Heartbreaking Bravery

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Tag: ADVAETA

2015: A Visual Retrospective, Vol. 6

Potty Mouth

Throughout the course of 2015 I’ve been fortunate enough to attend upwards of 100 shows, festivals big and small, and spend approximately half a year living in a city that hosted a mind-boggling amount of quality shows on a nightly basis. To that end, it’s probably unsurprising that I wound up taking over 10,000 photos this year alone. Over the course of the next few days, this site will be running seven volumes of the shots that stood out as personal favorites, whether that was due to their composition, sentimental attachment, or an intangible emotional or intellectual response. It’s been an honor to be able to take even the smallest part in the ongoing sagas of the artists in the photographs below and an additional thanks is due to the venues that allowed me to shoot (as well as the people who encouraged me to keep shooting).

Enjoy the gallery.

 

Swirlies – Live at The Silent Barn – 7/4/15 (Pictorial Review, Live Video)

Swiries VI

Fourth of July, traditionally, is an American holiday that’s characterized by pride and excess. A clear amount of both traits were visible in the lead-up to the celebration that was hosted by Silent Barn, an event hosted by adhoc and headlined by Swirlies. Over the past decade a feverish, cult-like dedication has been granted to Swirlies, whose impressive body of works deserved far more acclaim than it initially received.

Now, there’s a renewed interest in the exact type of music Swirlies excelled at- and possibly even perfected- when it was distilled into their career highlight, Blonder Tongue Audio Baton. Before they took the stage to a diverse, adoring audience, those in attendance were treated to two excellent opening sets. ADVAETA had the first slot and they wasted no time in setting the tone for the evening.

Kaleidoscopic guitar work, frenetic drumming, off-kilter composition, and an impressive pop sensibility permeated throughout the trio’s set and it was evident that they were pushing themselves to deliver at their absolute best. It was an impressive display of fireworks that seemed perfectly suited to the date. Krill followed up as the second opener and anyone that’s kept even an irregular eye on this space knows exactly how this site feels about Krill. To succinctly quote bassist/vocalist Jonah Furman: “Krill forever.

Swirlies took to the stage amidst a flurry of technical problems and eventually decided to forego the opening noises of Blonder Tongue Audio Baton, opting to imitate them vocally instead of attempting to sort out that particular issue. After that brief hiccup, the band was off, playing with a very palpable love for their songs, the album, and each other- a despairing rarity in today’s musical landscape.

If a note was flubbed, they’d smile and push forward. They invited fans to the stage to play the radio and a string of brief CB-style exchanges poured out of the PA, ranging from mundane to hysterical. Following a deeply impressive run through the record that climaxed with a beautiful rendition of the record’s closing track, “Wait Forever”, the band was successfully called back to the stage for an impassioned one-song encore.

Beaming, exhausted, and grateful, Swirlies made their final stage exit of the night, having just provided an explosive finale memorable enough to surpass just about any state, county or city’s airborne exhibitions. All the bald, middle-aged man standing next to me could do was stare out blankly and shake his head in awed silence. I had to agree.

A gallery of photos from the show can be found here and an embed containing performance captures of various songs in each band’s set can be found below. Enjoy.

1. ADVAETA – Come With Me
2. Krill – Brain Problem
3. Krill – Turd
4. Krill – Purity of Heart
5. Krill – Torturer
6. Swirlies – Bell
7. Swirlies – Jeremy Parker
8. Swirlies – Wait Forever

Watch This: Vol. 83

While the past week has been, by and large, dedicated to live coverage (a knock-on effect of moving  to a city that hosts multiple shows a night), I’ve still been keeping a wayward eye on both the present release cycle of songs, records, and live captures. It’s the latter category that this post, the 83rd installment of a series that celebrates some of the week’s best live footage, will use as its focus. As usual, there were more than five entries to be considered for a final spot and the clips that didn’t make the cut aren’t worth ignoring, either. So, when you’re done with the feature videos, double back and check out some recently posted performances by Advaeta, Izzy True, Painted Zeros, The Tallest Man On Earth, and Gianna Lauren. Until then, sit back, adjust the lighting to your preference, turn the volume up, lean in, and Watch This.

1. Mikal Cronin – Say (WFUV)

Mikal Cronin, now three records into what’s proving to be an astonishing solo career, has a legitimate claim at being one of this generation’s finest pop songwriters. While MCIII didn’t quite reach the heights of perfection that its immediate predecessor managed but it was compromised of several golden moments, nonetheless. One of those moments came in the form of “Say”, which Cronin and has band dive headfirst into here for WFUV, perfectly capturing that fleeting moment of uncertainty before being consumed by the feelings that accompany any notable dive, jump, or other drastic action.

2. PINS (KEXP)

One of this year’s more intriguing breakout acts, PINS have been making the most out of their newfound attention. They’re delivering at seemingly every opportunity, this KEXP session most certainly included. A jagged band with intriguingly sharp edges, they’ve made no qualms about embracing post-punk’s inherent rawness. In four songs, they manage to fully establish their identity and will more than likely wind up with a few more converts on their hands.

3. Hop Along (NPR)

At this point, Hop Along‘s on this list more often than not and close to all that can be said about their live show has been said in this column already. Here, they get to experiment with stripping back ever so slightly for NPR’s Tiny Desk Sessions series and the results are predictably stunning. Frances Quinlan’s vocals are given even more emphasis but the music’s intrinsically gentle qualities are also given the opportunity to be maximized, capitalizing on a dynamic that suits the band to quiet perfection. As usual, it’s a performance that’s not worth missing.

4. Tica Douglas – All Meanness Be Gone (WMUA)

Joey was one of 2015’s most welcome surprises back when it was released (and maintains that position now). In that record’s penultimate track, “All Meanness Be Gone”, nearly every aspect of Joey‘s identity-intensive narrative is spun together in a tapestry that’s as devastating as it is heartening. WMUA recently had Douglas in for a solo acoustic session that included a heartfelt performance of the song, one of the year’s best, which can (and should) be seen below.

5. No Joy (KEXP)

At this point the heap of bands fighting to distinguish themselves from each other that operate in the middle ground between traditional post-punk and shoegaze is so expansive that it’s nearly impossible. No Joy manage to make it look effortless in a commanding KEXP session that sees them playing songs old and new. Occasionally muddled but never murky, these four songs present No Joy as an unlikely powerhouse who are clearly ready for bigger stages. Heavy, uncompromising, and ultimately exhilarating, it’s both KEXP and No Joy at their absolute finest.

Dilly Dally – Gender Role (Stream)

dildal

One last big overhaul will be contained in this piece and 25 of the best songs from the first quarter of the year will follow. I wish I had time to give all of these songs the words and attention that they deserve but, unfortunately, time has dictated that this is the most effective mode of catching the site up to the present release cycles. All of the songs that were listed in this piece- and in pieces past- are worthy of inclusions to any collections. One of those many songs earns this piece’s headline: Dilly Dally’s electrifying new single, “Gender Role”.

It’s a song that capitalizes on the band’s built-in identity and aesthetic trends, with post-punk gloom reverberating through every single impassioned second. Already fully-formed just a few songs into their career, their warning shot- one that damn near topped our best 7″ Records of 2014 list- set the floor for “Gender Role”. In turn, “Gender Role” goes a long way in proving that the Candy Mountain 7″ was no fluke. Here, the band adds an adrenaline shot of genuine fury to the mix and it pays off to tremendous effect. Vocal wails, a formidable rhythm section, and incendiary guitar work act as a great reminder of Dilly Dally’s inherent strength and limitless potential, making “Gender Role” a fierce example of why Dilly Dally deserves to be on everyone’s radar.

Listen to “Gender Role” below and keep an eye on this site for continuing coverage of the band. Beneath that, enjoy a selection of 75 great songs from the first part of the year.

Buyer’s – Brand Loyalty
T-Rextasy – I Wanna Be A Punk Rocker
Heeney – Brooklyn Pop
Alex Napping – Trembles, Pt. 1
Chris Weisman – Cold Chimney
Los Angeles Police Department – Water and Wine
Robert Pollard – Up and Up and Up
Together PANGEA – I Looked In Too
Ryley Walker – Sweet Satisfaction
Jacco Gardner – Find Yourself
KDH – Beloved Devotion
Fond Han – Sub City Blues
Turn to Crime – Prince of Slackers
EULA – Like No Other
Nadine Shah – Fool
Bohannons – Black Cross, Black Shield
Algiers – But She Was Not Flying
Living Hour – Steady Glazed Eyes
Le Volume Courbe – The House
Slow Turismo – Corners
Antony Hegarty & Yoko Ono – I Love You Earth
Colin Stetson & Sarah Neufeld – The Sun Roars Into View
Jeff Rosenstock – Beers Again Alone
Surfer Blood – Dorian
Arm Candy – Lounge Lizard
ADVAETA – Angelfish
Family Bike – Idiot Boy
HSY – Sally
Never Young – Ur A Front
Fever & the Fret – Sasha in the Morning
Waxahatchee – Fish Eyes (Bottomless Pit)
The Nudes – Zima
Sammy Kay – Saints and Sinners
Vaadat Charigim – Ein Li Makom
Mall Walk – Criminal Code
Krill – Billy Madison Victory Song
JEEN. – NY Island
Holly Miranda – All I Want Is To Be Your Girl
Faith Healer – Canonized
Vetiver – Loose Ends
The Helio Sequence – Stoic Resemblance
So Stressed – Merv King & The Phantoms
Soft Cat – Diana
Kopecky – Quarterback
Bombay Harabee – Dotted Line
Paul De Jong – Auction Block
Fort Lean – Quiet Day
Peach Kelli Pop – Plastic Love
This is the Kit – Silver John
Oddisee – That’s Love
Spring King – They’re Coming After You
Wire – Split Your Ends
Public Access T.V. – Metropolis
Black Baron – Fluorescent Light
Docking – Meat Hook
The Nudes – The Internet
Bent Denim – Caitlin
Kendrick Lamar – King Kunta
Simon Joyner – Nostalgia Blues
Tree Blood – I Want You to Cry
Houndstooth – Borderlands
Van Dale – Speak Yellow
Mute Forest – Infinity Pools
Aquarian Blood – Savage Mind
Shunkan – Our Names
Part Time – Fallin’ 4 U
Tom Levin – Thunder On
MNDR (ft. Killer Mike) – Lock & Load
Kathryn Calder – Song in Cm
The Cribs – An Ivory Hand
House of Wolves – Love
All People – Conversations
Lost Boy ? – About the Future

Speedy Ortiz – The Graduates
Joanna Gruesome – Honestly Do Yr Worst
Dave Segedy – Walk Around

Waxahatchee – Under A Rock (Music Video)

kt

After the Downies review and accompanying round-up ran yesterday, the plan that was laid out in the introductory paragraphs was set in stone. Then today happened. Over the past few months, the sources where I turn to for material increased- as did the amount of emails I’ve been receiving. Every day, I’m finding roughly twenty things I wish I could dwell on for paragraphs. Contesting that desire is the harsh reality of time- so a few adjustments are going to be made. I currently have more than 250 songs from 2015 to link on the site so I’ll be providing lists of 75 (and one of 25) until that number’s brought to 0. It’ll be an additional part of what- as of tonight- will be regular daily coverage of new content. By the end of next week, things should be back to their normal pace.  It’s been a difficult, transitional time but it killed me to force the site into relative inactivity over the months following the 2014: A Year’s Worth of Memories project (and once again, I’d like to take the time out to sincerely thank all of that series’ incredible contributors- I’m sincerely grateful for your work).

Getting back to what matters, the material to have surfaced today has only reaffirmed the fact 2015 has been an absurdly strong time for music. For full-lengths, there was a powerful self-titled from American Wrestlers and a feral 7″ from recent Don Giovanni act Pinkwash. Music videos had even more to offer with Kopecky unveiling a charming lyric clip for “Quarterback“, Crushed Beak’s astonishingly lovely “History“,  TOPS’ unnerving animated adventure in “Driverless Passenger“, BETS’ artful black-and-white tryst in “Jenny“, and Froth’s blistering “Postcard Radio” (which very nearly earned today’s feature spot). Most of all, though, there were songs.  Site favorites Speedy Ortiz raised expectations for their forthcoming record even higher with the gnarled “Puffer“, Total Babes (who feature Jason Gercyz of Cloud Nothings) unleashed the spiky “Heydays“, and Slonk Donkerson reveled in a heavy sludge influence on “Painted From Memory“.  Death Valley Girls looked forward to warmer weather with “Summertime“, Hip Hatchet wove a delicate folk tapestry with “David’s Wolves“, while Meg Baird followed a similar pattern with “Counterfeiters“. Wave & Rome demonstrated an increasingly tired genre’s potential with “Across the Map” while The National demonstrated their propensity for an elegant consistency via the Sharon Van Etten-assisted “Sunshine On My Back“. Rounding everything off was Yazan’s rousing “Tell Me Baby” and Creative Adult’s hypnotically bleak “Ring Around the Room“.

While every single one of those is worth some level of investment, there’s just something about seeing your friends having a good time that elicits an inexplicably great feeling that’s impossible to sideline. Which is precisely why Waxahatchee‘s new video for “Under A Rock” is falling under tonight’s most meticulous level of scrutiny (and most thorough level of affection). I’ve long held a fondness for videos that celebrate lo-fi, VHS home video aesthetics. There’s a certain sense of time and place that accompanies the aesthetic, which winds up being a perfect match for the subtle sense of nostalgia that permeates all of Katie Crutchfield’s work as Waxahatchee. As one of Merge Records’ newest artists, Crutchfield and her collaborators have started off- predictably- on an extended series of grace notes. Now that NPR has verified Ivy Tripp is as incredible as its previews suggested. It’s fitting then, that the footage that comprises “Under A Rock” feels like a hard-won victory lap. From the lineup that performs the song in the video (it’s difficult to see Allison Crutchfield join her twin and not be reminded of Bad Banana or PS Eliot, two bands that meant a lot to me as I started exploring DIY punk’s fabric nearly a decade ago) to the faces in the crowd (Radiator Hospital‘s Sam Cook-Parrott and Cynthia Schemmer are always a welcome sight- as are the innumerable other familiar faces to appear throughout the clip), “Under A Rock” feels like a homecoming celebration built on mutual fondness and respect- which is a trait that this site will always support.

Watch “Under A Rock” below and pre-order Ivy Tripp from Merge here. Below that, explore 75 great songs from 2015’s first quarter that caught my ears (a few of them are on records that are already out but they’re definitely worth revisiting). Enjoy.

Treasure Fleet – Settle Your Mind
Frankie Teardrop – Get It (Kelly)
Alright – Cold Feet
Erase Errata – History of Handclaps
Modest Mouse – The Best Room
Computer Magic – Shipwrecking
Toner – High & Dry
Der Weg Einer Freiheit – Requiem
Bully – I Remember
clipping. – Summertime
The King Khan & BBQ Show – Illuminations
Seratones – Chokin’ On Your Spit
Rye Pines – Pessimist
Los Angeles Police Department – Insecurity
Johanna Warren – Less Traveled
Mac McCaughan – Lost Again
The Amazing – Safe Island
Death – Look At Your Life
Outfit – Genderless
Lord Huron – The World Ender
Torres – Strange Hellos
The Cribs – Different Angle
Downtown Boys – Monstro
The Twilight Sad – The Airport
Torche – Loose Men
Will Butler – Madonna Can’t Save Me Now
Cillie Barnes – Facework
Dead Heavens – History in My Hands
Blood Sister – Ghost Pussy
Bright Like The Sun – White Lights
Peter Doherty – Flags of the Old Regime
The Babies – Got Old
NEEDS – The Only Good Condo Is A Dead Condo
The Mountain Goats – The Legend of Chavo Guerrero
Ava Luna – Billz
Braids – Taste
Marriages – Skin
Pope – Let Down
Obnox – Menocause
Andy Gabbard – Octoman
St. Vincent – Bad Believer
Nude Beach – Been Waitin’
Mexican Slang – Fever
Never Young – Like A Version
Simon Joyner – You Got Under My Skin
Sun Kil Moon – Ali/Spinks 2
Stalls – Tooth and Nail
Nano Kino – Never Seemed to Happen
TULA – River
In Tall Buildings – Bawl Cry Wail
Frank Black – How You Went So Far
Troy Samuela & Monsoonsiren – Fiend
Passenger Peru – The Best Way to Drown
Girlpool – Ideal World
RA – These Days
Native Lights – Blue Star
Soft Cat – Somebody
Steady Lean – Atkins
A Place to Bury Strangers – We’ve Come So Far
Gill Landry (ft. Laura Marling) – Take This Body
Aero Flynn – Crisp
Calexico (ft. Ben Bridwell) – Falling From the Sky
Lieutenant – Rattled
Laura Marling – I Feel Your Love
Dave Segedy – Car
Jet Setter – Forget About It
Paridolia – Violent I
WAND – Reaper Invert
Young Guv – Crawling Back to You
Chromatics – I Can Never Be Myself When You’re Around
Inventions – Peregrine
Thee Oh Sees – Web
Honeyblood – No Big Deal
Warehouse – Promethean Gaze
ADVAETA – Hazel/Blue Eyes