Heartbreaking Bravery

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Tag: Cemetery Highrise Slum

Sweet John Bloom – Weird Prayer (Album Review, Stream)

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As has been mentioned multiple times over, this site saw a recent shift from standard coverage to specialty coverage thanks to a move. In the few weeks that have passed in that time, a slew of exciting new releases made their way out into the world. One of the finest- and, frankly, most overlooked- was Sweet John Bloom’s fiery Weird Prayer. That record will be the focus of this piece, while a list of 50 excellent full streams to have recently appeared will be included beneath the embedded bandcamp player. Before immediately going there, though, let’s focus on the matter at hand: Sweet John Bloom’s full-length debut.

Formed out of the ashes of several other bands (including Four Eyes, who released one of the best 7″ records in recent memory with Towards the End of Cosmic Loneliness), Sweet John Bloom already had a fairly impressive pedigree out of the gate. It’s not surprising that the band managed to click as tightly as they have, especially considering their respective former bands had all established a familiarity by virtue of shared spaces (bills, scenes, etc.). Even with all of that taken into account, Weird Prayer‘s pure strength still manages to surpass expectations.

A collection of 15 dirtied up, punk-leaning basement pop songs, the record not only succeeds in effortlessly conveying the band’s identity but in coming off as a genuine record; something that’s meant to be heard in full. Naturally sequenced and expertly paced, it’s a considerable achievement for a first at-bat operating with this medium as a collective unit. Each section of Weird Prayer comes off as considered as it does impassioned, rendering the whole thing an invigorating shot of adrenaline. Vocal leads are traded with ease, there’s a killer melody buried in just about every passage, and the flawless production makes sure to include enough bursts of weirdness- like the absolutely stunning outro to “Night Thing”- to keep the whole thing zipping along at a startling clip.

For as willfully rough as Weird Prayer sounds, it’s also a record that’s partially defined by finesse. Deceptively elegant guitar figures play with the limits of restraint even as they’re pushed to the red. The rhythm section work always serves a purpose beyond just simply being a base and the lyricism, while occasionally buried with the vocals in the mix, is frequently poignant. Sweet John Bloom also manage to find as much success experimenting with their more gentle sensibilities as they do when they give in to their desire to be abrasive.

“Blood Moon” sees the band finding the perfect balance between the gentle/abrasive dichotomy and, in the context of the record, the song feels even livelier and massive than it did as a standalone single. It’s one of several songs on the record that go beyond anthemic to the realms of catharsis without ever succumbing to over-simplification. It’s part of why the record never loses an unfailing sense of urgency that goes well beyond most of the songs’ inherent immediacy, which sets up a tall order for Weird Prayer‘s final stretch.

In most cases where an album’s almost exclusively built on raucous barn-burners, the weight eventually builds and the load becomes unsustainable; there’s a reason why rollercoasters don’t extend for hours and why successful action films need exposition. Weird Prayer deals nicely with this by offering a gradual come-down by easing off the gas pedal and utilizing a tempo that creeps in a little under the established average for most of its closing numbers. Even then, Sweet John Bloom don’t cede their penchant for a confrontational aesthetic; the 1-2 punch of “Death; and Everything’s Paid For” and “Trust  Me” feels particularly vital and bristles with a world-conquering energy. Fittingly, “Aging In Place”- the first song to be shared from Weird Prayer– brings everything home in a finale that’s both familiar and intensely rousing; an exhilarating end-cap to one of the year’s finest records.

Pick up Weird Prayer from Tiny Engines here and listen to it by clicking play below. Underneath the bandcamp player, browse 50 other great recent full streams.

Radioactivity – Silent Kill
J Fernandez – Many Levels of Laughter
Fight Amp – Constantly Off
Yukon Blonde – On Blonde
Sissy – Gave Birth To A Mum
Expert Alterations – Expert Alterations
Spray Paint – Punters On A Barge
Ballroom – Ballroom
Bad Boys – Demo
Year of Glad – Year of Glad
Little Children – Travelling Through Darkness
The Fur Coats – Short-Brain
Magic Potion – Melt
Oscar – Beautiful Words
Sea Cycles – Ground & Air
Prinzhorn Dance School – Home Economics
Senpai – Hell In My Head b/w Mind Honey
Arm Candy – Arm Candy
Institue – Catharsis
Chris Weisman – Chaos Isn’t Single
Max Gowan – Big People
Falling Stacks – No Wives
Hints – No Regrets In Old English
No Joy – More Faithful
Pleistocene – Space Trap
Long Neck – Heights
No Friends – I’m Not Real
Marvelous Mark – Bite Me
HDSPNS – HDSPNS
KEN Mode – Success
Walleater – I/II
Sweatshop Boys – Always Polite, Never Happy
Wavves x Cloud Nothings – Wavves x Cloud Nothings
Tough Age – I Get The Feeling Central
Sea of Bees – Build A Boat To The Sun
C H R I S T – T O W E R
Alden Penner – Canada In Space
Teen Daze – Morning World
Fell To Low – Low In The Dust
Palm – Ostrich Vacation
Bully – Feels Like
Bruise – demos.
The Armed – Untitled
Cold Cave – Full Cold Moon
Self Defense Family – Heaven Is Earth
Wild Pink – Good Life
Nicolas Jaar – Nymphs III
Creepoid – Cemetery Highrise Slum
Gnarwhal – Shinerboy
Lady Bones – Dying

Dogbreth – Hoarder House (Stream)

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Dogbreth’s been one of my favorite bands ever since I discovered their incredible 2013 full-length, Sentimental Health. New material since then has been scarce, with only one song from 2014 (the great “Close With You“) appearing in between that time and last month, which saw the release of “Hoarder House”. Somehow, in the frantic shuffling of catch-up material, that song got lost- a garish oversight that will be amended with this post. Before exploring that track further, just like the past handful of posts, we’ll take a look at 10 great songs to have earned releases in the past few weeks. Those songs included, but weren’t limited to, Temple’s teeth-gnashing “Like Nothing In This Life“, Sea Lion’s devastating “Room“, Total Babes’ basement pop gut-punch “Blurred Time“, Creepoid’s hypnotic slow-burner “Dried Out“, and Eternal Summers’ typically gorgeous “Gold and Stone“. Sweetening the deal were Little Wings’ compellingly rustic “Where“, Blis.’s impassioned “Floating Somewhere High and Above“, Mini Dresses’ lilting “Are You Real“, Liza Anne’s noir-leaning “Take It Back“, and Annabel’s soaring career highlight “Another Day, Another Vitamin“. All of those releases are worth adding to your collection but this post’s focal point belongs squarely to Dogbreth, who have yet to have any sort of coverage on this site.

It Came From Plan-It-X 2014 is the compilation that “Hoarder House” belongs to, a collection of 40 songs from as many artists who share a relation to the legendary DIY-friendly label. Dogbreth’s contribution provides the release one of its finest moments (site favorites Free Cake For Every Creature and Martha can also claim this distinction) while simultaneously proving that they’ve been refining their sound since their last major release. Echoing shades of the increasingly formidable Salinas roster (Radiator Hospital, in particular), “Hoarder House” is incendiary punk-tinged basement pop. Hooks pile on top of each other until the song threatens to topple itself over, cutting off at a precise moment that seems to be designed to even further its impact. Quick-witted lyrics collide with a surging musical landscape that never shies away from dynamic expansion. Economical and highly affecting, “Hoarder House” accomplishes in under two minutes what a lot of others can’t in three or more. There’s a real sense of place and genuine feeling behind “Hoarder House”, balancing out its accessibility with an impressive amount of verve, setting the anticipation levels for the band’s next release rocketing up to obscene heights. Until that day rolls around, whenever it is, the most anyone can do is just keep hitting repeat.

Listen to “Hoarder House” below and order It Came From Plan-It-X 2014 from Plan-It-X’s bandcamp page.