Heartbreaking Bravery

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Tag: Bite Me

Sweet John Bloom – Weird Prayer (Album Review, Stream)

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As has been mentioned multiple times over, this site saw a recent shift from standard coverage to specialty coverage thanks to a move. In the few weeks that have passed in that time, a slew of exciting new releases made their way out into the world. One of the finest- and, frankly, most overlooked- was Sweet John Bloom’s fiery Weird Prayer. That record will be the focus of this piece, while a list of 50 excellent full streams to have recently appeared will be included beneath the embedded bandcamp player. Before immediately going there, though, let’s focus on the matter at hand: Sweet John Bloom’s full-length debut.

Formed out of the ashes of several other bands (including Four Eyes, who released one of the best 7″ records in recent memory with Towards the End of Cosmic Loneliness), Sweet John Bloom already had a fairly impressive pedigree out of the gate. It’s not surprising that the band managed to click as tightly as they have, especially considering their respective former bands had all established a familiarity by virtue of shared spaces (bills, scenes, etc.). Even with all of that taken into account, Weird Prayer‘s pure strength still manages to surpass expectations.

A collection of 15 dirtied up, punk-leaning basement pop songs, the record not only succeeds in effortlessly conveying the band’s identity but in coming off as a genuine record; something that’s meant to be heard in full. Naturally sequenced and expertly paced, it’s a considerable achievement for a first at-bat operating with this medium as a collective unit. Each section of Weird Prayer comes off as considered as it does impassioned, rendering the whole thing an invigorating shot of adrenaline. Vocal leads are traded with ease, there’s a killer melody buried in just about every passage, and the flawless production makes sure to include enough bursts of weirdness- like the absolutely stunning outro to “Night Thing”- to keep the whole thing zipping along at a startling clip.

For as willfully rough as Weird Prayer sounds, it’s also a record that’s partially defined by finesse. Deceptively elegant guitar figures play with the limits of restraint even as they’re pushed to the red. The rhythm section work always serves a purpose beyond just simply being a base and the lyricism, while occasionally buried with the vocals in the mix, is frequently poignant. Sweet John Bloom also manage to find as much success experimenting with their more gentle sensibilities as they do when they give in to their desire to be abrasive.

“Blood Moon” sees the band finding the perfect balance between the gentle/abrasive dichotomy and, in the context of the record, the song feels even livelier and massive than it did as a standalone single. It’s one of several songs on the record that go beyond anthemic to the realms of catharsis without ever succumbing to over-simplification. It’s part of why the record never loses an unfailing sense of urgency that goes well beyond most of the songs’ inherent immediacy, which sets up a tall order for Weird Prayer‘s final stretch.

In most cases where an album’s almost exclusively built on raucous barn-burners, the weight eventually builds and the load becomes unsustainable; there’s a reason why rollercoasters don’t extend for hours and why successful action films need exposition. Weird Prayer deals nicely with this by offering a gradual come-down by easing off the gas pedal and utilizing a tempo that creeps in a little under the established average for most of its closing numbers. Even then, Sweet John Bloom don’t cede their penchant for a confrontational aesthetic; the 1-2 punch of “Death; and Everything’s Paid For” and “Trust  Me” feels particularly vital and bristles with a world-conquering energy. Fittingly, “Aging In Place”- the first song to be shared from Weird Prayer– brings everything home in a finale that’s both familiar and intensely rousing; an exhilarating end-cap to one of the year’s finest records.

Pick up Weird Prayer from Tiny Engines here and listen to it by clicking play below. Underneath the bandcamp player, browse 50 other great recent full streams.

Radioactivity – Silent Kill
J Fernandez – Many Levels of Laughter
Fight Amp – Constantly Off
Yukon Blonde – On Blonde
Sissy – Gave Birth To A Mum
Expert Alterations – Expert Alterations
Spray Paint – Punters On A Barge
Ballroom – Ballroom
Bad Boys – Demo
Year of Glad – Year of Glad
Little Children – Travelling Through Darkness
The Fur Coats – Short-Brain
Magic Potion – Melt
Oscar – Beautiful Words
Sea Cycles – Ground & Air
Prinzhorn Dance School – Home Economics
Senpai – Hell In My Head b/w Mind Honey
Arm Candy – Arm Candy
Institue – Catharsis
Chris Weisman – Chaos Isn’t Single
Max Gowan – Big People
Falling Stacks – No Wives
Hints – No Regrets In Old English
No Joy – More Faithful
Pleistocene – Space Trap
Long Neck – Heights
No Friends – I’m Not Real
Marvelous Mark – Bite Me
HDSPNS – HDSPNS
KEN Mode – Success
Walleater – I/II
Sweatshop Boys – Always Polite, Never Happy
Wavves x Cloud Nothings – Wavves x Cloud Nothings
Tough Age – I Get The Feeling Central
Sea of Bees – Build A Boat To The Sun
C H R I S T – T O W E R
Alden Penner – Canada In Space
Teen Daze – Morning World
Fell To Low – Low In The Dust
Palm – Ostrich Vacation
Bully – Feels Like
Bruise – demos.
The Armed – Untitled
Cold Cave – Full Cold Moon
Self Defense Family – Heaven Is Earth
Wild Pink – Good Life
Nicolas Jaar – Nymphs III
Creepoid – Cemetery Highrise Slum
Gnarwhal – Shinerboy
Lady Bones – Dying

14 of ’14: The Best 7″ Records of 2014

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As always, two quick disclaimers: “best”, in year-end list cases, is a shorthand term indicative of personal admiration which is in no way an attempt to be definitive and the first person restrictions will be lifted for this site’s year-end coverage. This list will be focusing on releases that came out in the 7″ format throughout the course of 2014. Some may fall under the EP umbrella (which will be the next list to run) but each and every title on this list wound up with my appreciation. A staggering amount of 7″ records were released this year and I had the privilege of listening to hundreds throughout the past 12 months. Below will be the 14 strongest 7″ records that I heard all year- the records that stuck with me or gnawed away at my memory. Just like the previous list, below those 14 selections will be a list of every 7″ released in 2014 that made a deep enough impact to be put into consideration for this list (or, rather, every release I came across that deserves to be heard by as many people possible). Enough exposition; onto the picks.

14. Communions – Cobblestones

Expertly blending new wave, post-punk, and something entirely undefinable, Communions’ Cobblestones was one of the year’s most immediately gripping releases. Cobblestones is the kind of release that teems with enough determination and conviction to convince anyone that Communions are in this for the long haul.

13. Mikal Cronin – I Don’t Mind b/w Blue-Eyed Girl

Part of Polyviny’s four-track singles series, “I Don’t Mind” and “Blue-Eyed Girl” were both perfect demonstrations of Mikal Cronin’s penchant for winsome folk-oriented (and punk-informed) pop music. It’s a show of force as much as it is a reveal of Cronin’s most delicate sensibilities. Unfortunately, the A-side is no longer available for streaming but the compellingly plaintive B-side’s been included below.

12. Girl Band – Lawman, De Bom Bom

Girl Band turned in a few of 2014’s most feral offerings. From the 25-second “The Cha Cha Cha” to the songs that give the Law Man and De Bom Bom 7″ releases their name. Serrated and cut-throat, Girl Band have been unleashing bruising post-punk that occasionally verges on hardcore and powerviolence at a steady rate. Watch out for whatever route they decide to take with their upcoming full-length.


11. Dogs On Acid – Dogs On Acid

Taking cues from 90’s powerpop and injecting it with a ferocious energy (and no shortage of grit), Dogs on Acid have crafted something incredibly appealing with their self-titled 7″. Like early Ben Kweller with an added punk bite, both “Make It Easy” and “Waiting For You To Come Home” are ridiculously easy to leave on repeat and more than worth a heavy amount of investment.

10. Jeff Rosenstock – Hey Allison! b/w I’m So Gross

After Bomb The Music Industry! halted operations, Jeff Rosenstock had quite a few roads open to him. He took full advantage in 2014 by not only releasing two outstanding EP’s in his collaborative project with Fake Problems’ Chris Farren as Antarctigo Vespucci and going straight for the throat with his strongest solo effort to date, the fierce Hey Allison! b/w I’m So Gross 7″. The stop/start rhythms in the chorus of “Hey Allison!” alone would have put this in contention for a spot on this list- luckily the rest of the release lives up to that moment.


9. Kindling – Spike & Wave

Kindling’s Spike & Wave 7″ caught my attention immediately after its release. It’s another release heralding in a new era of shoegaze that refuses to back down from experimenting with the genre’s limitations. Subtly embracing elements of twee pop and basement punk, it’s a release that deserves to be in a whole lot of collections.

8. Audacity – Counting the Days

When I started this site, I did it with a post about Audacity, whose Butter Knife was one of 2013’s strongest highlights. In 2014, the band provided another incredibly strong moment with “Counting the Days”- a 7″ headlined by a song that earned both a write-up and a Watch This entry spot. My feelings on that song haven’t changed but Counting the Days’ other song, “Mind Your Own Business”, pushes the whole package (which also features some incredible album art) way over the top.


7. Ausmuteants – Felix Tried to Kill Himself, Stale White Boys Playing Stale Black Music, Fed Through A Tube

Ausmuteants had an absolutely monstrous 2014, releasing no fewer than five titles. Three of those were incendiary 7″ releases that would have easily made this list individually. Grouped together, they’re an absurdly powerful package than goes a long way in cementing Ausmuteants’ reputation as one of the most exciting things happening in music. Felix Tried to Kill Himself, Stale White Boys Playing Stale Black Music, and Fed Through A Tube are overflowing with a hyper-charged psych-tinted punk that’s completely electrifying.



6. Terry & Louie – (I’m) Lookin’ For A Heart b/w She Loves Him

The Exploding Hearts have achieved a deserved status as powerpop legends. Since that band’s tragic ending, two of their members have been steadily releasing incredible music with various outfits. Terry Six and King Louie Bankston have once again teamed up for a new project, Terry & Louie, who now have one powerful career entry with (I’m) Lookin’ For A Heart b/w She Loves Him. The same infectious energy that turned Guitar Romantic into such a beloved classic is on full display here, with Six and Bankston’s pop sensibilities fully in tact. Here’s hoping this isn’t the last we’ve seen of this project.

5. Cloakroom – Lossed Over b/w Dream Warden

At this point, I’m not sure any band’s been mentioned more times without receiving an outright feature spot than Cloakroom (with the exception of a Watch This). There’s a reason they keep showing up; they’re quietly crafting some extraordinary songs and sculpting what promises to be a celebrated career long after they’re gone. Both “Lossed Over” and “Dream Warden” are brooding powerhouses that are towering in scope and deeply nuanced in their dynamics. Cloakroom keep improving with every subsequent release and it’ll only be a matter of time before they get the levels of recognition they deserve.

4. Sheer Mag – Sheer Mag

Sheer Mag exploded into just about everyone’s good graces with their self-titled 7″ release and it’s not difficult to see why; this hits an impressive number of sweet spots for people associated with DIY music. It’s scrappy, it’s lo-fi, it’s undeniably punk, it’s extraordinarily catchy, and it comes loaded with a staggering amount of conviction. These four songs have fought their way into regular rotation since they first came out, refusing to be pushed back and only growing stronger with time.

3. Crimson Wave – Say

Say caught me completely off guard when I first heard it; I was completely entranced and blown away by Crimson Wave’s subtle, understated take on post-punk. Each of these three songs are as balanced as they are delicate as they are cutting. The 7″ is somewhat of an anomaly for the reliably great Accidental Guest Recordings who normally tend towards more noisy, aggressive, and blown-out fare. It’s the level of restraint in Say that helps make it stand out, something that’s accentuated by the cold production. Impossible to shake and easy to latch on to, Say is something that demands to be remembered.

2. Dilly Dally – Candy Mountain, Next Gold

No band in 2014 made a bigger entrance with their 7″ releases than Dilly Dally. Both Candy Mountain and Next Gold feel like instant classics; releases informed by years of genre touch points and a deft sense of how they can all line up into something impossibly gripping. Taking cues from all of the right places and emerging with a fully-formed identity and a real sense of purpose, Dilly Dally offered a welcome jolt to the year’s proceedings. “Candy Mountain” was only the third song to be released in the band’s career and it already feels important; a defining moment not just for a band but their surrounding environment. The amount of weight thrown into these songs is unbelievable and showcase Dilly Dally as a band worth all the excitement in the world.


1. Pile – Special Snowflakes b/w Mama’s Lipstick

It’s difficult to no where to start with a song as monumental as Pile’s earth-shattering career highlight “Special Snowflakes”. I was fortunate enough to witness this song in a live setting only a few months back and completely lost my sense of self. In that moment, everything that wasn’t “Special Snowflakes” faded from my care. Completely spellbound, the band tore through that one song and the audience in front of them reacted accordingly. That experience wasn’t too far removed from the first time I heard “Special Snowflakes“. For more than 7 minutes, I was pummeled into awed submission by what’s not only (easily) one of the best songs of this year but of this decade. “Mama’s Lipstick” provides a haze of smoke in the form of a (very) loose reprise- along with some other comparatively brief moments of brilliance (that piano figure!)- after the hurricane storm of the release’s A-side, assuring its status as one of the most important releases of 2014.

7″ records from 2014 that deserve to be heard: Vanishing Life – People Running | Wildhoney – Seventeen Forever | Pain Dimension – Brainwash | Primitive Parts – TV Wheel b/w The Bench | Palehound – KitchenAudacity – JapanModern Pets – B.I.Y.S. | No Coast – Don’t Be A Gramps b/w Kick Out The Hamm’sThe Yolks – Two Dollars Out the DoorKevin Morby – My NameFriends of Cesar Romero – The Hold b/w Teisco Telstar Stomp | The Ar-KaicsMake It Mine b/w Movin’ On, Sick and Tired b/w Cut Me Down, Why Should I b/w Slave to Her LiesLos Pepes – TonightThe Mandates – Suspicion b/w Wastin’ TimeThe Memories – American SummerBroncho – It’s OnUseless Eaters – Desperate LivingLos Dos Hermanos – Alienor/Paye Ty ChatteDime Runner – Can’t ExpressBalcanes – Plataforma/AutopistaChit Chat – Never KnowThe Achtungs – Total Punk | Dasher – Go RamboNots – Fix b/w ModernCold Institution – Cold InstitutionTashaki Miyaki – Cool RuningsBleached – For The FeelA Million Billion Dying Suns – Strawberry Later 23 b/w Secret TreePretty Pretty – Leather WeatherVideo – Cult of VideoFax Holiday – Brang In BloodPlaces to Hide – Wild N SoftThe Newtown Neurotics – Hypocrite b/w You Said NoMolybden – Woman Who Left BehindThe Gotobeds – New York’s Alright (If You Like Phones & Sex)Michael Rault – Nothing Means NothingEx-Breathers – EXBXMarvelous Mark – Bite MeThe Bilders – The UtopiansFrau – Punk Is My BoyfriendArrest – La Poli BastardaGlue – GlueSeahaven – SilhouetteBasement – Further SkyCancers – DigTwo Houses – DisappointerThe Grave Walks – She’s A SuicideGAMES – Little EliseCherry Glazerr – Had Ten DollazThe Renegades of Punk – Espelho NegroSex Crime – I Am An ObserverWimps – Party at the Wrong TimeThe Band In Heaven – The Boys of Summer of SamThe Mantles – MemoryStandards – KidCommunions – So Long SunEnergy Slime – New DimensionalMea Culpa – DislocationThe ParrotsLoving You Is Hard, Dee Dee DangerousThe Gaggers – Sharp Lies/Hostage

Songs in Screens: A Look Back (Music Video Mixtape)

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We’ve hit the approximate 2/3’s mark of the year 2014 and this very post is the 250th to run on this site. Over the course of its duration Heartbreaking Bravery has included a fairly strong emphasis on the music video and this year’s offerings made that commitment a complete non-issue by virtue of their excellence. Songs in Screens: A Look Back is a visual-based “mixtape” and serves as a reminder of a lot of the videos that earned acclaimed here- and a few that, whether due to time or an overabundance of other predetermined material, were egregiously overlooked. For all of the videos that have been featured, there will be a hyperlink leading to their respective write-ups. Those that didn’t receive a write-up will get a very brief one below the mix itself. All of these videos came out in 2014 and made an impression- and they all deserve to be remembered. Let’s give them the recognition that they deserve.

1. Perfect Pussy – I
2. Bleeding Rainbow – Images
3. Creepoid – Baptism

4. Thee Oh Sees – Drop

While Thee Oh Sees’ “The Lens” did land itself a nice write-up, “Drop” was unfairly pushed to the side during its release. Arguably the better of the two videos (and songs), it gets the most out of its constantly evolving, simplistically animated black-and-white presentation and felt like a more appropriate inclusion for this list.

5. together PANGEA – Offer
6. Diarrhea Planet – Babyhead
7. Potty Mouth – Black & Studs
8. Dead Stars – Summer Bummer

9. The Coasts – I Just Wanna Be A Star

It’s almost cruel that both this song and this video were overlooked due to festival coverage. Both are either perfect or near-perfect and embody just about everything this site loves most. “I Just Wanna Be A Star” is a joyous celebration on record and the video gets one hell of a performance out of its unlikely lead. Make sure to not skip this one.

10. PUP – Guilt Trip

11. Anna Calvi & David Byrne – Strange Weather

This spot was always intended to feature an anomaly- an act or style that doesn’t regularly earn a feature spot on this site. clipping. came a hair’s breadth away from claiming it with their mercilessly arresting video for “Work Work” but Anna Calvi & David Byrne made something so staggeringly beautiful and emotive with their video for their “Strange Weather” cover that it would’ve been criminal to ignore it. No video this year had cinematography this stunning- or a mood this anxious. A genuine work of art.

12. Beverly – Honey Do
13. Mean Creek – My Madeline
14. Fucked Up – Sun Glass
15. Mozes & the Firstborn – Bloodsucker
16. Tweens – Forever
17. PAWS – Owls Talons Clenching My Heart
18. Iceage – The Lord’s Favorite
19. The So So Glos – Speakeasy
20. Marvelous Mark – Bite Me
21. Savages – Fuckers

22. Lower – Soft Option

No video from 2014 had this amount of unrelenting tension. From its bare-bones premise to the engaging execution, it’s something with the potential to be permanently embedded into the brain of anyone lucky enough to come across it.

23. Greys – Guy Picciotto

24. Cloud Nothings – Psychic Trauma 

At this point, it’s fairly evident that Here and Nowhere Else will stand as one of 2014’s best records. The video for “Psychic Trauma” comes as a welcome reminder of that fact and features some basic (albeit eye-catching) visual effects. That combination’s enough to land it a spot in this list.

25. White Lung – In Your Home

Of all the 2014 music videos to be released so far, very few approach the levels of insanity attained by White Lung’s fiery “In Your Home”. Mixing a lot of the items featured prominently throughout this list (unexpected psychedelic imagery, contained animation, and the black-and-white aesthetic, especially) with something that’s uniquely their own, “In Your Home” stands tall as a testament to the fact that being weird is way more fun than being standard. And it offers up a perfect wrap for this mix. Roll credits.

Marvelous Mark – Bite Me (Music Video)

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Marvelous Mark (known humanly as Mark Fosco) made his name in the Marvelous Darlings and The Roommates, two essential powerpop acts. In both, he played partner to Ben Cook (most famously known for his work in Fucked Up) but here, he showcases what he can do on his own. There are blissful melodies that are layered as pristinely as possible- yet they don’t overshadow his gift for a quick turn of phrase. That it’s as simplistic as it is winds up being part of the point, which is emphasized even more strongly in the song’s accompanying video.

Capitalzing on the downtrodden mood buried beneath the otherwise spritely tune, the Ben Cook-directed and Nick Marian-shot video just focuses on one man enabling his most lethargic tendencies, never leaving the confines of his room. It’s a smart companion piece to a perfect first outing from Marvelous Mark and only ensures its longevity. There’s remarkable restraint and a fair amount of finesse wrapped up in the tiniest details, which makes this a project to watch.

“Bite Me” b/w “Paralysed” is currenly available as a very limited lathe-cut clear 7″ flexi from Bad Actors (which is Cook’s label, making it seem pretty difficult to separate these two), who also have the single available as a cassette.