Another traditionally stacked Monday is just about in the books and it had a pool of treasures to offer. Single streams wound up being surprisingly scant but still had two small triumphs in the form of Cave People’s surprisingly gentle “Cluster” and Slaves’ weirdly menacing “The Hunter“. Full streams fared slightly better and included JOYA‘s delightful sophomore effort 2nd, Native America’s wild-eyed Grown Up Wrong, Warm Soda bandleader Matthew Melton’s similarly-minded (and similarly excellent) Outside of Paradise, and Two Inch Astronaut‘s extraordinary Album of the Year contender Foulbrood.
Music videos wound up being the most stacked category and that was thanks to the varying strengths of their collective efforts. Nots crafted a visually striking clip for We Are Nots highlight “Decadence“, The Cush committed to steady transitions for “Summer’s Gone“, and Sonny & the Sunsets went with a constantly-evolving deceptively crude comic look in “Cheap Extensions“. Guerilla Toss continued to be willfully chaotic with their video for “367 Equalizer“, The Bandicoots dreamt up an absurdly charming and well-executed concept for “Just After Dark“, Nothing staged a robbery-turned-kidnapping-turned-torture sequence for “Chloroform” (which was a highlight from their recent split with Whirr), and The Vaselines combined French new wave, film noir, and silent film hallmarks in their impossibly light and deeply engaging clip for “Crazy Lady“. Site favorites Girlpool wind up earning today’s feature with their second great video of the year- one that sees them teaming up with The Punk Singer director Sini Anderson.
Girlpool have been having themselves one hell of a year. From stunning seemingly every critic at CMJ, to high-profile publications giving them coveted distinctions, to critical acclaim, they’ve set themselves up in an enviable position- one that will likely entail an uncomfortable amount of scrutiny. That they’re rapidly exceeding with as much poise and grace as they are is astounding; they’re incredibly young and their career together’s only just beginning. All of this bodes well for their future. An exponentially growing faction of people have chosen this band to rally behind because they embody so many things all at once; the unfairly marginalized, a decidedly DIY ethos, an unerring sense of conviction, and commendable bravery in their relentless pursuit of choosing to do the thing they clearly love.
A nightmare for ageists and a dream for those looking to celebrate and encourage the talent of youth, the duo’s already released one of the best videos of the year via their devastating “Plants and Worms” clip. This time around the formidable team of Cleo Tucker and Harmony Tividad eschewed the arresting animation styles of Catleya Sherbow and went the live action route with Sini Anderson. “Blah Blah Blah” starts out on a shot in front of LA’s famed The Smell (the venue where the duo met) and is split into thirds through a clever natural framing device, with Tucker and Tividad pushed off to the far sides. It’s an arresting image that immediately establishes the duo’s stylistic aesthetic, ensuring the viewers rapt attention to their movements. Before long, they’re inside and striding their way through a crowd of friends and admirers who eventually surround them as they play through the scathing, pointed “Blah Blah Blah”. It’s all beautifully lensed and impeccably edited, climaxing with a strobe-lit confetti-strewn hanging-telephone singalong to drive home an emphasis on the band’s communal aspects.
Ending with a rapid pullback that suggests the party kept going after the cameras stopped rolling, “Blah Blah Blah” becomes a cinematic testament to personal resolve and an unforgettable reminder of Girlpool’s strength. We’re lucky to have this band and should facilitate their rising profile at any given chance, if only because they’re exactly the kind of band that deserves to serve as inspiration for aspiring musicians or people who need something to believe in. Don’t let that opportunity go to waste; make sure Girlpool gets the kind of platform they deserve.
Watch “Blah Blah Blah” below and pre-order Girlpool from Wichita Recordings here.