Heartbreaking Bravery

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Tag: bed.

The Best Songs of March 2018

The last three weeks of March brought a lot of excellent tracks into the world but the 10 below managed to separate themselves as genuine standouts. A trio of acts that appeared in the last “Best Of” featured segment strike again while the rest of the acts here are either old favorites or making first-time appearances. From scintillating noise-punk to gentle washes of ambient folk, there’s a lot here to explore. Find a new favorite song below.

1. Spring Onion – I Did My Taxes For Free Online

Sometimes all an artist needs is one song to snag an audience and that may very well be the case with Spring Onion’s “I Did My Taxes For Free Online”, which boasts some of the hallmarks that have made acts like Told Slant, Radiator Hospital, and LVL UP so beloved. Immensely relatable, beautifully constructed, and coming from an unsparing, honest place, “I Did My Taxes For Free Online” is a strong early testament to an emergent talent worth remembering.

2-3. illuminati hotties – Paying Off The Happiness + Cuff

illuminati hotties are building up an insane amount of momentum on their way to the release of their debut album, Kiss Yr Frenemies. The band’s already been featured in the monthly best-of columns once this year and they’re doubling up here with the 1-2 combo of the irresistible hooks of “Paying Off The Happiness” and the introspective reckoning of “Cuff”. Both songs continue to demonstrate the band’s strengths and, taken with “(You’re Better) Than Ever” suggests they might not have any weaknesses.

4. bed. – Replay

A characteristically melancholic piece of muted, driving basement pop, bed.‘s “Replay” is imbued with the kind of considered energy that’s gained the band a small but fiercely loyal following. Measured and slightly unpredictable, “Replay” toys with extremes its narrative and its composition, allowing the two to play off each other to great effect. It’s a standout piece in what’s already a stellar discography and suggests the band’s peak is either arriving or already here. No complaints either way.

5. Maria Kelly – Small Talk

“Small Talk”, the latest from Maria Kelly is a masterclass in creating gentle tension and magnetic atmosphere. Smart production, tender composition, and an effectively wistful delivery combine into something intangible, creating something that pulls and mesmerizes in equal measure. It’s a gorgeous piece of ambient folk, weaving a spell that all but submerges the listener into a separate, empathetic world.

6. Closet Goth – Touch Myself

Easily the fiercest song in this 10 track list, Closet Goth’s “Touch Myself” makes no bones about being aggressive, exploding out of the gate and building speed as it goes, not content unless everything in its path is completely demolished. References to Silver Jews are nearly buried in the noise-centric production, intentionally drowning out — and simultaneously enhancing — some intense caterwauling. Vicious, ragged, and uncompromising, “Touch Myself” leaves wreckage in its wake as it winds to a fun, unexpected close.

7. Fenne Lily – Car Park

The second artist on this list to make a consecutive appearance in the monthly “best of” columns, Fenne Lily‘s “Car Park” is another strong example of the breadth of the songwriter’s scope. In slowing down the tempo and widening the lens, Fenne Lily taps into something that skews closer to world-building than atmosphere construction. It’s a beautiful piece of modern Americana that seems to indicate Lily’s bag of tricks might be more expansive than most know.

8. Annabel Allum – Rascal

“Rascal”, the latest track from Annabel Allum is a perfect example of how a minimal setup can lead to enormous moments. Borrowing cues from slacker punk, folk, Americana, post-rock, and ambient, Annabel Allum wind up with an enticing piece of genre-bending excellence. Impassioned performances at every slot and a meticulously constructed arrangement congeal into one of the more breathtaking moments of 2018’s first quarter.

9. Say Sue Me – After Falling Asleep

The third and final artist to appear in consecutive monthly Best Of’s Say Sue Me follow their initial outing with yet another strong track from their excellent forthcoming Where We Were Together. “After Falling Asleep”, the band’s newest offering, opens with an almost intensely quiet moment before blooming into a seductive burst of indie pop. Soft edges and a wide-eyed approach has been a pattern that’s served Say Sue Me well in the past and it continues to do so on the lovely “After Falling Asleep”, one of their most irresistible tracks to date.

10. Bent Denim – Chasing Catherine

Last year, this site had the privilege of premiering Diamond Jubilee, an extraordinary EP from site favorites Bent Denim. Now, the act’s returned with “Chasing Catherine”, another show-stopping bit of softly hued ambient pop that more than justifies its place in their increasingly impressive discography. Bent Denim can conjure up a very specific type of mood better than just about any of their contemporaries and it shows in “Chasing Catherine”, a short slow-burner that immediately invokes the feeling of a calm summer night and keeps that fire flickering until its hushed, tender close.

Cende – #1 Hit Single (Album Review)

A lot of outside forces — from tour scheduling to a forthcoming move — necessitated a brief hiatus for this site. Heartbreaking Bravery remains a one-person operation (albeit, one supported by a generous community of like-minded people) so it can be difficult to keep pace when life gets hectic. That being said, it’s a project that’s always receiving attention, even if it’s radio silent for a stretch of time.

To that end, today will largely be focused on honorable mentions lists and a few abbreviated best-of’s for the material that was released during this most recent interim. A few releases will also get there own feature, like the item kicking today’s coverage off: Cende‘s outstanding #1 Hit Single which ranks among 2017’s finest offerings and stands as an exhilarating new chapter for one of today’s smartest basement pop bands.

Having already claimed this site’s Best EP of 2015 distinction, the anticipation for their full-length debut was considerably high. Propelling that anticipation to stratospheric heights by way of lead-off singles “Bed” and “What I Want“, had #1 Hit Single been anything short of masterful, it would’ve been a crushing disappointment. Of course, with the combined track record of the band’s members, that outcome was always far less likely than the inevitable: #1 Hit Single is a genuinely exceptional record.

Virtually everything on this record has been given an extreme amount of care and attention, the meticulous observation and clinical understanding of composition on every level elevates the record from simply being great to being a surprisingly understated genre classic. By taking their punk-leaning energy and suffusing it with classical underpinnings and some notably DIY leanings, Cende’s landed on something that feels fresh, familiar, and entirely their own.

“What I Want” standing as the perfect example of how the band’s marriage of punk, powerpop, hardcore, bedroom pop, and a variety of other sub-genres can not only exist harmoniously but congeal into a spellbinding whole. While that song’s unusually soft nature comes as somewhat of a curveball, the ensuing track puts the band back on an aggressive path that’s more attuned to their surprisingly vicious live show.

The back half of #1 Hit Single reaffirms everything laid out by its predecessor, encapsulating the band’s mastery over their craft and identity to an unavoidable degree. From the quiet insistence of “Void” — one of the strongest tracks on a record comprised of nothing but highlights — to the subdued melancholia of “While I’m Alive”, there’s not a false moment to be found. It’s a beautiful cap to a painfully honest and surprisingly poignant record about insecurity, uncertainty, and hanging onto shreds of optimism and resilience. Put simply: #1 Hit Record is the type of record you hold onto long enough to pass down to the next generation, hoping they do the same.

Listen to #1 Hit Single below and pick it up from Double Double Whammy here.

Cende – Bed (Stream, Live Video)

Back when Cende was just starting out, I was fortunate enough to hear some of the early mixes of what would become the band’s first EP, an astonishing work that still only hinted at the depths of the band’s talents. Comprised of members of Porches, LVL UP, Normal Person, and a whole host of others, the quartet’s built up a staggering pedigree over the years. Now, over three years into starting the project, the band’s finally gearing up for the release of their forthcoming full-length, #1 Hit Song, and have selected “Bed” to lead the charge.

A staple of their live set for several years, “Bed” is a startlingly sharp, concise basement pop triumph. Over several conversations with the various band members, Radioactiviy always came up as a big influence and a similar sense of urgency runs through “Bed”, even while it boasts a surprisingly clean aesthetic (both in terms of instrumentation and production). In terms of lyrics, narratives don’t get much more unapologetic in their self-deprecation than the alternating resolutions of the verses, “You’ll be better off when I’m not around” and “You’ll be better off when I’m all alone,” respectively. It’s a deeply human sentiment that grounds the affair and reveals a few bruises in the process. All in all, “Bed” is a powerful opening salvo for what should prove to be one of the year’s best records.

Listen to “Bed” below (and watch the band performing it in the venue where they started) and pre-order #1 Hit Song from Double Double Whammy here.

bed. – The Rule (Stream)

bed.

[EDITOR’S NOTE: With the site now entering emergency year-end catch-up mode thanks to the cruel, mocking nature of time, tonight’s trio of posts will simply be short reviews of the song(s) in the headline(s) and an accompanying list of tracks that deserve to be heard.]

2015’s been a genuinely overwhelming year for music. From records that ranked as irrefutable masterpieces to the emergence of deeply promising new acts, there was a lot to digest. This site’s dedicated to the latter of those two categories and even in isolating that grouping, there are still- undoubtedly- countless pieces missing. Fortunately, bed. aren’t one of those missing pieces because their recent “The Rule” is as captivating as any song this year. By balancing dream-pop aesthetics with flashes of elements more comfortably rooted in post-punk, sludge, and basement punk, they’ve subverted a dichotomy that’s paid hugely successful dividends for the songs that this site’s featured in the past. “The Rule”, the band’s strongest work to date, suggests that in addition to establishing their footing, they’ve got a lot more to offer. All we need to do for now is listen while we wait to find out and, fortunately, “The Rule” makes that an easy task.

Listen to “The Rule” below and pre-order Klickitat here. Underneath the embed, explore a list of great songs to have appeared over the course of the last several months.

Savages – T.I.W.Y.G.
Frankie Cosmos – Young
The Besnard Lakes – The Motorway
Jacob Metcalf – Ein Berliner
Museyroom – Ballad
Stoneholder – Air
Shirley Said – Crash
City & I – Geordie
They Might Be Giants – Out of a Tree
Mark McGuire – Sons of the Serpent
Walter Martin – Jobs I Had Before I Got Rich & Famous
Kamasi Washington – Theme from “Color Guard”
Basement – Promise Everything
Miranda Lee Richards – 7th Ray
Eliza Hardy Jones – Criminal
Half Waif – Nest
Golden Daze – Salt
Matt Kivel – Jamie’s
Thieves – Middle Man
Shy, Low – Algos
Headaches – VI