Heartbreaking Bravery

stevenmps2@gmail.com | @steven_mps | @hbreakbravery

Tag: Boogarins

Three Weeks Down: A Handful of Full Streams

The previous two posts have fixated on some of the great material from streams and music videos. All that’s left to cover is the full streams of EPs, splits, comps, and full-length efforts that have emerged in the three weeks or so that Heartbreaking Bravery has been on hiatus. Bookmark this page, rifle through the titles on display, and walk away with a handful of outstanding new music. Enjoy.

Jason Loewenstein, Wishing Rock, Psychic Judge, Guggi DataAgent blå, Milk, Palm, Gland, Dion Lunadon, Konrad, Popular Adultstrü, Vs., Dead Heavens, Gringo, Bad Channels, Poppy, Ackroyd, Early Riser, Boogarins, Steady Sun, Superchunk, Ulrika Spacek, Ethan Daniel Davidson, PANXKING, Mare Island, Molly Nilsson, Terror Watts, Tough Age, CHIMNEY, Empty Heads, Hulaboy and Safe Distance, Marias, Leather Girls, CreaturoS, Swoon Lake, Rachel Baiman, and ROYA as well as the excellent Athens Vs. Trump compilation.

Cloud Nothings – Enter Entirely (Music Video)

The last half of last week turned up a handful of great music videos from the likes of Japanese Breakfast, Starcrawler, Adult Mom, gobbinjr, Black Lips, Boogarins, Honus Honus, Gillian Welch, Tiny Eyes, Pallas, Walter Martin, Littler, and Sprinters. As always, there was a range of innovation present in those clips and each of them is well worth watching. Another chance to take a look back at one of 2017’s best records so far — Cloud Nothings‘ Life Without Sound — proved too tempting and the featured slot fell to the long-time site favorites.

Following the release of 2011’s Attack on Memory, Cloud Nothings have released a small handful of critically-acclaimed, widely-adored records that kept them on the road and continuously pushed the band to evolve. Life Without Sound, their most recent effort, found them bridging the band’s history for their most definitive release to date. One of the several highlights on that record came in the form of “Enter Entirely”, which has just been a deep-saturation, nostalgia-drenched visual presentation. Simple, effective, intuitive, and surprisingly absorbing, it’s just another indication that the band’s going to continue making the exact right moves as they careen forward through what looks to be an impressive — even important — career.

Watch “Enter Entirely” below and pick up Life Without Sound here.

A Two Week Toll: Streams

It’s been a little over two weeks since this site’s run regular coverage. After the 1,000th post, there was a decision to be made over whether to continue on Heartbreaking Bravery in a severely limited capacity, a full capacity, or use the A Step Forward compilation as a final exclamation point. Before long, continuing on with a daily regiment felt like the right decision. This post and the dozen plus posts that will follow will all be a coordinated effort to get caught back up to the present release cycle.

The opening trio of posts will all feature a laundry list of items that are more than deserving of attention while the ensuing posts will be dedicated features for a singular item. A few Watch This installments will be posted and the rest of the coverage will be split into the three major tiers: streams, music videos, and full streams. Kicking things off is this collection of outstanding songs to have emerged during the brief hiatus. Dive in and go swimming.

Crying, Hellrazor, CasselsSlowcoaches, CoasterHalfsour, Private Interests, Minihorse, Very Fresh, Honeyblood, Fucked Up, Terry Malts, Kevin Devine, Joyride!, Teen SuicideLA BÊTE BLOOMS, The Exquisites, Penelope Isles, Nice Try, Dag, Jess Williamson, Chemtrails, Really Big Pinecone, John K. Samson, Soviet Soviet, American Wrestlers, Fake Limbs, The Tuts, Lubec, CarrollGirlboss, Gladkill, Hollow EverdazeBoogarinsLOKIT, Parlour Tricks, Vanishing Life, Wistappear, gobbinjr, Dmitry Evgrafov, Hidden Ritual, Lucidalabrador, Many Voices Speak, Future States.

Flamingosis, Sexy Jesus, Magana, Glacial Pace, Plastic Flowers, Super Unison, WTCHS, Tape Deck Mountain, Dexateens, Planes Mistaken for Stars, The Flat Five, HMLTD, Wovoka Gentle, Homebody, Pop & Obachan, Soft PyramidsFascinations Grand Chorus, Warhaus, Future DeathEmily ReoAffordable Hybrid, Light Fantastic, Temples, Michael ChapmanHiss Golden Messenger, The Dazies, Hippo CampusDoubles, LolahikoYouth Funeral, Lou Barlow, Pure Moods, Floating Room, James Parry, I’m Glad It’s You (x2), Communist Daughter, Henry Jamison, and J Mascis.

Minor Victories – Cogs (Music Video)

minor victories

Monday and Tuesday have all but come and gone, gifting us great new tracks from Young Jesus, The Regrettes, Purling Hiss, Drive-By Truckers, Sat. Nite Duets, Hoops, Cheena, Cass McCombs, Virgin of the Birds, Morgan Delt, The PoochesMutts, Tall Heights, and Indira Valey. Sweetening the deal were eye-catching music videos courtesy of Cara dal Forno, Boogarins, Numerators, AJJ, Slow Club, and Soto Voce. Rounding everything out was a surprisingly formidable slate of full streams belonging to artists like Stove, Dogbreth, Field Mouse, Good Morning TV, Russian Circles, Restorations, Super Defense, Soul Low, Daniel Kerr, Lungbutter, and Nato Coles & the Blue Diamond Band.

All of the above links contained strong material but none of those titles were as legitimately breathtaking as Minor Victories‘ latest music video, “Cogs”. The band’s been steadily revealing some of the most captivating music videos of 2016 by embracing the virtue of restraint. The best of those — the strangely moving clip for “Folk Arp” — saw them perfecting the art of the static shot, which had defined their prior two clips (“Breaking My Light” and “A Hundred Ropes“).

Following the conclusion of that static shot trilogy, the band’s turned their attention to motion. “Cogs”, which was released Monday, hinges on an exceptionally acute sense of fluidity. Presented once again through a crisp black and white, “Cogs” opens on a slow-panning shot of seemingly empty woods. Before long, a figure enters the frame at full sprint, though the video never wavers in its commitment to slow motion, unfolding at a pace that considerably heightens the tension. It’s an expertly staged trick, allowing the serenity of the setting to take on sinister undertones.

As “Cogs” goes through the motions, the central figure’s pulled tighter to the lens and some disconcerting imagery comes into play. The person assumed to be the protagonist of “Cogs” is a balding man, dressed in a hospital gown, whose movement grows more frantic and erratic with each step. It imbues “Cogs” with a sense of mystery that elevates the tension even further, prompting a series of questions that will go largely unanswered.

One of those question does find an answer at around the halfway mark as “Cogs” expertly stages the man’s exit from frame with the entrance of a figure in a poncho. Its imagery that echoes Yorgos Lanthimos’ The Lobster and winds up benefiting from the association. The similarities serve to expand the scope of the questioning surrounding the contained narrative of “Cogs”, while offering an outcome that similarly manages to become both definitive on a small scale and ambiguous on a much larger one.

Swirling around everything is the bruising maelstrom of “Cogs” itself, a barbed, punishing song that’s one of the band’s most tenacious offerings. Surging forward with a euphoric sense of clarity and purpose, “Cogs” injects its visual accompaniment with so much additional urgency that the clip feels as if its about to come to life. It’s a staggering accomplishment that’s utterly transfixing through every frame, from its unassuming opening to its startling grand finale. In short: it’s a masterpiece.

Watch “Cogs” below and pick up Minor Victories from Fat Possum here.

Watch This: Vol. 129

Hello and welcome to the 129th installment of Watch This. Just like the previous 128 entries in this series, this volume will focus on the finest live performance videos to be released in a set time frame (this time around being the normal version: this singular, immediate week).  As is usually the case, there was quite a bit of material to sift through that included strong showings from the likes of Margaret Glaspy, Antiphons, The Tallest Man On Earth, Ty Segall & Cory Hanson, Day Wave, Whitney Rose, Beach Slang, Naked Naps, Seratones, Amber Arcades, Hannah Georgas, Boogarins, Alessio Bax, Zach Puls, Totally Mild, Chick Corea & Gary Burton, Venus II, Dream On Nilsson, Dolfish, Dr. Dog, and Bowerbirds. A lot of gems can be found by exploring that list just as the five featured clips offer up an arsenal of astonishing talent on both sides of the camera. So, as always, kick back, crank the volume, get prepared, and Watch This.

1. Bully (Bonnaroo)

After purring out one of last year’s finest records, Bully have been hitting both the road and the festival circuit with staggering force. Feels Like, the record that spawned an extremely promising career, conjured up enough momentum that the band’s carried it to what’s essentially a victory lap. Fortunately for everyone, they’re playing their shows as if they still need to be the first to cross some unseen finish line.

2. Fruit + Flowers – Drug Tax (BreakThruRadio)

For well over a year, Fruit + Flowers have been drawing near to the cusp of becoming a breakout band and in that time, they’ve sharpened their live show to a fine point. That dedication shows in this steely-eyed performance of “Drug Tax” the band delivered for BreakThruRadio, tapping into the kind of fiery determination that a bigger scale — a scale that they deserve — necessitates. Expect to be hearing their name more at some point in the near future.

3. The She’s (PressureDrop.tv)

For as much as it gets featured on this site, the fact remains: good, carefree basement pop — the kind that comes equipped with a band’s singular identity — is surprisingly hard to create. Since they formed, The She’s have been working resiliently to perfect both their approach and that very niche genre. This inspired full session for PressureDrop.tv shows that they’re as close to achieving that goal as anyone.

4. SAVAK – Reaction (BreakThruRadio)

Session musicians are frequently overlooked despite being the backbone of the recording industry. SAVAK is a supergroup of relatively unheralded background players whose cumulative credits include roles in Obits, Holy Fuck, Ted Leo & The Pharmacists, The Cops, Nation of Ulysses, and more. Apart from their former projects and united under one flag, they’ve clicked and transformed into a wrecking crew. This run through “Reaction” is proof.

5. The Thermals (KEXP)

Very few bands boast a discography as absurdly strong as The Thermals, one that’s highlighted by The Body, The Blood, The Machine (which itself is one of the finest records of the past 16 years), yet they’ve managed to retain a nearly unparalleled drive that’s constantly reflected in their work. The band’s live show is when that aspect evolves from an endearing trait to an unavoidable reality. KEXP recently hosted the band (with the very welcome addition of Summer Cannibals‘ Jessica Boudreaux) in their studios and filmed them ripping through some highlights of their most recent effort, We Disappear. A loving document of one of the great DIY-leaning punk acts, it more than earned its spot on this list. Enjoy.

Woahnows – Mess (Music Video)

woahnows

Over the past few days, a whole host of notable music videos have surfaced. In addition to an achingly beautiful clip from Japanese Breakfast (courtesy of the inimitable House of Nod team), Teleman, Night School, gobbinjr, Deerhoof, Vallens, Operator Music Band, Pinkwash, Hinds, Shabazz Palaces, Boogarins, and Moderat all came through with compelling clips while Okkervil River offered up a tantalizing glimpse at their forthcoming record, Away. For sheer energetic force, though, none of the above clips could contend with Woahnows’ delightful “Mess”.

The trio’s latest video uses a grainy VHS aesthetic to its advantage, nicely underscoring the band’s oddball personality. “Mess” is a jaunty ride through one of the year’s best basement pop songs, with the accompanying clip, endearingly, not providing much more than a series of shots that show the band mimicking their way through the song. What’s essential to “Mess” is also the functioning crux of what makes Woahnows such a compelling act in the first place: they’re just out having fun.

Too frequently bands get lost in the guise of performance and it starts inhabiting itself in every facet of their appearance. Woahnows don’t seem anywhere close to falling into that trap. “Mess” is one of the loosest, most carefree clips that anyone’s released this year, effortlessly establishing and maintaining a sense of genuine joy. From the hazy, low-budget green screen effects to the half-dancing, “Mess” stealthily avoids subjecting itself to any looming pressures; Woahnows are making music for the sake of making music. That the clip for “Mess” falls in line with that ethos as much as it does is more than enough reason for celebration.

Watch “Mess” below and pick up the 7″ from Specialist Subject here (or grab a digital copy here).