Heartbreaking Bravery

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Tag: Brother

The Honorable Mentions of August 2017

A lot has happened over the past month and the time to get this site back on track has nearly arrived. On a quick personal note: Heartbreaking Bravery is now based in Madison, WI and will likely expand on some forms of coverage — and feature selections — in the very near future. Before all of that can happen, it’s imperative that the events of the past month be taken into stock. We’re now arriving at a time where the AotY-caliber material descends like a waterfall and it can be overwhelming. To that end, this post will highlight all of the new songs, music videos, and records that made a sizable impression over the past month. A few more posts will follow but if anyone’s looking for a wide-ranging variety of outstanding new music, it’d be best to bookmark this page and spend hours clicking around. It’ll be worth the time.

RECORDS

The Obleeks, Honeyrude, Thanks for Coming, Duncan Fellows, UV-TV, SOAR, The Anatomy of Frank, Tyler Ditter, Big Fred, Half Gringa, Little Kid, Guggi Data, Dina Maccabee, Small Reactions, Noon, At Zero, Dude Elsberry, Guided By Voices, The Ocean Party, Rick AshtrayFrøkedal, Faith Healer, Winston Hightower, Rose Hotel, Maneka, Ice Balloons, Black Mekon, WALK, Luke Rathborne, Mosquitos, Limp Wrist, The Homeless Gospel Choir, Club Night, Sunrot, Judders, No Museums, DieAlps!, Howlin’ Banana, and Ruination.

MUSIC VIDEOS 

David Ramirez, The Coathangers, VARSITY, Potty Mouth, Cody & Danz, St. Vincent, Courtney Barnett & Kurt Vile, Phoebe Bridgers, Black Kids, Los Angeles Police Department, Omni, Melkbelly, Mauno (x2), Curtis Harding, Trupa Trupa, Amy O, Jessica Lea Mayfield, OxenFree (x2), Ritual Talk, Palehound, Small Reactions, Land of Talk, Nnamdi Ogbonnaya, People Like You, Hurray For The Riff Raff, CHUCK (x2), Sam Coffey and the Iron Lungs, Oak House, Liars, ayo river (x2), Jason Isbell and the 400 Unit.

Kane Strang, Peach Pit, Manchester Orchestra, Elettrodomestico, Black Lips, Circuit des YeuxSløtfaceFilthy Friends, Hellrazor, Quiet Hollers, Fake Palms, Partner, Folkvang, The By Gods, Sorority Noise, Cloud Nothings, Young Boys, Annie HartDaniele Luppi & Parquet CourtsThe Safes, Small Culture, The Mynabirds, Sparks, Gallery 47, ALA.NI, Poppies, BABY!, Briana Marela, Pile, Hope, Ellen and the Degenerates, Wild Honey, Early Riser, Baby Jesus, Cassels (x2), Midnight Sister, Alex Lahey, Sono Oto.

Frankie Rose, The Homeless Gospel Choir, Shabazz Palaces, Warm Body, doubleVee, Sound of Ceres, Beliefs, Rainbrother, Arrows of Love, WAND, Demure for Sure, Emily Haines & The Soft Skeleton, Dead Heavens, DieAlps!, Grey Gersten, Ride, Wolf Parade, Kevin Morby, Prism Tats, Cristobal and the Sea, Becca Mancari, The New Pornographers, Surrounder, Houg, Mount Kimbie, High Bloom, Ian Randall Thornton, Michael Charles Smith, Steve Martin and the Steep Canyon Rangers, Mr. Muthafuckin eXquire, Rookin, Ibeyi, Marlon Williams, Black Beach, At The Drive In, Douse, Anthony, Open Mike Eagle, Your Old Droog, Girl Ray, and Superet.

SONGS

Beachtapes (x2), Partner, The Willowz, Julie & The Wrong Guys, Slothrust, The Pains of Being Pure at Heart, Dream Wife, Karl Blau, Petite League, Florist (x2), Lean Year, Worst Place, Fits, METZ, Prom Queen, Lina Tullgren, Strawberry Runners, Slaughter Beach, Dog, A. Savage, Covey, Dava Gavanski, Bully, Cherry, floral print, Floating Action, Anti Pony, Soft Fangs, Queen Moo, Strawberry Runners, VV Torso, ORB, Gleemer, Holy Wars, Ephrata, Ben Grigg, Reptaliens, Sam Evian, Looming.

Hope Sandoval & The Warm Inventions, Holiday Ghosts (x2), OCS, Pardoner, Friendship, Top 8, Strange Relations, Lomelda, The Tin Can Collective, Graham Hunt, Mini Dresses, Versing, Caracara, A Giant Dog, Makthaverskan, Pool Holograph, Jack Cooper, Noah Engel (x2), Tall Friend, Mercy Weiss, Monogold, Sick Feeling, Temple of Angels, Duds, Allah-Las, Mutts, Hand Habits, Silver Torches, Twist, Honeyrude, Tapeworms, The Jesus and Mary Chain, Ripped Genes, Liars (x2), Dead Stars (x2), Philip Selway.

Jude Shuma, The Persian Leaps, Rick Ashtray, Small Circle (x2), Twain, Car Seat Headrest, Everyone Is Dirty, Protomartyr, Black Beach, Smoke Rings, John Dylan, Maneka, Club Night, Nassau, Plastic Pinks, David Ramirez (x2), Weird Owl, Cults, Hercules & Love Affair, Charles Howl, The Duke Spirit, BIRDS, Pale Honey, The Dream Syndicate, Cina Polada, Alex Calder, Ruby Fray, Camp Counselor, Linda Perhacs, IDYLLS, The Dig, Nora Jane Struthers and the Party Line, WHIMM, PictureHouse, Duncan Kissinger.

S. Carey, The Dodos, Pinkshinyultrablast, Yumi Zouma, Deerhoof, Son Little, Haunted Summer, Quicksand, The Cribs, Death From Above, Mirah, Walter Etc., Ben Stevenson, L.A. Witch, Trevor Sensor, Francis, Wild Ones, Blank Range (x2), Cloning the Mammoth, King Khan, STACEY, The Darts, The Duke of Surl, Siv Jakobsen, North Lynx, Looms, Sauropod, Plateau Below, Out Lines, Joey Sweeney, Deradoorian, Parentz, Norma, Surf Rock Is Dead, Freedom Baby, The World Is A Beautiful Place & I Am No Longer Afraid To Die.

ExSage, The Sighs, The War On Drugs, DDCT, Hudson Bell, The Side Eyes, EMA, Knighstown, Fuzz Queen, LOSANGE, Andi, Loyal Lobos, OMD, Hypnotic Kingdom, Happy Hollows, After Hours Radio, Peter Oren, Andrew Weatherall, A Valley Son, Far Lands, Tree House, Faith Healer, Diamond Thug, DestroyerMÄRVEL, Seasonal Beast, clipping., Cape FrancisGunn-Triscinski Duo, Four Tet, Smash Boom Pow, Acid Tongue, Black Pistol Fire, NVDES, Midnight Sister, Kid Midnight (Charly Bliss Remix), MOURN, and Petal.

Splitting at the Break: The Live Videos of 2016’s First Half

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2016 is just about at its midway mark and there hasn’t been any live coverage on this site since before the year turned over. There have been a number of extenuating circumstances preventing the live documentation that has been captured this year from being posted (travel, time, other commitments, etc.) but that changes today. Below are ten video packets from ten shows that I was fortunate enough to catch — and shoot — this year.

Normally, as a general rule of thumb, I avoid posting anything from shows I play but am making an exception for the Jungles package because the band’s woefully under-represented in America for their undeniable strength as a live act.  A few other packets may be missing an artist or two but what’s below is the vast majority of what I’ve seen over the past six months.

Whether it’s Meat Wave ripping through a crushing new song on a (freakishly sunny) winter day in Chicago, Beach Slang covering The Replacements two times over, or Torres making everyone’s hairs stand on end with an unforgettable one-song encore, these are worth a look and were a privilege to experience. A photo gallery will be coming within the next few days but for now, enjoy the footage.

American Wrestlers, Eternal Summers, Palehound, and Torres. 

Julien Baker and Charly Bliss. 

Muuy Biien, Meat Wave, The Spits, and Black Lips. 

Runners, Beech Creeps, and Heavy Times. 

Jungles. 

Mr. Martin & The Sensitive Guys, BAG-DAD, Haunter, Miserable Friend, and Heavycritters. 

Yoko and the Oh No’s and PWR BTTM. 

Micah Schnabel, Dyke Drama, Potty Mouth, and Beach Slang. 

Yowler, Eskimeaux, and Frankie Cosmos. 

Oops and Dilly Dally. 

Watch This: A Long List of Honorable Mentions from A Brief Stretch of Time

It’s been approximately a month and a half since the last volume of Watch This ran on this site. During the interim, there was a lull in coverage due to show coverage (the results of which will be appearing in the very near future) and then a spree to get the three main release categories — single streams, full streams, and music videos — caught back up to the current release cycle.

Now that everything’s back on pace, the Watch This series will be revived in a continuing series of posts that are spread out over the next week. During all of the time the series maintained radio silence, the material that was emerging was being taken into account on a near-daily basis. An intimidating amount of great live performance videos have surfaced in that time and will be split up into groups as those clips are recapped. Below is a list of strong candidates that have a lot to offer, either in the filmmaking department, through the band’s performances, or a mixture of both. So, as always, sit up, scroll down, and Watch This.

Gordi, The Black Angels (x2), The Coathangers, The Peekaboos, Andy Shauf (x2, 3), Sorority Noise, Sera Cahoone, Footings, Lina Tullgren, Abi Reimold, Your Friend (x2, 3, 4), Shearwater, Christian Lee Hutson, Indian Askin, Lady Pills, Valley Queen, Gary Clark Jr. (x2), Choir Vandals, Pearl Charles, New Madrid, Laura Sauvage, Simeon Beardsley, Colleen Green, Palm Springs, didi, Max Meser, Keeps, Pinkwash, Cate Le Bon, Namorado, Mount Moriah, Tacocat (x2. 3), Trixie Whitley, Bleached (x2, 3), Psychic Love

Clean Spill (x2, 3), The KillsRestorations (x2, 3), Band of Horses (x2), Sioux Falls, The Frights, Behold the Brave, SOAR, The Ultrasounds, Arnold Turbobust, Broken Beak, Korey Dane, Songhoy Blues, Tony Peachka, Beach Slang, Pinegrove (x2), Astronautalis, CocoRosie, Little Green Cars (x2), Golden Daze, Sex Tide, Audacity, Jalen N’Gonda, Sun Club, Laura Gibson, Born Ruffians (x2), Kurt Vile, Bird Laww (x2), Mail the Horse, Radical Face, Yeasayer, Nada Surf, Wimps, Museyroom, Bummer, Quiet Hollers

Deerhunter Rainwater Cassette Exchange, Kaiti Jones, Yak, Operators, Quilt, Laney Jones (x2), Slowdive (x2), Laurel, Penny and Sparrow, Model/Actriz, Savages, You Won’t (x2), Psybeams, Julia Pox, Lip Talk, Pure Bathing Culture, Amanda Bergman, Hinds (x2, 3), Battles, Parlour Tricks, Deerhunter, Jackie Islands, Flying Horseman, Wet Nurse, American Pinup, Blitzen Trapper, Davina and the Vagabonds, Cybee, Jon Latham, Jon Latham.

 

15 of ’15: The Best Odds and Ends of 2015

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There has been no shortage of outstanding music to find release over the past 12 months over a wide variety of formats. This list (which, once again, is entirely subjective and not meant to be an overarching authoritative statement) pulls from a number of curiosities: splits, vinyl-only releases, demos, and compilations. A few of these slipped through the cracks or were pulled and replaced in the past few weeks, making this one of the stranger year-end lists this site’s likely to ever run. All of those changes will be reflected and noted as they come into play. With all that and mind and a ton of material yet to come it’s high time to jump into 15 of ’15: The Best Odds and Ends of 2015.

15. Patio – Patio Songs

One of the more memorable debut efforts of 2015 also proved to be one of the most promising.Patio– a trio made up of Lindsey-Paige McCloy, Loren DiBlasi, and Alice Suh- had spent years in development. After initially starting as a joke that escalated into reality, the band finally committed some of their material to a recording- the aptly named Patio Songs and secured a lot of word-of-mouth buzz in the process. “luxury” and “air j” both memorably demonstrate the band’s knack for wiry post-punk that comes equipped with noir-ish overtones. Don’t be surprised to see the band expand on their early successes in big ways in 2016.

 

14. Mean Creek – The Best of…

While a lot of bands hung up their cables over the course of 2015, it may have been the loss of Mean Creek that stung the most, simply because they were quitting because of many of the industry’s most severe flaws. Instead of caving into the pressures and demands of outside parties that wanted to model Mean Creek at will as a commercial product instead of an artistic one. When the band decided they’d had enough and were ready to take a bow, they went out in heroic fashion, issuing this best-of collection shortly before their final show. As one last rousing call to arms, the band kicks the compilation of with “Forgotten Streets“, their swan song and a rousing call to arms that provided the band with one last definitive moment.

 

13. PWR BTTM + Jawbreaker Reunion – Republican National Convention

Despite already having one EP under their belt, this was PWR BTTM‘s introduction at large and a searing start to what would prove to be a monumental 2015 for the duo. Jawbreaker Reunion, on the other hand, was riding a wave of critical acclaim and some early success thanks to their extraordinary full-length debut, Lutheran Sisterhood Gun Club, which carved out an impressive ranking for this site’s Best Albums of 2014 list. Both bands turn in impressive efforts for Republican National Convention, which include the anthemic “Hold Yer Tongue” on PWR BTTM’s side and the lively “Andrew In Drag” on Jawbreaker Reunion’s, making this split a worthy entry for each of their discographies.

 

12. No Ruido / No Noise

Edgar Gonzalez has been a vital voice in DIY punk, social ethics, and a legion of other topics but also found time to make a mark with the curation of No Ruido / No Noise– a name-your-price compilation with the proceeds going to the family of Tamir Rice- which will likely go down as the signature release for his recently formed label, Edgar’s Friends. Several of today’s most exciting, politically-minded acts provide a track, from Priests to Perfect Pussy, finding space to include songwriters like Frankie Rose, Fred Thomas, and Radiator Hospital as well. It’s a startling collection that actually has the potential to make a difference via positive impact and that alone puts No Ruido / No Noise in a class of its own.

11. Happy Diving – So Bunted b/w My Zone

After 2014’s towering Big World, no one would have been surprised if Happy Diving had taken time to promote the record and celebrate its success. Instead, they turned around and quickly unleashed the incendiary 7″ that paired “So Bunted” with “My Zone”, each operating as an ample demonstration of the band’s distinctive blend of grunge, sludge, shoegaze, and basement pop. As bruising as they’ve ever been, Happy Diving may hav even turned in a career best with So Bunted b/w My Zone and, at the very least, have certainly demolished any lingering doubts about their levels of promise or capacity for longevity. A formidable effort by any metric, it’s a record that says everything it needs to in under five minutes and leaves an impressive mark.

 

10. Faux Real II

The second installment of Father/Daughter Records‘ immensely entertaining Faux Real series introduces a new collection of covers from fictional bands. An arsenal of site favorites populate Faux Real II, from Krill to Quarterbacks to LVL UP to Allison Crutchfield. Every single track on Faux Real II would be a worthy choice for an album highlight and a few of them- like Sharpless‘ explosive take on the Home Movies classic rock opera piece “Franz Kafka”- manage to wind up being unforgettable. Somehow the series once again manages to swerve away from the seeming inevitability of coming across as a novelty and transcends its premise to function as a curious look at some of the most promising emerging acts of the current moment.

9. Bruising – Emo Friends b/w Honey 

Only a scant few songs into their career, Bruising have already managed to make a considerable impact. After initially forming over a Perfect Pussy t-shirt in a club, the band put together a startling run in 2015 that turned more than a few heads. Excelling in the sort of pop-laden shoegaze that bands like Joanna Gruesome have built a career in crafting, Bruising comes at their hybrid-genre in a manner that feels like their own. For their debut standalone 7″ effort (following the brilliant “Think About Death” for Art Is Hard’s Family Portrait II), the band pairs the lilting “Emo Friends” with the incendiary tones of “Honey” to create something that feels as lasting as it does immediate. If Emo Friends b/w Honey‘s is the band’s first earnest step in their career, it’s a strong enough start to warrant some serious excitement over the band’s future.  


8. Meat Wave – Brother

While some would argue that this should be filed in the EP column, it’s mainly comprised of material the band had either already released on their explosive self-titled (a personal pick for one of the best releases of the 2010’s) or material that would be released on their bruising Delusion Moon LP. Every bit as frantic as its predecessor, Brother wields the same manic approach to even sharper effect, taking Meat Wave‘s music to a place a little darker than their debut. Relentlessly aggressive and downright venomous at every turn, it’s a staggering display of force from a band that seems intent on drawing blood with every new song they release. Brother ends with a trio of songs that don’t appear on Meat Wave or Delusion Moon but, by and large, manage to carry that same level of potency, effectively rendering this an essential starter kit for the uninitiated.

7. Post-Trash: Vol. 1

Just over a month ago, the senate voted to stop federal payments to Planned Parenthood. In response, Post-Trash issued their first (incredibly massive) compilation and announced the proceeds would go to funding Planned Parenthood. It was a strong move in principle alone but the bands that they amassed for this compilation (and the songs they contributed) pushed it into sublime realms. Site favorite Eskimeaux turns in the beautiful “Act Like A Piece of Shit”, Melkbelly provide their fierce “Bathroom at the Beach”, Patio– the band that kicked that list off- offer up a song from their demo, and 50 other bands (Pile, Fern Mayo, Painted Zeros, Soft Fangs, Palehound, Eugene Quell, Sadie Dupuis, Washer, Stove, etc.) all get in on the action. Ultimately, Post-Trash: Vol. 1 is one of the year’s most intimidating compilations due to its length but it also rewards investment at a much higher rate than anything else released this year.

 

6. The Weasel, Marten Fisher – Soundcloud

Perhaps the most left-field inclusion on this list is simply a soundcloud page, though it shouldn’t come as much of a surprise to anyone who’s followed my writing over the course of the year. Colin Bares has managed to impress on exceedingly high levels with his work in bands like The Cost of Living and Good Grief as well as his various solo projects (most notably The Coral Riffs). After a brief, sudden disappearance from songwriting, Bares re-emerged towards the end of 2014 and kept that momentum at high velocity throughout the course of the past 12 months, flying under the banner of The Weasel, Marten Fisher. Bares’ soundcloud became a veritable source of inspiration thanks to an eclectic blend of covers (including two devastating Cyndi Lauper takes) and a large collection of astonishing originals. Nearly all of those songs (and there are a handsome handful) are merely acoustic guitar/vocal demos but when there is a subversion from that template, like on a memorably dark Cat Power cover, the results are arresting. Keep both eyes on this page’s surprisingly frequent updates and expect to be blown away.

Listen to those songs (the 2015 run begins with “Empty Bucket List“, one of the year’s finest songs) and track The Weasel, Marten Fisher’s progress here.


5. Diet Cig – Sleep Talk b/w Dinner Date

While Over Easy was the release that rightfully jump-started Diet Cig‘s career, their finest moment in 2015 didn’t come via that EP (though it deserves it’s many year-end placements), it was their subsequent 7″ that proved their strength. “Sleep Talk“, the band’s finest song out of the few they’ve released thus far, serves as the record’s powerful A-side. Encapsulating the youthful vibrancy and excessive energy that made Over Easy such an infectious listen, it shows that the band has untapped depths with it’s gorgeous, layered outro section. From those haunting final moments, the duo pushes their music into darker territory than usual with the bruising “Dinner Date” that marries Alex Luciano’s characteristically barbed lyrics with uncharacteristically moody instrumentals that add some venom into their suddenly unrestrained menace. Packaged as a whole, Sleep Talk b/w Dinner Date is an extremely promising look at the young band’s future, definitively proving that they’re much more than a one-trick pony.

 

4. Sleeping in the Aviary – Young Love Is Easy

For a band that broke up a few years ago, Sleeping in the Aviary had a monster 2015. Not only did most of the band play on Mike Krol‘s exhilarating Merge Records debut (Turkey), they also joined Krol for several tours and unleashed this manic compilation of some of their finest moments, none of which ever made it to a record’s final cut. From the outset, the band’s in fine form, dishing out their punk-spiked, doo-wop-leaning basement pop songs with unapologetic intensity, unveiling some of their most vicious songs in the process. Whether they’re more tapped into their ’50s influences (“No One As Lonely As Me”), their propensity to go straight for the jugular (opener “Harder Shoulder”), or endearingly irreverent humor (the rambling, acoustic “Dick Gere”), their success rate is astounding. Over the course of their career, the band released four incredible full-lengths and an untouchable split 7″ with The Hussy so it makes sense that they’d leave behind a wealth of material but even from a pragmatic standpoint, the overwhelming strength of Young Love Is Easy is staggering, making it one of the best releases of any format to find release in 2015.

 

3. Dusk – (Do the) Bored Recluse b/w Too Sweet

Every project that’s been connected back to Tenement has been more than worthwhile so it probably shouldn’t come as too much of a surprise that Dusk fit that bill to a tee. What’s slightly more surprising is the direction that the band’s taking, mixing flourishes of gospel with classic country influence and more than a few cues from the golden era of soul. Comparatively, the approach isn’t too dissimilar from The Band’s, it’s just been updated and provided with an additional punk-leaning bite. From the rollicking cow-punk of “(Do the) Bored Recluse” to the blue-eyed soul of “Too Sweet“, there isn’t a false move, the entire 7” just plays like a sustained series of grace notes. Both sides also feature some of the finest backing vocal arrangement in recent memory, ably showcasing the band’s impressive knack for both composition and multi-part harmonies. Equally engaging, both tracks are a clear indicator of the band’s innate charisma and sense of history. While the A-side once again taps into Amos Pitsch’s tendency to transform mundane circumstance into something worth celebrating, the B-side takes an unexpectedly romantic route. Each confirms Dusk as one of our best new acts.


2. Lost Boy ? – Canned 

The last unorthodox inclusion in a list full of them is perhaps the most jarring due to the circumstances surrounding its multi-year, multi-format release. Lost Boy ?‘s Canned was absent from last year’s list, when it had only been released as a cassette (and, subsequently, wasn’t available to stream anywhere) and its placement here acts as a small compensation. In 2015, the band decided to roll it out as an LP, which also made it publicly available for streaming. Far and away, Lost Boy ?’s strongest work to date- in a fairly stacked discography, no less- Canned was a complete distillation of the band’s distinctive personality, spearheaded by Davey Jones. Purportedly written in the midst and aftermath of a breakdown, Jones and his band attack these songs like their lives depended on the outcome. From the snare shots on “Hollywood” to the syncopated vocal syncopation in “Bank” to the casual groove of “Hemorrhage” there’s never a moment that’s anything less than completely electrifying, solidifying Lost Boy ?’s status as one of New York’s finest bands. An arsenal of memorable riffs, tossed-off asides, and genuine emotion fuel Canned and, as a result, it’s a collection that still feels surprisingly fresh after more than a hundred listens. Canned wasn’t just one of the best releases of 2014, it was one of the best of 2015 as well.

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1. Mercury Girls – Demos & Live Songs

No debut effort this year resonated quite like Mercury Girls’ immediately memorable Demos and Live Songs collection, which saw them fall effortlessly into the c86/Slumberland model of punk-informed powerpop. Close to everything on this release is near-flawless, issuing one pop gem after another at an alarming rate. From the dream-pop tones that permeate “Golden” to the band’s incredibly tight-knit live recordings, it’s abundantly clear that they’ve studied their multi-tiered genres’ ancestry in great detail. Everything on Demos & Live Songs works to an airy perfection, firmly establishing the band’s identity and suggesting that whenever their first full-length drops it’ll be met with waves of acclaim. While it’s easy to imagine the band being fairly successful from a commercial standpoint (especially in the terms of such a niche genre), it’s even more apparent that Mercury Girls are built for success- potentially to an intimidating degree- from a critical standpoint at well. Immediate, accessible, and extraordinarily tantalizing, they’ve harnessed something that comes across as surprisingly singular. That aspect of their music will go a long way in helping the band stand out in a field that feels increasingly overcrowded, likely ensuring their spot on several year-end lists to come.

 

Watch This: Vol. 94

[EDITOR’S NOTE: A modified version of this paragraph appeared in the preceding post due to the nature of the pieces] Occasionally there are weeks where there are simply too many excessively strong live performance clips to highlight with just one entry and this week’s established itself as being of that caliber. It’s a rarity that there are exceptions to the setup of five featured clips and an honorable mentions list of hyperlinked material because it’s generally best to err on the side of brevity for these things. I’m not sure I can conjure up a more ringing endorsement than that for the 10 featured clips that will be running tonight. With the first half out of the way, it’s time to turn to the latter selections, all of which carry just as much impact as their predecessors. So, as always, sit up, adjust the volume, adjust the screen, lean in, focus, and Watch This.

1. Tacocat – Volcano (Rhapsody)

Throughout the week a lot was made of Tacocat‘s Rhapsody session due to their excellent Ramones cover but the band also delivered a fiery take on “Volcano”, an original that outshines the cover that circulated so many times over the past several days. “Volcano” is a perfect example of the band’s winsome sensibility and the band delivers it in earnest, with a palpable amount of affection for their craft. It’s an absolute joy to watch unfold and the perfect clip to kick off the second section.

2. Screaming Females – Ripe + Broken Neck (WFUV)

Ever since Watch This was initiated nearly two years ago, Screaming Females have been making frequent appearances in the series. The reasoning behind that decision’s uncomplicated: the band’s one of this generation’s best live acts. Some things are fairly cut and dry and the trio’s formidable abilities as a live act are nearly unparalleled in the DIY circuit. Still riding high on the success of this year’s tremendous Rose Mountain, the band stopped by the WFUV studios to turn in two fiery performances and extend their winning streak to even further lengths.

3. Froth (KEXP)

In the midst of quietly putting together a strong year loaded with promise and potential, Froth stopped by the KEXP studios for a full session that provided a glimpse at what makes them one today’s more exciting bands. Finding a common ground between basement pop and shoegaze, the quartet’s bridged that gap and traversed every compelling mile between the two genres. While the music’s got an immediate nature, it’s best explored through serious investment where it reaps seemingly unlimited rewards. Already fascinating material is given new life in the live context, where it’s performed with a great amount of verve and genuine care.

4. Fake Palms – Sparkles (Exclaim!)

Fake Palms have landed their name on this site a small handful of times now thanks to a strong 2015 that saw them steadily emerging as a viable candidate for best new act in an overcrowded year. “Sparkles” was one of their breakthrough moments and Exclaim! recently caught the quartet gifting their cameras an explosive version of the tune in a picturesque outdoor setting. The combination makes for an unreasonably compelling piece of art that should help the band further their case for being one of the year’s more memorable acts.

5. SOAK (KEXP)

Very few songs this year have managed to freeze blood as quickly as SOAK‘s 2015 highlight “B a Nobody”. Bridie Monds-Watson- the enviably gifted songwriter operating under the SOAK moniker- seems to recognize this and is coaxing the appropriate mileage out of the song. Wisely kicking off this KEXP session with the tune to set the tone, it’s quickly followed by an effective trio that firmly establishes Monds-Watson as one of today’s premier young talents. KEXP’s cameras almost seem to be lensing Monds-Watson reverentially throughout this session, which provides the affair with a dimension that contributes to its stunning impact. Don’t miss this one.

Meat Wave – Erased (Stream, Live Video)

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Since this site started, I’ve been fortunate enough to make some direct connections with bands I’ve had a genuine, long-standing love for. One of the acts that stands out most, especially in those respects, is the Chicago-based Meat Wave. Back in October, we were lucky enough to host Meat Wave as part of the first-ever Heartbreaking Bravery Presents and in the time that’s followed, the band’s (unsurprisingly) been generating quite a bit of noise. A sold-out show in Brooklyn with Perfect Pussy here, one of 2015’s best EP‘s there, headlining a VICE house party in London, dropping an endearingly scrappy slasher clip for a song… the band’s had a pretty good year. Now, with new material from a forthcoming record starting to surface, it’s only set to get better.

“Erased”, the band’s latest, is a glimpse at what the band’s got in store for the future. They’ve retained their Wipers-leaning bent but transformed it into something even more tenacious. Sounding more intensively focused and bold than ever, “Erased” gets taken up a few levels thanks to one of guitarist/vocalist’s Chris Sutter’s most snarling performances (and a characteristically powerhouse turn-in from the band’s rhythm section, made up of drummer Ryan Wizniak- who also played with Sutter in the excellent Truman & His Trophy– and bassist Joe Gac). Off-kilter and absolutely unhinged, “Erased” sounds downright feral while elevating all of the elements that have made Meat Wave one of the most formidable bands in the Midwest. It’s a tantalizing step forward for the band and it remains as powerful- and as deceptively catchy- as it was when the band used it to open their set back in October. Video of that performance can be found below the embedded stream. As for the album, keep an eye on this site for any further details- they’ll be posted as they’re received.

Listen to (and watch the live video of) “Erased” below.

Meat Wave – Sham King (Music Video)

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Now that the site’s all caught up on songs, it only seemed natural to overhaul the music videos as well. Here, the formatting will be slightly different than it has in the past for this format, with 35 excellent clips being linked beneath the main feature, Meat Wave’s slasher-indebted short that accompanies the bruising “Sham King” off their tremendous EP from this year, Brother. Before going any further, it’s worth noting that Meat Wave is one of the few bands that will always have a special place carved out in reference to this site, having played the first-ever Heartbreaking Bravery Presents to help this place celebrate its first anniversary (several months after they were featured as part of the site’s On the Up series). Their self-titled record is still one of the best things to have come out of this decade, so any time the band does anything of note, it’s probably a safe bet it’ll secure a feature spot here. Which leads us back to the focus of this piece: “Sham King”.

In the Andrew Robert Morrison-directed clip for “Sham King”, a lot of things are at stake. Most notably, the bands lives. A grim reaper figure, complete with a scythe atop a bicycle, mercilessly stalks the power trio through dead, snow-capped streets. During the opening chase, Morrison (who also edited the video) injects the clip with a serious sense of dissonance with furiously paced loop-back smash cuts, lending the affair an added sense of disquiet. Before long, death zeroes in on guitarist/vocalist Chris Sutter, who leads the masked figure on a chase through an abandoned warehouse. Vantage points switch and become a narrative function as the viewer’s occasionally allowed to take on the first-person viewpoint from behind the killer’s mask, effectively rocketing up the video’s sense of tension. When one side emerges victorious, a solo is mimed in front of a towering wall of various amps before giving way to the video’s final shot- which ranks among one of my favorite images from the year.

Watch the madness of “Sham King” unfold below and pick up the Brother EP here. Beneath the clip, watch 35 other great videos from the past few weeks. Expect regular coverage to resume throughout this new week and going into the future.

Day Creeper – Luxury Condominium
Ryan O’Reilly – Northern Lights
Little Death Machine – Pale
Hallelujah the Hills – Destroy This Poem
Algiers – Irony. Utility. Pretext
Dan Deacon – When I Was Done Dying
The Go! Team – What D’you Say?
King Tuff – Madness
Modest Mouse – Lampshades of Fire
Chastity Belt – Cool Slut
The Bandicoots – Mind Your Manors
Stella – Last Minute Boy
Hey Elbow – Ruth
Coliseum – Sunlight In A Snowstorm
Ceremony – The Separation + The Understanding
Built to Spill – Living Zoo
Pile – Rock And Roll Forever With The Customer In Mind
Albert DeMuth – Finally Found A Job
Gymshorts – Hey Parents
Oscar – Daffodil Days
Modern Vices – Smoke Rings
The Great Albatross – Righteous Man
Turnover – New Scream
Oh Land – Half Here (Live One Take)
KEN Mode – Blessed
A Place To Bury Strangers – What We Don’t See
The Smashing Pumpkins – Drum + Fife
Pinact – Anxiety
Laura Marling – Gurdjieff’s Daughter
Inheaven – Regeneration
Hot Chip – Need You Now
Great Cynics – Lost In You
Le Volume Courbe (ft. Kevin Shields) – The House
Algiers – Blood
Courtney Barnett – Depreston

Watch This: Best of 2014 (Video Mixtape)

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Live music videos never seem to get the emphasis they deserve. It’s part of why Watch This was created; to celebrate stunning documents of equally stunning performances. A good band can make a great record but a truly great band usually excels in the live setting. With 2014 winding to a close (and with another 100 posts in the past), it seemed appropriate to start reflecting on some of the year’s best offerings. Lists of LP’s, EP’s, 7″ releases, and more will be forthcoming but today the focus will fall on live clips. And, yes, 2014’s not quite over yet and there will be a few weeks worth of live clips to consider (in addition to the past few weeks, which will be focused on in the posts immediately following this one) and “best” is still subjective- but the videos contained in this mix were simply too good to just feature once. If there’s enough material, an appendix will be added around the start of next year.

To be eligible for this video mixtape, the videos involved had to have been previously featured in Watch This and not contain an interview sequence. Full sets were ruled out as well (with a lone exception being made for one of 2014’s best videos in any capacity to provide a sense of closure to the proceedings). These videos were pulled in from as many places as possible with only Chart Attack, La Blogotheque, and Little Elephant making repeat entries (with two each). From the painfully gorgeous (Mutual Benefit, Angel Olsen) to sublime perfection (Radiator Hospital, Little Big League) to the absurdly impressive (Kishi Bashi) to the most electric late night performance of 2014 (Ty Segall), there’s a little something for everyone. 25 clips are included and listed below, with a hyperlink provided to their respective installments in Watch This‘ always expanding catalog. Since this brings the site to another 100 post mark, hyperlinks will be provided to posts 300-399 for anyone interested in checking out past material. With all of this exposition out of the way, there’s really only one thing left to do: sit back, focus up, and Watch This.

1. Audacity – Counting the Days (Jam in the Van) — vol. 24
2. Greys – Guy Picciotto (Chart Attack) — vol. 24
3. Radiator Hospital – Fireworks (BNTYK) — vol. 51
4. Ovlov – Where’s My Dini? (Little Elephant) — vol. 23
5. Frankie Cosmos – Embody (Radio K) — vol. 55
6. Mean Creek – My Madeline (Wondering Sound) — vol. 19
7. Joanna Gruesome – Anti-Parent Cowboy Killers (BTR) — vol. 51
8. Sweet John Bloom – Aging In Place (Allston Pudding) — vol. 48
9. Emilyn Brodsky – Someone Belongs Here (TCGS) — vol. 28
10. Mitski – First Love // Late Spring (bandwidth) — vol. 43
11. Nick Cave & The Bad Seeds – Jubilee Street (ACL) — vol. 54
12. Sharon Van Etten – Serpents (Pitchfork) — vol. 40
13. Mutual Benefit – C.L. Rosarian (Bruxelles Ma Belle) — vol. 19
14. Angel Olsen – Enemy (La Blogotheque) — Vol. 11
15. Kishi Bashi – Philosophize In It! Chemicalize In It! (WNYC) — vol. 29
16. Little Big League – Year of the Sunhouse (Little Elephant) — vol. 45
17. Screaming Females – It All Means Nothing (Audiotree) — vol. 27
18. Ty Segall – Feel (Conan) — vol. 40
19. Dilly Dally – Candy Mountain (Chart Attack) — vol. 51
20. Cloud Nothings – Now Hear In (Amoeba) — vol. 57
21. MOURN – Otits (Captured Tracks) — vol. 53
22. Courtney Barnett – History Eraser (KEXP) — vol. 34
23. Lee Fields – Don’t Leave Me This Way (La Blogotheque) — vol. 54
24. Jenny Lewis – Slippery Slopes (KCRW) — vol. 52
25. Saintseneca (NPR) — vol. 38

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HB300: Songs of Summer: 2014 (Mixtape)
HB301: together PANGEA – Badillac (Music Video)
HB302: Night School – Birthday (Stream)
HB303: The Midwest Beat – Vortex Hole (Stream)
HB304: Watch This: Vol. 42
HB305: All Dogs at Bremen Cafe – 8/19/14 (Pictorial Review, Videos)
HB306: Attendant – Freaking Out (Review, Stream)
HB307: Grape St. – Free Stuff (Stream)
HB308: Iceage – Forever (Music Video)
HB309: Ed Schrader’s Music Beat – Televan (Music Video)
HB310: Young Jesus – G (Stream)
HB311: Watch This: Vol. 43
HB312: LVL UP – Ski Vacation (Stream)
HB313: Radiator Hospital at Cocoon Room – 9/8/14 (Pictorial Review, Video)
HB314: Nano Kino – Eyes Before Words (Music Video)
HB315: Tenement at Mickey’s Tavern – 9/9/14 (Pictorial Review, Videos)
HB316: Bass Drum of Death – For Blood (Stream)
HB317: Pretty Pretty – Feels Like Rain (Stream)
HB318: Watch This: Vol. 44
HB319: Medicine – Move Along – Down the Road (Stream)
HB320: Mitski – Townie (Stream)
HB321: Allah-Las – Follow You Down (Music Video)
HB322: Sonic Avenues – Teenage Brain (Music Video)
HB323: Iceage – How Many (Stream)
HB324: The Honeydips – No Shirt, No Shoes (Music Video)
HB325: Watch This: Vol. 45
HB326: Watch This: Vol. 46
HB327: Iceage – Glassy Eyed, Dormant and Veiled (Stream)
HB328: Zulu Pearls – Lightweight (Music Video)
HB329: Two Inch Astronaut – Foulbrood (Stream)
HB330: Little Big League – Property Line (Stream)
HB331: Mikal Cronin – I Don’t Mind / Blue-Eyed Girl (Stream)
HB332: Mutts – Everyone Is Everyone (Lyric Video)
HB333: LVL UP – Hoodwink’d (Album Review, Stream)
HB334: Watch This: Vol. 47
HB335: The History of Apple Pie – Jamais Vu (Music Video)
HB336: Iceage – Against the Moon (Stream)
HB337: Speedy Ortiz – Doomsday (Stream)
HB338: Hurry – Oh Whitney (Stream)
HB339: Thalassocracy – Shimensoka (Stream)
HB340: Mitski – iPhone Voice Memo (Stream)
HB341: Watch This: Vol. 48
HB342: Watch This: Vol. 49
HB343: Screaming Females – Wishing Well (Stream)
HB344: Meat Wave – Brother (Music Video)
HB345: Joanna Gruesome – Jerome (Liar) / Trust Fund – Reading the Wrappers (Music Video)
HB346: Ovlov – Ohmu Shell (Stream)
HB347: Ty Segall – The Singer (Music Video)
HB348: Pet Sun – Gimme Your Soul (Music Video)
HB349: Washer – Rot (Stream)
HB350: Three Quarters Down (Mixtape)
HB351: LVL UP – Big Snow (Stream)
HB352: Weaves – Shithole (Stream)
HB353: Pile at The Burlington Bar – 10/10/14 (Pictorial Review, Video)
HB354: Audacity – Counting the Days (Stream)
HB355: LVL UP at Beat Kitchen – 10/12/14 (Pictorial Review, Video)
HB356: Two Inch Astronaut – Part Of Your Scene (Stream)
HB357: Watch This: Vol. 50
HB358: Girlpool – Plants and Worms (Stream)
HB359: Watch This: Vol. 51
HB360: Cherry Glazerr – Nurse Ratched (Stream)
HB361: The Gotobeds – Wasted On Youth (Music Video)
HB362: Happy Diving – Big World (Album Stream)
HB363: Filmstrip – Don’t You Know (Stream)
HB364: Nobunny – Nightmare Night (Short Film)
HB365: Heartbreaking Bravery Presents, Vol. 1: Meat Wave, Mumblr, Geronimo! (Videos)
HB366: Watch This: Vol. 52
HB367: Watch This: Vol. 53
HB368: Cymbals Eat Guitars – Warning (Music Video)
HB369: Mitski – Bury Me At Makeout Creek (Album Review, Stream, Photos, Videos)
HB370: Chandos – ..Pretty Sure it’s ‘Tang Top’ (Stream)
HB371: Toby Coke – Face Taker (Stream)
HB372: Two Inch Astronaut – Dead White Boy (Stream)
HB373: Left & Right – Low Expectations (Music Video)
HB374: Watch This: Vol. 54
HB375: Deerhoof – Exit Only (Music Video)
HB376: Meat Wave – Sham King (Stream)
HB377: Kal Marks – It Was A Very Hard Year (Stream)
HB378: Band Practice – Bartending At Silent Barn (Stream)
HB379: Big Lonely – Dirty Clocks (Music Video)
HB380: Slight – Run (EP Review, Stream)
HB381: Screaming Females – Ripe (Stream)
HB382: Girlpool – Blah Blah Blah (Music Video)
HB383: Mutts – Black Ties & Diamonds (Song Premiere)
HB384: MOURN – Otitis (Stream)
HB385: Iceage – Against The Moon (Music Video)
HB386: Watch This: Vol. 55
HB387: Watch This: Vol. 56
HB388: Watch This: Vol. 57
HB389: Kal Marks – Don’t Pussy Foot With A Pussy Footer (Stream)
HB390: Trust Fund – Cut Me Out (Stream)
HB391: Alex G – Soaker (Stream)
HB392: Band Practice – Theme Song (Stream)
HB393: Chandos – Cobra Points (Stream)
HB394: Screaming Females – Empty Head (Stream)
HB395: Title Fight – Chlorine (Music Video)
HB396: Space Mountain – California Blue (Stream)
HB397: Liam Hayes – Fokus (Stream)
HB398: Toby Reif – 2014 (EP Stream)
HB399: Beliefs – Tidal Wave (Music Video)

Meat Wave – Sham King (Stream)

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Just as the start of this week’s been kind for great music videos, it’s also granted looks and streams at (and of) several upcoming records. NPR’s First Listen series, as reliable as ever, is currently streaming Mr. Gnome’s subtly frenzied The Heart Of A Dark Star, Crying allowed Noisey to let everyone in on the magic that is Get Olde/Second Wind, Stereogum landed the streaming rights to Exit Verse’s brilliantly contained self-titled record, and PIZZA TIME released their latest hard-charging punk free-for-all- 2 KEWL 4 LIFE– as an actual free-for-all via their bandcamp. Every one of those four records is worth a look but the title that should warrant the most excitement is Meat Wave‘s just-announced Brother EP.

After Meat Wave, the band’s post-punk tour-de-force first effort, was released the band started taking apart audiences with their incendiary live shows. One of those shows was captured firsthand via this site when the band played the first Heartbreaking Bravery Presents, which was announced in conjunction with coverage of their frenetic “Brother” video. It hadn’t been announced at the time but the video was to tease the band’s upcoming Brother EP, which was supplied with additional details today. Most notable is the presence of new songs, their first since their instant-classic debut, and the streaming of “Sham King”, which is as fierce of a song as they’ve ever written.

Right from the onset, Meat Wave seem hell-bent on pummeling the listener into elated submission with a vicious riff punctuated by snare blasts and supported by being doubled by the bass. Guitarist and vocalist Chris Sutter sounds particularly inspired on “Sham King”, showcasing a higher register and his characteristically venomous delivery. A simple but piercingly effective solo in the song’s final act ensures that this band’s somehow continuously building momentum (a feat that seemed impossible in the wake of their blistering debut) and- finally- people are starting to take notice. With Meat Wave behind them and the new songs on Brother ahead it’s going to be incredibly easy to make the case for Meat Wave being one of the best bands in the Midwest. All high velocity and high impact, this is music that’s set to destroy anyone not smart enough to willfully surrender.

Listen to “Sham King” below and pre-order the Brother EP from Meat Wave’s bandcamp.

Meat Wave – Brother (Music Video)

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[EDITOR’S NOTE: Apologies for the delay on this post, it was held up pending a confirmation. That confirmation just came through and a regular daily wrap-up of today’s releases will be posted later on in the evening. This post has been edited to reflect its current standing.]

Tuesday was a much quieter today for great new releases than Monday’s mind-boggling output- but the few things that were released managed to hold their ground. Menace Beach’s “Come On Give Up” gave the day a swift kick and got things moving with fuzzed-out basement pop. Happy Diving teased their upcoming full-length Big World with another attention-ensuring track, “Sad Planet“, which provides a glimpse of what’s turning out to be a fairly enviable range (and is one of the year’s better songs). AV Club also contributed to today’s haul with the full stream of the record that’s earned quite a few mentions on this site over the past few weeks: Little Big League’s Tropical Jinx, which emphatically capitalizes on its early promise and is more than good enough to be listened to on a regular basis well into 2015.

Now, admittedly, there’s more than one reason that Meat Wave’s first music video, “Brother”, earned today’s feature spot. Before getting to the auxiliary aspects, two things are worth noting: 1. Meat Wave is a band that’s been on this site’s radar for a long while. 2. “Brother” is one of the more perfect visual representations of a band’s style this year. Those two facts alone would have given it today’s feature spot, with the rest just acting as a sizable bonus. “Brother” is an all-out blitz of a song, reveling in an off-the-rails aggression that’s always guaranteed the band was a serious force to be reckoned with- something the video taps into expertly.

Made up entirely of jagged quick-cuts and stop motion shots, “Brother” is as deliriously frenetic as it is disorienting and ferocious. What makes it stand out is a peculiar sense of humor that the band brings to the clip. It’s also worth mentioning that this is a video for a song that was released two years ago, from a record that’s still holding up impossibly well. With the video providing a reminder that this music is as immediate (and feral) as it’s ever been, Meat Wave’s also managed to bring across a very subtle message in the visual medium: the knives are out and the band’s no longer content to stay still. This is likely part of the reasons as to why the band will be joining site favorites Geronimo! (whose Cheap Trick is one of this year’s best records) on their farewell tour- which is a topic that brings up something else entirely.

Heartbreaking Bravery will be presenting a stop on the tour.

On October 18, both bands will be stopping at a house venue (The Powerstrip) in Stevens Point, WI. Sweetening the deal is the fact that they’ll be joined by Mumblr, a Philadelphia-based band whose recently released Full of Snakes  is full of highlights (“Sober” being one of 2014’s finest songs) and exists in the exact space that this site most frequently celebrates; the perfect marriage of basement punk and basement pop. It’ll be the first of what will hopefully be many forays into live shows (and subsequent documentation). Cameras will be rolling and footage will certainly be appearing at some point in the future. So, stay tuned and try to make it out- this should be a celebration to remember.

Watch “Brother” below, download Meat Wave from the band’s bandcamp, and check out the flyer for the show below the video (as well as all of Meat Wave’s other tour dates).

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10-14- Beachland Ballroom- Cleveland, OH^
10-17- Kryptonite – Rockford, IL*
10-18- Powerstrip- Stevens Point, WI*
10-20- Township- Chicago, IL*&
10-21- Mahall’s- Cleveland, OH*
10-22- Sharkweek- Pittsburgh, PA*
10-23- Philamoca- Philadelphia, PA*
10-24- Shea Stadium- Brooklyn, NY
10-25- Silent Barn- Brooklyn, NY*

* = w/ Geronimo!
^ = w/ The Lemons, Lasers and Fast and Shit
& = w/ Dope Body, High Priests