BTR | Heartbreaking Bravery

June 21, 2015

Watch This: Vol. 81

Anyone that’s been keeping an eye on the site knows that it’s been a busy time for both myself and this place. Making the move to Brooklyn has afforded a much greater opportunity for live coverage and that’s something that’s been increasingly evident over the past few posts. There were still be regular coverage on streaming songs, albums, and videos and all of those categories will be caught up in the very near future.

Despite missing last week’s, Watch This isn’t going to go anywhere either. Ostensibly the beating heart of Heartbreaking Bravery, the weekly series devoted to featuring the best live capture releases of the week is one of this site’s defining features. With two weeks worth of releases to reflect on, there’ll be two installments of Watch This to run tonight. Both feature a variety of site favorites (both artists and sources), full sessions, and- as always- extraordinary performances on both sides of the camera. So, as ever, sit back, adjust the volume to your preference, focus up, and Watch This.

1. DOE – Swings and Roundabouts (BreakThruRadio)

DOE’s session for BreakThruRadio keeps yielding outstanding results (and subsequently finding placement on Watch This). Here, the band takes their compelling, restrained approach to the pop-punk genre and spins it into gold with a strong performance of “Swings and Roundabouts”.

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2. Mitski – I Will (Out of Town Films)

Bury Me At Makeout Creek was easily one of last year’s finest records and its pull hasn’t relented since its release. Mitski has been touring steadily as that time’s elapsed, delivering one knockout performance after another and still finding time to sign a deal with Don Giovanni. Out of Town Films recently captured a gorgeously-lensed performance of Bury Me highlight “I Will” and the results are spellbinding.

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3. Elvis Perkins (KEXP)

Elvis Perkins has been one of my favorite artists since I was first introduced to the songwriter via an unforgettable Letterman appearance. A few months later, I’d exchange some words with Perkins, who was unfailingly kind and genuinely humble. Overcoming unspeakable tragedy, Perkins made a habit of delivering joyous, life-affirming shows with his band, Elvis Perkins In Dearland, while still managing to pay heartfelt tribute to his deceased parents. After spending a brief time touring the release of Elvis Perkins in Dearland in 2009, Perkins all but disappeared before re-emerging in 2015’s opening stretch. Noticeably more downtrodden, Perkins’ songs have nonetheless managed to retain their inherent charm and a very specific kind of love for those songs comes through beautifully in this recent KEXP session.

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4. Cayucas – Moony Eyed Walrus (KCRW)

A lot of the best pop music feels as familiar as it does effortless and “Moony Eyed Walrus” certainly qualifies on both accounts. Boasting an infectious chorus section and impossibly smooth verses, Cayucas crafted something that manages to feel both light and memorable. KCRW recently hosted the band for a live session and they responded by handing in a charming take of their current career highlight.

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5. Torres (KEXP)

Continuing on with a consistent domination of Watch This is Torres, who hits an exhilarating peak with this KEXP session. Honestly, at this point, this could be any collection of songs from Sprinter and this would have been all but guaranteed a spot. The sequencing and selection for this particular session, however, feels legitimately inspired. From the heavily atmospheric (and quietly haunting) version of “A Proper Polish Welcome” to the explosively climactic moments of “Cowboy Guilt”, the session’s a sustained series of grace notes that does more than a little justice to one of 2015’s most stunning albums.

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June 8, 2015

Watch This: Vol. 77

Over the course of the past few weeks, the influx of outstanding live videos has been staggering. Last week the series was put on a brief hold due to other personal obligations but even then, there was the threat of multiple installments for that particular Sunday. Amassing those with the live clips that followed in the subsequent week brings us to this point: there’s simply too much great material to feature to justify relegating anything exceeding the limit of five to the introductory paragraph(s). With this being the case, there will be seven- yes, seven- installments of Watch This to go live throughout the day (and possibly night).

To that end, this very introduction will be running prior to volumes 74-80 to reduce the levels of overall exposition to provide an emphasis on the material at hand. Site favorites Girlpool and Waxahatchee were seemingly everywhere this week, securing multiple entries throughout this run while Faits Divers spread-out documentation of a set from Ought (another site favorite) managed to do the same. As always, each video featured is an exemplary showcase for both artist and host, covering a wide range of sounds and styles. So, as always, sit back, adjust the volume to your preferred settings, sit up straight, lean in (or back), and Watch This.

1. Telekinesis (KEXP)

It takes a rare kind of personality to make a completely solo set utterly captivating and Michael Benjamin Lerner has always been one of the people capable of delivering on those levels. That fact’s clearly evidenced in this outdoor set for KEXP, where there’s a clear love for his craft. All of it translates into a vibrant, effortless showcase for his Telekinesis project, including an absolutely mesmerizing cover of Wire’s “Outdoor Miner” to get things moving.

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2. Algiers – Blood (WFUV)

Few emerging bands have given more reason for excitement than the boundary-pushing Algiers. Infusing a vast array of influences into something that feels wholly original, the band’s ascent has been rapid and- more importantly- justified. With the political bent of their music on complete display in the intro of “Blood” furthering the cause for excitement not just on a career level but inciting a deeper fascination on the performance level as well, the cards are lining up for Algiers’ future. Bringing everything to a haunting, weathered realization is the bulk of the performance itself- a jaw-dropping display of raw, innate talent.

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3. Ought – Pleasant Heart (Faits Divers)

Ought’s More Than Any Other Day was one of this site’s picks for the best albums of 2014 and the album hasn’t lost a step since its release. As great as that record was (and it was great), the band’s always excelled more as a live act, thanks to their kinetic motion. All of the best live bands recognize that the greatest advantage of playing the songs is the freedom to warp, subvert, and bend their own art rather than keeping it static. Ought’s never backed away from experimenting with the space they’re given in that setting and Faits Divers has provided exhilarating proof with an inspired take of “Pleasant Heart”.

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4. Waxahatchee – Stale By Noon (Wichita)

A lot of Katie Crutchfield’s most inspired songs, from “Noccalula” to “Singer’s No Star“, have been piano-based. “Stale By Noon” is one of the most recent entries into that repertoire, providing Ivy Tripp with one of its most arresting moments. Allison Crutchfield’s presence somehow makes this particular rendition feel even more intensely personal. Lit by candles and aided by nothing but each other, their instruments, and an adoring audience, this intimate performance of “Stale by Noon” is a powerful testament of both Crutchfield’s unwavering magnetism.

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5. Fred Thomas – Bad Blood (BreakThruRadio)

All Are Saved was my all-too-late introduction to Fred Thomas and it’s also holding firm as one of my favorite releases of 2015. It’s unflinchingly earnest and utterly sincere, grounded in a damaged humanism that makes it easily relatable. Close to every song on the record contains a moment of breathtaking clarity that deals heavily with some of life’s more conventionally unappealing minutiae. “Bad Blood” is a sustained series of those moments, captured here by BreakThruRadio in a clip that manages to secure an emphasis in all of the right places, doing its part to secure Thomas’ spot as one of the strongest songwriters operating today.

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May 17, 2015

Watch This: Vol. 72

Once again, the candidates for this week’s Watch This– the weekly series that celebrates the best live videos to have emerged in the previous week- came in droves. At this point, it’s getting genuinely difficult to keep tabs on all of them because of the sheer number of videos (and new series) that are being unearthed. To that end, it’s almost more indicative of the featured crop’s formidable strength to list the other titles that were in contention- all of which are more than worth the click. The bands in those videos included: Bellows, Diarrhea Planet (twice), Two Inch Astronaut, Jeff Rosenstock, Mountain Bike, Vomitface, Craft Spells, and Strange Relations. Below, in this 72nd installment, the featured crop’s a little more subdued than usual but starts off with one of the most staggeringly powerful live videos to have run this year. So, as always, lean in, turn the volume up, push any lingering doubt to the side, and Watch This.

1. Hop Along – Waitress (World Cafe)

The most immediately apparent draw to Hop Along has always been Frances Quinlan’s voice. It’s a powerhouse; unforgettable after even the briefest of exposures. It’s also the kindest red herring, something that doesn’t necessarily suggest that a lot of the band’s inherent power is drawn from defiantly embracing vulnerability. For a long while, though a pairing like that shouldn’t have ended in this particular path, the band felt like a carefully-guarded secret. Now, with a universally acclaimed record and a Saddle Creek deal (the label’s strongest move in recent memory), a much larger group of people have taken notice.

Ensuring that their rapid ascension is far from over, the band have perfected their live show (it’s also why they’ve appeared on Watch This multiple times throughout this series’ run) and recently set up camp in World Cafe’s studio to deliver a powerful performance of Painted Shut highlight “Waitress”. Apart from exuding a transcendent gracefulness throughout “Waitress” (easily a song of the year candidate), there’s a moment that occurs at about the 2:20 mark that is the precise kind of breathtaking moment that Watch This was built to celebrate. With nothing but grace notes and limitless passion, this is as good as this series gets. Watch it below.

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2. John Davey – Sugarmask (Cozy Couch Sessions)

Another artist that’s made a handful of Watch This appearances is singer/songwriter John Davey, whose brand of deeply humane folk has always resonated with a casual finesse. Davey recently stopped by to deliver a heartfelt performance of a new song entitled “Sugarmask”, which ranks as yet another stunner in already enviable collection of songs. Poignant and endearing, “Sugarmask” is an arresting song and it’s given about as strong of a showcase imaginable through this clip.

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3. Mikal Cronin (KEXP)

MCIII has proven to be a little more divisive among critics than expected, with one of the most levelheaded assessments coming from Sloan’s Jay Ferguson in a very balanced piece for The Talkhouse. After Cronin’s monumental MCII (my personal Album of the Year pick for 2013), that uncertainty on something as ambitious as MCIII should probably have been expected. It’s telling, though, that there hasn’t been much conflict over Cronin’s skills as a live performer. He’s only grown stronger as the shows played under his own name accumulate and that continuously building confidence is brought to full-bloom in a gorgeous session for KEXP. While the songs may lose some of their grandeur without the sweeping string and brass sections (which were all arranged by Cronin, who plays most of the instruments on MCIII), they gain quite a bit of punch in a more traditional set-up. All in all, the whole thing operates as a decisive reminder that Cronin’s still one of the most gifted pop songwriters working today.

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4. Eskimeaux – Folly (This Has Got To Stop)

Gabrielle Smith’s Eskimeaux project recently released what will undoubtedly stand as one of the year’s most beautiful, unassuming records by the time 2015’s over. That record, O.K., is rooted in subtly intense personal explorations that all carry a hushed quality. “Folly” is one of the record’s most spellbinding moments as it feels like a culmination of Smith’s songwriting aesthetic. In a recent session for This Has To Got Stop, she performed it solo, perched on a chair, eyes cast down or closed, lost in the music. It’s mesmerizing. It’s also worth noting that Smith nearly appeared in this installment twice, once here, and once as a part of Bellows‘ incredible NPR Tiny Desk session (which is also deserving of several watches).

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5. Tom Waits – Take One Last Look (Late Show With David Letterman)

Over the years, David Letterman has championed young, emerging punk bands to a heartening degree while maintaining great relationships with musical icons. One of the most notable partnerships in the latter category was Letterman’s connection with Tom Waits, who honored the departing host with a new song, “One Last Look”. With the pedigrees of both men at an incredibly visible and highly respected level, a move like this had all of the makings of a classic late-night moment and it didn’t disappoint. Waits honored Letterman with the most tender of farewells, accompanied by accordionist Gabriel Donohue and bassist Larry Taylor, Waits delivered the kind of timeless, dusty Americana that made Mule Variations an instant classic. Inherently powerful and extraordinarily moving, “Take One Last Look” is something that deserves to be remembered.

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May 10, 2015

Watch This: Vol. 71

To say “it’s been a week” would be putting it mildly. The statement held especially true for the incredible live footage that has been consistently published throughout the week’s duration. In the preceding installment of this series, it was stated that there could have easily been two features instead of one. This week that number increases to three. Every single day, a masterful new video was ushered out into the world. A large handful of those were impeccably produced; gorgeous in vision and stunning in terms of sound, boasting a memorable performance all the while. Lady Lamb, Speedy Ortiz, Jeff Rosenstock, Two Gallants, Mikal Cronin, T. Hardy Morris & the Hardknocks, Twerps, Vijay Iyer Trio, The Technicolors, and Surfer Blood all had live clips introduced that earned their endless replay value. Nearly every single one of those names has been mentioned on this site before (albeit some for entirely different projects) and that trend holds steady for the five clips that are featured below. So, as always, turn the volume up, shut out all of your looming distractions, lean in, and Watch This.

1. DOE (BreakThruRadio)

Every time DOE’s released something, it’s caught my ear. It’s been immensely satisfying to watch their recognition slowly expand as time progressed. Of course, part of the reasoning behind that growth may be their own self-improvement. Their recent session for BreakThruRadio further illustrates that this band’s primed for a breakout. While the featured song, the hard-charging “Redo/Improve”, is a monstrously catchy bit of punk-inflected basement pop, one of the most welcoming elements of this clip is the band’s winsome affability in the interview segment. Of course, that’s almost immediately forgotten once it splinters off into a brief live clip of the latter two songs included in the clip because DOE’s the kind of band that demands attention when they’re in live mode. Just hit play and start waiting for their name to slowly climb the festival bill font-scale ladder.

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2. Bent Shapes – New Starts In Old Dominion (Fitz Ross)

“86’d in ’03” was one of this sites favorite songs from last year, as reflected in one of the stranger best of lists. Bent Shapes could have been content to coast on that release for a while but the band’s work ethic ensures that they’ll likely be working until they can’t push themselves any further (hell, even that not might be enough). Impressively, there’s never a decline in quality; they’re writing some of the finest punk-tinged powerpop of today. “New Starts In Old Dominion” is clear evidence that the band’s talents extend past their recorded output and into what they’re able to accomplish live. When a party is this good, it’s not worth being late.

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3. Torres – Cowboy Guilt (Public Radio International)

Few records have managed to grip me as strongly as Torres’ Sprinter. Every song on the record contains subtle melody hooks that have the ability to become inescapable over time. “Cowboy Guilt” is a perfect example of this particular dynamic. The guitar riffs, the vocal melody, and the subtle synth work all slowly expand their claws and lodge their way into a territory reserved for things that are next to impossible to forget. None of that shifts in the live setting, even though a few of the arrangements do differ slightly from the studio version. The contrast is part of what makes this particular clip feel so alive; humanity is impossible to fake.

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4. Will Butler – What I Want (WFUV)

Policy is one of 2015’s most curios releases and the oddities that made it so compelling are also likely the reason it didn’t find much of an audience. Teeming with droll humor, impressive composition skills, and a surprising amount of pathos, “What I Want” is an incredibly intimate look at the way Butler’s songs operate. Confined to the WFUV studio with only a piano at his disposal, Butler is cast in the intimidating glare of a sole spotlight. His response? Delivering an unlikely, powerful performance that reaffirms the flashes of talent he consistently provides in his main vehicle (you know the one). It’s genuinely stunning.

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5. Field Mouse – A Place You Return To In A Dream (Radio K)

Field Mouse have been consistently churning out impressive post-punk for a few years now and seem to only get stronger as they go- the aim of every band with honorable convictions. They recently stopped in the Radio K studios to turn in a blistering take of “A Place You Return To In A Dream”, which leans heavily on the band’s shoegaze influences without eschewing any of their deceptively intuitive pop sensibilities. Surging guitars, soft backing vocals, and committed performances make sure this clip reaches exhilarating levels.

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May 3, 2015

Watch This: Vol. 70

Another week gone by, five more incredible live clips to feature. Now that the series is back in its normally-paced swing, it’s been easier to keep tabs on the incoming flux of footage but it makes it more difficult to narrow down the selections. With 2015 already bursting at the seams with great studio material it seems only appropriate that the live videos should be following suit. With strong videos coming from the likes of Close Up, Littlefoot, Gay, Darlingside (ft. Tall Heights), and Ultimate Painting, it would have been easy to double up on the series. Fortunately, to lessen the sting of limiting it to just one, the five clips included in this 70th installment are all among the year’s best. Only two of the band’s included in today’s collection have ever had their names published on this site (incidentally, both bands share a member in Noah Bowman), leaving the majority to new acts. Running the gamut from fiery high-energy punk subsets to devastating low-key folk outings, there’s a lot to appreciate. So, as always, lean in, adjust the screen contrast and lightness to your preferred settings, crank the volume, and Watch This.

1. Panther Ray – Get To You (The Current)

One nice things about emergent trends in DIY music as of late has been an acute focus (and subsequent celebration) of shoegaze inflections in bands with strong basement pop sensibilities. Panther Ray are one of those bands and their turn-in of “Get To You” for The Current is a particularly inspired piece of work from the band. Mixing shades of twee and post-punk into the mix, “Get To You” becomes as irresistible as the performance.

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2. Earl Boykins – Judy Carrot (bandwidth.fm)

Scrappy basement pop gets featured more on this site than any other genre of music so it’s unsurprising that Earl Boykins‘ name has appeared here a few times throughout the site’s existence. While it may have taken 70 installments for them to wind up in Watch This but they’re finally here. The band recently swung through the bandwidth.fm studios to tear their way through “Judy Carrot” and it’s clear from the outset that they’re having fun- something that translates over in an extraordinarily satisfying clip.

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3. July Talk – Paper Girl (Audiotree)

Shot in crisp black-and-white for the consistently strong Audiotree at their SXSW showcase, July Talk quickly sets about making a statement. Combining the fire-and-brimstone approach of Lucero at their most impassioned and the spiky irreverence of Be Your Own PET is a compelling combination even on paper but the band somehow finds a way to make it exhilarating in execution. Dual vocals, contrasting styles, and through-and-through showmanship make July Talk one of the most exciting live prospects possibly imaginable. “Paper Girl” is one of the group’s best songs and here the band lays it to absolute waste. Simply put, this is unmissable.

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4. Footings (Jenn Harrington)

For all the glossy, high-quality footage that makes its way into this series, this is still Heartbreaking Bravery, which means that when a lo-fi video from an artist with little name recognition surfaces, it will be featured. Especially when it’s as stunning as the clip Jenn Harrington captured of Footings playing a gorgeous new song to a spellbound audience. Recalling the emotional devastation of Eels at their most confessional, it’s lent a subtle emphasis through the faded visual representation. Click play and fall in love.

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5. Diet Cig – Harvard (bandwidth.fm)

Oh, Diet Cig, what words are left? All it took was one brilliant five-song collection to catapult them into “site favorites” status and ever since then, the band’s done nothing but reinforce those levels of adoration. One of the year’s most refreshingly warm music videos (which will undoubtedly come back up in conversation when December rolls around) and now, this: an extremely impassioned performance of Overeasy highlight “Harvard”. There are few bands out there right now that provide as clear of a reminder that one music’s most exhilarating aspects is the sheer fun of it all. There’s an uninhibited grin that creeps onto guitarist/vocalist’s Alex Luciano’s face multiple times throughout this performance that is the perfect symbolic image for what made me fall in love with this band, this genre, and this community (and the people who remain so actively inspired and involved). So, you know, watch it. And then go ride a goddamn log flume.

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April 14, 2015

Watch This: 2015, Vol. 3

Over the past few days, this site’s been running a campaign to get one of its most important cornerstones back. When the Watch This series was first brought into existence, it was done out of admiration- but also frustration. For whatever reason, great live footage never quite gets its due. Outside of rare exceptions (Scorsese’s The Last Waltz comes to mind), it’s an overlooked format. Reduced to miniature, it has an almost non-existent footprint. Yet, the very best of these clips hinge on the abilities of both filmmaker(s) and the central subject and are treasured fiercely by the people invested in either side. There’s a common ground between film and music that these clips manage to accentuate and exploit when they’re operating at their highest level, they represent multimedia formatting at its finest. Watch This was designed to amend the medium’s inexplicable reduction, Every Sunday, the installment would feature five of the strongest live clips of the week in some small effort to amend the egregious exclusion of a central focus for live footage.

Since 2015 started, like everything else, I’ve been amassing a list of some of the strongest entries in this category and this post marks the last of the trilogy making up the 15 or so weeks that made up 2015’s first quarter. There’s a heavy emphasis on interview-heavy clips and full sets, with healthy numbers for KEXP, BreakThruRadio, and Pitchfork. DIY culture is mostly fully embedded in Pupppy’s set at the endearingly named Dong Island and the whole playlist is bookended by two of the finest live videos of the year. Each of those two clips comes courtesy of NPR, with a full Sleater-Kinney set providing an exhilarating opening and a devastating Torres lullaby clip bringing the proceedings to a hushed, haunting close. Regular Watch This will resume on Sunday and continue weekly. Now, the video player below contains hours worth of material so it’s not something that’s probably going to be watched start-to-finish- but it can certainly be bookmarked and all of it is worth seeing (and, just as importantly, hearing). So, with all that mind, sit back, crank the volume, take a drink, settle in, and Watch This.

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1. Sleater-Kinney (NPR)
2. Bully – Trying (Pitchfork)
3. Mike Pace and the Child Actors (TCGS)
4. Fred Thomas (BreakThruRadio)
5. Swervedriver – Autodidact (KEXP)
6. Menace Beach (3voor12)
7. Waxahatchee – Coast to Coast (Pitchfork)
8. Literature (BreakThruRadio)
9. Fat Supper – Mind Your Head #14 (MOWNO)
10. Francisco The Man (KEXP)
11. Nots (BreakThruRadio)
12. Title Fight – Mrahc (Pitchfork)
13. White Reaper – The Cut (BreakThruRadio)
14. GRMLN – Night Racer (Amoeba)
15. Girl Band (KEXP)
16. METZ – Nervous System (Pitchfork)
17. Popstrangers (BreakThruRadio)
18. Laura Stevenson – Bells And Whistles (Space Jam Sessions)
19. Jenny Lewis – Just One of the Guys (Jimmy Kimmel Live)
20. Strand of Oaks – For Me (Amoeba)
21. Pupppy (Dong Island)
22. Krill – Foot (WKNC)
23. Museum Mouth (WKNC)
24. La Luz – Call Me In The Day (KEXP)
25. Torres – A Proper Polish Welcome (NPR)

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April 12, 2015

Watch This: 2015, Vol. 1

Familiar faces. Single Songs. Full sets. New bands. It’s been 15 weeks since the last Watch This ran on this site and that’s far, far too long. To help get things up to date, the next three days will see a trilogy of video mixtapes containing 25 of the best live clips to surface from 2015 so far. Next week, the installment will resume its normally paced functions- but for now, clear out some time and get lost in the exciting performances compiled in the embed below. Lean back, turn the volume up, breathe deep, and Watch This.

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1. Waxahatchee – Under A Rock (Pitchfork)
2. Tenement – Dreaming Out Loud (Don Giovanni Records)
3. Crying – Sick (BreakThruRadio)
4. Beach Slang (NPR)
5. Speedy Ortiz – The Graduates (Pitchfork)
6. Francisco the Man – In the Corners (Audiotree)
7. Single Mothers – Overdose (Radio K)
8. Sleater-Kinney – Modern Girl (Sound Opinions)
9. Nude Beach + Jody Stephens – My Life Is Right (Don Giovanni Records)
10. Mutts – Five of a Kind (Audiotree)
11. Sun Club – Beauty Meat (Audiotree)
12. Crow Bait – Separate Stations (Don Giovanni Records)
13. Courtney Barnett – An Illustration of Loneliness (Sleepless in New York (Pitchfork)
14. Matthew E. White – Rock & Roll Is Cold (The Current)
15. Makthaverskan – Witness (Pitchfork)
16. Chief Scout – Rollercoaster (Audiotree)
17. Mal Blum – San Cristóbal (Don Giovanni Records)
18. DYGL – Let’s Get Into Your Car (Out of Town Films)
19. American Aquarium – Losing Side of Twenty Five (Jam in the Van)
20. Charles Bradley – The World (Is Going Up In Flames) (Coachella)
21. Sue the Night – The Whale (3FM)
22. Kevin Devine – Bubblegum (Little Elephant)
23. Ride – Vapour Trail (Coachella)
24. The Dodos (KEXP)
25. Cloakroom – Lossed Over + Moon Funeral (Little Elephant)

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December 24, 2014

Watch This: Vol. 64

Normally Watch This gets posted on Sunday, which is when Vol. 64 was intended to run. Persisting technical problems and a commitment to an upcoming week of year-end coverage delayed this post, though it’s still structured the same as a standard Watch This feature. The five clips below were some of the best to emerge from the week preceding the current one. A few site favorites, a living legend, and a new name all earned mention’s for standing out in last week’s particularly great haul. King Tuff, Generationals, The Soil & The Sun, and Jenny Lewis were all featured in great performance clips but were just edged by the efforts below (which, looking at that company, should say something). So, as always, sit back, turn the volume up, calm down, and Watch This.

1. King Khan and BBQ Show (KEXP)

King Khan and BBQ Show have been raising hell for years now, always stuck in an exhilarating acceleration. Here, the duo don their masks and take to KEXP’s studio to deliver a frantic four-song performance, trading vocal leads and exuding a sense of personal freedom. We Are The Champion is the band’s upcoming record and- as demonstrated by this performance- it’s going to be one worth owning.

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2. Las Rosas (BreakThruRadio)

Much like King Khan and BBQ Show, Las Rosas excel in mining previous decades’ most popular rock n’ roll touch points and integrating them into something unflinchingly modern. They recently stopped by BreakThruRadio for a memorable run through a few of their best songs. Doo-wop, soul, and punk all factor prominently into their sound and that particular sound only gets better in a live setting.

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3. Mumblr – Masturbation (Space Jam Sessions)

A few months back, Mumblr routed their tour up to Stevens Point, WI and took part in this site’s 1-year anniversary party. 2014’s had a lot of really memorable moments and the band’s set’s right up there with the very best. Unsurprisingly, the band’s delicate acoustic-driven take on “Masturbation” for Space Jam Sessions proved to be one of last week’s more arresting clips. Get to know this band and then go catch one of their shows; it’ll be memorable.

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4. Screaming Females – Ripe (Don Giovanni)

Next year Screaming Females– one of the best live acts currently going- will release Rose Mountain, an album that already seems like it’s shaping up to be a career-best effort. One of the already-unveiled songs, “Ripe“, recently got a Lance Bangs-directed live clip as a welcoming accompaniment. Does anything else really need to be said?

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5. Thurston Moore (KEXP)

With Sonic Youth, Thurston Moore became one of the most influential guitarists of the past 50 years. Even though that band’s split up, Moore’s live music continues to impress both on record and in the live department. KEXP recently hosted the band (which includes Sonic Youth’s Steve Shelley) for a session that featured songs from Moore’s most recent effort, The Best Day. Every member of the band’s in fine form as they make their way through a set that demonstrates Moore hasn’t lost any of his magic.

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December 15, 2014

Watch This: Vol. 63

[Please refer to Vol. 59 for the introductory paragraph.]

1. White Reaper (BreakThruRadio)

BreakThruRadio has a wonderful habit of hosting bands that just can’t help but lose their minds a little when they play. White Reaper look like they’re practically jumping out of their skin here, with everyone seemingly set to their most vicious attack mode. It’s difficult to tell what’s more electrified; their guitars (and synth) or the people controlling them. A few brief-but-entertaining interview segments are included and they accentuate just how ridiculously energetic White Reaper are when they perform. All of the evidence is below.

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2. Day Creeper – Turning Into A Man (The Mug and Brush Sessions)

The Columbus-based Day Creeper already appeared once on this series previously and made a pretty deep impression. They’re back now, with a casual vengeance and just as much grit. “Turning Into A Man” emphasizes their more creative tendencies while also allowing a more unobstructed view of some surprisingly strong lyricism. While this was said once already, it deserves repeating: Day Creeper are a band worth watching.

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3. Big Ups – Not Today (BreakThruRadio)

Big Ups are making a dangerous push towards being the most featured band on Watch This, which- considering their typically blistering performances- isn’t all that surprising. Eighteen Hours of Static was one of 2014’s first truly great albums and the band’s only been building momentum since its release. They’re building up a head of steam as they charge headfirst towards the new year, pity anyone who gets in their way. In yet another monster performance for BreakThruRadio, they flick back and forth between detached empathy and boiled-over frustration with a terrifying precision, casually teasing their fast-clip tension/explosion dynamic. At this point, it doesn’t seem like there’s all that much out of their reach- and that’s partially in thanks to performances like this one.

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4. Allo Darlin’ (KEXP)

It’s always a pleasure to hear something as downright winsome as We Come From the Same Place. Allo Darlin’ have created something that feels timeless and sounds ridiculously lovely. There’s a certain soft romanticism (often marginally damaged) that plays a central figure to the best indie pop and that holds true for We Come From the Same Place– a record that could (arguably) wind up standing as a genre classic. In the interview segments, the band’s personable. In the performance set pieces, they’re nearly transcendent.

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5. La Sera – Losing to the Dark (Last Call With Carson Daly)

Rounding out La Sera’s triumphant Watch This trifecta is a wild-eyed run through one of 2014’s most unexpectedly ferocious lead-off singles, the errant firework that is “Losing to the Dark“. As rabid as the song sounds on record, Katy Goodman and her band kick it up a few levels live- to the point where it almost seems like the entire band is trying to outrun themselves for fear of being trampled by their own creation. All manic adrenaline and seething resentment, it transforms itself into both a shot in the arm and a knife to the jugular. Vicious guitar riffs make the incisions and by the end of it all, the band’s already laughing everyone out of the room- and, somehow, the only viable option is to beg for seconds.

[Due to some technical issues, this video can only currently be seen here.]

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December 15, 2014

Watch This: Vol. 60

[Please refer to Vol. 59 for the introductory paragraph.]

1. Two Inch Astronaut – Cigarettes, Boys And Movies (BreakThruRadio)

One of late 2014’s real gems was Two Inch Astronaut’s current career-highlight, Foulbrood. Filled with a nervous tension and exploring curious bridges between genres, the band zeroed in on the remarkable formula set out by their thrilling debut. Sound in structure, compelling in atmosphere, and engaging live, they make for perfect candidates to places like the venerable BreakThruRadio, which recently hosted a live session for the band which found them delivering a stunning live version of the excellent “Cigarettes, Boys And Movies”.

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2. Broncho (3voor12)

Snotty punk’ed out basement poppers Broncho recently swung through Le Guess Who? festival in Utrecht. 3voor12, as ever, was on hand to capture the band tearing through a manic set of earworm-friendly numbers. Broncho, for their part, deliver their songs with a wide-eyed gusto. Legs tap rapidly up and down, hips sway unapologetically, and the band loses themselves in their music. It’s an outwardly strong performance that suggests that Broncho, even having been on the scene for a handful of years, are nowhere close to being done.

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3. Liquor Store (3voor12)

Le Guess Who? (and 3voor12) not only managed to rope in Broncho for a stellar showcase but celebrated punk act Liquor Store as well. Anyone familiar with Liquor Store knows what the video immediately below holds in store: an abundance of snarling riffs, shouted lower-register lyrics, an off-the-cuff feel, and a whole lot of deceptive slop. For years the band’s built a sound that plays directly to their strengths as both songwriters and performers. Once this band steps on the gas pedal, they never decelerate; they only know how to apply pressure.

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4. Protomartyr (Sound Opinions)

Under Official Color of Right catapulted Protomartyr into the greater public’s eye on sheer strength. One of 2014’s most fascinating records, the band filled it with restraint and a tendency to lean towards an atmosphere of disquiet. At times it’s an almost unbearably tense experience that benefits from a vice-like grip rooted in unrelenting bleakness. Somehow that combination translates to an odd brand of contained catharsis when kept to a singular listening experience. Live, the band taps into the same mood without any kind of hesitation- and they strengthen it with their physical presence. Sound Opinions catches them exactly where they should, right in the act.

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Sonic Avenues (KEXP)

One of a handful of smaller bands going who can boast a near-perfect discography, Sonic Avenues have been the deserving center of praise from quite a few genre specialists. With both an incredible reissue and an incredible new record out in 2014, it’s felt (increasingly) like the band’s just a few steps shy of exploding. Affable and energetic, they deliver one of the best sets KEXP’s hosted in some time. None of them seem to be able to contain their excitement while playing and it’s a beautiful thing to watch- so quit reading and click play.

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Tag: BTR