Heartbreaking Bravery

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Tag: Booored

Total Babes – Heydays (Music Video)

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Throughout the past week there’s been a steady rollout of a slew of great songs and full streams. While the music video category didn’t quite hit the preceding week’s exhilarating highs, there was still solace to be found in some genuinely enjoyable clips from Joe Bordenaro, Algiers (who still have my pick for breakout act of 2015), Weird Mob, and Magic Potion.  Topping that batch off is Total Babes’ charming, lighthearted video for “Heydays”. Total Babes, at this point, is mostly known for its connection to Cloud Nothings (the band was founded by drummer Jayson Gerycz, whose work on Here and Nowhere Else was so impressive I shortlisted his turn-in on that record as one of last year’s most memorable moments). The singular vision on display in “Heydays” suggests that may not always be the case.

In addition to being a perfectly crafted burst of irreverent basement pop, the accompanying video comes laced with a kind of very specific comedic sensibility points towards Total Babes staggering self-awareness in terms of identity. All of the factors bode well for the band and subtly factor into the clip’s endearing narrative, which follows an air tube dancer through a turbulent time in his life. Even though our braver protagonist loses his girlfriend, his job, and part of his will to continue, he never loses his smile. Utilizing a simple idea and maximizing it’s unique factors to incredible effect (generating what are essentially organic jump cuts is a brilliant move), the video never loses its sense of playfulness. Masterfully executed, “Heydays” is a welcome dose of wit-laced humor that goes a long way in establishing Total Babes as much more than just a side project.

Watch “Heydays” below and order the album that’s named after the song from the increasingly formidable Wichita here.

White Reaper – I Don’t Think She Cares (Stream)

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It’s been a while since regular coverage of new releases cropped up on this site (part of which was due to other obligations), which is why the majority of tonight will feature an influx of posts touching on some of the pieces of art that made the past week so great. For this post and the majority of the posts that will be following this entry, the focus will remain on songs. All of them are songs worth adding to your collection and the first of which, Jason Isbell’s breathtaking “24 Frames“, boasts a lyric set so tremendous that it’s difficult not to expect his forthcoming record will be a critical darling. Dignan Porch’s “Out of the Picture” continued Art Is Hard’s white-hot winning streak, Sam Evian’s “Cherry Tree” further illustrated the respective individual talents that Celestial Shore‘s been producing, Angelic Milk put the listening world on notice with the razor-sharp shard of basement pop in “IDK How“, and A$AP Rocky furthered his case to be considered one of rap’s most compelling acts with an unlikely collaboration that features Rod Stewart, Miguel, and Mark Ronson (the endlessly smooth “Everyday“). Public Access T.V.’s tantalizingly light “All We Want“, Envy’s sprawling “Footsteps in the Distance“, Dikembe’s slow-burning “Surfed in the Loft“, and Magic Potion’s endearing basement pop tune “Booored” round off the first featured set. As always, I wish I could devote more than just a few words to each title but there simply isn’t enough time to cover everything in more exhaustive detail. At this point in time, the system in which the headline is determined is nearing a lottery system- and White Reaper beat the odds this time out.

Make Me Wanna Die” had already made a sizable impression and stoked the fires of anticipation for White Reaper’s upcoming full-length; “I Don’t Think She Cares” ensures that trajectory continues its ascension. “I Don’t Think She Cares” is another furious burst of basement punk with strong pop sensibilities coated in layers of fuzz, providing the song an even stronger punch. Incendiary riffing, absurdly melodic synth lines, and a vocal take so impassioned you can practically feel Tony Esposito violently shaking, it’s another perfect representation of the band’s supercharged aesthetic. Clocking in at a precise two minutes, it makes the most out of every single second, expanding the song into something surprisingly dynamic for such an abbreviated running time. Decades worth of punk cornerstones, past and present, collide in an exhilarating, celebratory whirlwind. Now two songs into their rollout campaign, White Reaper Does It Again is shaping up to be a potential career-maker for the emerging upstarts. All that’s left is to see if the main course can live up to the appetizers.

Listen to “I Don’t Think She Cares” below and pre-order White Reaper Does It Again from Polyvinyl.