Heartbreaking Bravery

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Tag: Cowtown

Birth (Defects) – Demands (Stream)

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In just under two weeks a small army of notable songs have been unveiled, including new titles from acts like Cowtown, The Pills, The Amazing, Trust Punks, Descendents, Tempesst, Ultimate Painting, Cave Curse, Trevor Sensor, Katie Burden, Tom Brosseau, Opposite Sex, True Neutral Crew, Crocodiles, Grieving, Henry Chadwick, Shapes In Calgary, Goblin Cock, and Saints Patience. That run of songs all but closes out the list of the finest tracks to cross this site’s path over the interim, with one notable exception: Birth (Defect)’s near-feral “Demands”.

A brief talk with Birth (Defects)’s vocalist (as well as social activist, Is This Venue Accessible mastermind, Accidental Guest head, and all-around great human) Sean Gray revealed that “Demands” was the first song the band ever wrote. Gray still considers it the band’s finest offering and, with this new version recorded by Perfect Pussy‘s Shaun Sutkus and rounded out by the band’s recently-expanded lineup, it’s not difficult to see why that’s the case.

Like nearly all great hardcore bands of any breed, Birth (Defects) draw considerable power from frustration and that frustration has never manifested more clearly than in the staccato stabbings of “Demands”, which complements the band’s most recent offering — the incendiary “Hanshin“, which will be the track’s flip-side on the forthcoming 7” — to perfection.

Through aggressive, chaotic caterwauling, Birth (Defects) carve out a home in a dark corner and sink their heels in deep, recoiling while simultaneously positioning themselves for attack. Feedback runs through everything, providing an air of discordance that drives up a sense of tension that never evaporates and lingers on after the final snare blast. Somehow, as raw and primordial as it seems on the surface, “Demands” can’t help but feel weirdly triumphant. It’s the sound of a band who have embraced their voice and are intent on projecting it through a row of sharpened teeth. The end result? A third-degree bite mark that deserves to be worn like a badge of honor.

Listen to “Demands” below and pre-order the 7″ from Reptilian here.

Radioactivity – Intro/Battered/Slipped Away (Music Video)

rdctvty

The past handful of days have been keeping 2015’s embarrassment of riches trend alive via outstanding releases in all of this site’s regularly covered categories: single streams, full streams, and music videos. For the sake of brevity, these streams (and the following items) will be listed solely by the artists involved- though all of these links are well worth clicking and reflect strongly on the state of contemporary music.

In the full songs department we received great new items from a handful of artists that included: Reservations, Monogold, Total Makeover, Foals, Hinds, Cowtown, Lithuania, Drinks, Pearl Charles, Connor La Mue, and Museum Mouth. Full stream found strong representation through upcoming releases from Philadelphia Collins, Vundabar, Rat Boy, Ducktails, Feeling Feelings, and Dark Thoughts. Music videos, much like the preceding two categories, had an excessively strong haul with outstanding new clips from Screaming Females, Krill, S, Findlay Brown, Laura Marling, Aaron Taos, Dum Dum Girls, and Kurt Vile. The same feat holds true for today’s featured piece; Radioactivity’s minimal three-track music video that unifies Silent Kill tracks “Intro”, “Battered”, and “Slipped Away” as one visual presentation.

The entire affair, as noted above, is extremely minimal and the premise is incredibly simplistic: Radioactivity plays three songs in a garage warehouse. How its executed is what gives this clip its life; each song brings the cameras progressively closer to the band as they perform before finally drawing in so close that the frame starts incorporating the technicolor exterior tubes to divide the shot in a barebones special effect trick that provides a surprising amount of visual punch. Of course, this being Radioactivity, the songs don’t need a lot of visual finesse to carry through or offer some sort of elevation; they’re already just about perfect. A compact blast teeming with the band’s characteristically snarling energy, this is a video that embraces their no-frills attitude and emphasizes what makes the band truly great.

Watch “Intro/Battered/Slipped Away” below and order the band’s excellent Silent Kill from Dirtnap here. For those of you in the Brooklyn area, you can catch the band at Baby’s All Right on July 30. Tickets for the show can be ordered here.