Heartbreaking Bravery

@heartbreaking_bravery | heartbreakingbraveryllc@gmail.com | @hbreakbravery

Tag: BATB

2015: A Year’s Worth of Memories (Ryan Wizniak)

meatwave

As has been mentioned, multiple times over, few bands have had as large of an impact on the past several years of my life as Meat Wave. From the hundreds of listens I’ve given to their self-titled debut to their appearance at the first Heartbreaking Bravery showcase to their continued support of this site, it’s been a genuine privilege to have them as a part of my life. Delusion Moon was one of 2015’s fiercest records and the few times I got to see the band perform, I was always left floored. A large part of their draw has always been the frantic drum work of Ryan Wizniak (pictured above, bottom left). I’m thrilled to be bringing Wizniak into the fold of A Year’s Worth of Memories and I’m equally excited that he’s chosen to focus his piece on Meklbelly. Read it all below and remember to celebrate the people who continuously make a positive impact on your life.

++

Of all the fantastic music that came out in 2015, and there was a lot of it, my absolute favorite track was “Piss Wizard”, by Melkbelly.  Recorded at Public House in Chicago and released via Automatic Recordings on piss-yellow and poo-brown 7”s, “Piss Wizard” is a truly unique slab of uncategorizable noise rock.  Within its just over 7 minute running time it contains every aspect of what makes Melkbelly so great: super bizarre tones, excellent guitar interplay, a range of vocal stylings, absurd drums and dynamic bass playing that glues everything together.

One of my favorite things about Melkbelly is every song makes the listener feel like they are entering a living breathing place. “Piss Wizard” is a perfect example of this. The track starts with a vocal intro from Miranda [Winters] and as soon as the rest of the instruments join in it creates the feeling of being strapped into some deranged ride that has flown straight into a tornado. Eventually the track lets up just long enough for one to regain their senses before it blasts into an explosive ending.

My band got to play a few shows with Melkbelly at the end of our long tour this fall/winter. One of them was at this place in Ann Arbor called The Metal Frat and it turned out to be an actual fraternity focused on musicians and music lovers. It was totally surreal and a lot of fun. At one point in the night we went on a beer run and noticed the frat next door doing their initiations, which involved blindfolded people being thrown into the backs of cars and some sort of all night organ playing ritual. So wild!

The last show we played with them was our homecoming show in Chicago which also featured our good friends Sophagus and Rad Payoff at our favorite venue, the Empty Bottle. Between all four bands we managed to sell out the show. I couldn’t believe it! It was great way to close out the year.

-Ryan Wizniak

Salad Boys – Dream Date (Music Video)

salad boys

It seems fitting that another stacked week for new releases would find a similarly overloaded endcap. Total Makeover, Soft Fangs, Blackalicious, and Cumstain all had incredible new songs while Melkbelly, Lindi Ortega, and Phylums unveiled outstanding records. Even with the strong representation for those categories, the day belonged to music videos. La Luz’s animated “Black Hole, Weirdo Shine“, sore’s delightfully low-key “elle le fantôme“, Pianos Become the Teeth’s startlingly heartfelt “Ripple Water Shine“, Sharkmuffin’s unapologetic “Tampons Are For Sluts“, Albert Ryan’s lyric clip for “Man“, Kaleo’s gorgeous, inventive “Way Down We Go“, Earl Sweatshirt’s classic, nightmarish “Off Top“, and Deaf Wish’s retro-influenced futurist vision “On” constituted an unusually strong field. Topping everything off was Salad Boys‘ curiously entertaining “Dream Date”.

The narrative through-line’s essentially non-existent in “Dream Date”, leaving the clip to function and thrive on its own singular energy. Directed by Ben Dodd and Salad Boys’ guitarist/vocalist Joe Sampson, the clip finds Sampson placed front and center in various scenic locations. While his isolation could serve as a commentary on loneliness, there’s a wryness and contentment that centers Sampson’s performance and suggests that being alone can be an extraordinary thing. It’s a deceptively clever setup anchored by a committed performance- and a spry basement pop song- that lends “Dream Date” an unavoidable vibrancy. Irreverent, funny, and impossibly light, it’s the kind of video that can act as a reminder of the joy of simply being alive.

Watch “Dream Date” below and pre-order Metalmania ahead of its September 18 release date from Trouble In Mind here.