Heartbreaking Bravery

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Tag: Belong to the World

All Dogs – Skin (Stream)

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Depending on the releases, some days are made easy and- while the reprieve is welcome- it can be disheartening. Then there are days like today, which offer a frustration spurred by more than a few releases being too good to settle on a definitive feature. For a large portion of the planning that went into this post, the intended feature was going to go to Ought’s most recent blistering, insistent masterwork, “Men For Miles“.  Even in those stages, the song had competition in the likes of Nabil’s jaw-dropping GoPro interactive design that acted as the moody clip for Foals’ fiery “Mountain At My Gates“.

It wasn’t as if that trio was without competition, either. Deer Tick’s gorgeous “Grandfather Song“, Faux Ferocious’ scuzzy “Nowhere To Go“, Team Spirit’s pulsating “Takin’ My Time (Never Enough)“, Doubting Thomas Cruise Control’s frenetic “Lenny Bruce“, Birthmark’s slow-building “Find Yourself” would have constituted an impressive field on their own accord. Elevating the difficulty was the fact two outstanding unique features surfaced in the form of an engrossing Tickle Torture documentary and a full recording of a recent set from Colin Bares (the songwriter behind The Weasel, Marten Fisher project), whose responsible for some of the year’s finest songs.

Even the full streams had a great day, with excellent offerings from bratty scuzz-punks Fox Face, the lo-fi neurotics in Ego, the punk-indebted basement poppers in Vamos, and the increasingly fascinating (and darkly tinted) world of Black Thumb. Rounding the day out were compelling music videos from Wild Ones, Oddisee, and Living Decent. Even with all of that taken into consideration, though, the day still ultimately belonged to All Dogs.

Having just released a surefire song of the year candidate in “That Kind of Girl“, the band was presented with the unenviable  task of selecting the follow-up track for their forthcoming record’s rollout campaign. A lot of different modes can be considered (and ultimately, selected) for this slot and “Skin” seems to fall into one of the trickier categories to pull off: the song that demonstrates the record’s range and scope. In the past, those songs have tended to fall more towards the acute version of sophomore slump than anything else but “Skin” hurdles those traps with no shortage of grace to all but ensure Kicking Every Day will be among 2015’s best releases.

All Dogs have never been shy about finding something beautiful in damage, something that’s been continuously driven home by the frequently devastating lyrics of Maryn Jones (who’s also a member of site favorites Saintseneca and Yowler, the latter being Jones’ solo outfit). “Skin”, over the course of it’s slow-building five minutes and change, finds Jones grappling with some of the prevailing themes throughout her discography: loneliness, self-doubt, resilience, self-sabotage, and quiet redemption. All of which continue to feel deeply personal, nearing a point of voyeurism that only grows more nerve-wracking as the song progresses.

Elevating the feeling of tension is the scintillating dynamic angle that All Dogs uncovered when transitioning their writing process to a full-band ordeal following the addition of guitarist Nick Harris. Every conceivable element that made the band so great to begin with gets amplified by this approach and the dividends are already paying off in startling fashion. The interplay between Jones’ and Harris’ guitar work is increasingly nuanced and the rhythm work’s even more emotive than it’s been in the past, contributing to some newfound atmospherics that complement the band to perfection.

Looking at the sheer magnitude of “Skin” in comparison to anything found on the band’s debut 7″ (which was reviewed in the sixth post to ever run on Heartbreaking Bravery) is revelatory. At the level the band’s currently operating, they’ve unlocked a seemingly boundless arsenal of styles to achieve increasingly varied effects. From the subtle, interlocking post-punk guitar work to the bruised euphoria of the chorus, “Skin” is a jaw-dropping indication of the band’s ever-expanding capabilities. Throw in an earnest, beating heart at the core and All Dogs’ future suddenly looks intimidatingly bright.

All that’s left at this point is to find out whether the band can top perfection.

Listen to “Skin” below and pre-order Kicking Every Day from Salinas here.

Bruising – Think About Death (Stream)

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Any band that’s origin story can be traced back to a Perfect Pussy t-shirt’s going to be one that will have at least some of my attention. That’s getting a little ahead of schedule, though, so we’ll come back to that later. Just as all of the preceding posts have done, this one will start with 10 tracks well worth hearing. Among them are two tracks from Thee Oh Sees mastermind John Dwyer from both his main vehicle (“Withered Hand“) and his new(er) Damaged Bug project (“Jet In Jungle“)- both of which sound like some of the songwriter’s most vital material yet. Slow Down Molasses indulged their atmospheric sensibilities with “Home“, Protomartyr turned in their most biting lyric track to date with “Blues Festival“, and Spray Paint continued to sound downright feral with “Day of the Rope“. Miniboone unveiled a surprisingly punchy indie pop tune in “Any Other City“, Your Old Droog unleashed a masterclass in throwback hip-hop with “Hidden Persuaders“, and Honeyblood turned vicious in “The Black Cloud“. Rounding everything out was Oddissee’s typically inviting “Belong To The World” and Paul de Jong’s typically inventive “Hollywald“. All ten are worth attempts at total immersion but the focus for this particular post falls on yet another duo: Bruising.

The duo, as mentioned above, formed in a Leeds nightclub after guitarist/vocalist Naomi Baguley saw Ben Lewis wearing a Perfect Pussy shirt (the band this site has covered to exhaustive detail). If that meet-cute scenario wasn’t enough, the band they formed now has a makeshift home in site favorites Art Is Hard, a label that’ll be releasing the second volume of their excellent Family Portrait series on May 11. Topping everything off, the song they’re contributing to the series- “Think About Death”- is precisely the kind of song this site was created to celebrate. Clearly clinging to a DIY ethos while bringing in elements of twee, powerpop, basement punk, and shoegaze to create something that feels new and exhilarating, the band’s latched on to a kind of near-magic that’ll serve them extraordinarily well going forward. As ambitious as it is easygoing, “Think About Death” is an absolute triumph for a band that seems to have already figured out exactly who they are what the want to achieve. One climactic moment crashes in after another, with gentle vocals floating over impassioned drumming and urgent guitarwork, weaving one of the year’s most captivating tapestries. Only a few songs into their career, Bruising have already emerged as one of the most exciting young bands of today- a point driven emphatically home by “Think About Death”.

Listen to “Think About Death” below and pre-order Family Portrait Pt. II from Art Is Hard here.