Heartbreaking Bravery

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Tag: At Your Leisure

Clearance – At Your Leisure (Album Review, Stream)

Few bands can maintain consistency at a high level and evolve within those parameters. We’ve seen some of the biggest bands fall pray to their own hubris in unsuccessful reinventions and some smaller bands discover confidence that they didn’t realize they had after expanding their ambitions and embracing plunges into unfamiliar terrain. While Clearance doesn’t tip towards either extreme, At Your Leisure firmly suggests they may be headed towards the latter.

The band’s earlier works earned them a lot of comparisons to Pavement and those comparisons were legitimate and justifiable (which isn’t always the case when that name gets thrown out). At Your Leisure finds Clearance presenting a more confident version of themselves, a look that pays immediate dividends. The arrangements are more nuanced and the records stands as their most cohesive effort to date. While their past work still merits applause and investment, they’ve clearly hit another level.

Leaning significantly harder into jangle pop sensibilities, Clearance still holds their slacker punk roots firmly in place, allowing them to ground an incredibly winsome effort. Every song on At Your Leisure is one that’s allowed — and encourages — a patient growth, something that’s reflective of the band’s own evolution. While there are some head-turning moments scattered throughout the record (the chorus on “Destination Wedding” being the first of a handful), there’s never a cheap attempt at something designed for immediate, attention-ensnaring impact.

By utilizing a meditative pace and allowing their songs to breathe, Clearance unearth a way to provide an overarching texture on At Your Leisure that’s both fascinating and relatively uncommon. There are peaks and valleys throughout the album, to be sure, but they all act in the service of a greater whole rather than as a way to elevate an individual set piece. “Had A Fantastic” is the only track that comes close to breaking that form, which is likely why it was released as an advance single; the song’s urgency and insistence inject a significant amount of life into the record but can easily stand as a self-sustaining track when removed from the record and placed on a mix — yet it still provides the pacing of At Your Leisure with a necessary kick that benefits the material that comes before and after its appearance.

None of the tracks on At Your Leisure are dull and every facet of the release seems to have been provided with a fair amount of thought. All of those elements work in its favor, allowing the record an intoxicating appeal as a legitimate record. Not a singles collection. Not a greatest hits. Not a record that was padded out. Not a record that was designed to serve a purpose beyond its existence. At Your Leisure is a true version of the classic record; a welcome curiosity in a shifting landscape that’s all but eliminated its ilk. That alone is worthy of praise. Fortunately, for everyone, the music more than backs it up.

Sit with this one. Give it room to breathe. Get lost in its spell. Then do it all over again and get inspired to make a record the way a record should be made.

Listen to At Your Leisure below and pick it up from Topshelf here.

Birth (Defects) – Hanshin (Stream)

birth defects

Deerhoof, Mumblr, TUNS, Speedy Ortiz, Toys That Kill, Erin Tobey, Moonface and Siinai, Heliotropes, Martha, Decorations, Nassau, Pink Mexico, Psychic Ills, The Julie Ruin, PAWS, benjamin783, Cymbals Eat Guitars, Mikey Erg, Cass McCombsDavid Åhlén, Mourn, Fleurie, ARMSGrieving, Lake JonsWildes, Madeline Kenney, and The By Gods all released impressive songs at either the end of last week or the start of this one. The Sidekicks got in on the action with a lovely cover of a Chris Bell classic. As good as all of those were, Birth (Defects) claimed this post’s feature spot with a fierce new addition to an increasingly impressive discography.

Birth (Defects), Sean Gray‘s continuously evolving noise/hardcore project, have been consistently impressive ever since they made their introductory rounds. Now, fresh off the addition of Roomrunner guitarist Jeff Byers, the band’s striking their way back out into the world with the vicious “Hanshin”. Inspired by the love that Gray (who also heads Is This Venue Accessible) has for Japanese baseball team the Hanshin Tigers, the song hits harder than anything Birth (Defects) has released in their still-young career.

More importantly, “Hanshin” shows Birth (Defects) have latched onto a distinct identity that’s firmly rooted in their own convictions. Elevating “Hanshin” even further is the grime-coated production of Perfect Pussy‘s Shaun Sutkus (who also has a noise project of his own, Pretengineer), who’s perfectly suited to Birth (Defects)’s brand of noise-damage. Everything that the band’s thrown into “Hanshin” clicks effortlessly, each part complementing and elevating all of its surrounding elements. Brash, unapologetic, and ferocious, “Hanshin” is the best Birth (Defects) have ever sounded and sets the band up nicely for an exhilarating run. Keep up or get left in the dust.

Listen to “Hanshin” below and keep an eye on Reptilian Records for the release of the forthcoming 7″.