As was recently explained in the pictorial review of the just-initiated A Short Stretch series, there’s been an increased focus on live documentation. With that being the case, coverage for a few shows gets relegated to the sidelines as this site does upkeep on the current release cycle and features on a handful of other live shows. It’s far from a perfect system but it’d be inexcusable to simply let the photos and footage of shows that don’t get feature reviews waste away on the sidelines. In an effort to amend this, A Short Stretch was created. Here’s how the video portion will work: each band with footage will get a very brief write-up- or capsule review- of their show to accompany the live video(s). So, it’s time to take a look back at some of the great performances from shows that went uncovered.
Following a riveting performance at Palisades, Eskimeaux delivered an equally mesmerizing set at Shea Stadium, despite sweltering heat. The below video is the final piece of that set, a characteristically powerful rendition of O.K. highlight “I Admit I’m Scared”.
With Eskimeaux having just set the stage with a beautiful set prior, Mitski went ahead and dove headfirst into an impassioned set that had everyone in Shea sweating, smiling, screaming, and dancing. Starting the night off with two of the strongest highlights on Bury Me At Makeout Creek– one of 2014’s best albums– proved to be a great move.
Model Train Wreck
Going into Model Train Wreck’s set at Shea Stadium on July 22, I had no prior knowledge of the band and wasn’t sure what to expect. It took them less than a song to ensure my full attention. Dark, bruising post-punk that’s unafraid of embracing a heavy pop sensibility is a look that more bands should consider attempting. This is definitely a band worth celebrating.
After catching Fern Mayo’s ridiculously impressive set at Miscreant’s Northside showcase, catching the band’s live show again was an inevitability. For round 2, the band sounded even sharper than they had a month ago at Palisades, driven by some strong musicianship and the fiercely original songwriting of Katie Capri (who provided this site with an important piece for the inaugural A Year’s Worth of Memories series). This won’t be the last time they’re featured on this site.
It’s taken a little over a month for PWR BTTM to become one of the most-written about bands here at Heartbreaking Bravery. A large part of the reasoning behind the centralized coverage is the duo’s insane live show. Even taking the pointed visual theatrics out of the question, the band’s an absolute powerhouse. Ugly Cherries, the band’s forthcoming full-length, is one of the year’s stronger releases and the band continues to push themselves to their limits when they play, as if they’re performing some sort of self-exorcism for the benefit of their audience. That dynamic was put on full display once again at Shea, where they weathered some technical difficulties to deliver yet another memorable set.
A very select few shows are instantly unforgettable and more often than not the reasoning boils down to circumstance. On this occasion, a last-minute change of location was made in the interest of the people who were hoping to see Johanna Warren (another A Year’s Worth of Memories contributor) perform. The original house venue that was set to host the show discovered a bed bug infestation so the songwriter took to social media to find an emergency replacement. After some negotiating, the show was re-sculpted completely and turned into an all-acoustic affair that was set to take place on a roof in Bushwick, which coincidentally offered a stunning view of the city that stretched outwards for miles. Only a small handful of some of Warren’s friends showed up and enjoyed the perks of such an intimate affair (and the generosity of those who provided free beer, wine, and snacks for the guests). Poetry was read to set the tone and then- with the moon shining brightly- Warren took a seat in front of the Brooklyn (and Manhattan) skylines to play a career-spanning selection of songs (including some that had never been performed in public) for a hushed audience. Not even the overhead jet noise could dampen the spell cast by something so sublime.
Just a week after laying waste to two crowds as Mitski’s guitarist, Callan Dwan (pictured above) wound up playing another show in Brooklyn after meeting up with one of her other two bands in the interim. Idle Bloom was a name that I’d seen on bills before but I’d never really had the chance to delve into the band’s discography- something that’s fairly limited, as of this writing. After Zen Hed (a new band featuring members of some prominent bands) set the stage for Idle Bloom with a shambolic set of scrappy rock n’ roll, the quartet took the stage and proceeded to dismantle their audience with an affecting blend of shoegaze, post-punk, and dark pop that was topped off with some subtle, well-placed psych flourishes. Fierce, grounded, staggeringly powerful, and- at their best- breathtaking, Idle Bloom wound up delivering one of the finest (and most unexpected) sets I’ve seen all year. With their full-length record currently going through the necessary processes in the lead-up to its release, this is definitely a band to watch closely. Stay tuned to this site for more updates on the band (as well as the record) and click play to discover an emerging act that’s worth meeting with no shortage of excitement.