The featured track belongs to A Year’s Worth of Memories alum Isabel Reidy’s project, Izzy True. After a dazzling EP, the project’s readying their debut full-length, Nope. Leading off the rollout campaign is the record’s brilliant lead-off single “Total Body Erasure”. Tapping into the swamp-punk, roots, Americana, folk, blues, and dirtied up rock n’ roll influences that made the Troll EP one of last year’s most compelling listens, “Total Body Erasure” also achieves the impressive feat of heightening the level of lyricism attached to the band by tackling a subject that manages to feel both intimate and political without one aspect ever outweighing the other.
It’s an astonishing piece of songwriting that suggests Reidy’s quickly becoming one of this generation’s finest young lyricists. If the rest of Nope can live up to the level set by its introductory piece, Izzy True has a legitimate shot at being one of 2016’s most notable breakout successes. All that’s left is to wait, see, and hit repeat on “Total Body Erasure” until that moment, during that moment, and well past that moment. Whichever way it shakes out ultimately won’t matter. What does matter is the strength of Reidy, Troll, and “Total Body Erasure”, which is more than enough to prove that we should all keep listening.
Listen to “Total Body Erasure” below and keep an eye on Don Giovanni for the pre-orders of Nope.
[EDITOR’S NOTE: Each of the seven volumes that comprise this Watch This package contain 25 clips apiece. Due to the sheer volume of live videos that have come out during January, February, and March all of the packages will have the same introductory paragraph. Regular Watch This segments will resume on Sunday.]
It’s been a tremendous first quarter for live videos. While Watch This, Heartbreaking Bravery’s weekly series celebrating the very best of the live video format, hasn’t been in operation for roughly three full months, the information required to keep this thing humming (i.e., checking through hundreds of subscriptions and sources for outstanding new material) has been collected at regular intervals. If they were full sessions, single song performances, studio-shot, DIY captures, transcendent songs, or transcendent visual presentations, they were compiled into a massive list. 175 videos wound up making extraordinarily strong impressions, those videos will all be presented here, in the Watch This: The Best of 2016’s First Quarter extended package, one 25-clip presentation at a time.
Watch the seventh and final collection of those videos below.
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1. Two Inch Astronaut – At Risk Student (bandwidth.fm) 2. Bob Mould – You Say You (WFUV) 3. The Intelligence (KEXP) 4. Lever – The Task (DZ Records) 5. The Thermals – Always Never Be (Jam in the Van) 6. Saintseneca – Bad Ideas (KUTX) 7. Young Jesus – Oranges (Slanted Manor) 8. Eleventh Dream Day – Go Tell It (Sound Opinions) 9. Julia Holter – Betsy on the Roof (Strombo Sessions) 10. Mothers – It Hurts Until It Doesn’t (Do512) 11. Lucy Dacus – Strange Torpedo (Radio K) 12. Blah Blah Blah – Crying (DZ Records) 13. The Frights – Kids (Allston Pudding) 14. Caveman – Never Going Back (Jam in the Van) 15. Dan San (3voor12) 16. Test Apes (KEXP) 17. All Dogs – Farm (Slanted Manor) 18. Kitten Forever – Brainstorm (Radio K) 19. Bully – Milkman (KUTX) 20. Tancred (Audiotree) 21. PWR BTTM (NPR) 22. Pinegrove – Waveform (BrooklynVegan) 23. Mansfield.Tya – Le dictionnaire Larousse (Faits Divers) 24. Cross Record – Steady Waves (KUTX) 25. Charles Bradley (NPR)
[EDITOR’S NOTE: Each of the seven volumes that comprise this Watch This package contain 25 clips apiece. Due to the sheer volume of live videos that have come out during January, February, and March all of the packages will have the same introductory paragraph. Regular Watch This segments will resume on Sunday.]
It’s been a tremendous first quarter for live videos. While Watch This, Heartbreaking Bravery’s weekly series celebrating the very best of the live video format, hasn’t been in operation for roughly three full months, the information required to keep this thing humming (i.e., checking through hundreds of subscriptions and sources for outstanding new material) has been collected at regular intervals. If they were full sessions, single song performances, studio-shot, DIY captures, transcendent songs, or transcendent visual presentations, they were compiled into a massive list. 175 videos wound up making extraordinarily strong impressions, those videos will all be presented here, in the Watch This: The Best of 2016’s First Quarter extended package, one 25-clip presentation at a time.
Watch the sixth collection of those videos below.
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1. Lady Lamb – Dear Arkansas Daughter (Audiotree) 2. Lithuania – God In Two Persons (WXPN) 3. Jason Isbell – Something More Than Free (The Current) 4. Lever – The Nerve (DZ Records) 5. Mothers – Burden of Proof (Paste) 6. Kississippi – Googly Eyes (WXPN) 7. Savages – Adore (Colbert) 8. The Dirty Blondes – Because (VHS Sessions) 9. Saintseneca – Sleeper Hold (KUTX) 10. Lucy Dacus – I Don’t Wanna Be Funny Anymore (Radio K) 11. ARNO – Dance Like A Goose (Bruxelles Ma Belle) 12. Devon Goods – Michigan (VHS Sessions) 13. Little Yellow Dog – Time Machine (DZ Records) 14. Two Inch Astronaut – Personal Life (bandwidth.fm) 15. Tangerine (KEXP) 16. Kitten Forever – Cannon (The Current) 17. Eleventh Dream Day – Cheap Gasoline (Sound Opinions) 18. Catbath – Jellyfish (Radio K) 19. Andy Shauf – The Worst In You (La Blogotheque) 20. Choir Vandals – Ghostly (Little Elephant) 21. New Ruin – Disappearances + Del Rosa + Negative Dialectics (Razorcake) 22. Left & Right – Sleep Show (Do512) 23. The Thermals – Thinking of You (Jam in the Van) 24. Blah Blah Blah – Soon as I Get Home Tonight (DZ Records) 25. Julia Holter – Sea Calls Me Home (Strombo Sessions)
Another traditionally stacked Monday is just about in the books and it had a pool of treasures to offer. Single streams wound up being surprisingly scant but still had two small triumphs in the form of Cave People’s surprisingly gentle “Cluster” and Slaves’ weirdly menacing “The Hunter“. Full streams fared slightly better and included JOYA‘s delightful sophomore effort 2nd, Native America’s wild-eyed Grown Up Wrong, Warm Soda bandleader Matthew Melton’s similarly-minded (and similarly excellent) Outside of Paradise, and Two Inch Astronaut‘s extraordinary Album of the Year contender Foulbrood.
Music videos wound up being the most stacked category and that was thanks to the varying strengths of their collective efforts. Nots crafted a visually striking clip for We Are Nots highlight “Decadence“, The Cush committed to steady transitions for “Summer’s Gone“, and Sonny & the Sunsets went with a constantly-evolving deceptively crude comic look in “Cheap Extensions“. Guerilla Toss continued to be willfully chaotic with their video for “367 Equalizer“, The Bandicoots dreamt up an absurdly charming and well-executed concept for “Just After Dark“, Nothing staged a robbery-turned-kidnapping-turned-torture sequence for “Chloroform” (which was a highlight from their recent split with Whirr), and The Vaselines combined French new wave, film noir, and silent film hallmarks in their impossibly light and deeply engaging clip for “Crazy Lady“. Site favorites Girlpool wind up earning today’s feature with their second great video of the year- one that sees them teaming up with The Punk Singer director Sini Anderson.
Girlpool have been having themselves one hell of a year. From stunning seemingly every critic at CMJ, to high-profile publications giving them coveted distinctions, to critical acclaim, they’ve set themselves up in an enviable position- one that will likely entail an uncomfortable amount of scrutiny. That they’re rapidly exceeding with as much poise and grace as they are is astounding; they’re incredibly young and their career together’s only just beginning. All of this bodes well for their future. An exponentially growing faction of people have chosen this band to rally behind because they embody so many things all at once; the unfairly marginalized, a decidedly DIY ethos, an unerring sense of conviction, and commendable bravery in their relentless pursuit of choosing to do the thing they clearly love.
A nightmare for ageists and a dream for those looking to celebrate and encourage the talent of youth, the duo’s already released one of the best videos of the year via their devastating “Plants and Worms” clip. This time around the formidable team of Cleo Tucker and Harmony Tividad eschewed the arresting animation styles of Catleya Sherbow and went the live action route with Sini Anderson. “Blah Blah Blah” starts out on a shot in front of LA’s famed The Smell (the venue where the duo met) and is split into thirds through a clever natural framing device, with Tucker and Tividad pushed off to the far sides. It’s an arresting image that immediately establishes the duo’s stylistic aesthetic, ensuring the viewers rapt attention to their movements. Before long, they’re inside and striding their way through a crowd of friends and admirers who eventually surround them as they play through the scathing, pointed “Blah Blah Blah”. It’s all beautifully lensed and impeccably edited, climaxing with a strobe-lit confetti-strewn hanging-telephone singalong to drive home an emphasis on the band’s communal aspects.
Ending with a rapid pullback that suggests the party kept going after the cameras stopped rolling, “Blah Blah Blah” becomes a cinematic testament to personal resolve and an unforgettable reminder of Girlpool’s strength. We’re lucky to have this band and should facilitate their rising profile at any given chance, if only because they’re exactly the kind of band that deserves to serve as inspiration for aspiring musicians or people who need something to believe in. Don’t let that opportunity go to waste; make sure Girlpool gets the kind of platform they deserve.
Watch “Blah Blah Blah” below and pre-order Girlpool from Wichita Recordings here.
A steady stream of streams flooded most of today’s music news and several of them wound up making strong impressions. Among them were Girlpool’s jittery “Blah Blah Blah“, Bad Power’s hardcore ripper “Jawws“, and Cellphone‘s Halloween-friendly post-punk nightmare “Human Rights“. Nothing continued to improve in exhilarating fashion, hitting a new high with the damaged beauty of “July The Fourth and YAWN bandleader Adam Gil’s new solo project- Dam Gila- offered up the tantalizing pysch-pop of “History“. Mineral’s vocalist, Chris Simpson, streamed Pink Chalk, the lilting record that’s due out soon from his Zookeeper project. Joel Jerome followed up the excellent Babies On Acid with Psychic Thrift Store Folk, which is now streaming in full over at Wondering Sound- a site that also has the distinct pleasure of hosting a full stream of Night School’s Heart BeatEP (which is easily one of the year’s best). Then, of course, there was Ovlov‘s newest song- the second to be released from the jaw-dropping four-way split 7″ that also includes Krill, LVL UP, and Radiator Hospital.
All four bands on this split have earned the distinction of site favorites thanks to their punk-leaning strains of outsider pop. This will be the latest in a handful of releases born out of the collaboration between Double Double Whammy and Exploding in Sound, which continues to be one of the most exciting things in music. Krill’s “Peanut Butter” had already been unleashed on the world a few weeks back and kicked the obvious promise of the split up a few additional levels. Ovlov take that level of acceleration and floor it, not only offering up one of the best songs of their career but- impossibly- lending even more promise to the split. “Ohmu Shell” is a song that sounds like an assurance; this is a confident band who are fully aware of their identity (something many strive to achieve and fail to accomplish). There’s a greater immediacy on display then there was on last year’s excellent amand continues their streak of incredible contributions to splits (Little Big League being the latest, following another four-way split with Ex-Breathers, Gnarwhal, and Woozy)- all from this year.
Every time the band steps up to deliver something new, it seems like they’re continuously improving upon their career-best, which is the kind of trajectory that can speak volumes about a band’s potential. Everything about “Ohmu Shell” works to perfection; the guitars charge as much as they swirl, the vocals manage to be alternately impassioned and apathetic- creating a contrast that injects the song’s explosive moments with an obscene amount of energy. There’s a greater emphasis on a skewed 90’s revivalism that’s deeply rooted in the slacker and outsider sub-genres of punk. Ovlov sounds more alive than ever, wide-eyed, determined, and prepared for anything that dares to come their way. If LVL UP and Radiator Hospital deliver on this level (which they’re both fully capable of, considering both of their full-lengths are locks for this site’s Top 10), this split just might be the best thing to come out of 2014.
Listen to “Ohmu Shell” below and pre-order the split from from Double Double Whammy here.
