Heartbreaking Bravery

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Tag: Chook Race

Watch This: Vol. 142

From this past Monday to this just recently-ended Sunday, there were a slew of great live clips that came from the likes of Ben Seretan, Johanna Warren, Cymbals Eat Guitars, Chook Race, Ty Segall, Dog & Wolf, Daniel Lanois, Charles Bradley, Odanah, Strange Ranger, Flock of Dimes, July Talk (x2), Sleepy Kitty, Maszer, Lisa Hannigan, Half Waif, Gia Greene, The Felice BrothersEsmé Patterson, Elvis Depressedly, Jessie Kilguss, Alaska, Ghosts I’ve Met, MUNA, Underground Rider, American Trappist, Marlon Williams, James Vincent McMorrow, Hinds, Ile, and Keaton Henson. The strength of those video, as always, is indicative of the substance contained in the five featured performances below. From old favorites to emerging artists, there’s a lot of material to explore. So, as always, sit up, lean in, crank the volume, and Watch This.

1. Teenage Fanclub – Thin Air (BBC)

For decades, certain pockets of the music world have treated Teenage Fanclub with a reverence that’s typically reserved for deities. In the time that’s elapsed since they formed in 1989, the band’s amassed a devoted following but — as this performance for BBC’s Radio 6 definitively demonstrates — they haven’t lost a step. Still boasting all of the charm in the world, “Thin Air” is a reminder of their casual timelessness.

2. Weaves (KEXP)

Since the release of their incendiary self-titled debut earlier this year, Weaves have become a mainstay of the Watch This series. Tackling a quartet of songs here, the quartet brings their wild energy to the KEXP studios for one of the station’s best sessions of the year. As ever, the band’s a relentless force, attacking each of these songs with the conviction and tenacity that’s earned them a dedicated, steadily-increasing following.

3. gobbinjr – Firefly (Boxfish Sessions)

A few years into a promising career, Emma Witmer — who masterminds the gobbinjr project — has been releasing delicate pop songs that sound airy but boast a substantial amount of weight. “Firefly” is a prime example and its performance here, for Cuttlefish Collective’s Boxfish Sessions, is a thing of singular beauty. With only vocals, an omnichord, and a pre-programmed drum track, “Firefly” surpasses being simply mesmerizing and winds up at a place of transcendence.

4. Tuns – Mixed Messages + Mind Over Matter (Indie88Toronto)

Whether Tuns is a side project, a supergroup, or a curiosity is irrelevant, what’s important is that they’re writing great songs. Legendary pedigree aside, Tuns would’ve likely been turning heads. While the band’s members’ projects certainly hold a particular amount of influence over their sound (Sloan likely being the most notable of the bunch), there’s a spark here that should help the project establish their own identity. Either way, “Mixed Messages” and “Mind Over Matter” are worth celebrating.

5. PUP (CBC)

Earlier this year, PUP released their fiery sophomore effort, The Dream Is Over. Several strides forward from their explosive debut, the record opened up their already frantic live show and sent the band’s members careening to every corner of stages the world over with wild abandon. The band recently stopped by CBC’s studios to tear through several key songs from their Polaris-nominated record — including “If This Tour Doesn’t Kill You, I Will” and “DVP”, two of the year’s finest songs — and the resulting document is an exhilarating portrait of a wild-eyed band that refuses to hit the brakes.

Rod – Cemetery (Stream)

rod

Great new tracks from Chook Race, TERRY, Milemarker, Heliotropes, Night School, Big Neck Police, TTNG, Morgan Dealt, Parlour, Waxahatchee, and Jay Arner surfaced over the past several days, making a considerable impression. While all of them essentially guaranteed a short, healthy stretch of new releases, it was the latest from Rod that hit hardest. The band’s next up on the release calendar for Good Cheer, who have been having a remarkable 2016 run (one that’s been highlighted by Mo Troper‘s astonishing Beloved) and “Cemetery” — Rod’s latest — makes sure their impressive pace is maintained.

In under 100 seconds, Rod makes their presence known via soaring, venomous basement pop that feels like it’s always on the verge of spontaneous combustion and doing everything in its power to keep everything under control. As the vocals switch back and forth between pointed singing and vicious screaming, the velocity of “Cemetery” increases to dangerous levels. The hard-charging guitars contort and stab as the propulsive rhythm section work transforms the song into a white-hot wrecking ball of pure feeling. It’s an exhilarating look at what’s sure to be an extremely formidable — and very intimidating — record.

Listen to “Cemetery” below and keep an eye on Good Cheer Records’ store page — and this site — for further updates on the band.