Black Moon Spell | Heartbreaking Bravery

September 16, 2014

Mitski – Townie (Stream)

It’s been an absolutely monstrous week for great new music and we’re not even halfway through it. First and foremost, it should be noted that Stereogum is now streaming LVL UP’s Hoodwink’d in full (this site’s current front-runner for Album of the Year), along with great new records from Spray Paint, Lower Plenty, and S. NPR, as always, has a few gems available in their First Listen series, King Tuff’s Black Moon Spell and Perfume Genius’ Too Bright among them. Wander on over to the unending sprawl that is bandcamp and there are a few new things to unearth, like Cancers’ Fatten the Leeches and the unreasonably compelling split that comes courtesy of Follies and Wishbone. Similarly, Pitchfork Advance is offering up an early stream of upcoming stunners from Whirr and Foxes in Fiction, Stay and Ontario Gothic, respectively. On the single song side of things, there were outstanding new tunes that surfaced from site favorites Krill, a revitalized The Twilight Sad, a resurgent The Jazz June, and an intriguing new shoegaze project born out of the Deafheaven camp going by the name Creepers. As if all of that weren’t enough, there were also standout music videos emerging from a few intriguing corners of the musical spectrum that generally gets covered here, mostly from artists that exist on the fringes of their genre- Kevin Morby, Angel Olsen, Hiss Golden Messenger on the folksier side of things and the punk-leaning acts being well represented by Pet Sun and PS I Love You.

With all of that now existing in the world, anything getting the feature spot today had to be spectacular. Mitski (who recently made an introductory appearance on this site via Watch This) proved up to the challenge with the gnarled-but-beautiful basement pop rager “Townie”. Unsurprisingly, this song (and Bury Me At Makeout Creek, the upcoming record it’s attached to) comes via Double Double Whammy- who, between LVL UP, Follies and Wishbone, Krill, and this, had themselves one hell of a day- cementing that label’s reputation as one of the most exciting things in music. Pulling in an equal amount of influence from punk, post-punk, 90’s scuzz, powerpop, soul, and 50’s pop, “Townie” reveals itself to be something immediate and sublime before the gift of a chorus kicks in. Easily one of 2014’s best songs, it skyrockets the expectations for Bury Me At Makeout Creek and acts as an unforgettable introduction-at-large for Mitski. Everything here works on an extraordinary level, from the floating vocals to the tambourine attack to the feedback screeches to the fucking theremin section. “Townie” is as defiant as it is triumphant, adding an impressive amount of gravity with an unflinchingly honest lyric set. Package it all together and it becomes something completely irresistible that approaches levels of transcendence. Music doesn’t get much better than this.

Listen to “Townie” below and pre-order Bury Me At Makeout Creek from Double Double Whammy here.

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September 12, 2014

Nano Kino – Eyes Before Words (Music Video)

Since the majority of the start of this week was spent on the road, it’s been difficult to be as vigilant about keeping up with the new music and videos that have been coming out. Today, that changed and the amount of great content is almost overwhelming. Every single one of the items that are going to be hyperlinked following this sentence are worthy of being the feature item. Those include full album streams from Mumblr and Sleepyhead (their first in 15 years), and a stream of Parquet Courts and Future Punx’s split 7″. There were excellent music videos from Death From Above 1979, Lace Curtains, and Brick Mower. Most of all, though, there were great new songs. Cut Teeth offered up a post-hardcore ripper, Ovlov provided a tantalizing glimpse at their upcoming 4-way split with Ex-Breathers, Woozy, and Gnarwhal. There was a smoky piece of folk-psych from Mail the Horse, a new Pity Sex song that ranks among the best of the year and teases an upcoming split with Adventures (it’s also their career-best), a new look at an upcoming EP from the increasingly popular Girlpool, a fiery Stereolab cover from Greys, another indicator that Dark Blue’s Pure Reality will be one of the year’s best records, another gentle piece of bliss from Eternal Summers, a snappy piece of riff-happy outsider pop from Little Big League that- like the Pity Sex song from just a few hyperlinks ago- ranks among the year’s best, another incendiary look at Meatbodies’ upcoming record on In the Red, and a brand-new career highlight for King Tuff. That’s one hell of a haul.

All of those are likely to get features elsewhere- if they haven’t already had them (and most have)- and Heartbreaking Bravery would be nothing if it wasn’t for the bands that are flying under the radar. Those are the kind of bands that this place strives to support- and Nano Kino (which translates to “very small cinema”) is one of them. And while the duo does include Duncan Lloyd of Maximo Park (and Decade in Exile), their profile’s currently surprisingly contained- which isn’t likely to last too long. There are chilly atmospheres that permeate throughout the duo’s music, using no-wave and post-punk as their major touchpoints while exuding an icy demeanor not too far removed from The xx. A lot of the band’s intrigue gets an extra push thanks to the mysterious vocal performances of Sarah Surl, the duo’s other member. While there’s still a considerable sense of mystery to be found in the textured guitar work that Lloyd provides, Surl gives it a strange sense of humanism that allows Nano Kino to eclipse so many similarly-minded acts.

Nano Kino currently have plans to release their debut record in the early parts of next year but have promised to tease pieces of the record in the lead-up campaign. One of the first pieces they’ve offered up is a visually stunning black-and-white clip that emphasizes the band’s penchant for noir-ish sensibilities. Bringing in other visual aesthetics to the fold (there’s a prominent French new wave influence running throughout this- as well as a lot of glances towards Spain’s golden-era of silent film), “Eyes Before Words” winds up being a quietly intense experience. Using grainy superimposed imagery (that’s occasionally stripped back to isolation) to maximum effect helps make this a video that stays with the viewer long after the final whispers of the fade-out. It’s unrelentingly poised and announces Nano Kino as a band that’s embraced a very particular vision- one that could wind up meriting critical and commercial success. Whatever the future does hold for Nano Kino, it’ll be a pleasure watching them fight their way forward- especially if the ensuing releases all manage to be as arresting as “Eyes Before Words”.

Watch “Eyes Before Words” below and keep an eye on this site for updates in the coming months.

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August 24, 2014

Wyatt Blair – Girls! (Stream)

During the brief hiatus that this site recently took (more will be revealed for the reasons behind that at a later date) there was a lot of incredible music that got put out into the world. Merge offered up a stream of Underlay, the upcoming EP from Twerps, Midwives and Foreign Lawns both hosted streams of their just-released split cassette via their respective bandcamps, The Dirty Nil rounded out the songs on their 7″ with the typically aggressive (and typically excellent) “Guided by Vices“, and a host of other great new songs were made available from the likes of The Lemons, Run The Jewels, S, Tyrannosaurus Dead, Cassavetes, The Unicorns, King Tuff, and Only Real.

Once again, though, the release grabbing a feature spot here is one that’s connected to Burger Records, whose winning streak is threatening to surpass its already absurd white-hot peak. Not only does Wyatt Blair’s Banana Cream Dream deserve this spot thanks to the strength of “Girls!”- it also deserves it because it’s another release that’s for a very good cause. Every copy that’s sold of Banana Cream Dream will help raise money for the “My Friends Place” charity, which helps homeless children in Los Angeles secure food and shelter.

Genuinely helpful effects aside, “Girls!” is a song as outrageously fun as Banana Cream Dream‘s artwork (pictured above), taking off at a sprint and exuding a sense of joy that keeps it vital. It’s outsider basement pop at its finest and has the potential to be one of Burger Records’ more definitive songs. Palm-mutes, exuberant melodies, and an unstoppable momentum keep the listeners attention and it plays with vocal samples to great effect. All in all, “Girls!” is a song as good as the cause that this release is endorsing, which means it deserves to be heard thousands of times over.

Listen to “Girls!” below and help out an important charity by picking up a copy of Banana Cream Dream here.

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