Heartbreaking Bravery

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Tag: Bully

Waxahatchee – Under A Rock (Music Video)

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After the Downies review and accompanying round-up ran yesterday, the plan that was laid out in the introductory paragraphs was set in stone. Then today happened. Over the past few months, the sources where I turn to for material increased- as did the amount of emails I’ve been receiving. Every day, I’m finding roughly twenty things I wish I could dwell on for paragraphs. Contesting that desire is the harsh reality of time- so a few adjustments are going to be made. I currently have more than 250 songs from 2015 to link on the site so I’ll be providing lists of 75 (and one of 25) until that number’s brought to 0. It’ll be an additional part of what- as of tonight- will be regular daily coverage of new content. By the end of next week, things should be back to their normal pace.  It’s been a difficult, transitional time but it killed me to force the site into relative inactivity over the months following the 2014: A Year’s Worth of Memories project (and once again, I’d like to take the time out to sincerely thank all of that series’ incredible contributors- I’m sincerely grateful for your work).

Getting back to what matters, the material to have surfaced today has only reaffirmed the fact 2015 has been an absurdly strong time for music. For full-lengths, there was a powerful self-titled from American Wrestlers and a feral 7″ from recent Don Giovanni act Pinkwash. Music videos had even more to offer with Kopecky unveiling a charming lyric clip for “Quarterback“, Crushed Beak’s astonishingly lovely “History“,  TOPS’ unnerving animated adventure in “Driverless Passenger“, BETS’ artful black-and-white tryst in “Jenny“, and Froth’s blistering “Postcard Radio” (which very nearly earned today’s feature spot). Most of all, though, there were songs.  Site favorites Speedy Ortiz raised expectations for their forthcoming record even higher with the gnarled “Puffer“, Total Babes (who feature Jason Gercyz of Cloud Nothings) unleashed the spiky “Heydays“, and Slonk Donkerson reveled in a heavy sludge influence on “Painted From Memory“.  Death Valley Girls looked forward to warmer weather with “Summertime“, Hip Hatchet wove a delicate folk tapestry with “David’s Wolves“, while Meg Baird followed a similar pattern with “Counterfeiters“. Wave & Rome demonstrated an increasingly tired genre’s potential with “Across the Map” while The National demonstrated their propensity for an elegant consistency via the Sharon Van Etten-assisted “Sunshine On My Back“. Rounding everything off was Yazan’s rousing “Tell Me Baby” and Creative Adult’s hypnotically bleak “Ring Around the Room“.

While every single one of those is worth some level of investment, there’s just something about seeing your friends having a good time that elicits an inexplicably great feeling that’s impossible to sideline. Which is precisely why Waxahatchee‘s new video for “Under A Rock” is falling under tonight’s most meticulous level of scrutiny (and most thorough level of affection). I’ve long held a fondness for videos that celebrate lo-fi, VHS home video aesthetics. There’s a certain sense of time and place that accompanies the aesthetic, which winds up being a perfect match for the subtle sense of nostalgia that permeates all of Katie Crutchfield’s work as Waxahatchee. As one of Merge Records’ newest artists, Crutchfield and her collaborators have started off- predictably- on an extended series of grace notes. Now that NPR has verified Ivy Tripp is as incredible as its previews suggested. It’s fitting then, that the footage that comprises “Under A Rock” feels like a hard-won victory lap. From the lineup that performs the song in the video (it’s difficult to see Allison Crutchfield join her twin and not be reminded of Bad Banana or PS Eliot, two bands that meant a lot to me as I started exploring DIY punk’s fabric nearly a decade ago) to the faces in the crowd (Radiator Hospital‘s Sam Cook-Parrott and Cynthia Schemmer are always a welcome sight- as are the innumerable other familiar faces to appear throughout the clip), “Under A Rock” feels like a homecoming celebration built on mutual fondness and respect- which is a trait that this site will always support.

Watch “Under A Rock” below and pre-order Ivy Tripp from Merge here. Below that, explore 75 great songs from 2015’s first quarter that caught my ears (a few of them are on records that are already out but they’re definitely worth revisiting). Enjoy.

Treasure Fleet – Settle Your Mind
Frankie Teardrop – Get It (Kelly)
Alright – Cold Feet
Erase Errata – History of Handclaps
Modest Mouse – The Best Room
Computer Magic – Shipwrecking
Toner – High & Dry
Der Weg Einer Freiheit – Requiem
Bully – I Remember
clipping. – Summertime
The King Khan & BBQ Show – Illuminations
Seratones – Chokin’ On Your Spit
Rye Pines – Pessimist
Los Angeles Police Department – Insecurity
Johanna Warren – Less Traveled
Mac McCaughan – Lost Again
The Amazing – Safe Island
Death – Look At Your Life
Outfit – Genderless
Lord Huron – The World Ender
Torres – Strange Hellos
The Cribs – Different Angle
Downtown Boys – Monstro
The Twilight Sad – The Airport
Torche – Loose Men
Will Butler – Madonna Can’t Save Me Now
Cillie Barnes – Facework
Dead Heavens – History in My Hands
Blood Sister – Ghost Pussy
Bright Like The Sun – White Lights
Peter Doherty – Flags of the Old Regime
The Babies – Got Old
NEEDS – The Only Good Condo Is A Dead Condo
The Mountain Goats – The Legend of Chavo Guerrero
Ava Luna – Billz
Braids – Taste
Marriages – Skin
Pope – Let Down
Obnox – Menocause
Andy Gabbard – Octoman
St. Vincent – Bad Believer
Nude Beach – Been Waitin’
Mexican Slang – Fever
Never Young – Like A Version
Simon Joyner – You Got Under My Skin
Sun Kil Moon – Ali/Spinks 2
Stalls – Tooth and Nail
Nano Kino – Never Seemed to Happen
TULA – River
In Tall Buildings – Bawl Cry Wail
Frank Black – How You Went So Far
Troy Samuela & Monsoonsiren – Fiend
Passenger Peru – The Best Way to Drown
Girlpool – Ideal World
RA – These Days
Native Lights – Blue Star
Soft Cat – Somebody
Steady Lean – Atkins
A Place to Bury Strangers – We’ve Come So Far
Gill Landry (ft. Laura Marling) – Take This Body
Aero Flynn – Crisp
Calexico (ft. Ben Bridwell) – Falling From the Sky
Lieutenant – Rattled
Laura Marling – I Feel Your Love
Dave Segedy – Car
Jet Setter – Forget About It
Paridolia – Violent I
WAND – Reaper Invert
Young Guv – Crawling Back to You
Chromatics – I Can Never Be Myself When You’re Around
Inventions – Peregrine
Thee Oh Sees – Web
Honeyblood – No Big Deal
Warehouse – Promethean Gaze
ADVAETA – Hazel/Blue Eyes

Band Practice – Bartending At Silent Barn (Stream)

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The past few days have been incredibly kind for new releases.  So much so that it seems criminal to attempt to contain them all in one post, which is why there will be several appearing throughout the night, each containing a few links to other very worthy items. For this round, that includes a scrappy lo-fi video from Bully for their wonderful “Brainfreeze“, Painted Zeros‘ cameo-heavy clip for their outstanding slacker pop anthem “Too Drunk to Function“, King of Cats‘ newest brilliant lo-fi basement pop outing “Ulcers” (which also features Joanna Gruesome’s Owen Williams behind the kit), and Illusion– a relentlessly spiky post-punk EP from Honduras. While, again, all of those were incredible releases, there was an inherent magic contained in Band Practice‘s slow-building indie pop triumph “Bartending At Silent Barn”.

Spearheaded by Miscreant Records mastermind Jeanette Wall, Band Practice takes Wall’s wealth of hard-won history and sculpts it into arresting presentations-with “Bartending At Silent Barn” being the finest to date. Starting off with nothing but a clean palm-muted guitar, a mid-tempo gait, and Wall’s narration of a rough show at the Brooklyn DIY staple, it slowly delves into inner thoughts and outward apologies as the show continues, always brought back by the refrain “sorry, here’s your beer; sorry i got weird”, making it painfully relatable for just about anyone who’s ever served drinks. It’s that keen eye on a semi-uncomfortable reality that transforms “Bartending At Silent Barn” into an oddly moving experience even before it blooms from a plaintive atmosphere into a towering- and obscenely gorgeous- falsetto-laden indie pop number at the close. Even better: that change is brought about by an inverted refrain- “you say, you say, keep the change” slowly progresses into “you say, you say, things will change”. That those words are brought to vivid life by the music itself is a warm final reassurance; Wall’s an extremely talented songwriter, Band Practice is worth a lot of excitement, and Make Nice– the release “Bartending At Silent Barn” is taken from- is a record that deserves an extraordinarily high level of anticipation.

Listen to “Bartending At Silent Barn” below and keep an eye on this site for updates on Make Nice.