphoric swell comes through in their most climactic moments and “How Long” boasts a few particularly great examples. As Jones stretches out and reaches for an answer in those explosive choruses, it’s almost as if the answer’s intangible and not an actual destination- rather, it’s something gleaned by the journey. While it may ultimately be a bittersweet path, at least it’s one shared in the company of genuinely supportive friends. It’s this particular dynamic that makes All Dogs a viable candidate for today’s best band; a willingness to fully explore life’s darkest corners but always retaliate against them while rallying around their central figure with unbridled force, grace, and determination. It’s also what makes “How Long” this week’s finest track.

Listen to “How Long” below and pre-order Kicking Every Day from Salinas here. Underneath the player, browse through a list of the week’s best songs. Enjoy.

PWR BTTM – Dairy Queen
Grape St. – Sharp Dressed Man
Helen – Violet
Big Air – Stay the Night
Alex G – Bug
Jacuzzi Boys – Sun
Wavves – Heavy Metal Detox
Majical Cloudz – Silver Car Crash
Blank Realm – Palace of Love
Timmy’s Organism – Get Up, Get Out
Destroyer – Times Square
Dialect – Chewing Springs/Quietly in the House
Fern Mayo – Going Somewhere
Amy Bezunartea – Oh The Things A Girl Must Do
Kindling – Hate the Police
Scully – Don’t Want That
Tempers – Undoing
Lucero – Can’t You Hear Them Howl
Aneurysm – Stop This Ride
Chance the Rapper & Noname Gypsy – Israel (Sparring)
Ausmuteants – Mates Rates
Numero Group – Spirit Darts
Tideland – All I Know
Thee AHs – John
Palm – Crank
together PANGEA – If You’re Scared
Doe – No Wonder
Gracie – Jesse
Frankie Broyles – Capturer
Marineros – Secretos
Century Palm – Valley Cyan
Threading – Never
Infinity Girl – Young
Last Good Tooth – Our Little Machine
Lost Film – Try
Thayer Sarrano – Touch My Face
Aircraft – Stick
The High Learys – Letter to Alice
Wild Moth – You Found Out
Surf Rock Is Dead – Anymore
Modern Merchant – Be That As It May