Blue Smiley | Heartbreaking Bravery

July 13, 2016

LVL UP – Pain (Stream, Live Video)

Over the course of the day, a whole host of great material has found its way out into the greater world. Included in this wealth of worthy new releases included streams from Steve Adamyk Band, Slow Down Molasses, Happy Diving, Buildings, Beach Slang, PJ Harvey, Flock of Dimes, Itsaca, The Holy Circle, Bodies Be Rivers, The Moles, and a Littler cover of a Muffs classic with all of the proceeds of the cover going to Campaign Zero. Additionally, there were exceptional full streams from the following: Gay Sin, Heliotropes, Blue Smiley, and Pure Disgust. Finally, the music video format saw excellent new entries from the likes of Sneeze, Honeyblood, Sleeping Beauties, and Hinds.

Really, though, ever since Sub Pop’s announcement of their newest acquisition, this day has all but belonged to LVL UP. The band’s been working on their full-length follow-up to Hoodwink’d — this site’s pick for 2014’s Album of the Year — steadily for well over a year. Today, they unveiled the first track to be heard from that record, which will be titled Return to Love, with the perpetually shifting “Pain”.

Easily one of the finest songs Mike Caridi has contributed to the band to date (which is no mean feat), “Pain” is simultaneously one of the band’s most ambitious and arresting songs, demonstrating the breadth of their expanded scope in one fell swoop. Opening with a melancholic ambient swirl, “Pain” quickly ups the tempo and quickly begins presenting scathing, intimate questions like “where is the one who loved you, unconditionally?” and never lets down the intensity for a moment.

Ultimately, the song settles into the self-defeating mantra of “Never Find Love” before a volcanic eruption of feedback, distortion, and noise subsumes the song and quickly transforms it into a seething maelstrom of formidable power, reaching a level of darkness of which their most recent release — the excellent Three Songs EP — hinted towards. The quartet really lays into that final section during their sets (“Pain” has been a live staple for some time) and tap into some intangible quality that seems to elevate them as a unit, locking into some sort of terrifying trance and playing off of each other with startling precision.

“Pain”, likely more than most of their recent songs, pays homage to the band’s past while remaining determined to look towards the future. In striking that balance, LVL UP has managed to produce a song that does more than justify their Sub Pop signing, set up Return to Love‘s release, and remind people of why they came to be such a force. It becomes a transportive experience that nears moments of transcendence. Should the rest of Return to Love live up to the standard set by its first single, the band may find themselves following up a miniature masterpiece (Hoodwink’d) with the real thing.

Listen to “Pain” below (and watch a slightly blown-out video of the band running through an earlier version of the song last year at Palisades below the embed) and pre-order Return to Love from Sub Pop here.

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May 27, 2015

Radioactivity – I Know (Stream)

Occasionally there are days when the floodgates open and all that you’ve managed to miss over the past few weeks swarms its way into the surging current. Today was one of those days. More than 30 great items materialized, spread across all of the usual formats (although the vast majority were single stream entries). Full streams found life via great records from Crosss (LO), Pinecones (Sings For You Now), Porcelain Raft (Half Awake), Hex Dispensers (III), and Flesh World (The Wild Animals In My Life). Music videos had a strong year sustained with a fascinating crop of new clips that ranged from tongue-in-cheek (Mikal Cronin’s “Say“) to the epic sprawl found in Yak’s “Smile/Distortion“. The list of stunners in between included the following: Django Django’s “Shake and Tremble“, Elacampane’s “Out of Control“, Swiftumz’s “Take The Gray“, Toby Goodshank’s “Baby I Feel Like I Just Got Cut In Half“, Blue Smiley’s “Warn“, and Karen Meat & The Computer’s “Pizza & Beer“.

For the full songs, things picked up considerably and produced a particularly fierce onslaught of new material. That being the case, they’ll simply be listed and linked. All of these deserve so much more than just those direct mentions but this time around, there are simply too many. If anything, that should serve as strong evidence of 2015’s continued kindness. To wit: Daddy Issue’s “The Bruise“, Dead Stars’ “Calm Punk“, C-Duncan’s “Garden“, Little Racer’s “Jack Knife“, Mammut’s “Blood Burst“, Kid Wave’s “Honey“, Wing Dam’s “House Boat“, The Good Life’s “Everybody“, PINS’ “Molly“, Girlpool’s “Cherry Picking“, Angelo De Augustine “If I Could Fly“, Two Inch Astronaut’s cover of Taylor Swift’s “Fifteen“, Zachary Cale’s “Sundowner“, Dog Party’s “Sapphires“, Ecstatic Visions’ “Astral Plane“, Oberhofer’s “Memory Remains“, Sorority Noise’s “Nolsey“, No Joy’s “Hollywood Teeth“, The Cairo Gang’s “Ice Fishing“, and EZTV’s “Trampoline“. There was also the return of Radioactivity that took the shape in the form of the fiery “I Know”.

One of the first posts to ever run on this site was a review of Radioactivity’s incredible self-titled debut, which was easily one of 2013’s best records. Radioactivity felt like a continuation of The Marked Men’s Fix My Brain, an indisputable genre classic from The Marked Men, the band that mostly comprises Radioactivity. Two years later, the band’s back in full swing and has “I Know” to lead their charge. Much like Fix My Brain and Radioactivity, “I Know” is a snarling burst of pop-inflected basement punk. Guitarist/vocalist Jeff Burke continues to operate at an exceedingly high peak, offering one infectious melody after another. By the time “I Know” careens towards its finish, it’s almost as if Radioactivity never took their foot off the pedal after their debut, creating something as memorably urgent and accessible as each members’ finest outings. With June 30 only just around the corner, we’ve got some time to brace for impact- and it’s a recommended strategy- because Silent Kill is coming at full force and it’s not slowing down for anybody.

Listen to “I Know” over at Billboard, who premiered the track, and pre-order Silent Kill from Dirtnap here.

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May 24, 2015

Blue Smiley – OK (Album Stream)

Single streams and music videos, while making up the bulk of this site’s recent coverage, weren’t the only categories to boast some genuinely remarkable titles over the past week or so. Full streams still accounted for a handful of genuine treasures, which included the following: Summer Camp’s heavily damaged and electro-tinged rave-up Bad Love, Ratboys’ endearingly ragged basement pop triumph AOID, Hollow Sunshine’s punishing shoegaze-heavy post-punk knockout Bring Gold, and So Stressed‘s unflinchingly modern post-hardcore masterpiece The Unlawful Trade of Roman-Greco Art. A much less publicized record, Blue Smiley’s OK, received a shot in the leg by way of the announcement of a physical release.

The band had previously released OK (not to be confused with Eskimeaux’s brilliant O.K.) as a name-your-price download on their bandcamp but it’s finally seeing an official release through Third Floor Tapes. The record itself is a short burst of fuzz-damaged eclecticism that swings between noise-punk and basement pop with a practiced finesse. It’s a deeply impressive work that showcases the band’s innate ability to craft intensely dynamic songs with surprisingly contained run-times. A perfect example of this is “Flower”, which transitions from a heavy shoegaze bent to off-kilter outsider pop on a dime. None of the 10 tracks here waste a single second and the end result is an exhilarating ride that veers off in a handful of unexpected directions, rarely bothering to come back to their starting points. Not only is it one of 2015’s most fascinating releases- it’s also worthy of purchasing when it gets the releases it so richly deserves.

Listen to OK below and keep an eye on Third Floor Tapes for the record’s release on June 1.

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