Heartbreaking Bravery

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Tag: Beach Slang

Watch This: Vol. 158

Last week’s Monday-Sunday stretch yielded a large handful of outstanding live videos. While normally Watch This segments run on Sunday, this one (and the posts soon to follow) were held back by outside circumstances. The posting on Heartbreaking Bravery will be more frequent going into the future. Getting that rotation started is this crop of clips, which were strong enough to render compelling takes from the following as honorable mentions:

Jesca Hoop, Sigur Rós, Los Gold Fires, AJJ, Hurray for the Riff Raff, Dolfish, The New Pornographers, The Regrettes, Amy O, Sean Rowe, Desert Mountain Tribe, Weyes Blood, Hollerado, Vagabon, Future Islands (x2), Craig Finn, Noname, Deap Vally, Jonny Grave, The Smith Street Band, Car Seat Headrest, Hannah Lee Thompson, Hinds, Beach Slang, Liz Cooper & The Stampede (x2), Lou Canon, Sue the Night, Peter Silberman, Mipso, Juliet K, Ceschi, Anna Tivel, Lillie Mae, Bruise Violet, Hayley Heynderickx, Cold Country, Kyle Morton, Lisa Hannigan, and Kim Janssen.

As is typically the case, that’s a uniformly strong crop that reflects well on the selected features. So, as always, take a seat, calm down, take a deep breath, adjust the settings, lean in, and Watch This.

1. Vagabon (Audiotree)

A staple on this site for a few years, Vagabon‘s finally beginning to receive the levels of admiration, acclaim, and attention they’ve deserved for some time. Touring heavily on one of 2017’s finest releases thus far, the band recently found time to stop by the Audiotree studios and deliver a mesmerizing set. Running through several highlights from Infinite Worlds, the band remains in sharp form throughout and delivers one knockout blow after another, solidifying their status as one of today’s most exciting musical prospects

2. Lady Pills (BIRN)

Lady Pills have made a few brief appearances on this site but this two-song take for BIRN virtually guarantees them expanded coverage. Both “I Hate You” and “Irrelevant” reveal an understanding — if not outright mastery — of a very specific style of songwriting. Energetic, commendably contained, and compelling, the band lights into both tracks with both force and feeling. The instrumental segue that bridges the two songs is a thing of beauty and Lady Pills never stop providing reasons to commit their name to memory.

3. IAN SWEET (PressureDrop.tv)

When a label like Hardly Art shows interest in a band, there’s usually a handful of good reasons behind why they’re paying attention. Occasionally a band crumbles under the pressure or disintegrates in the face of a new set of challenges. IAN SWEET repaid that kindness in full, and then some, with their debut full-length, Shapeshifter. Following the record’s release, the band made a name for themselves on the live circuit. This full session acts as both a document and as definitive proof of their live prowess.



4. Forth Wanderers (KVRX)

A short while back, Forth Wanderers released one of the best EP’s of 2016 in Slop, a staggering career highlight by any metric. They’ve been hard at work ever since, promoting that EP and working on new material. In this intimate, stripped-down KVRX session, the band splits the selections between SlopTough Love, and offers a look ahead. All of the songs remain mesmerizing, even when scaled back to only guitars and vocals, aptly demonstrating that the band’s appeal — and talent — runs far deeper than the surface offerings.



5. Creepoid (Audiotree)

Creepoid‘s built a deeply impressive run over the span of their career, offering up plenty of fascinating twists along the way (the short film Ernest Undead being a notable example). In that time, they’ve also honed their live abilities, transforming into a tightly-knit wrecking crew that knows how to both enhance and accentuate the heaviness of their recorded material while still doing the ambient trappings justice. In this Audiotree session, they bare their teeth and clamp down, drawing a fair amount of blood.

Music Videos of the First Quarter: The Honorable Mentions

A little over a week remains in 2017’s first quarter so it felt appropriate — especially considering the recent hiatus — to reflect on some of the best material to have been released over the course of these past three months. What started yesterday with the list of notable full streams will bleed into the following days. Today’s post shifts the focus to some of the most memorable music videos to have surfaced since the start of the year. All of the below videos piqued attention for one reason or the other, either on the film or music side, and deserve as many views as they can possibly receive. So dive in, click around, and explore. Good things await.

Future Islands, Eric Slick, J.E. Sunde (x2), The Spirit of the Beehive (x2, 3), I Am The Polish Army, Caitlin Pasko, Gurr, Retail Space (x2), White Reaper, Demure For Sure, Meursault, Rosie Carney, Pronto MamaTouché Amoré, The Saxophones, Slow Bear, Thao & The Get Down Stay Down, Cass McCombs, NE-HI (x2), Chastity Belt, Francobollo, Ruby Bones, Blaire Alise & The Bombshells, PINS, Honeyblood, Idle Bloom, Hiccup, Xiu Xiu (x2, 3), The Youngest, Durand Jones & The Indications, Blonde Summer, Tobin Sprout

Hurray for the Riff Raff (x2), Beach Slang, Peter Silberman, Clipping., Molly Burch, Tijuana Panthers, Chick Quest, Chaz Bundick Meets the Mattson 2, Los Campesinos!, Wax Idols, The ShiversLee Fields & The Expressions, Bleached, Oceanator, Conor Oberst, Real Estate, D.A. Stern, minihorse, Drakulas, FACIAL, Tall Tall Trees (x2), gobbinjr, Parquet Courts, Band of Horses, Sam Vicari, Slothrust, Many Voices Speak, Happyness, Paul White, Strand of Oaks, Cosmonauts, NxWorries, Batwings Catwings, Mary Lynn

The Velveteins, Marching Church, Imaginary Tricks, Frederick the Younger, Moon Duo (x2), Christine Leakey, Walrus, No Ice, Froth, Nana Grizol, Bellows, Tyler Daniel Bean, The Walters, Flat Mary Road, Teen Vice, Woozles, Danny Denial, Night Shapes, Tough Tits, Swoon Lake, Harem, The Modern Savage, The Little Kicks, Crocodiles, We Leave At Midnight, Delicate Steve, The Smith Street Band, The Magnetic Fields (x2, 3, 4), Bin Chivalry, Summer Moon, JFDR, Six Organs of Admittance, Alex Lahey, Joan of Arc

TrentemøllerLeopold and His Fiction, Hippo Campus, Cherry Glazerr, Curse of Lono, Los Angeles Police Department, IAN SWEET, Surf Curse, Delicate Steve, The Black Angels, Timber Timbre (x2), Skaters (x2), Oxbow, Static Eyes, Young Romance, Space Camp, Bonnie Whitmore & Her Band, Quin Galavis, Tim Kasher, Slam Dunk, Daniel Romano, Big Lonely, Reptaliens, Sammus, Rainbrother, Callow, Rolling Blackouts Coastal Fever, Bill MacKay, Moody Beach, My Education, HOTT MT, Century Palm (x2), Arthur Moon

The New Pornographers, Campbell L Sangster, Son & Thief, Yohuna, Girl Scout, Tim Kasher, The Head, Perfume Genius, TW Walsh, Blood Ponies, Laura Marling, Dead Man Winter, Sean Rowe, Kate Crash, Warm Body, Free Pizza, Kidsmoke, John Wesley Coleman III, Hand Habits, Aye Nako, Dirty Projectors, Chris Bathgate, Holy Motors, The Two Tens, FOTR, Amy Klein, London O’Connor, Dan San, Lisa/Liza, Knox Hamilton, Swet Shop Boys, Homebody, No Joy, Sunday Morning, Callow, Local Natives, Fastball

Personal Space, Milemarker, Allison Crutchfield, Brother Ali, Garrett Pierce, High Contrast, Wilsen, Crazy Bones, Spookey Ruben, Mt. Doubt, Fufanu, Circles/Waves, Spinning Coin, BATYA, High Waisted, Hoan, Strange Lot, Tennis, Ex-Girlfriends, Thurston Moore, Skating PollyJammz, Annie Hardy, Early Riser, Jay Som, Communist Daughter, Colin Stetson, Analog Candle, CRYWANK, Cate Le Bon, Phoebe Bridgers, Geotic, Diagrams, Jenny Hval, Mastodon, CHILLEMI, Shocking White, The Cherry Wave, Oshwa

Skyway Man, Equators, The Superweaks, Luke Sital-Singh, Ivy Meissner, Redspencer, Run The JewelsSpiral Stairs, Gothic Tropic, American Wrestlers, Moby & The Void Pacific Choir, Warhaus, Kodak Black, Annabelle’s Curse, The Obsessives, Heart Attack Man, and Harmony Tividad.

Watch This: Vol. 145

The past week contained a plethora of outstanding performance clips, including memorable takes of Ama, Haley Bonar, Alex Napping, The Seratones, Benjamin Booker, Cate Le Bon, Twin Limb, Pinegrove, The Frights, Matthew Logan Vasquez, Beach Slang, Heaters, Naked Giants, The Sweet Release of Death, Conor Oberst, and King Gizzard & The Lizard Wizard. Since there was an excessive amount of incredible material over the past seven days, this will be the first of two tandem Watch This installments. The five featured clips below are heavy on full sessions and include one genuine outlier that was simply too good to pass up featuring. So, with that in mind, take a deep breath, steel some nerves, block out any distractions, adjust the settings, lean in, and Watch This.

1. Big Ups (Audiotree)

As a live act, Big Ups are an extremely enticing draw. They’re explosive performers, their songs are complex and dynamic enough to demand uncommon talent, and the quartet boasts a magnetic playing style. They’ve appeared on several past Watch This entries but occupy an elevated space for this Audiotree session. Characteristically intense and oddly entrancing, this session stands as a career highlight for both the band and the rightfully acclaimed studio.

2. Uni Ika Ai – Already Dead (BreakThruRadio)

2016 has been something of a breakout year for Uni Ika Ai. While they may not be an instantly recognizable name, the act’s been gaining traction on the back of their dreamlike approach to subdued indie pop. Deeply impressive and hard to shake, this enrapturing performance of “Already Dead” for BreakThruRadio is as good an entry point as any for the uninitiated. For more than seven minutes, the band casts a spell that deepens as the song progresses, making one hell of an impression.

3. Explosions in the Sky (KEXP)

cTypically Watch This — and Heartbreaking Bravery in general — is a space reserved for emerging artists but every once in a while a veteran act will issue a reminder of how they earned their status. Case in point: post-rock titans Explosions in the Sky‘s recent KEXP session. The band’s riding another critical surge following the release of this year’s The Wilderness, a record that subtly expanded the band’s scope. As ever, the songs translate beautifully to the live setting and this performance serves as concrete proof.

4. Nothing (KVRX)

When a band’s volume levels are as relentlessly punishing as Nothing‘s, stripping songs to bare acoustics can be a risky prospect. Fortunately, the band are incredibly gifted songwriters, something that comes across with a charming, natural ease in this unassuming KVRX session. There’s a certain amount of grace that often gets overlooked when shoegaze-leaning bands heavily emphasize the most bruising aspects of their approach and each song performed here becomes an essential reminder of that grace, winding up as an unexpected document of one of the genre’s most intriguing acts.

5. Jay Reatard (Pitchfork)

More of an archival release than anything else, this look back at a musician that was lost far too young is vital, painful, and wildly exhilarating. Taking a breathlessly frantic approach, Jay Reatard whips his band into overdrive right out of the gate, ripping through a dozen songs in a fiery twenty minute set, featuring a host of songs that have rightfully carved their place out in history as pivotal genre classics. Reatard was writing out of his mind during the time this was filmed, fresh off the release of Blood Visions (which remains an indisputable classic). An arresting look back at a formidable talent, there’s heartbreak to be found in thinking about what could have been but more than enough heart on display to make up some of the difference.

Lost Boy ? – Born 2 Lose (Stream)

Lost Boy ? IV

As this week drew to a close, the final few days offered up outstanding music videos from M.T. Foyer (who nearly claimed this post’s featured spot), IAN SWEET, Lomelda, Sleepy, M Ross Perkins, ANOHNI, Beach Slang, and Merchandise. Additionally, there were all of the tracks that were covered in the preceding post and a small handful of full streams that will be covered in the post that follows this one. While those were dedicated to other quality releases, the focal point of this particular entry in the ongoing saga of coverage falls to site favorites Lost Boy ? who released both a riff-happy new full-length and a track online, “Born 2 Lose”, to mark the occasion.

For years now, the Davey Jones-led project has been releasing astonishing material, including one of the best records of this current decade in Canned. Lost Boy ?’s established, distinctive brand of basement pop is on full display in “Born 2 Lose”, which follows a string of excellent songs to tease Goose Wazoo without ever veering so far into familiarity that it becomes predictable. The ways this project shifts and moves from song to song remains one of Lost Boy ?’s most compelling aspects, furthering a singular identity in the process.

Riding the crest of a mid-tempo pace that manages, impossibly, to come off as both relaxed and surging, “Born 2 Lose” establishes a fascinating tone from the outset and never wavers. Jones’ vocals continue to betray a rotating cast of outsider influences that inform Lost Boy ?’s music in meaningful ways, from form and structure to narrative content.
All of those traits combine into an endlessly fascinating — and ridiculously enjoyable — basement pop track that continues to effortlessly navigate some of the dichotomies that have rendered Lost Boy ? one of the more memorable acts currently operating in the genre.

Don’t miss a chance to explore why this band’s endeared themselves to so many people (a sizable quantity of them being musicians responsible for similarly impressive material). “Born 2 Lose” is an upbeat anthem for the downtrodden, providing empathetic comfort in generous doses. Sometimes that’s exactly the type of thing the world needs and Lost Boy ? continues to deliver in earnest. Make sure to give this one the kind of investment it genuinely deserves.

Listen to “Born 2 Lose” below and order Goose Wazoo here.

Mercury Girls – Holly (Stream)

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A very full week of new material was essentially topped off over the past few days with excellent new songs from Fond Han (who nearly claimed this post’s featured spot), Bad Sports, Black Marble, TwistCarl Sagan’s Skate Shoes, JEFF The BrotherhoodTennis, Swimsuit AdditionHamilton Leithauser + Rostam, His ClancynessDuchess Says, benjamin783, Tom Brosseau, and Happy Place. There were also great music videos that were offered up by the likes of Trust Fund, Hazel English, Izzy True, Attic AbasementVomitfaceBeach Slang, Katie Dey, Jude Shuma, and, jordaan mason.  While the full streams weren’t as plentiful as they were at the start of the week dozer, Porridge RadioDrowse, Skux, Creative Adult, and Cay Is Okay managed to end the category on a series of strong notes.

At the end of 2015, Mercury Girls found themselves poised at the top of this site’s odds and ends list, thanks to their scintillating demo and live tracks compilation. Since then, they’ve been on a tear, readying their forthcoming full-length and finding time to participate in a four-way split and release an extraordinary 7″ in the process. Earlier on in the week, the band offered a glimpse at that forthcoming four-way split (with The Spook School, Wildhoney, and Tigercats rounding out the other three slots) by way of “Holly”, another sweeping gem of a song that masterfully blends the best of post-punk and powerpop into something that manages to become bittersweet and triumphant simultaneously.

“Holly” also sees the band’s knack for playing off each other increasing to a velocity that’s practically unmatched, generating the kind of momentum that will cause enough impact to knock out just about anybody. Whether it’s the surging guitars, the soaring vocals, the punchy rhythm section, or the band’s astonishing knack for composition, the band continues to seem mistake-free, casually igniting a fire that seems like it could burn forever. Mercury Girls, now several small releases into their career, have yet to release a track that feels anything less than miraculous.

In roughly three minutes, the band conjure up a winsome atmosphere, flawlessly navigate some galvanizing dynamic shifts, and offer up the kind of cohesive, grand-scale artistry that only the best bands ever manage to achieve. With “Holly”, Mercury Girls continue their breathless pursuit of perfection and — importantly — are showing no signs of diminishing returns (which is a fate that relentlessly plagues their niche genre). Inspired, breathtaking, and warm enough to be its own blanket, “Holly” has the capacity to inspire people to start their own bands. When all’s said and done, no compliment can be higher than that one.

Listen to “Holly” below and pre-order Continental Drift here.

Watch This: Vol. 131

Over the course of the past two full weeks, there has been a brief reprieve from the Watch This series, which normally runs in weekly installments. Part of the reasoning behind its recent absence has been explained in previous posts (it was mostly a matter of scheduling) but returns now in a two-part installment to cover those complete weeks. The week that’s currently in session will be accounted for on Sunday and unaffected by these installments. Laura Stevenson, NUEXTango Alpha Tango and the Malady of Sevendials, The Dirty Nil, Charles Bradley, Bruiser Queen, Spooky Ghosts, The Goon Sax, Weakened Friends, Bombay, Money, Beach Slang, Adia Victoria, Protomartyr, and Maritime were the featured artists that comprised roughly half of the honorable mentions in the covered time frame, fully illustrating the strength of the featured cuts. So, as always, sit up, adjust the settings, focus, and Watch This.

1. Summer Cannibals (PressureDrop.tv)

PressureDrop.tv has been responsible for a lot of the more memorable full sessions of recent memory but the series recently topped themselves with this no-holds-barred session from site favorites Summer Cannibals. None of the other performers on the series’ enviable roster of guests have matched the sheer velocity of Summer Cannibals’ energy here and the visuals match that propulsion. Nearly every second of the performance feels perfectly complementary and suggests that PressureDrop.tv just might be realizing their full potential.

2. free cake for every creature – All You Gotta Be When You’re 23 Is Yourself (BreakThruRadio)

free cake for every creature have appeared on this site numerous times but with each successive link, they’ve bettered themselves and hit yet another apex with this BreakThruRadio performance of “All You Gotta Be When You’re 23 Is Yourself”, a standout from their most recent release. Conjuring up a spell of subdued magic, the band effortlessly breezes through the track and closes it out with a soft smile.

3. Clearance – You’ve Been Pre-Approved (Constellation Chicago) 

One of last year’s more overlooked releases came in the form of Clearance‘s excellent Rapid Rewards [full disclosure: my photography is used for the back art] and the record’s allure has actually grown since its release. A large part of that is thanks to Mike Bellis’ knowledgeable songwriting, which is front and center in this recent solo take of one of that record’s many highlights, “You’ve Been Pre-Approved”.

4. Tancred (Little Elephant)

Something is happening in these Tancred videos for Little Elephant that both suggests they’re unfinished and creates a curious pull that’s not entirely dissimilar from quicksand. The performance from the band, as ever, is sharp as hell but the audio sounds canned, as if only an overhead mic was picking the band up. That effect winds up working in tandem with the band’s influences astonishingly well, creating a damaged VHS sound quality that transforms this session into a surprisingly gratifying Easter egg.

5. Julien Baker (Exclaim!)

If a pro-shot Julien Baker session emerges over the course of any given week, it’s probably safe to assume that it’ll find representation in this series. Baker’s an innately talented performer and a mesmerizing lyricist that’s already managed to carve out a space next to Elliott Smith as one of the most effective and intimate narrators of tragedy that the music world’s had in quite some time. All of those qualities infuse this recent two-song performance for Exclaim! with a hypnotic sadness that manages to be both reassuring and heartrending all at once.

LVL UP – Pain (Stream, Live Video)

LVL UP XXV

Over the course of the day, a whole host of great material has found its way out into the greater world. Included in this wealth of worthy new releases included streams from Steve Adamyk Band, Slow Down Molasses, Happy Diving, Buildings, Beach Slang, PJ Harvey, Flock of DimesItsaca, The Holy CircleBodies Be Rivers, The Moles, and a Littler cover of a Muffs classic with all of the proceeds of the cover going to Campaign Zero. Additionally, there were exceptional full streams from the following: Gay Sin, Heliotropes, Blue Smiley, and Pure Disgust. Finally, the music video format saw excellent new entries from the likes of Sneeze, Honeyblood, Sleeping Beauties, and Hinds.

Really, though, ever since Sub Pop’s announcement of their newest acquisition, this day has all but belonged to LVL UP. The band’s been working on their full-length follow-up to Hoodwink’d — this site’s pick for 2014’s Album of the Year — steadily for well over a year. Today, they unveiled the first track to be heard from that record, which will be titled Return to Love, with the perpetually shifting “Pain”.

Easily one of the finest songs Mike Caridi has contributed to the band to date (which is no mean feat), “Pain” is simultaneously one of the band’s most ambitious and arresting songs, demonstrating the breadth of their expanded scope in one fell swoop. Opening with a melancholic ambient swirl, “Pain” quickly ups the tempo and quickly begins presenting scathing, intimate questions like “where is the one who loved you, unconditionally?” and never lets down the intensity for a moment.

Ultimately, the song settles into the self-defeating mantra of “Never Find Love” before a volcanic eruption of feedback, distortion, and noise subsumes the song and quickly transforms it into a seething maelstrom of formidable power, reaching a level of darkness of which their most recent release — the excellent Three Songs EP — hinted towards. The quartet really lays into that final section during their sets (“Pain” has been a live staple for some time) and tap into some intangible quality that seems to elevate them as a unit, locking into some sort of terrifying trance and playing off of each other with startling precision.

“Pain”, likely more than most of their recent songs, pays homage to the band’s past while remaining determined to look towards the future. In striking that balance, LVL UP has managed to produce a song that does more than justify their Sub Pop signing, set up Return to Love‘s release, and remind people of why they came to be such a force. It becomes a transportive experience that nears moments of transcendence.  Should the rest of Return to Love live up to the standard set by its first single, the band may find themselves following up a miniature masterpiece (Hoodwink’d) with the real thing.

Listen to “Pain” below (and watch a slightly blown-out video of the band running through an earlier version of the song last year at Palisades below the embed) and pre-order Return to Love from Sub Pop here.

Watch This: Vol. 130

Adult Mom, Margaret Glaspy, Mise En Scene, Beach Slang (x2), Dr. Dog, Lee Fields, John Grant, Brass Bed, Sleepy Kitty, Quarrels, Adia Victoria, Floating Points, Dentist, Søren Juul, Hounds of the Wild Hunt, Therm, Pile (x2), Quilt, Charlie Parr, Wye Oak, Gabriella Cohen, JJ Grey and Mofro, Band of Horses, King Woman, Yoni & Geti, The Slow Show, Told Slant, So Pitted, Guided By Voices, Steve Gunn, Trombone Shorty, Rogue Wave, Mount Moriah (x2), Lily and Madeleine, Shearwater, and The Jayhawks all had incredibly strong performance videos surface over this past week, each of them deserving of multiple looks and listens. Taken collectively, their cumulative strength is overwhelming which, in turn, illustrates the incredible power of this week’s five featured clips and sessions. From what’s undoubtedly the most moving performance to ever run in this series to what may just be the outright best full sessions, there’s a lot here to appreciate. So, as always, sit up, adjust the volume, tinker with the settings, block out all excess activity, lean in, and Watch This.

1. PUP (Audiotree)

PUP have been getting coverage from this site for just about as long as its existed and they’ve recently gone into an even more intimidating overdrive. After absolutely decimating 7th St. Entry at the start of the month, the band’s been providing reasons to revisit their past. This past week Audiotree uploaded an old full session the band gave the series back at the start of 2015, flashing some increasingly sharp teeth in the process.

2. Royal Headache – High (Pitchfork)

High, the most recent release from Royal Headache, had more than enough firepower to earn a spot as one of last year’s best albums. As strong as their recorded output is, Royal Headache’s real draw has always been their live show, which is captured here via Pitchfork. Vocalist and principal songwriter Shogun has always been a commanding presence and that trait’s on full display as the band tears through the exhilarating title track of their last record at this year’s Primavera.

3. Bob Mould (Sound Opinions)

One of the most respected elder statesman of punk has found a way to revitalize his career over the past several years, hitting some extraordinary highs with recent efforts. It’s not that Bob Mould‘s career has ever been dull, it’s that something inside of him seems to have been pushed to full throttle. The trio of songs Mould careens through here for Sound Opinions serve as very strong evidence.

4. Weaves (CBC Music)

No band has been showing up in coverage lately more than Weaves, who are trying to outrun a tidal wave of adrenaline after releasing what may wind up being the year’s most explosive record. The band’s been stringing together an insanely impressive series of the exact right moves at the exact right moment and this full session for CBC Music continues that trend. Masterfully shot inside of a greenhouse, it’s easily one of the strongest visual sessions to have ever run in this series and for just about anyone else, the cinematography here could threaten to diminish the performance. However, Weaves are a different kind of animal and they find a way to draw strength from the setting, allowing the visuals to ultimately enhance a ferocious set. Every aspect of performance videos is paid respect to with this session, which stands as an unforgettable masterclass of the form. File this one away for multiple trips back to enjoy or even to study; it’s that good.

5. PWR BTTM – Somewhere Over the Rainbow (Emily Dubin)

There’s nothing I can say here that isn’t said better in or by this video, which is a very loving, sincere capture of PWR BTTM playing a deeply heartfelt show in Orlando. Just click play and appreciate the worthwhile things and people in you’re life while you still can and while they’re still here.

Watch This: Vol. 129

Hello and welcome to the 129th installment of Watch This. Just like the previous 128 entries in this series, this volume will focus on the finest live performance videos to be released in a set time frame (this time around being the normal version: this singular, immediate week).  As is usually the case, there was quite a bit of material to sift through that included strong showings from the likes of Margaret Glaspy, Antiphons, The Tallest Man On Earth, Ty Segall & Cory Hanson, Day Wave, Whitney Rose, Beach Slang, Naked Naps, Seratones, Amber Arcades, Hannah Georgas, Boogarins, Alessio Bax, Zach Puls, Totally Mild, Chick Corea & Gary Burton, Venus II, Dream On Nilsson, Dolfish, Dr. Dog, and Bowerbirds. A lot of gems can be found by exploring that list just as the five featured clips offer up an arsenal of astonishing talent on both sides of the camera. So, as always, kick back, crank the volume, get prepared, and Watch This.

1. Bully (Bonnaroo)

After purring out one of last year’s finest records, Bully have been hitting both the road and the festival circuit with staggering force. Feels Like, the record that spawned an extremely promising career, conjured up enough momentum that the band’s carried it to what’s essentially a victory lap. Fortunately for everyone, they’re playing their shows as if they still need to be the first to cross some unseen finish line.

2. Fruit + Flowers – Drug Tax (BreakThruRadio)

For well over a year, Fruit + Flowers have been drawing near to the cusp of becoming a breakout band and in that time, they’ve sharpened their live show to a fine point. That dedication shows in this steely-eyed performance of “Drug Tax” the band delivered for BreakThruRadio, tapping into the kind of fiery determination that a bigger scale — a scale that they deserve — necessitates. Expect to be hearing their name more at some point in the near future.

3. The She’s (PressureDrop.tv)

For as much as it gets featured on this site, the fact remains: good, carefree basement pop — the kind that comes equipped with a band’s singular identity — is surprisingly hard to create. Since they formed, The She’s have been working resiliently to perfect both their approach and that very niche genre. This inspired full session for PressureDrop.tv shows that they’re as close to achieving that goal as anyone.

4. SAVAK – Reaction (BreakThruRadio)

Session musicians are frequently overlooked despite being the backbone of the recording industry. SAVAK is a supergroup of relatively unheralded background players whose cumulative credits include roles in Obits, Holy Fuck, Ted Leo & The Pharmacists, The Cops, Nation of Ulysses, and more. Apart from their former projects and united under one flag, they’ve clicked and transformed into a wrecking crew. This run through “Reaction” is proof.

5. The Thermals (KEXP)

Very few bands boast a discography as absurdly strong as The Thermals, one that’s highlighted by The Body, The Blood, The Machine (which itself is one of the finest records of the past 16 years), yet they’ve managed to retain a nearly unparalleled drive that’s constantly reflected in their work. The band’s live show is when that aspect evolves from an endearing trait to an unavoidable reality. KEXP recently hosted the band (with the very welcome addition of Summer Cannibals‘ Jessica Boudreaux) in their studios and filmed them ripping through some highlights of their most recent effort, We Disappear. A loving document of one of the great DIY-leaning punk acts, it more than earned its spot on this list. Enjoy.

Splitting at the Break: The Live Photography of 2016’s First Half, Pt. V

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After installments I, II, III, and IV, this site is officially caught up to the current release cycle in every coverage category: single streams, full streams, music videos, live videos, live photography, and the (usually weekly) Watch This series. Going forward, the goal will continue to be at least one post a day (a rough average that’s been maintained for two and a half years, despite some lengthy hiatuses). Expect live reviews to return to the fold as early as next week and for everything else to resume or continue its regular functionality. Thanks to anyone who stuck with this site through the early lulls in this year’s first half and thanks to the artists and venues who graciously allowed — and even encouraged — photography. Heartbreaking Bravery wouldn’t exist without you and I will continue to look for ways to pay you back in kind. Find the last packet of photos from the year so far below and explore all of the others via the hyperlinks up top or by simply scrolling down. Enjoy!