Heartbreaking Bravery

stevenmps2@gmail.com | @steven_mps | @hbreakbravery

Tag: Are You Aware

Watch This: Vol. 140

As was mentioned in the preceding post, the amount of praise-worthy live clips that were released last week were staggering. RaktaClique, L.A. Witch, Ausmuteants, Adryn, Nina Diaz, Alice Phoebe Lou, and Half Waif were all responsible for impressive entries while the five featured spots below all were claimed by outstanding full sessions. Every single one of these five artists have made a prior appearance on Watch This but the range of their music is surprisingly expansive and contain unknown depths worth meticulously exploring. So, as always, sit back, adjust the settings, relax, block out any distractions, take a deep breath, and Watch This.

1. Oscar (WKNC)

After developing a strong reputation for razor-sharp pop sensibilities, Oscar‘s taken a sharp left and fully embraced the punk tendencies that occasionally peeked through the recorded material. This three songs session for WKNC finds the project in full attack mode, playing with a newfound fervor that’s sharpened into an aggression that seems to have enlivened the live performances with a vengeance.

2. Weaves – One More + Coo Coo (q on cbc)

Just a short while ago, Weaves dropped their debut full-length, which immediately registered as one of 2016’s standout moments for music. Since then, the band’s been on absolute tear, continuing to demonstrate their outsize talent as a live act.  Two of Weaves‘ earliest standouts were “One More” and “Coo Coo”, both of which were recently performed for the cameras and microphones of q on cbc. Even in a space as restrictive for movement as a radio studio booth, the band runs at these songs with just about everything they can muster, leaving a jaw-dropping session in their wake.

3. Margaret Glaspy (NPR)

Margaret Glaspy‘s very quickly becoming a staple of the Watch This series as the songwriter continues to fervently tour behind the incredible Emotions And Math. Glaspy’s distinctive brand of songwriting makes her uniquely suited for the trappings of NPR’s Tiny Desk Concerts series. As ever, Glaspy proves to be a commanding presence, flashing serious levels of skill as a lyricist, guitarist, vocalist, and songwriter. It’s another casually masterful run through genuinely exceptional material from one of 2016’s brightest emerging talents.

4. Clearance (Store Brand Soda)

Ever since the lead-up to the release of Rapid Rewards Clearance have been a band that’s been closely monitored by this site. Their particular incorporation of ’90s influences informs their music in a way that fits a very niche category: punk-inflected basement pop. In a recent session for Store Brand Soda, the band tore through two highlights from their discography and an inspired Soft Boys cover, once again illuminating their numerous strengths in a characteristically carefree fashion.

5. Benjamin Clementine (OpenAir)

Few artists have a presence as immediately striking as Benjamin Clementine‘s, who delivered one of this year’s most unforgettable NPR sessions. Clementine recently stopped by CPR’s OpenAir program to deliver another trio of quietly intense slow-burners that are carried by the weight of not just his vocals but his convictions. These are songs that carry the weight of history on their shoulders, filtered through the perspective of a man who’s climbed a steep uphill battle and fought through an onslaught of hardships. That journey has shaped Clementine into a songwriter that can silence the rowdiest of rooms with ease and leave behind a trail of converts. It’s the type of experience that should not be missed.

Clearance – Owner/Operator (Stream)

clearance

Since Friday, there have been notable streams from IAN SWEET, Fake Palms, American Wrestlers, Space Mountain, John K. Samson, Tanukichan, What Moon Things, Peace Be Still, Axis: Sova, Twist, The Veils, Quarterbacks, J&L Defer, Bon Iver, Cheshires, Black Thumb, CHUCK, Suntrodden, Makeout Point, Shapes In Calgary, Adam Torres, Dowsing, and Hiva Oa that have all appeared. On top of that, there were great music videos that came courtesy of Pleasure Leftists, Jake S-M, Breathe Panel, Emma Russack, Winter, Ka, and Pfarmers. Full streams that came via Bueno, Swimsuit Addition, Echo Courts, Big Bliss, The Channels, Cassels, BJ Barham, Dolfish, and Red Heat closed the haul of new material out in a memorable fashion.

All of those entries impressed on multiple levels but it was the latest offering from site favorites Clearance that earned this post’s featured position. “Owner/Operator” is the band’s second individual release — following the excellent “Are You Aware” — since their outstanding Rapid Rewards LP and sees the quartet continuing to find fascinating ways to balance a carefree atmosphere with urgent conviction. The song will be featured as part of their forthcoming Are You Aware 7″, which seems poised to stand as one 2016’s finest releases for that format.

A large part of those expectations can be accredited to the successes of “Owner/Operator”, a breezy and bristling three-and-a-half minute number that both refines and advances Clearance’s songwriting. From the structure to the dynamic nuances, there’s an uncommon liveliness that electrifies the proceedings, pushing a good song into the realms of greatness. Surprisingly memorable, weirdly powerful, and unashamedly casual, “Owner/Operator” is an unlikely slacker pop anthem for the basement punk crowd.

Listen to “Owner/Operator” below and pre-order Are You Aware from Tall Pat here.

Lost Boy ? – Goose Wazoo (Stream)

Lost Boy ? IV

After a relatively quiet run for new releases at the onset of this week, Wednesday threw things back into full sprint with great streams surfacing from Clearance, Lithuania, Honey Bucket, Cool Ghouls, Pill, Hillary Susz, YJY, Maxwell Drummey, Elephants, Helena Deland, Kishi Bashi, Breathe Panel, Ex-Cult, Hyetal, Aaron Holm, Protomartyr, and Idiot Genes. In addition to those, there were excellent music videos that arrived courtesy of Savoy Motel, Charles Bradley, Psychic Ills, Show Me The Body, Oshwa, Trails and Ways, Sugar Candy Mountain, Kid Congo & The Pink Monkey Birds, and Foreign Fields. Full streams from Jody, Heaters, and Preen rounded things out in memorable fashion.

Earning the featured spot was site favorites Lost Boy ?, who’ve been relatively quiet since releasing one of the best basement pop records in recent memory. That record, Canned, set expectations astoundingly high for their follow-up and now the band’s offered up a first glimpse via the characteristically off-kilter “Goose Wazoo”. The nonsensical title is a solid indicator of the song, which fearlessly embraces zaniness while simultaneously managing to keep the proceedings impressively grounded.

Lost Boy ? mastermind Davey Jones has more than proven his worth as a songwriter and it’s wildly entertaining to hear him tackle a more experimental approach. Jones has made Daniel Johnston’s influence on his work incredibly transparent over the past few releases (and has been known to cover the artist from time to time) but that influence reaches a fever pitch on “Goose Wazoo”. From the vivid cartoon-friendly narrative to the vocal delivery, Johnston’s spirit’s present but it never quite overtakes the singular identity that Lost Boy ? has managed to cultivate.

From the melodic shifts to the vocal quirks, everything on “Goose Wazoo” indicates that Canned wasn’t a fluke release; Lost Boy ? seems determined to cement a status as a great outsider artist. “Goose Wazoo” alone goes quite a way in establishing that status as a palatable goal. A complete joy, a tantalizingly unique entry, and an impressive display of both confidence and artistry, “Goose Wazoo” is the kind of song that won’t fade easily. More importantly, it’s one that holds up to a dozen consecutive plays without losing an ounce of its oddball charm.

Listen to “Goose Wazoo” below and keep an eye on this site for more news surrounding the band and their upcoming release.