Heartbreaking Bravery

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Tag: Columbia

Bully – Trying (Music Video)

Bully XI

It’s been a hectic two weeks. One move to Brooklyn and nearly a dozen live reviews later, there’s barely been time to run anything other than specialty coverage. In the interim since the move, I’ve been accumulating the pieces of media that have managed to catch my attention. This particular post will be dedicated to the music videos that managed to fight their way onto my radar, with the feature falling squarely on Bully’s endearing clip for Feels Like‘s hell-raising “Trying” (and an accompanying list of every other title via a list of hyperlinks).

As mentioned above, most of the coverage has been geared towards live documentation, including a fierce in-store set from Bully, who managed to inject that same raw intensity into their latest clip. Shot in a straightforward black-and-white, the official visual representation of “Trying” manages to nicely echo the band’s very apparent 90’s influence. Utilizing a lot of shaky devices to compelling effect (the quick zoom, in particular, is utilized astoundingly well), the video’s central narrative finds an uplifting exuberance in its simplicity; Bully break into an amusement park and a pair of security guards attempt to track them down. There’s a very visible affection for the project on display throughout, exuding a very sincere giddiness that ultimately elevates “Trying” into one of the years most memorably fun videos. It’s a testament to the band’s intrinsic charisma as much as it is to their career savvy. Put simply: this isn’t something worth missing.

Watch “Trying” below and order a copy of Feels Like here. Beneath the embed, there are links to several other videos that came out in the past two weeks that are worth watching.

Bob Thiele & The Forest Rangrs (ft. Alison Mosshart) – Trying To Believe
EERA – White Water
Vomitface – Luckiest Man Alive
Dances – Holy Fool
Farao – Hunter
Chastity – Manning Hill
Natalie Prass – Birds of Prey
Vacation – Decaying
PINS – Everyone Says
Solvey – The Weight
Father John Misty – I Love You, Honeybear
Shannon and the Clams – Corvette
Hippo Campus – Suicide Saturday
Beirut – No No No
Katie Dey – Unkillable
The Spirit of the Beehive – World Access
Pale Angels – Piss Water
Hemingway – No Hard Feelings
Sean Henry – The Crow
The Amazing – Safe Island
Mogwai – Helicon 1
Girlpool – Magnifying Glass
The Armed – Paradise Day

Bully – Live at Rough Trade – 6/15/15 (Pictorial Review, Live Video)

Bully XI

Earlier today I wasn’t planning on seeing any shows and was committed to exploring the surroundings of my new apartment (and working on the Miscreant piece) instead. A single tweet changed my entire course of action. All thanks are due to Bella Union’s Sally Hedberg for unexpectedly alerting me to a free in-store set at Rough Trade. I’d meant to catch Bully at one of their several Northside shows after spending the previous weeks fawning over their incredible Feels Like, a viable Album of the Year candidate. While I wasn’t able to attend any of those, I was able to make the easy quarter-mile  walk to Rough Trade and salvaged what just hours ago had seemed like an egregious misfire.

After making my way to the front, Bully set in on a ferocious set that showcased guitarist/vocalist’s Alicia Bognanno’s vocals as much as it did the impressive overall musicality of the entire group. The rhythm section was locked in and the guitar work was incendiary but Bognanno has the kind of weaponized voice that’s impossible to override with anything else. Front and center, she led her band through a tightly controlled set that never took its foot of the gas pedal. By the time the band had torn through a set of fiery highlights, it was abundantly clear that their aim’s higher- and far more specific- than most bands venturing into major label territory. By retaining their artistic integrity and firing on every conceivable cylinder, they’re among the most promising acts of today- something further enhanced by their live show. All that’s left is to hope more bands follow their lead.

Photos and videos of their Rough Trade set can be viewed below. Feels Like can (and should) be pre-ordered here or picked up at Rough Trade NYC.


Cymbals Eat Guitars – Warning (Music Video)

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With another traditionally huge Monday just about in the books, it’s time to recap a large portion of the great material that was released. NPR’s First Listen series was typically stocked and contained Bedhead‘s discography as well as the upcoming records from Big K.R.I.T. and Hookworms. There was also the aggressively bleary noise-psych of Energy Slime’s debut 7″, New Dimensional. Stereogum played host to a slew of impressive song premieres: Lemuria‘s sprightly “Froggy Smoke“, Chief Scout’s kinetic basement pop stunner “Oh Shit“, Whirr‘s newest heavy-hitter “Ease“, and Cloakroom‘s Matt Talbott-assisted “Dream Warden“. In other reaches of the internet, The Sidekicks announced a new record and signing with Epitaph with the typically excellent “Deer” and Diarrhea Planet continued to up the anticipation for their upcoming EP, Aliens in the Outfield, with the absolutely stunning closer- and very likely their career-best- “Peg Daddy“. Empty Apartments’ punchy lo-fi treasure “Lefty (Cardboard Box)“, Terrorista’s jumpy basement punk brawler “Darren vs Bag“, and The Coathangers‘ savage Gun Club cover all also found their way into the world.

To round things out there were also outstanding new music videos that included a tantalizing introduction to what will be a multi-part series from Kevin Devine via “She Can See Me“, an intense visual stimuli overload in the form of Naomi Punk‘s “Television Man” video, Desert Sharks’ revenge fantasy in “crazycrazy“, and Elbow’s artful ode to motorcross in the artfully composed “New York Morning“. There was also The Twilight Sad‘s gorgeous black-and-white clip for “Last January“, Yesway’s hauntingly minimalistic “Let Go“, and Appomattox‘s celebratory career-ending exclamation point in the skate-heavy video for “Yr Soul“. While all of those operated on various levels of unique excellence, it’s tough to outmaneuver that towering scope of one of the year’s most powerful albums- especially when the music video for one of its best songs feels so perfectly assembled.

LOSE is a record that carries the burden of the heavy emotions that come with the loss of a close friend. “Warning” is one of its few moments of total exhilaration; a release of the pent up frustration, angst, despair, and complete helplessness in the face of death. It’s a staggeringly powerful moment on the record and hits stratospheric heights when paired with- and accompanied by- the record’s implicit narratives. In the brilliantly directed music video, Cymbals Eat Guitars are reverted back to youth via teenage stand-ins who deliver some commendably impassioned (and entirely convincing) performances as they mimic the song. A sense of well-placed nostalgia is subtly added in through quick cuts revealing some classic posters and albums that likely served as influences for the band (and for Benjamin High, whose early departure was the event that inspired much of LOSE). “Warning” is lovingly edited and gorgeously lensed, it’s a video that manages to evoke a deeply-felt well of emotions. It’s a surprisingly moving complement to a song- and record- that deserved nothing less.

Watch “Warning” below and buy LOSE directly from Barsuk here.