Heartbreaking Bravery

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Tag: All You Gotta Be When You’re 23 Is Yourself

Watch This: Vol. 131

Over the course of the past two full weeks, there has been a brief reprieve from the Watch This series, which normally runs in weekly installments. Part of the reasoning behind its recent absence has been explained in previous posts (it was mostly a matter of scheduling) but returns now in a two-part installment to cover those complete weeks. The week that’s currently in session will be accounted for on Sunday and unaffected by these installments. Laura Stevenson, NUEXTango Alpha Tango and the Malady of Sevendials, The Dirty Nil, Charles Bradley, Bruiser Queen, Spooky Ghosts, The Goon Sax, Weakened Friends, Bombay, Money, Beach Slang, Adia Victoria, Protomartyr, and Maritime were the featured artists that comprised roughly half of the honorable mentions in the covered time frame, fully illustrating the strength of the featured cuts. So, as always, sit up, adjust the settings, focus, and Watch This.

1. Summer Cannibals (PressureDrop.tv)

PressureDrop.tv has been responsible for a lot of the more memorable full sessions of recent memory but the series recently topped themselves with this no-holds-barred session from site favorites Summer Cannibals. None of the other performers on the series’ enviable roster of guests have matched the sheer velocity of Summer Cannibals’ energy here and the visuals match that propulsion. Nearly every second of the performance feels perfectly complementary and suggests that PressureDrop.tv just might be realizing their full potential.

2. free cake for every creature – All You Gotta Be When You’re 23 Is Yourself (BreakThruRadio)

free cake for every creature have appeared on this site numerous times but with each successive link, they’ve bettered themselves and hit yet another apex with this BreakThruRadio performance of “All You Gotta Be When You’re 23 Is Yourself”, a standout from their most recent release. Conjuring up a spell of subdued magic, the band effortlessly breezes through the track and closes it out with a soft smile.

3. Clearance – You’ve Been Pre-Approved (Constellation Chicago) 

One of last year’s more overlooked releases came in the form of Clearance‘s excellent Rapid Rewards [full disclosure: my photography is used for the back art] and the record’s allure has actually grown since its release. A large part of that is thanks to Mike Bellis’ knowledgeable songwriting, which is front and center in this recent solo take of one of that record’s many highlights, “You’ve Been Pre-Approved”.

4. Tancred (Little Elephant)

Something is happening in these Tancred videos for Little Elephant that both suggests they’re unfinished and creates a curious pull that’s not entirely dissimilar from quicksand. The performance from the band, as ever, is sharp as hell but the audio sounds canned, as if only an overhead mic was picking the band up. That effect winds up working in tandem with the band’s influences astonishingly well, creating a damaged VHS sound quality that transforms this session into a surprisingly gratifying Easter egg.

5. Julien Baker (Exclaim!)

If a pro-shot Julien Baker session emerges over the course of any given week, it’s probably safe to assume that it’ll find representation in this series. Baker’s an innately talented performer and a mesmerizing lyricist that’s already managed to carve out a space next to Elliott Smith as one of the most effective and intimate narrators of tragedy that the music world’s had in quite some time. All of those qualities infuse this recent two-song performance for Exclaim! with a hypnotic sadness that manages to be both reassuring and heartrending all at once.

Parquet Courts – Human Performance (Music Video)

parquetcourts

There were a lot of great clips to emerge over the past two weeks. Some of the artists responsible for that welcome trend were Angel OlsenGirl Band, ScotDrakula, Free Cake For Every Creature, Fury Things, Nap Eyes, Dinosaur Jr, Deerhoof, AJJ, Wolf Eyes, The Coathangers, The Velveteins, Thin Lips, ON AN ON, MRCH, Adam Olenius, Mumblr, and VHS. As great as several of those wound up being, few could match the bizarrely singular nature of the unforgettable, quasi-nightmarish clip that Parquet Courts offered up for career highlight “Human Performance“.

Likely knowing they’d have to live up to their strongest song to date, Parquet Courts turned in a clip that centered on puppets that boasted an intangible, human quality that makes “Human Performance” at once endlessly fascinating and deeply unnerving. It’s as if the band, through some unholy miracle, found the way to perfectly visualize the most deep-seated neuroses that informs the song. There’s a certain Lynch-ian quality to the proceedings, managing to be painfully grotesque and undeniably human all at once.

As good as “Human Performance” — easily one of this year’s best songs — was on its own, the clip manages to complement it so effectively that it creates a symbiotic relationship with each format heightening the other. From the song’s resigned delivery to the video’s frank depiction of late-life sexual exploration, everything syncs up in a transcendental tapestry of repressed emotions.  In both cases, “Human Performance” is a meditation on what it truly means to be human and all of the limitations that accompany humanity’s frequently cruel realty.

It’s a video that’s proven to be impossible to shake and a watch that practically demands revisits. Bold, original, and even brave, “Human Performance” is a cogent reminder of the artistry that can be granted to — and even defines — the most mundane, trivial details of life. Since it’d be nearly impossible to capture the overwhelming amount of sheer feelings that runs through every single frame of the video, I’ll just shut up and let the clip speak for itself.

Watch “Human Performance” below and pick the record up from Rough Trade here.