Heartbreaking Bravery

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Tag: Big Deal Party

Truman & His Trophy – Truman Kills A Bug (EP Review)

truman & his trophy

Trust Fund, Petite LeagueShelf Life, Ghost Camp, Jackal Onasis, Ben Seretan, Sass Dragons, Toys That Kill, Naked Hour, Hardly Boys, Molar/Pale Kids, Vallens, Grey Bath, Laptop Funeral, Comprador, and Guts Club were among the bands that churned out excellent full streams in the last week and a half. Another band that added their name to that very impressive list: Truman & His Trophy. Now, several readers of this site will likely recognize Chris Sutter and Ryan Wizniak as members of Meat Wave but Truman & His Trophy precedes the formation of that band. They’re also responsible for one of the most gloriously insane concept albums of all time (the header photo’s a good indication of the band’s vision).

After the release of the aforementioned concept record — 2011’s Bottom George Pizza Planet — the band played a few shows and mostly fizzled out, rarely coming out of hiding to play a show. A new record seemed like it could be out of the question, especially in the wake of Meat Wave’s surprising (but extremely well-deserved) success. No one was expecting the band to make a power move this year but the band revels in exploiting the unexpected and gifted the world the ferocious Truman Kills A Bug EP just a short while ago.

Largely picking up where they left off, the band dives back into their seemingly alien take on the kind of punk that’s frequently tied to Steve Albini; cold, vicious, and punishingly direct. For as outlandish as the narratives can get in the land of Truman (and his trophy), the music remains startlingly effective. There’s always been a lot to love about this band and Truman Kills A Bug offers plenty of reminders over why the band became such a fiercely beloved local act in the first place. It’s raw, deceptively intelligent, and always leaves you wanting more. All you need to do to squash that longing is hit repeat.

Listen to Truman Kills A Bug below and pick it up from the band here.

Trophy Dad/Barbara Hans (Split Single Review)

trophydad

After a quiet holiday, the releases nearly doubles from their daily average. There were great songs Amy Klein, Honeysuck, Lisa Prank, Ranch Ghost, Rosemary Fairweather, and Savoy Motel, Mesmerizing music videos were unveiled by Pinegrove, Jackal Onasis, PLGRMS, and Slow Club. Impressively, there was a shocking amount of full streams that appeared from the following artists: Erin Tobey, ghostbusters VHS, Bag-Dad, Psychic Ills, Skatebored, Rae Fitzgerald, Dream Wave, Mourn, Pudge, Whelpwisher, the A-side of Cult Values’ self-titled, PUP (easily one of this year’s finest records), and a vinyl issue of Tenement’s self-titled cassette (easily one of last year’s finest releases). Since the Tenement self-titled was extensively covered at the time of its initial cassette release, the feature spot today falls to an astonishing split single between Trophy Dad and Barbara Hans.

The split opens with Trophy Dad (pictured above), who are continued to ride a wave of momentum they generated with last year’s excellent Shirtless Algebra Fridays. 2o15 felt, in a lot of ways, like a breakout year for the quartet with Shirtless Algebra Fridays serving as their crown jewel, indicating a growing level of confidence. That trend continues its upward ascension on “Addison”, an explosive song that approaches the six minute mark without ever losing its energy or pacing. “Addison” opens with a beautiful piano outro before blooming into a Waxahatchee-esque verse section, building to a breathtaking crest before falling away into a hypnotic middle section. Just as it seems “Addison” is content to ride out in a storm’s wake, a solo erupts and viciously cuts any semblance of serenity to shreds before returning to the more median operative mode that the first verses called home.

Bundt Cakes“, the song that Barbara Hans contribute to the split, is a far spikier and complements the impressive dynamics of “Addison” nicely. Barbara Hans specialize in basement pop rave-ups and stompers and “Bundt Cakes” may be their best to date, incessantly surging forward towards some unknown ending like its destined for a fiery wreck and openly embraced its own death. Just as it seems Barbara Hans are content to coast on their own adrenaline-generating powerpunk, they veer sharply left into a chaotic outro that could ostensibly resemble a free-form Sonic Youth noise session. It’s a thrilling end to an exhilarating song and makes a sizable impression. Paired with “Addison”, it experiences a natural elevation (and “Addison”, in turn, does the same). It’s the perfect capper to one of the best split singles of the year. Don’t miss out.

Listen to Trophy Dad/Barbara Hans below and pick it up here.