Christopher Paul Stelling | Heartbreaking Bravery

April 13, 2017

Hazel English – More Like You (Stream)

Now that everything’s caught back up to the current release cycle, expect posts nearly every day to recap what’s been happening. Thursday brought in a small trove of treasures from great new tracks by the likes of Sharkmuffin, Christopher Paul Stelling, Walter Martin, Adult Mom, Gallery 47, The Bonnevilles, BNQT, So Many Wizards, Saudade Sisters, and Do Make Say Think to great music videos from John K. Samson, Tara Jane O’Neil, and JFDR to outstanding records by Workhorse, Lugaweight, and Mimi Raver.

Shortly following a characteristically excellent clip, Hazel English has returned with another winsome piece of music just in time to soundtrack all of our warm weather parties. “More Like You”, the project’s latest, is teeming with a familiar carefree aesthetic, something played up in the wistful, nostalgia-inducing home movie leanings of its music video. As always, it’s a warm piece of music, buoyed by the same empathetic warmth that’s quietly made Hazel English one of our most consistent emerging songwriters.

“More Like You” is unassuming, unpretentious, and gently atmospheric, conjuring up a world that’s easy to get lost in and difficult to leave. While the vocals remain pensive, they also retain the sunny optimism that’s always provided Hazel English’s music with a sturdy core. It’s that paradigm that makes Hazel English such a fascinating artist and what makes “More Like You” so alluring. There’s a hint of mystery nestled into the familiarity, rendering the comfortably breezy “More Like You” yet another triumph.

Listen to “More Like You” below and pre-order Just Give In/Never Going Home from Polyvinyl here.

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April 4, 2017

Watch This: The Honorable Mentions of 2017’s First Quarter

Over the course of 2017’s opening three months, a lot of great material was released. Naturally, the most abundantly rich category wasn’t simply songs, music videos, or full releases, it was live videos. It’s been quite some time since the last Watch This ran on this site, an oversight being amended tonight, and in that time scores of great clips have surfaced. Below is an extensive list of some of the finest to have emerged over that time and all of which are more than worth the their runtimes. Of course, it’d be impossible to watch all of these in one sitting, so feel free to bookmark the page and sift through the selections whenever the feeling takes

Mitski, Jay Som, The Walkmen, Kississippi, SUÐ, NE-HI, Kamasi Washington, Monica LaPlante, Tokyo Police Club, Money, Tank and the Bangas, Mary Lynn, Canshaker Pi, Allah-Las, Yeesh, Communions, Hurray for the Riff Raff, Andy Shauf, Blue Rodeo, MOON, Temples, Born Ruffians, Justin Vernon & Sean Carey, L.A. Salami (x2, 3), Bruno Bavota, Hórmónar, Mustard Gas and Roses, Pinegrove, Jean-Michael Blais & CFCF, Dude York (x2), Bash & Pop, Nail Polish, Ron Gallo, Lume, Slaughter Beach, Dog

Craig Finn (x2, 3), Honeyblood, Middle Kids (x2), No Parents, The Molochs, The Black Watch, Sløtface (x2), Looming, Lemuria, Campdogzz, Black Marble Selection, Clara Clara, ELLA, American Wrestlers (x2), The Coathangers, Outer Spaces, Sam Kogon (x2), Lilah Larson, Michal Pydo, Old 97s (x2, 3), Lizzo (x2), The Madcaps, Snail Mail, The Mysterons, Subcutanea, Holy Tunics, Hamilton Leithauser (x2, 3), Alex Lahey, Greyface, Axel Flóvent, Diarrhea Planet, Peter Silberman, Luxury Death, Suburban Living

Microwave, The Cigarette Bums, Roya, Carinea, The Orions, Secret Crush, Tyrone Cotton, Fast Romantics, Izzy True (x2), Hand Habits, Priests (x2), Reality Something, Frances Cone, Moss, White Mystery, Tennis, Louie Louie, Adna, Let’s Eat Grandma, Kite Base, Twin Limb, Ty Segall, Morus Alba, Odd Robot, Coals, The New Pornographers (x2), VANT, Shame, Sierra Hull, MOON, Rose Cousins (x2, 3), Food Court, Grace Joyner, Mrs., Michael Nau, Nikki Lane (x2, 3), FIDLAR (x2, 3), The Melvins, Skyway Man, Big Eyes

Cherry Glazerr (x2), BAB, Savoy Motel (x2, 3), Laura Marling (x2), Mikey Erg, Thumpers, Fishbach, Emma Ruth Rundle, Horse Thief (x2), Black Marble, The Album Leaf (x2), Wet Lips, Bev Rage and the Drinks, Her Again, Esme Patterson, Death and Memphis, Nancy Pants, Mirel Wagner, John Doe, The Two Tens, Avi Buffalo, Lisa Hannigan, Andy Shauf, Mark Eitzel (x2), Marching Church, Chris Farren, Ahem, Cloud Nothings, BABY, Sweet Crude, Chicano Batman, Rubblebucket, Looks Like Mountains, Ladywolf

Black Joe Lewis and the Honeybears, Dead Man Winter (x2), Good Doom, TÖLVA, Monobody, The Shacks, Fleurie, Molotoy, Parlor Walls, YDIMITU, The Gotobeds, Peacock Affect, Austra (x2), Dave Brannigan, Papier Tigre, Elephant Stone, You Blew It, Grand Parc, PAVVLA, Alice Jemima, Dusk (x2), Jens Lekman, PWR BTTM, Melkbelly, Nail Polish, Leif Vollebek, Shull, Jennifer Niceley, House of Wolves, Chuck Prophet, Fair City Fire, The Reptilian, Lil Sluggers, Mint Green, Local Natives, Henry Jamison

The Sonics, Nocturnal Habits, Julia Lucille, Loamlands, Halldór Eldjárn, The Hill Country Devil, DakaBrakha, The Chinchees, Oddissee, Way Worse, BADBADNOTGOOD, Tenfold, The Staves, The Vaughns, Sunflower Bean, Flasher, Weyes Blood, Charlotte Cardin, Mammút, Benjaminto, Naked Giants (x2), Hippo Campus, Delicate Steve (x2), White Reaper, Gurr, Muncie Girls, Julien Doré, Birdtalker, Mario Batkovic, Seu Jorge, Ace Henderson, Nudity, High Waisted, John Craigie, Sammus (x2, 3), Beach Slang

45ACIDBABIES (x2), Fiona Silver, Calico, Viagra Boys, Fox and the Acres, The Veils, Anna McLukie, Iguana Death Cult, Sad13 (x2), DIA, Hospital Job, Katie Ellen, Albin de la Simone, Nick Hakim, Holy Pinto, Nessi Gomes, Radio Eliza, Michigan Rattlers, Wallacy Willians e os Besouros, Dæphne, The Mysterons, Cincin, Listener, Rykarda Parasol, Magic Bronson, (T-T)b, Tourists, Foxing, Eyukalpitus, Twin Lords, Dijon, Red Baraat, Dan Layus, Camp Claude, Solilians, Andy Svarthol, Octave Noire, Benoît Lizen

Bishop Nehru, No Win, Hits Like A Girl, Sauna Accident, Bullet Points, Golden Grands, Strand of Oaks (x2, 3), The Singing Butcher, Fishbone, See Gulls, Santoros, Burn Fetish, Wildwood Kin, Noam Pikelny, Alejandro y Maria Laura, Gang of Four, RLLBLL, Star Anna, Industrial Revelation, Lohai, And Also the Trees, Bror Gunnar Jansson, Jealous of the Birds, Star Parks, Shawn Fogel, Joel and Bill Plaskett, Ess See, Edna Vazquez, Plastic Picnic, Rodney Crowell, Mother Mother, Molly Burch (x2, 3), Blind Pilot

The Kraken Quartet, Fraea, Other Suns, Nina Diaz & Luz Elena Mendoza, Alexandra Savior, The Big Pink, From Indian Lakes, Mike Wexler, Nimrod, Tyte Jeff, Mega Bog, Big Star’s Third, Robyn Hitchcock, Strange Americans, Clap Your Hands Say Yeah, Community Daughter, Severin Bells, Talmud Beach, Timber Timbre, Tall Heights, Tim Kasher, Sundara Karma, Guantanamo Baywatch, STEVENSTEVEN, ZenSoFly, asdfhg., Olivensteins, Becca Stevens, Grandaddy, Bad Licks, Maren Morris, The Memories, Sloucher

Klangstof, Moses Hightower, Les Aventures de President Bongo, Kite Base, Barbagallo, Mike Doughty, The Pukes, Mothers, Tom Tukker, Modern English, American Football, Kristin Hersh, Christopher Paul Stelling, Yasmine Hamdan, Candy Ambulance, Amelia Curran, Dane Terry, Midijoyful, Drumbeat Red, Jesca Hoop, South City Revival, The Awful Truth, Ages and Ages, and The Spring Standards.

December 30, 2015

2015: The Best of Watch This

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When Watch This was conceived it was done with the intent to not only critically examine the balance of filmmaking and live performance but celebrate the art of the live video, a format which seems to have fallen to the wayside despite being more fruitful than it’s been since it was introduced. There’s real power behind the clips that manage to seamlessly merge the best qualities of everything that goes into the best live performance videos and they can yield genuinely unforgettable moments (when everything kicks back in on “Waitress”, the held falsetto in “A Proper Polish Welcome”, and a whole host of other chill-inducing moments are scattered throughout this compilation). Those moments are the beating heart behind this series construction and they’re what sustains the project as it presses forward.

Well over 300 live clips were covered on this site in 2015 and this is a collection of 25 that genuinely stood out for one reason or another, whether it was the sheer joy in a performance (Diet Cig), the performer’s ability to freeze blood (Julien Baker, Dilly Dally, SOAK), the trio of artists who appeared on Watch This the most throughout this year (Courtney Barnett, Girlpool, and Torres), an electrifying presentation and performance (July Talk), or a clip that’s a fully functional masterclass in every category that elevates a clip from astonishing to transcendental (Glen Hansard). All of those and more have been plugged into this packet, which culminates in a tour de force reminder of the overwhelming power of what can be achieved on a live platform from the resurgent Sleater-Kinney as one final exclamation point for a truly extraordinary year. So, as always, sit up, focus, adjust the volume, and Watch This.

Watch the 2015 edition of the best-of compilation for Heartbreaking Bravery’s definitive recurring series, Watch This, below. The track list is available under the embed.

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1. Hop Along – Waitress (World Cafe)
2. July Talk – Paper Girl (Audiotree)
3. Ronny – Why Do You Have Kids (Gems On VHS)
4. Julien Baker – Sprained Ankle (BreakThruRadio)
5. Mikal Cronin – Say (WFUV)
6. Molly Parden – Weather (GemsOnVHS)
7. Eskimeaux – Folly (This Has Got To Stop)
8. Waxahatchee – Under A Rock (Pitchfork)
9. METZ – Spit You Out (3voor12)
10. Ought – Beautiful Blue Sky (KEXP)
11. Saintseneca – How Many Blankets Are In the World? (ANTI-)
12. Diet Cig – Harvard (In the Attic)
13. SOAK – B a Nobody Blud (La Blogotheque)
14. Dilly Dally – Burned by the Cold (Strombo Sessions)
15. Alex G + Girlpool – Brite Boy (SPIN)
16. Footings (Jenn Harrington)
17. Mike Krol – Suburban Wasteland + Neighborhood Watch (KEXP)
18. Beach Slang – Get Lost (Cozy Couch Sessions)
19. Public Service Broadcasting – Go! (WNYC)
20. Christopher Paul Stelling – Dear Beast (ANTI-)
21. Courtney Barnett – Depreston (La Blogotheque)
22. Algiers – Blood (WFUV)
23. Torres – A Proper Polish Welcome (NPR)
24. Glen Hansard – McCormack’s Wall (ANTI-)
25. Sleater-Kinney (NPR)

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July 12, 2015

Watch This: Vol. 85

Welcome to the 85th installment of Watch This, the annual Sunday series that celebrates some of the finest performance captures to find release over the past week. Courtney Barnett, Girlpool, and Torres all continue their respective strangleholds on this series’ feature spots. Heavy on full sets, every artist featured here has earned several words from this site in the past. Of course, as usual, there was stiff competition for the feature spots. Artists responsible for those performances included: Tahiti Boy & the Palmtree Family, Christopher Owens, Christopher Paul Stelling, Sorority Noise, Leon Bridges, Viet Cong, HEALTH, Calexico, Dave Monks, Sam Prekop + Archer Prewitt, Molina y Los Co´smicos, Forth Wanderers, Shana Cleveland and The Sandcastles, and footage from the FORM Acrosanti anti-festival. It’s another lineup that’s indicative of the five featured clips’ astounding strength. So, as always, grab a drink, sit back, adjust the volume to whatever best reflects your preference, and Watch This.

1. METZ – Spit You Out (3voor12)

METZ are one of the fiercest live bands on the planet right now so their inclusion here isn’t really all that surprising. What’s definitely unexpected, though, is the gorgeous scenery. Performing at the Best Kept Secret festival, the trio took to a house’s front yard and delivered an absolutely blistering rendition of METZ II highlight “Spit You Out”. It’s an exhilarating tour de force from one of this generation’s most exciting bands.

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2. Girlpool (NPR)

By now it’s very likely that the trio of songs the duo of Cleo Tucker and Harmony Lebel-Tividad play here have graced this series more than any other songs. However, they’ve never been played on a stage even remotely similar to NPR’s vaunted Tiny Desk Concert series. Now, more than ever, it’s abundantly clear how ingrained these songs are in both members. Intuitive playing, effortless harmonies, and a genuine love for their work and each other once again carries their performances to near-transcendental heights.

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3. Speedy Ortiz (unARTigNYC)

First thing’s first: this is not a complete video. Understandable, because the weather started threatening everyone’s equipment, not just Speedy Ortiz’s (who had several technical difficulties throughout a spirited, memorable set). I was fortunate enough to be in attendance for this show- held for free on a pier in Manhattan as part of Hudson River Parks’ Hudson RiverRocks concert series- and weathered a fairly brutal rainfall sans umbrella until the bitter end (the rain started- and the wind picked up- during a beautiful version of “Doomsday”, a song that still manages to elicit goosebumps and stands firm as a Song of the Decade contender). Although it’s not featured in the video, I’ll have a permanently embedded memory of the band losing pedal after pedal (and then amp and PA connections) during a particularly fierce take on “American Horror” that ended with Sadie Dupuis opting to take her guitar off and hold it above her head, allowing the feedback to ring out, like some ritualistic sacrifice to the gods. It was a stunning moment. Unfortunately, Waxahatchee’s set had to be cancelled due to lightning before it even started- but it would have been hard to have made much of an impression after what Speedy Ortiz accomplished in the face of what could have easily been disastrous.

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4. Torres – A Proper Polish Welcome (Sunday Sessions)

There’s something about Torres’ “A Proper Polish Welcome” being played as a solo piece that manages to come off as intrinsically haunted. One of the most arresting moments on one of the year’s best records, it’s lent an even greater pathos when it’s stripped bare. With Sunday Sessions placing all of the emphasis on Mackenzie Scott, the clip nears a strange voyeurism as Scott completely loses herself to both the song and the performance. Gripping and beautiful, it’s a masterclass in solo performance.

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5. Courtney Barnett (Moshcam)

Courtney Barnett seems to be making a habit out of crashing Watch This‘ weekly party with astounding full sets and this excellent performance- beautifully lensed by Moshcam- sees the continuation of that pattern. This time around, the songwriter unloads a career-spanning powerhouse homecoming set to an appreciative audience. Barnett’s a preternaturally gifted performer and the band she’s assembled plays well to her seemingly endless strengths. A staggering 16-song set, this serves as one of the definitive documents of Barnett’s abilities and still-ascending level(s) of success.

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June 8, 2015

Watch This: Vol. 76

Over the course of the past few weeks, the influx of outstanding live videos has been staggering. Last week the series was put on a brief hold due to other personal obligations but even then, there was the threat of multiple installments for that particular Sunday. Amassing those with the live clips that followed in the subsequent week brings us to this point: there’s simply too much great material to feature to justify relegating anything exceeding the limit of five to the introductory paragraph(s). With this being the case, there will be seven- yes, seven- installments of Watch This to go live throughout the day (and possibly night).

To that end, this very introduction will be running prior to volumes 74-80 to reduce the levels of overall exposition to provide an emphasis on the material at hand. Site favorites Girlpool and Waxahatchee were seemingly everywhere this week, securing multiple entries throughout this run while Faits Divers spread-out documentation of a set from Ought (another site favorite) managed to do the same. As always, each video featured is an exemplary showcase for both artist and host, covering a wide range of sounds and styles. So, as always, sit back, adjust the volume to your preferred settings, sit up straight, lean in (or back), and Watch This.

1. Ought – Gemini (Faits Diver)

Continuing on with Faits Diver’s recent documentation of Ought, this clip finds the band confined to a warehouse space delivering another energized and insistent performance of “Gemini”. Restless and unrelenting, it finds Ought in top form, uninhibited by anything other than their own outsize charisma. It’s electrifying.

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2. Chastity Belt – Time To Go Home (WFUV)

Chastity Belt hit their current career peak with their revitalizing Time To Go Home which boasted one of the band’s best moments throughout an already-impressive discography in the title song. WFUV recently hosted the band for a session and allowed them to cut loose on a few songs, “Time To Go Home” included. Tempo shifts, a distinctly 90’s influence, and a lingering sense of unease ensure that this clip transforms into something surprisingly hard to shake.

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3. Waxahatchee – Blue (Wichita)

As outstanding as Katie Crutchfield’s project can be when it blooms into the full band setting, it’s just as effective- and occasionally even more effective- when it strips itself back to a rawer intimacy. Wichita recently gifted the world a session with just Crutchfield and her twin sister Allison (who she’d played with in both P.S. Eliot and Bad Banana), delivering a few of the songs from Ivy Tripp in a quiet setting (in this case, a shattering take on “Blue”) – and the results are magnetic.

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4. Girlpool – Cherry Picking (Wichita)

Another Wichita session worth looking into that pares back an artist’s sound (though this time the change is significantly more slight) finds site favorites Girlpool playing acoustic guitars in open air. As always, the vocal interplay between the duo helps ground the song at hand- “Cherry Picking” this time around- and their uncanny sense of melodic sensibility elevates a modest performance to something indefinable. Eyes closed in a blissful determination, Cleo Tucker and Harmony Lebel-Tividad deliver another deft knockout.

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5. Christopher Paul Stelling – Dear Best (ANTI-)

There are few joys that can compare to finding an outsider artist that delivers nothing but grace notes. Christopher Paul Stelling fits that bell and in this clip, courtesy of ANTI- Records, his performance skills prove to be transportive. Stelling’s a calm master of a haunted subset of rustic folk, wielding both his guitar and voice with a nuanced skill that will continue to serve Stelling well as his star inevitably rises. While he may be operating in a niche field, Stelling’s talent is boundless and here, he’s found himself in the dead center of one of 2015’s most unexpectedly stunning live clips.

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