Heartbreaking Bravery

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Tag: Cloakroom

A Month’s Worth of Music Videos Worth Watching

Songs weren’t the only category absolutely lousy with gems over the past six or seven weeks. In that same time span, a whole host of outstanding music videos made their way into the world, from old favorites, unfamiliar faces, and just about everyone in between. Below is a compilation of some of the most impressive of those offerings. A few more will be featured in some capacity shortly but for now, enjoy the treasure trove of links below. Dive in and swim around a little, there are a lot of great surprises to discover.

Great Grandpa, Sloan Peterson, Pinact, Zuli, Littler, Dearly Beloved, Tashaki Miyaki, Amy O, Kane Strang, Juiceboxxx, Tall Friend, Peach PyramidSiobhan Wilson, Mattiel, Absolutely Not, Jessica Lea Mayfield, Kevin Devine, Widowspeak, Alvvays, Caroline Says, Waxahatchee, Sam Patch, Milked, Mister Heavenly, Mise en Scene, Yi, Japanese Breakfast, The Lonely Biscuits, Spencer Radcliffe & Everyone Else, New Swears, Lee Ranaldo, Big Hush, Melkbelly, MRYGLD, Phoebe Bridgers, Wilder Maker.

James Elkington, Wolf Parade, Aaron D’Alesio, Dave Depper, Sharkmuffin, Cloakroom (x2), Emily Rockarts, Post Lovers, Pkew Pkew Pkew (x2), Torres, Broken Social Scene, Captain We’re Sinking, Secret Crush, Stars, Le Mutant, Oxbow, Laura Carbone, Hamell On Trial, Ha Ha Tonka, OHMME, Grim Streaker, Cody & Danz, Little Junior, Grey Gersten, Chad VanGaalen, Guerilla Toss, Dutch Uncles, Birds, Froth, The Van T’s, RYAN Playground, The Mynabirds, A Giant DogMÄRVEL, Fits, Walrus.

Beach Fossils, Mount Kimbie, Dylan Lancaster, Courtney Marie Andrews, Korey Dane, Fassine, The Savage Radley, Tamino, EMA, Francobollo, Elle Mary & The Bad Men, Wand, Hero FisherCymbals Eat Guitars, Playboy Manbaby, Cotillon, Moses Sumney, The Gift of Gab, Rainbrother, Sheer Mag, The Vacationists, The Broken Hearts, Wild Honey, Auction for the Promise Club, Alice Limoges, Flood Coats, Hammydown, football, etc., Camp Cope, Joy Downer, tunic, Manchester Orchestra, Men I Trust, Oshwa.

Gracie and Rachel, Us and Us Only, Black Kids, Club Night, Angelo De Augustine, Ritual Talk, Algiers, The New Respects, Wieuca, Alex Lahey, Passion Pusher, Steelism, Tattoo Money, Ross Goldstein, Andy Gabbard, Grandbrothers, and a whole series from Raj and the 100’s.

Nothing Stops In November: The Month’s Streams

While only two premiere spots ran on this site over the course of November, there was more than enough new material being released to keep anyone attempting to track it all extremely occupied. A total of nearly 200 outstanding songs found their way out into the world and, just as the preceding posts did for full streams and music videos, this post will serve as a recap of the majority of those titles. If there were enough time to provide all of these tracks feature spots, they’d be receiving a lot more words. However, that shouldn’t distract from their merit; all of these tracks are more than worth hearing. So, bookmark the page, click around, and discover a few new favorites. 

Hater, Alyeska, Dama Scout, Fred Thomas, Turtlenecked, Pissed Jeans, Rolling Blackouts Coastal Fever, Wild Pink, PermitTy Segall, The Courtneys, Julien Baker, brunch., Holy Now, Breast Massage, Hideout (x2), Jitterz, Drakulas, Ted Leo, Peter Silberman, Creepoid, ot to, not to, Luxury Death, Leapling, Day Wave, No Sun, Matthew Squires, Skyway Man, Dominic, Tobin Sprout, D.A. Stern, Minor Moon, Dear Georgiana, Slumbers, FRIGS, Nadia Reid, Mark Sultan, Polyester, Imaginary People, Shiny Wet Machine.

Magic Magic Roses, Spelling Reform, The Velveteins, Rubblebucket, Cate Le Bon, A Valley Son (x2), Old Gray, The Besnard Lakes, Swampmeat, Heat, Fascinations Grand Chorus, Alexander F, Mica Levi, Steady Hands, Bell the Band, Urochromes, Idle Bloom, Mainland, Thelma, The Regrettes, Modern Baseball, Holiday Ghosts, Los Campesinos!, Fear of Me, Lilah Larson, Frederick the Younger, Silver Rose, Lucidalabrador, The Molochs, Molly Burch, Tim Cohen, Rainbrother, AD.UL.T. (x2), Decorum, MELT, Emmy the Great.

GOLDBLOOMS, The Adventures of the Silver Spaceman (x2), We Leave at Midnight (x2), Dooms Virginia, Rosebug, Paperhead, OhBoy!, whenyoung, Caitlin Pasko, Lampshades, Pie Face Girls, Brandon Can’t Dance, Kevin Krauter, Childcare, Mind Rays, Eric Matthews, The Velvet Ants, The Black Clouds, Diagrams, Marine, Corner Suns, So Stressed, Crash Club, Future Peers, Proper Ornaments, Trudy and The Romance, Will Johnson, Fond Han, Natalie Bouloudis, Jordan Burchel, Big Mother Gig, Elliot, Once & Future Band.

Chaz Bundick Meets the Mattson 2, Pure Moods, Dude York, Sam Brockington, Del Caesar, John Travoltage, Camp Cope, Mutts, Pollen Rx, Cloakroom, Mr. Universe, Carroll, Purmamarca, Ben Pagano & The Space Machine, Tim Carr, Eat Fast, Landing, Louise Burns, Toothless, Plastic Pinks, Less Acrobats, Knifey, Known To Collapse, Cassels, Tracy Bonham, Brasstronaut, Satin Cowboys, Surf Rock Is Dead, Fruit Bats, Steph Barrak, Oliver Houston, The Sloppy Heads, Chavez, Aan, Sex Drive, The Saddest Landscape, Xiu XiuLiving Body, Lowly, JERK, Medium Mystic, Dutch Uncles, COTE, Koresma, Jailbox, Hajk, Archawah, Levek, and Grave School.

Wicker Park Fest 2016 (Pictorial Review)

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A few weekends back, Chicago quietly hosted one of the most stacked festivals of the summer. While Pitchfork (understandably) got the bulk of attention, it was Wicker Park Fest that offered the best deal. For a suggested $10 donation, any interested parties could explore a wide variety of vendors and take in three stages worth of acts like Diet Cig, The Coathangers, PUP, Yeesh, Pile, Jeff Rosenstock, The Mountain Goats, Rocket From the Crypt, Ought, Alvvays, Cloakroom, Bad Bad Hats, and so many more.

I arrived late into day one, hoping to catch the end of The Sidekicks’ set. By the time I’d entered the grounds, the band was already packed up and the weather had begun to turn ominous. Less than ten minutes into walking through the gates, a torrential downpour erupted and caused several attendees (myself included) to take shelter in the warm, familiar confines of Reckless Records.

It was a surreal scene inside the store with people lined up to see the storm demolishing vendors’ tents outside, Christmas music being played over the store’s system, and people frantically checking for updates on the status of the festival. For a brief moment, the power went out. No one was sure what the next steps would be and nearly everyone was keeping their fingers crossed for the storm to blow over definitively enough to allow for the scheduled headliners sets.

Fortunately, the storm did wind up receding and, as a result, I got to catch an abbreviated six-song set from Jeff Rosenstock (one of the highlights of the festival, even in that small window) and a solid set from The Mountain Goats. While there were some sound issues that plagued The Mountain Goats set, there wasn’t much else to complain about. Both acts were very tight (particularly Rosenstock, whose entire band played with the kind of explosive, pent-up energy that seemed to be as cathartic for them as it was for the audience) and either won the crowd over, played into their hands, or both.

After arriving well before any of the stages hosted any bands on day two, it was easy to see that storm from the preceding night hadn’t dampened the festival’s spirit. One of the School of Rock acts officially kicked things off, alternating members and making their way through a set of crowd-pleasing covers. Not too long after they’d begun, KO took the south stage and unleashed an inspired set that created more than a few converts while sounding spectacular in an outdoor festival setting.

While all of that was happening outside, Double Door was wisely hosting the ancillary Fuck Fest, which featured more than two dozen bands, inside. The venue exists inside of the festival grounds, allowing Fuck Fest to take on new life. When the heat and humidity started bordering the unbearable, Fuck Fest offered a nice reprieve from the swirling mass of bodies outside while still offering up a solid selection of (mostly local) acts.

At Zero was the first band I managed to catch at Fuck Fest and they tore through a tightly-wound set on the main stage that energized the crowd inside the venue. Right outdoors on the south stage, Spaceblood was confidently making their way through a set that drew in a large crowd, heavily featured a merchandise hype man (who promoted the band’s salsa, handed out chips, and threw out Ziploc bags of a terrifying substance called “space goo” which children were warned not to eat), and left the bass/drum duo — who are heavily inspired by Lightning Bolt — understandably exhausted.

Kodakrome was up next on Double Door’s basement stage and the duo-turned-trio did not disappoint. Last year the band put out an extremely promising demo and later expanded those two tracks into a full-blown EP. They’ve been hard at work ever since and their dedication shows in a live setting. Guitarist/vocalist Aaron Ehinger’s a commanding stage presence, exuding a confident calm that manages to be at odds with the band’s hyper-spastic approach to basement punk but also somehow fits perfectly.

Several yards from Double Door’s entrance, The Brokedowns were flying through a powerful set and reaffirming their status as one of Chicago’s great punk bands. Nothing was off limit for their banter, either, which was highlighted by an extended riff about the Costco communion wafers (which were thrown into the audience). As the band kept their charge lively, Bad Bad Hats were finding their groove across the festival grounds on the south stage. The trio’s Psychic Reader was one of 2015’s most pleasant surprises and the band more than lived up to that record’s irrepressible charm in the live setting.

Towards the end of Bad Bad Hats’ set, site favorites Cloakroom were launching into their own set at full power. Slow, heavy, and smothering, the trio were undoubtedly a force but couldn’t help feeling a little out of place in the sweltering midday heat (they’re best suited for darkness). Slow Mass kicked off the proceedings at the center stage (which had been outright cancelled on day one, following the storm) with gusto, blazing through an impressive set of hairpin turns and overwhelming tenacity.

Anyone that frequented this site in 2015 more than likely saw a sizable amount of coverage dedicated to Diet Cig‘s live show and the duo were in exceptional form down at the south stage. Guitarist/vocalist (and principal songwriter) Alex Luciano is now running her telecaster through a split amp system and the additional heaviness rounds the band’s sound out nicely. They tore through old favorites and a select handful of incredible new material (with the obvious highlight being their first “slow jam”) and brought all of the rambunctious energy that’s turned them into unlikely critical darlings.

Not too long after Diet Cig’s powerhouse set, another vicious storm intruded on the festival and made its presence known with an unexpected vengeance. Before long, the wind had hit a velocity powerful enough to literally derail a train from the blue line. As vendors were watching their tents get lost to the wind, Fuck Fest found a new influx of fresh blood due to the inclement weather. Inside Emporium, there was a power outage. Inside the Double Door, Montrose Man were turning all kinds of heads in the basement with an extraordinary set that posited the trio as one of Chicago’s finest emerging acts and a very real candidate for the city’s next breakthrough success story.

Pinto saw the audience inside Double Door grow close to capacity and impressed most of the new arrivals with a sound that fell somewhere between Joy Division and Manchester Orchestra. The band provided a nice moment of grace to a growing amount of anxiety among concerned festivalgoers who were keeping a wary eye on the storm that was threatening to derail more than just blue line trains. Fortunately, for just about everyone, the weather cleared. Unfortunately, the set times for PUP, Pile, Yeesh, and more became casualties of the maelstrom that seemed poised to decimate the festival.

Alvvays and Ought headlined the center and south stages at nearly simultaneous times. As maybe the most intense scheduling conflict of the entire festival, the prospect of Ought on a small, outdoor stage won me over to their side (as well as a well-documented love for the quartet). The band rewarded that decision with a set that unfurled in rapid succession, hitting an apex as “Men For Miles” practically bled into “Beautiful Blue Sky” (which was one of this site’s picks for the best songs of 2015). They sounded tight and seemed relieved to be playing after getting a scare from the weather as well as dealing with travel cancellations, delays, and a series of other mishaps. I think I can speak for their crowd when I say that we were happy they got to play as well.

Shortly after the band wrapped up “Beautiful Blue Sky”, I went over to the swirling mass of bodies that had set up camp in front of the south stage for Alvvays, whose winsome penchants were on full display. The band were mixed beautifully and played with an easy confidence that only served to make them even more impossibly likable. After a few songs, I turned back to Ought and caught strains of the band hitting a climactic moment, spurring me towards the band with a fervor before the opening notes of “Archie, Marry Me” stopped me in my tracks.

Caught between Ought getting swept up in the moment and Alvvays’ seemingly perfect rendition of one of the best songs of this current decade, it became the definitive moment of what makes festivals like Wicker Park Fest so beautiful. For little cost, the organizers managed to further enliven local institutions and give back to the area by facilitating extraordinary examples of what can be accomplished with the right beliefs. Around every corner, there could be something unforgettable happening. No matter which direction anyone turns, it’s easy to find victories on a multitude of scales. Even caught between those moments can provide a level of gratitude and clarity that no amount of money could purchase.

As Ought and Alvvays both tore down, Fuck Fest was still going strong inside Double Door. At that point in the night, the festival started leaning even more heavily towards their emo-leaning acts (a trait that seemed to be a common running thread) but still found a way to offer plenty of variety. Of all of the bands that I managed to catch in the aftermath of Wicker Park Fest, legitimate standouts came in the form of Typesetter, whose emphatically-mean-every-word set felt refreshingly sincere and provided the band with a well-deserved spotlight moment. Easily one of the strongest post-Wicker Park Fest sets belonged to Salvation, a noise/punk trio that skyrocketed the levels of energy, feedback, and general viciousness.

Of everything that I saw during the festival’s run nothing was more impressive than the moment Salvation’s bassist (who looked to be several years older than the other two members) found his foot catching the load-in steps of the stage at an angle that sent him somersaulting backwards down the small staircase, bass in tow. He never stopped playing. After the fall, he righted himself (still attempting to play as the cable cut in and out), stormed back up to the stage, and began swinging his bass around in an effort to create as much noise as possible. The song ended, staff and audience alike made sure he was okay, the cable was replaced, and the band carried on like nothing had happened.

A few songs later, Salvation were done and I was too exhausted to continue. The band had provided a perfect, chaotic ending to a weekend full of sudden changes, ambiguous directions, and oscillating levels of comfort. They’d also given one of the best sets of the two days. Feeling fully satisfied and more than a little overwhelmed, it felt like the perfect time to end a weekend full of challenges, madness, nerves, and inspiration. See you next year, Wicker Park Fest.

Look through a gallery of the festival below and keep an eye on the Heartbreaking Bravery YouTube channel for live captures from the festival.

 

 

The Honorable Mentions of the 2015 Music Categories

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Before diving into the particulars of the forthcoming lists, it’s worth addressing the distinction made in the headline. Each of the categories that received a list in 2015 (music videos, songs, EP’s, albums, odds and ends) will be expanded upon in this post. However, there are still two forthcoming film lists but each of those will include the honorable mentions along with the featured rankings. An obscene amount of great material came out over the 12 months that comprised the past year so any attempts to cover everything would be futile. If anyone’s exhausted the below lists, a more comprehensive version can be found by exploring the following tags: stream, full stream, EP stream, and music video. Explore some of the top tier picks that didn’t make it onto the year-end lists via the tags below.

Music Videos

Screaming Females – Hopeless | Cayetana – Scott, Get the Van I’m Moving | Ephrata – Say A Prayer | ANAMIA – LuciaJoanna Newsom – Sapokinakan | Battles – The Yabba | FIDLAR – 40 Oz. On Repeat | PINS – Young Girls | Doomtree – Final Boss | Hundred Waters – Innocent | Celestial Shore – Now I Know | Donnie Trumpet & The Social Experiment – Sunday Candy | Modest Mouse – Coyotes | Girlpool – Before The World Was Big | Laura Marling – Gurdijeff’s Daughter | Bay Uno – Wait For Your Love | The Staves – Black & White | Young Buffalo – No  Idea | Avid Dancer – All Your Words Are Gone | Avi Buffalo – Think It’s Gonna Happen Again | Adir L.C. – Buyer’s Instinct | Midnight Reruns – Canadian Summer | Daughter – Doing The Right Thing | John Grant – Disappointing | Waxahatchee – Under A Rock | Wimps – Dump | Potty Mouth – Cherry Picking | Froth – Nothing Baby | The Libertines – Heart of the Matter | Car Seat Headrest – Something Soon | Mike Krol – Neighborhood Watch | Savages – The Answer | Kurt Vile – Pretty Pimpin | Bully – Trying | Sheer – Uneasy  | Will Butler – Anna

EPs

Snail Mail – Sticki | Kindling – Galaxies | Eugene Quell – I Will Work The Land | Gumbus – Crimbus Rock | Rye Pines – Rye Pines | Feral Jenny – Greatest Hits | Slutever – Almost Famous | Gracie – Gracie | Nice Guys – Chips in the Moonlight | Anomie – Anomie | Kitner – Stay Sad | Animal Flag – EP 2 | Never Young – Never Young | Birches – Birches | Alimony Hustle – Gutter Gutter Strike Strike Gutter Gutter | The Lumes – Lust | Pretty Pretty – Talkin’ to the WallsVomitface – Another Bad Year | PALMAS – To the Valley | Greys – Repulsion | Wild Pink – Good Life | The Glow – Lose | Spirit of the Beehive – You Are Arrived (But You’ve Been Cheated) | Shady Hawkins – The Last Dance | Holy Esque – Submission | Ashland – Ashland | Isabel Rex – American Colliquialisms/Two Hexes | Pet Cemetery – Dietary Requirements | Milk Crimes – Milk Crimes | Rubber Band Gun – Making A Fool of Myself | Creative Adult – Ring Around the Room | Amber Edgar – Good Will Rise | La Casa al Mare – This Astro | Trophy Dad – Shirtless Algebra Fridays | Glueboy – Videorama | Birds in Row – Personal War | YVETTE – Time Management | Communions – Cobblestones | O-Face – Mint | Day Wave – Headcase | Granny – EGG | Van Dammes – Better Than Sex | Vallis Alps – Vallis Alps | Little Children – Traveling Through Darkness | Philadelphia Collins – Derp Swervin’ | The Tarantula Waltz – Lynx | Nicolas Jaar – Nymphs II | The Japanese House – Pools To Bathe In | Guerilla Toss – Flood Dosed | Los Planetas – Dobles Fatigas | See Through Dresses – End of Days | Earl Sweatshirt – Solace | Kississippi – We Have No Future, We’re All Doomed | Yumi Zouma – EP II | G.L.O.S.S. – Girls Living Outside of Society’s Shit | Fresh Snow – WON | Girl Band – The Early Years | XXIX – Wafia | together PANGEA – The Phage | Ty Segall – Mr. Face | Young Guv – Ripe 4 Luv

Songs

Yowler – The Offer | Meat Wave – Cosmic Zoo | Pleasure Leftists – Protection | Saintseneca – Sleeper Hold | Slight – Hate the Summer | Sports – The Washing Machine | Diet Cig – Sleep Talk | LVL UP – The Closing Door | Royal Headache – High | Tica Douglas – All Meanness Be Gone | Speedy Ortiz – Raising the Skate | Phooey! – Molly’s at the Laundromat | Adir L.C. – Buyer’s Instinct | Sweet John Bloom – Tell Me | Pile – Mr. Fish | Screaming Females – Hopeless | Ernie – Sweatpants | Bad Wig – Stargazer | Dusk – Too Sweet | Painted Zeros – Only You | Krill – Torturer | Young Jesus – Milo | Tenement – Ants + Flies | Midnight Reruns – Richie the Hammer | Melkbelly – Mt. Kool Kid | The Weasel, Marten Fisher – Empty Bucket List | Soul Low – Always Watchin’ Out | Eluvium – Neighboring In Telescopes | Algiers – Blood | Institute – Cheerlessness | Bruising – Think About Death | Vacation – Like Snow | Cende – Widow | Alex G – Brite Boy | Bully – Trying | Nicole Dollanganger – You’re So Cool | Sheer – Uneasy | Laura Stevenson – Claustrophobe | Kathryn Calder – New Millenium | The Foetals – Nothing | Lady Bones – Botch | Dogs On Acid – Let the Bombs Fall Off | Fraser A. Gorman – Shiny Gun | Bandit – The Drive Home | Mercury Girls – Golden | ThinLips – Nothing Weird | Wimps – Dump | S.M. Wolf – Help Me Out | Glueboy – Back to You | Mean Creek – Forgotten Streets | Ratboys – Tixis | PINS – Young Girls | Shilpa Ray – Johnny Thunders Fantasy Space Camp | White Reaper – Make Me Wanna Die | Lady Lamb – Spat Out Spit | Washer – Joe | Pupppy – Puking (Merry Christmas) | Midwives – Back in the Saddle Again | Torres – Strange Hellos | METZ – Spit You Out | Jeff Rosenstock – You In Weird Cities | Little Wings – Hollowed Log | Bent Denim – Good Night’s Sleep | Waxahatchee – Under A Rock

Albums

Girlpool – Before The World Was Big | Screaming Females – Rose MountainYowler – The Offer | Saintseneca – Such Things | Bully – Feels Like | Tica Douglas – Joey | Evans the Death – Expect Delays | Torres – Sprinter | Waxahatchee – Ivy Tripp | Fred Thomas – All Are Saved | Krill – A Distant Fist Unclenching | Ratboys – AOID | Joanna Gruesome – Peanut Butter | METZ – II | Little Wings – ExplainsSlanted – Forever | Bent Denim – Romances You | Someone Still Loves You Boris Yeltsin – The High Country | White Reaper – White Reaper Does It Again | The Armed – Untitled | Shilpa Ray – Last Year’s Savage | The Foetals – Meet the Foetals | Car Seat Headrest – Teens of Style | Wimps – Suitcase | Westkust – Last Forever | Girl Band – Holding Hands With Jamie | Cloakroom – Further Out | Stove – Is Stupider | Johanna Warren – numun | Speedy Ortiz – Foil Deer | Mikal Cronin – MCIII | Adir L.C. – Oceanside Cities | Negative Scanner – Negative Scanner | Pleasure Leftists – The Woods of Heaven | Haybaby – Sleepy Kids | Heather Woods Broderick – Glider | Lady Lamb – After | Pile – You’re Better Than This | Algiers – Algiers | Fraser A. Gorman – Slow Gum | POPE – Fiction | Petal Head – Raspberry Cough | Shannen Moser – You Shouldn’t Be Doing That

Odds and Ends

DBTS: BS2 | Spook the Herd – Freaks b/w Fermented | Kinjac – Possession b/w Possessed | Carbonleak – Waveland b/w Bearing | Vexx – Give and Take | Nervous Trend – Shattered | CCTV – 7″ | Puppy Problems – Practice Kissing | Flagland + Washer | MONO + The Ocean | Uh Huh + Jake McElvie & The Countertops | Alanna McArdle – Bedroom/Balloons | Chris Broom – Meade House Demos | Composite – Demos 2015 | The Library – 100% | Dark Thoughts – Two More Songs From… | Wendy Alembic – Collected Early Works | Toby Reif – 2015 Demos

Watch This: 2015, Vol. 1

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Familiar faces. Single Songs. Full sets. New bands. It’s been 15 weeks since the last Watch This ran on this site and that’s far, far too long. To help get things up to date, the next three days will see a trilogy of video mixtapes containing 25 of the best live clips to surface from 2015 so far. Next week, the installment will resume its normally paced functions- but for now, clear out some time and get lost in the exciting performances compiled in the embed below. Lean back, turn the volume up, breathe deep, and Watch This.

1. Waxahatchee – Under A Rock (Pitchfork)
2. Tenement – Dreaming Out Loud (Don Giovanni Records)
3. Crying – Sick (BreakThruRadio)
4. Beach Slang (NPR)
5. Speedy Ortiz – The Graduates (Pitchfork)
6. Francisco the Man – In the Corners (Audiotree)
7. Single Mothers – Overdose (Radio K)
8. Sleater-Kinney – Modern Girl (Sound Opinions)
9. Nude Beach + Jody Stephens – My Life Is Right (Don Giovanni Records)
10. Mutts – Five of a Kind (Audiotree)
11. Sun Club – Beauty Meat (Audiotree)
12. Crow Bait – Separate Stations (Don Giovanni Records)
13. Courtney Barnett – An Illustration of Loneliness (Sleepless in New York (Pitchfork)
14. Matthew E. White – Rock & Roll Is Cold (The Current)
15. Makthaverskan – Witness (Pitchfork)
16. Chief Scout – Rollercoaster (Audiotree)
17. Mal Blum – San Cristóbal (Don Giovanni Records)
18. DYGL – Let’s Get Into Your Car (Out of Town Films)
19. American Aquarium – Losing Side of Twenty Five (Jam in the Van)
20. Charles Bradley – The World (Is Going Up In Flames) (Coachella)
21. Sue the Night – The Whale (3FM)
22. Kevin Devine – Bubblegum (Little Elephant)
23. Ride – Vapour Trail (Coachella)
24. The Dodos (KEXP)
25. Cloakroom – Lossed Over + Moon Funeral (Little Elephant)

First Quarter Clips, Pt. 2 (Video Mixtape)

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We’re not even three months into 2015 and it’s already yielded a sprawling treasure trove of the kind of music-related items that are worth cherishing. It’s been a particularly strong year for music videos, with some titles from last year’s best releases getting their just treatment balanced out by some tantalizing clips sending expectations for the forthcoming releases that they’re attached to rocketing up to stratospheric heights. Animation, lyric videos, puppetry, seductively slow cinematography, static shots, dancing corpses, subtitled documentary footage, blood, more puppets (it’s been a great time for puppets in music videos), and self-shot footage are just some of the traits that define this two-part collection of 50 of the year’s most engaging clips. All of them, from the folk-leaning lilt of the second collection and the largely DIY punch of its predecessor, deserve praise. Don’t allow the fact they haven’t received any accompanying text beyond this introductory paragraph to do them a disservice; a few of theses videos rank as the best thing the attached band’s ever done and several others continue stunning individual stylistic penchants. More than anything, though, this is a collection that’s intended to represent the diversity and strength of 2015’s earliest offerings in the visual medium. Whether the video comes from an established act or a relatively unknown band, as always, is largely besides the point: this is art worth celebrating. Set aside an hour or two and dive into the madness- and keep an eye on this site for a continuation of this series that should be appearing in the coming days.

COLLECTION II

1. Mitski – Townie
2. Hailey Wojcik – XO Skeleton 
3. Doomtree – Final Boss
4. Hundred Waters – Innocent
5. Palma Violets – Danger in the Club
6. Girl Band – Why They Hide Their Bodies Under My Garage?
7. Jawbreaker Reunion – My Own
8. Screaming Females – Hopeless
9. Museum Mouth – Sacred
10. Celestial Shore – Now I Know
11. Chastity Belt – Time To Go Home 
12. Cloakroom – Starchild Skull
13. Modest Mouse – Coyotes
14. Girlpool – Chinatown
15. Sweet John Bloom – Blood Moon
16. Bass Drum of Death – Better Days
17. Colleen Green – TV
18. Turbo Fruits – The Way I Want You
19. Young Widows – King Sol
20. Evans the Death – Enabler
21. Green Dreams – Rich Man/Poor Man
22. Japanese Breakfast – The Woman That Loves You
23. Michael Rault – Still Not Sad
24. A Place to Bury Strangers – We’ve Come So Far
25. Karen O – Day Go By

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COLLECTION III

1. Gothic Tropic – Underwater Games
2. Laura Marling – False Hope
3. Beech Creeps – Son of Sud
4. Ultimate Painting – Riverside
5. Elvis Perkins – Hogus Pogus
6. Trust Fund – Essay to Write 
7. Mount Eerie – This
8. Kevin Morby – Dancer
9. Seagulls – You and Me
10. Bay Uno – Wait For Your Love
11. Jose Gonzalez – Leaf Off / The Cave
12. The Staves – Black & White
13. Big Noble – Ocean Picture
14. Inventions – Springworlds
15. S. Carey – Neverending Fountain
16. Bonnie ‘Prince’ Billy – Boundlessness
17. Ava Luna – Coat of Shellac
18. Novella – Land Gone
19. Young Buffalo – No Idea
20. Avi Buffalo – Think It’s Gonna Happen Again
21. HUMANS – Tell Me
22. Kathryn Calder – Take A Little Time
23. Sondre Lerche – Lucky Guy
24. Doe Paoro – Traveling
25. Asaf Avidan – Over My Head

First Quarter Full Streams, Pt. 2

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As was noted and clearly evidenced by the last post’s overabundance of content, 2015’s off to a particularly strong start in terms of memorable records. While a few of those 75 entries from that post do have a shot at working their way into the upper echelons of the year’s finest by December, the 25 full streams listed below are among 2015’s very finest offerings. From demo compilations of old material to split EP’s to full-lengths, everything on this list is worthy of an immediate purchase. A few of these are pulverizing shows of force, a few are immediate sugar-rush blitzes, and a few are quietly devastating. All of them are releases I’ve listened to multiple times over and formed very extreme connections with on a myriad of levels. Don’t make a regrettable decision by not giving any of the unfamiliar titles a fair shot: there’s a release here for just about everyone.

1. Quarterbacks – Quarterbacks

Quarterbacks have earned a fair amount of praise from this site and a large amount of that’s been for their exhilarating self-titled, which is the band’s first complete full band effort. Recalling the transition that Radiator Hospital made with their brilliant debut full band full-length effort, Something Wild, Quarterbacks doesn’t pull any of its punches. It’s a spiky record that lends Dean Engle’s songs a ferocious punch that comes with a lingering bite.

2. Tenement – Bruised Music: Volume 1

I’ve written an enormous amount of words about my unending love for Tenement. Some of those words can be read in the zine that comes packaged with this record. One of my favorite bands, if not outright favorite, for nearly a decade, Bruised Music: Vol. 1 is the perfect reminder of why I fell for this band in the first place. A compilation of early material from long out-of-print 7″ records, compilations, and other various scraps, this is the definitive starter kit for anyone looking to retrace Tenement’s career path to its humble beginnings. Unsurprisingly, it’s also ridiculously brilliant. Expect to see more words about this record published on this site in the coming months.

3. Krill – A Distant Fist Unclenching

Krill forever.

4. Hailey Wojcik – Book of Beasts

One of the year’s best early surprises, Hailey Wojcik’s Book of Beasts EP has all the makings of what could (and should) prove to be a career-making effort for the singer/songwriter. Dark tones, brilliant composition, strong melody, and an incredibly alluring voice is always a dangerous combination. Here, each one of those elements is shot through with a Gothic Americana sensibility that manages to find its niche in forward thinking. It’s an incredible release and deserves much more attention than it’s been receiving. Bonus points for offering the release up on bandcamp for the price of $6.66.

5. Daddy Issues – Double Loser

Daddy Issues may not be the most recognizable name on the market but we’re less than a month removed from the cassette release of Double Loser and the thing’s already sold out. Now, measuring a record’s strength in terms of sales is generally a deeply problematic formula- but in this case, it seems just. Double Loser has the strength of what could become a celebrated cult classic among a very particular breed of crate-diggers. Undeniably winsome and darkly enchanting, this EP cements Daddy Issues’s position as a band that’s ready for much bigger things.

6. Pope – Fiction

Heavy, cutting, and melodic in a way that hits the intersection of a wide spread of tastes just right, Pope’s Fiction is the kind of record that’s got the verve to last long after it appears on a few best-of lists. Cloaked in a wall-of-noise type production sheathe, Fiction is one of the first quarter’s most unapologetic and propulsive releases. Balancing a suspiciously taut tightrope between shoegaze and post-punk, every song manages to be breathtaking by virtue of sheer cathartic release. Pope’s made something genuinely exhilarating that deserves to be in as many collections as possible.

7. Alanna McArdle – reticular (2012-2013)

While Alanna McArdle may be best known as the lead personality for site favorites Joanna Gruesome, her career doesn’t begin and/or end with that particular band. McArdle recently released a compilation of genuinely stunning (and mostly acoustic) bedroom recordings. The guitarist/vocalist taps into something more bravely vulnerable than the trappings of Joanna Gruesome usually allows for, creating a hushed, spellbinding atmosphere. reticular (2012-2013) has been one of 2015’s more unceremonious releases but it’s also easily one of the year’s most fascinating. Already one of the most-played releases in my library, it’s a monumental entry in the career of one of the more engaging musical figures of our generation.

8. Trust Fund – No One’s Coming For Us

Cut Me Out“, one of No One’s Coming For Us‘ first singles, seemed to be a strong indicator that the band would have something special with their upcoming record. It was a presumption that the record somehow, against reasonable logic, managed to exceed. Easily the strongest effort in the band’s burgeoning discography, No One’s Coming For Us is a specatacular warning shot from the kind of band that seems like they’re setting up for the long haul.

9. Cloakroom – Further Out

Most of the description for Pope’s Fiction also stands true for Cloakroom‘s jaw-dropping Further Out. Except here, Cloakroom adds an extra layer of heaviness, which frequently relents to territory even more accessible than the realms of Pope’s niche operation level. Further Out is going to continue to stand as one of 2015’s most awe-inspiring releases as the months progress and it’ll be the kind of record people will look to for inspiration. It’s an incredible achievement and ranks among the finest releases to carry the vaunted Run For Cover tag.

10. Wildhoney – Sleep Through It

The first two months of 2015 were very kind to bands incorporating a heavy shoegaze bent into their sound, a fact furthered by listening to Wildhoney’s gorgeous full-length debut, Sleep Through It. Embracing the pop sensibilities of the genre and maximizing them without ever drifting out of post-punk’s territories, Wildhoney manages to create an incredibly appealing record that delivers on the promise of their brilliant EP. Sleep Through It is yet another album people are going to be talking about for many months (and hopefully, years) to come.

11. Lady Lamb – After

Goodbye Lady Lamb The Beekeeper, hello Lady Lamb. The rightfully-acclaimed After features songwriter Aly Spaltro at a transition phase in her career. Already a few extraordinary records deep into a continuously promising run of releases, After is already taking Spaltro to the next level(s). With the sudden name change, Spaltro managed to make her brand even more accessible without diminishing any of her other qualities. On the contrary, After may be the fiercest entry in Lady Lamb’s remarkable discography. After was initially teased with the absurdly delightful “Billions of Eyes” and the rest of the record manages to live up to those intensely high levels of promise. Listen below and fall in love all over again.

12. PWR BTTM + Jawbreaker Reunion – Republican National Convention

Two of New York’s finest emerging young bands come together to make a split EP, what can go wrong? Nothing. The answer is nothing. Jawbreaker Reunion continue to be as exciting as ever, PWR BTTM make one hell of a mark, and both “Hold Yer Tongue” and “Adventure Time” rank among the best songs of the year. Every other Valentine’s Day gift paled in comparison.

13. Slutever – Almost Famous

Punchy, strong, and incredibly catchy, Slutever followed up their near-perfect Girlpool split with this piece of magic. Expertly balancing basement pop and basement punk, Slutever take their craft to an entirely new place with Almost Famous, their finest work to date (and an absolute must-own). From the traces of sludge-punk on the reactionary masterpiece “I Miss America” to the hard-charging rush of “Maggot”, Slutever fearlessly follows their whims and explores some previously uncharted territory. Astoundingly, all of it works and leaves the band with a very real contender for EP of the Year.

14. Lighting Bolt – Fantasy Empire

Thousands of writers have tried to extol the virtues of Lightning Bolt’s furor and no one’s ever managed to match the band’s intensity. Sometimes it’s just better to let the reputation for such a singular act to do the talking- but it wouldn’t be fair to the band if I didn’t note that this just may be the very best record the duo’s ever made.

Listen to Fantasy Empire for a limited time over at NPR’s First Listen

15. Sleater-Kinney – No Cities to Love

Sleater-Kinney’s thrilling hiatus-ender, No Cities to Love, was one of the year’s first universally acclaimed records and it’s easy to see (or hear) why. Not just incredible in terms of a comeback record but as a career staple for one of the most legendary bands of our era. The trio’s sharper (and thornier) than they’ve ever been on No Cities to Love and couldn’t have scheduled their re-entrance at a better time for their fierce, commentary-heavy diatribes.

16. Midwives – LP

When Midwives put out their incendiary EP last year, I knew I’d found another Wisconsin-based band to rally behind. Naturally, the hardcore band (which boasts Graham Hunt of Midnight Reruns among its members) has followed that short order of songs up with a gloriously unhinged, shit-kicking full-length. Increasingly scrappy and direct, Midwives may very well have their sights set on bigger things- and if they don’t, those bigger things might find them anyway.

17. Spook The Herd – Freaks b/w Fermented

There’s a very particular breed of 90’s revivalism whose subversion among current bands is becoming increasingly present. Intriguingly, that camp of 90’s acts (the one that bands like Superchunk and Archers of Loaf belonged to) is notoriously difficult to recreate in intriguing ways. Many of the bands that have released records through Exploding in Sound are a part of that current crop of bands who look to that era for influence and it wouldn’t come as a surprise if Spook the Herd joined that list. “Freaks” and “Fermented” are both first-rate examples of revivalism done right.

18. LVL UP – Dark Sided Stuff

Anyone whose been following this site at all for the past few months has likely seen LVL UP come up a few times. Dark Sided Stuff, their most recent release, is a compilation of the demos that would go on to become Hoodwink’d (this sites pick for Album of the Year)  and a few other recordings that were cut during that time. Unsurprisingly, the end result is a brilliant mess that strips the band back to their rawest state, allowing for a further understanding of their process. Enigmatic and charismatic in equal measure, it’s a release well worth anyone’s investment.

19. The Juliana Hatfield Three – Whatever, My Love

The Juliana Hatfield Three may not have sparked as much attention as Sleater-Kinney did when they made an unexpected return to music but Whatever, My Love does occupy a similar space to No Cities to Love. Both are examples of a band making a return to form without much warning, after a long time away, and both include some of the best material of each band’s career. A lot of bands that garner a lot of attention here (All Dogs, Radiator Hospital, etc.) have listed The Juliana Hatfield Three as a major influence and those connections, fascinatingly, have never been more crystallized than they are with Whatever, My Love. Don’t let this one fall to the wayside.

20. Chastity Belt – Time to Go Home

The name Chastity Belt’s another one that’s been kicked around here for a while, thanks mostly to their excellent 2013 LP, No Regerts. Even with as good as that record was, it proved to be impossible to predict just how incredible Time to Go Home would turn out. Chastity Belt have enhanced their identity with their boldest and most fully-realized work to date. Rarely eclipsing mid-tempo, the band allows themselves to settle into comfortably meticulous grooves with a confidence that’s self-assured enough to put a lot of other bands (bands who have been around much, much longer) to absolute shame.

Listen to Time To Go Home over at NPR’s First Listen.

21. Leggy – Nice Try

Grrrls Like Us” provided a fitting end-cap to Leggy’s first major year as a band. They’d previously released the commendably great Cavity Castle EP, which wound up being quite a few people’s favorite EP of 2014. Now, the band’s hell-bent on capitalizing on that momentum and they’re doing it in enthralling fashion. Nice Try, an EP the band released last month, isn’t just the strongest work of their young career- it’s a gigantic leap forward for their songwriting. Never anything less than full-throttle, Nice Try is an invigorating reminder that this band’s not going anyway anytime soon.

22. Matthew E. White – Fresh Blood

Matthew E. White’s Big Inner was one of 2012’s most fascinating- and unique- folk-pop records. Full of wayward experimentalism and intricate arrangements, it showcased White as someone who possessed an original voice. Three years later, he’s unleashed his follow-up: Fresh Blood. While the music’s scaled a back quite a bit in terms of arrangements, the songs here are more immediate, direct, and accessible. By indulging in greater restraint White may have also wound up with something more lasting. Adamantly defiant of easy genre categorization, Fresh Blood makes its mark and leaves an endearing scar that refuses to fade.

23. Mount Eerie – Sauna

Phil Elverum has gone through many phases, shape-shifting at his leisure into whatever suits his mind at the time. One of his most celebrated ongoing projects, Mount Eerie, returned this year with the brilliant Sauna, which offers up an enveloping ambient sprawl. Gently immersive in some spots and dangerously raw in others, it’s one of Elverum’s most compelling tapestries to date.

24. Yowler – The Offer

The Offer‘s devastating title track is one of the only standalone songs to have earned a write-up on this site so far this year. The reason? It’s not just one of the best songs of this year (so far), it’s one of the finest of the decade. “The Offer” is also, appropriately, the most representative song on Maryn Jones’ solo debut (using the Yowler moniker, at least). Cautious, frightened, anxious, and defiant, The Offer is a gut-punch of a record that occasionally nears uncomfortably voyeuristic levels. The Offer is the perfect soundtrack for sleepless nights spent in near-silence, when the only other audible sound is the rain coming down.

25. Spectres – Dying

Rounding out this run of records is, somewhat incredibly, another shoegaze-leaning record that never diminished its brute force. Dipping into the decidedly darker realms of post-punk, Spectres managed to create a behemoth of an LP with the boldly-titled Dying. Opening with a genuinely intimidating noise collage, the band sinks its claws in and proceeds to tear away in the most feral manner possible, continuously refusing to relinquish its grasp. At points, Dying approaches black metal but never loses sight of its overall melodic sensibility. By taking stormier roads, Spectres have managed to start the year off in an impossibly blinding fashion. Listen to the sounds of Dying below.

14 of ’14: The Best 7″ Records of 2014

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As always, two quick disclaimers: “best”, in year-end list cases, is a shorthand term indicative of personal admiration which is in no way an attempt to be definitive and the first person restrictions will be lifted for this site’s year-end coverage. This list will be focusing on releases that came out in the 7″ format throughout the course of 2014. Some may fall under the EP umbrella (which will be the next list to run) but each and every title on this list wound up with my appreciation. A staggering amount of 7″ records were released this year and I had the privilege of listening to hundreds throughout the past 12 months. Below will be the 14 strongest 7″ records that I heard all year- the records that stuck with me or gnawed away at my memory. Just like the previous list, below those 14 selections will be a list of every 7″ released in 2014 that made a deep enough impact to be put into consideration for this list (or, rather, every release I came across that deserves to be heard by as many people possible). Enough exposition; onto the picks.

14. Communions – Cobblestones

Expertly blending new wave, post-punk, and something entirely undefinable, Communions’ Cobblestones was one of the year’s most immediately gripping releases. Cobblestones is the kind of release that teems with enough determination and conviction to convince anyone that Communions are in this for the long haul.

13. Mikal Cronin – I Don’t Mind b/w Blue-Eyed Girl

Part of Polyviny’s four-track singles series, “I Don’t Mind” and “Blue-Eyed Girl” were both perfect demonstrations of Mikal Cronin’s penchant for winsome folk-oriented (and punk-informed) pop music. It’s a show of force as much as it is a reveal of Cronin’s most delicate sensibilities. Unfortunately, the A-side is no longer available for streaming but the compellingly plaintive B-side’s been included below.

12. Girl Band – Lawman, De Bom Bom

Girl Band turned in a few of 2014’s most feral offerings. From the 25-second “The Cha Cha Cha” to the songs that give the Law Man and De Bom Bom 7″ releases their name. Serrated and cut-throat, Girl Band have been unleashing bruising post-punk that occasionally verges on hardcore and powerviolence at a steady rate. Watch out for whatever route they decide to take with their upcoming full-length.


11. Dogs On Acid – Dogs On Acid

Taking cues from 90’s powerpop and injecting it with a ferocious energy (and no shortage of grit), Dogs on Acid have crafted something incredibly appealing with their self-titled 7″. Like early Ben Kweller with an added punk bite, both “Make It Easy” and “Waiting For You To Come Home” are ridiculously easy to leave on repeat and more than worth a heavy amount of investment.

10. Jeff Rosenstock – Hey Allison! b/w I’m So Gross

After Bomb The Music Industry! halted operations, Jeff Rosenstock had quite a few roads open to him. He took full advantage in 2014 by not only releasing two outstanding EP’s in his collaborative project with Fake Problems’ Chris Farren as Antarctigo Vespucci and going straight for the throat with his strongest solo effort to date, the fierce Hey Allison! b/w I’m So Gross 7″. The stop/start rhythms in the chorus of “Hey Allison!” alone would have put this in contention for a spot on this list- luckily the rest of the release lives up to that moment.


9. Kindling – Spike & Wave

Kindling’s Spike & Wave 7″ caught my attention immediately after its release. It’s another release heralding in a new era of shoegaze that refuses to back down from experimenting with the genre’s limitations. Subtly embracing elements of twee pop and basement punk, it’s a release that deserves to be in a whole lot of collections.

8. Audacity – Counting the Days

When I started this site, I did it with a post about Audacity, whose Butter Knife was one of 2013’s strongest highlights. In 2014, the band provided another incredibly strong moment with “Counting the Days”- a 7″ headlined by a song that earned both a write-up and a Watch This entry spot. My feelings on that song haven’t changed but Counting the Days’ other song, “Mind Your Own Business”, pushes the whole package (which also features some incredible album art) way over the top.


7. Ausmuteants – Felix Tried to Kill Himself, Stale White Boys Playing Stale Black Music, Fed Through A Tube

Ausmuteants had an absolutely monstrous 2014, releasing no fewer than five titles. Three of those were incendiary 7″ releases that would have easily made this list individually. Grouped together, they’re an absurdly powerful package than goes a long way in cementing Ausmuteants’ reputation as one of the most exciting things happening in music. Felix Tried to Kill Himself, Stale White Boys Playing Stale Black Music, and Fed Through A Tube are overflowing with a hyper-charged psych-tinted punk that’s completely electrifying.



6. Terry & Louie – (I’m) Lookin’ For A Heart b/w She Loves Him

The Exploding Hearts have achieved a deserved status as powerpop legends. Since that band’s tragic ending, two of their members have been steadily releasing incredible music with various outfits. Terry Six and King Louie Bankston have once again teamed up for a new project, Terry & Louie, who now have one powerful career entry with (I’m) Lookin’ For A Heart b/w She Loves Him. The same infectious energy that turned Guitar Romantic into such a beloved classic is on full display here, with Six and Bankston’s pop sensibilities fully in tact. Here’s hoping this isn’t the last we’ve seen of this project.

5. Cloakroom – Lossed Over b/w Dream Warden

At this point, I’m not sure any band’s been mentioned more times without receiving an outright feature spot than Cloakroom (with the exception of a Watch This). There’s a reason they keep showing up; they’re quietly crafting some extraordinary songs and sculpting what promises to be a celebrated career long after they’re gone. Both “Lossed Over” and “Dream Warden” are brooding powerhouses that are towering in scope and deeply nuanced in their dynamics. Cloakroom keep improving with every subsequent release and it’ll only be a matter of time before they get the levels of recognition they deserve.

4. Sheer Mag – Sheer Mag

Sheer Mag exploded into just about everyone’s good graces with their self-titled 7″ release and it’s not difficult to see why; this hits an impressive number of sweet spots for people associated with DIY music. It’s scrappy, it’s lo-fi, it’s undeniably punk, it’s extraordinarily catchy, and it comes loaded with a staggering amount of conviction. These four songs have fought their way into regular rotation since they first came out, refusing to be pushed back and only growing stronger with time.

3. Crimson Wave – Say

Say caught me completely off guard when I first heard it; I was completely entranced and blown away by Crimson Wave’s subtle, understated take on post-punk. Each of these three songs are as balanced as they are delicate as they are cutting. The 7″ is somewhat of an anomaly for the reliably great Accidental Guest Recordings who normally tend towards more noisy, aggressive, and blown-out fare. It’s the level of restraint in Say that helps make it stand out, something that’s accentuated by the cold production. Impossible to shake and easy to latch on to, Say is something that demands to be remembered.

2. Dilly Dally – Candy Mountain, Next Gold

No band in 2014 made a bigger entrance with their 7″ releases than Dilly Dally. Both Candy Mountain and Next Gold feel like instant classics; releases informed by years of genre touch points and a deft sense of how they can all line up into something impossibly gripping. Taking cues from all of the right places and emerging with a fully-formed identity and a real sense of purpose, Dilly Dally offered a welcome jolt to the year’s proceedings. “Candy Mountain” was only the third song to be released in the band’s career and it already feels important; a defining moment not just for a band but their surrounding environment. The amount of weight thrown into these songs is unbelievable and showcase Dilly Dally as a band worth all the excitement in the world.


1. Pile – Special Snowflakes b/w Mama’s Lipstick

It’s difficult to no where to start with a song as monumental as Pile’s earth-shattering career highlight “Special Snowflakes”. I was fortunate enough to witness this song in a live setting only a few months back and completely lost my sense of self. In that moment, everything that wasn’t “Special Snowflakes” faded from my care. Completely spellbound, the band tore through that one song and the audience in front of them reacted accordingly. That experience wasn’t too far removed from the first time I heard “Special Snowflakes“. For more than 7 minutes, I was pummeled into awed submission by what’s not only (easily) one of the best songs of this year but of this decade. “Mama’s Lipstick” provides a haze of smoke in the form of a (very) loose reprise- along with some other comparatively brief moments of brilliance (that piano figure!)- after the hurricane storm of the release’s A-side, assuring its status as one of the most important releases of 2014.

7″ records from 2014 that deserve to be heard: Vanishing Life – People Running | Wildhoney – Seventeen Forever | Pain Dimension – Brainwash | Primitive Parts – TV Wheel b/w The Bench | Palehound – KitchenAudacity – JapanModern Pets – B.I.Y.S. | No Coast – Don’t Be A Gramps b/w Kick Out The Hamm’sThe Yolks – Two Dollars Out the DoorKevin Morby – My NameFriends of Cesar Romero – The Hold b/w Teisco Telstar Stomp | The Ar-KaicsMake It Mine b/w Movin’ On, Sick and Tired b/w Cut Me Down, Why Should I b/w Slave to Her LiesLos Pepes – TonightThe Mandates – Suspicion b/w Wastin’ TimeThe Memories – American SummerBroncho – It’s OnUseless Eaters – Desperate LivingLos Dos Hermanos – Alienor/Paye Ty ChatteDime Runner – Can’t ExpressBalcanes – Plataforma/AutopistaChit Chat – Never KnowThe Achtungs – Total Punk | Dasher – Go RamboNots – Fix b/w ModernCold Institution – Cold InstitutionTashaki Miyaki – Cool RuningsBleached – For The FeelA Million Billion Dying Suns – Strawberry Later 23 b/w Secret TreePretty Pretty – Leather WeatherVideo – Cult of VideoFax Holiday – Brang In BloodPlaces to Hide – Wild N SoftThe Newtown Neurotics – Hypocrite b/w You Said NoMolybden – Woman Who Left BehindThe Gotobeds – New York’s Alright (If You Like Phones & Sex)Michael Rault – Nothing Means NothingEx-Breathers – EXBXMarvelous Mark – Bite MeThe Bilders – The UtopiansFrau – Punk Is My BoyfriendArrest – La Poli BastardaGlue – GlueSeahaven – SilhouetteBasement – Further SkyCancers – DigTwo Houses – DisappointerThe Grave Walks – She’s A SuicideGAMES – Little EliseCherry Glazerr – Had Ten DollazThe Renegades of Punk – Espelho NegroSex Crime – I Am An ObserverWimps – Party at the Wrong TimeThe Band In Heaven – The Boys of Summer of SamThe Mantles – MemoryStandards – KidCommunions – So Long SunEnergy Slime – New DimensionalMea Culpa – DislocationThe ParrotsLoving You Is Hard, Dee Dee DangerousThe Gaggers – Sharp Lies/Hostage

Quarterbacks – Pool (Stream)

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Continuing on with tonight’s coverage of last week’s events in music, this will be the second post dedicated to showcasing the very best single streams that emerged last week (there were technical complications that disallowed much of anything being posted).  With music videos already having earned their showcase and nearly a dozen songs being included in the last post, it’s time to double down on the songs that make up the remainder of last week’s haul. A few of the songs on display here rank among the best these bands have ever produced and deserve quite a bit of attention on their own merit- so, enough talking, let’s cut to the recap.

Dirty Dishes came charging out of the gate wild-eyed and swinging with the vicious post-punk burner “Red Roulette“, Kagoule set about achieving something similar via the decidedly off-kilter (and subtly menacing) “Gush“, and Happyness closed the 2014 chapter of the year’s best series- Art Is Hard’s Pizza Club- with the appropriately scuzzy “Jelly Boy (Jesus, Baby)“. Murder By Death made their return to the fore by virtue of the swirling “Strange Eyes“, Munroe made a deep impression with the starkly arresting “Bloodlet“, and Cloakroom advanced previous hints- in support of the increasingly problem claim- that Further Out will be one of 2015’s finest records via the unveiling of “Starchild Skull”. Mope Grooves cooked up the perfect sub-minute basement pop tune with the helpfully instructional “Don’t Sleep In Your Jeans“, Dick Diver released the triumphantly laid-back “Waste The Alphabet“, and site favorites Girlpool continued their impossibly winsome streak with the surprisingly searing “Alone at the Show“, one of the duo’s strongest songs to date.

Today’s feature falls to another site favorite, Quarterbacks, and their newest track, “Pool”. Quarterbacks had previously carved out a name for themselves via their excellent Double Double Whammy release, Quarterboy. Back when that was released, Quarterbacks (led by Dean Engle) was still very much a solo project but, somewhat curiously, for the project’s upcoming self-titled effort, it’s gone the full band route. Adding even more intrigue to this is the fact that the two songs (“Pool” and “Center“) to have been released from Quarterbacks so far already appeared on Quarterboy. Both songs take on a new vitality in the full band setting, though, rendering all of that background information fairly meaningless. “Pool”, in particular, is accentuated in fairly thrilling ways, with the rhythm section playing up the song’s manic neurosis. In typical Quarterbacks form, the whole thing’s over in under 90 seconds- but it still feels resoundingly complete. With the rate Engle & co. have been going, it’s well within the bounds of reason to fully expect Quarterbacks to emerge as one of 2015’s richest treasures. February 10 can’t get here soon enough.

Listen to “Pool” below and pre-order Quarterbacks from Team Love (who are releasing it in association with Double Double Whammy) here.

MOURN – Otitis (Stream)

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Yesterday this site’s coverage was exclusively dedicated to the premiere of Mutts’ incredible “Black Ties & Diamonds“, ensuring that there’d be quite a bit of material to catch up on today. There weren’t a lot of full streams to emerge but the ones that did made it count. Among them: Cloakroom‘s incredible new 7″, Michael Rault‘s sprightly psych-pop cassingle, Cross Wires’ spiky Your History Defaced EP, and Trust Punks’ snarling post-punk ripper Discipline. Each of those are good enough to have a shot at appearing in a few year-end lists and enhance each respective artist’s profile considerably.

In single stream territory, things got relentless with no less than 11 great songs fighting their way out into the world. These included another look at Cellphone‘s upcoming Excellent Condition with the blistering “No Wind In Hell“, Quarterbacks‘ completely revitalized full-band version of Quarterboy highlight “Center“, A Place To Bury Strangers’ unrelentingly aggressive industrial post-punk bruiser “Straight“, and Seagulls’ airy left-field pop number “You & Me”. Colleen Green teased the upcoming I Want To Grow Up with a career-best in the form of “Pay Attention“, Soft Fangs revealed the quietly mesmerizing “Dead Friends“, Elvis Perkins made an unexpected return with the lightly damaged pscyh-folk of “Hogus Pogus” in advance of the upcoming I Aubade, and Leapling celebrated their teaming with Exploding in Sound via the compelling bizzaro pop of “Crooked“. American Wrestlers teased their upcoming 7″ with the driving lo-fi psych-pop of “I Can Do No Wrong“, Noveller revealed the characteristically beautiful “Into The Dunes“, and Two Gallants unleashed a preview of their upcoming We Are Undone with the vicious title track.

Music videos were just as eventful thanks to efforts like Desperate Journalist‘s strikingly minimal clip for their arresting “Control“, an absolutely gorgeous turn-in for Blonde Redhead‘s “The One I Love“, and Belle & Sebastian’s playful nostalgia in the black-and-white-turned-multicolor “The Party Line“. Elvis Depressedly celebrated their Run For Cover Records signing with the endearingly weird video for “No More Sad Songs“, Dizzee Rascal continued his unlikely hot streak with the visual medium in the  supernatural-tinged kung fu revenge tale contained in “Pagans“, and Hey Elbow conducted an unnerving psychedelic visual collage experiment for “Martin“. Viet Cong created an intensely disquieting clip to serve as an accompaniment for their excellent “Continental Shelf“, TOONS went the simple-and-charming route with “Sittin’ Back“, and Angel Olsen deliver the absurdly stunning Rick Alverson-directed “Windows” (which featured startlingly gorgeous cinematography) to round things out in a manner so stunning that it very nearly earned today’s feature spot.

Enter: MOURN. The young band recently became one of Captured Tracks’ most exciting acquisition since site favorites Perfect Pussy. Immediately standing out thanks to their surprisingly young age(s), MOURN seems to have caught just about everyone off-guard thanks to the enviable strengths of their songs. None of those songs landed with as fierce of an impact as their barn-burning “Otitis”. Unfailingly bleak and deeply impassioned, “Otitis” never goes for anything but a merciless kill. All of this played into why the song was previously featured on this site in the 53rd installment of Watch This, where the song grew even sharper fangs. MOURN has been available digitally for some time and comfortably stands as one of 2014’s most exhilarating releases with “Otitis” being its definitive exclamation point. From the wiry verse progressions, to the cavalcade of sharp hooks, to the intuitive harmony work, to the intimidatingly dark chorus, “Otitis” has put MOURN firmly on the map. All of the excitement rests in watching where they go from here.

Listen to “Otitis” below and pre-order MOURN from Captured Tracks here.